Glitch is an fx plug-in that lets you bring rhythm and movement to your mixes, featuring a host-synced trance-gate and multi-tab delay, and the signature 'glitch' effect that rhythmically alters the playback speed of your track in real-time. This combination of effects lets you quickly create interesting vocal chops and modern syncopated beats, or transform any track into an almost unrecognisable rhythmic mix element, allowing for new and unexpected flavours. 

Creating basslines in modern music can be tricky. Getting them distorted and wide, whilst retaining mono compatibility often takes a lot of fine-tuning and experimentation so we created the Renegade Mini to simplify this process, and speed up your workflow.

As the name suggests, this is a scaled-down version of its big brother which will be coming out later in the year. But don’t let it’s simple interface fool you, the Renegade Mini is packed with the same processing technology as it’s big brother, in fact, the only difference is the scaled down GUI and the signal processing is the equivalent to an 11 plugin signal chain, so there’s a lot going on in the background.

The Renegade Mini is designed to let you quickly enhance your basslines, and is particularly useful in modern dance music production.

Paradox is a multi-fx plug-in that features an advanced push-pull equalizer and a variable RMS-time parallel compressor, both offering stereo, mid and side options. Its clever signal path has an extremely pronounced character and lets you bring out certain elements in your mixes with incredible ease. 

Following the release of our creative reverb plugin 'Oracle', we've since been inundated with customer requests asking if we could release the 'Flanger' as a plugin in its own right. We thought this was a great idea, however, we felt we could further improve this and so began the development of Nebula.

Nebula is a multi-fx plugin that features Stereo Delay, Chorus, Flanger, Filter & LFO sections that can be used to add serious sonic madness to your music.

The signal path of Nebula is one that has been used by our in-house sound designers over the last 3 years, and has featured in a plethora of sample packs.

Following the combination of the signal path and 5x powerful effects, as well as an intuitive interface and super lightweight code, Nebula was born.

When you’re mixing or mastering music, sometimes you may find yourself in a situation where you need to manipulate the audio in a way that falls outside the realms of what a conventional plugin can do, and with this in mind, SoundSpot set out to create a plugin that can solve this problem.
 
Introducing the Axis... The Axis is a combination of two of their most popular plugins, the MSW1 & Propane with the addition of a brand new upwards and downwards compressor that is capable of dual directional compression which can be both subtle and brutal. But it doesn’t end there! SoundSpot have made the whole unit multiband, for complete control over the incoming signal, allowing you to manipulate the audio to get punch, clarity, groove or sparkle without the need to load up a huge number of individual plugins.

The Axis linear phase has been made to be lightweight, so go wild... The only limit is your imagination. 

Punch, Warmth and Presence, instantly.

Give your masters, buses or individual tracks extra polish with this smart effect. HIKU might only have three controls, but under the hood, there’s a precise mix of processing tailored to add warmth, power and clarity to any audio signal. 

As well as sounding great on single tracks or groups, HIKU is a vital stage in any mastering chain.

HIKU’s processing is split into two bands. You can control the frequency of this split using the frequency dial. Both the low and high bands are processed using saturation for crunch and character, parallel processing for punch and control, and stereo imaging for definition. The algorithms on each side of the frequency split are tailored towards the different processing needs of low-frequency and high-frequency audio.

The central Mix parameter dials in the amount of HIKU’s effect that’s applied to the signal. Set it to low levels to subtly cook the audio, and push it to higher levels to bring life back into stale sounds.

You can raise the end-to-end crossover frequency dial to 20,000Hz to get HIKU’s low processing over the entire signal, or lower it to 20Hz to get HIKU’s high processing on a whole channel.

Use the top-left gain control to compensate for any level changes introduced by HIKU, and bypass the plugin to audition the signal before and after processing.

Instant Creative Half-Speed Effect

For Trap • EDM • Hip-Hop • Techno • House • And More

Enter a world of spaced-out, slowed-down sound with HalfTime, the only plugin 100% dedicated to half-speed effects, in use by Armin van Buuren, David Guetta, members of 808 Mafia, The Chemical Brothers and more.

HalfTime transforms any audio into a dark, downtempo version of itself, giving your tracks huge mood and atmosphere. Lead synths mutate into heavyweight EDM bass monsters. Plinky piano lines become haunting trap melodies. Percussion thickens, expanding to reveal new rhythmic possibilities.

Just add the plugin for an instant half-speed effect with zero set-up, or go in deep with powerful creative controls. HalfTime works on loops, virtual instruments or even live audio input, inspiring you in seconds.

The hands-on 'Power' button makes it easy to fit HalfTime into your tracks - create a rapid switch or sink in slowly with smooth fades up to 16 bars.

Three-speed 'Modes' give you classic half-speed, tight harmonies and shuffling swing rhythms, and drugged-out quad-time playback. Adjustable 'Loop' length allows multi-bar slow-downs, funky syncopations and totally new grooves.

Slow only the lows, mids or highs with the 'Band' split - generate deep bass movement, fatten midrange percussion, or flip your top-end on its head.

BLEASS Slow Machine

Tape Stop and Slow-Down Effect

Slow Machine mutates any beat or melody from predictable to innovative. Revamp leads into deep basses, thicken percussion, and add live & sequenced tape stop effects!

Thanks to 3 different yet complementary ways of manipulating time with creativity, BLEASS Slow Machine can deepen any beat by completely or partially slowing down the audio signal, transform epic leads into heavy basses, and add some “tape stop” effect with precision either by touching the X/Y Stop trigger or by dialling in precise sequence automation.

Slow Down Stage:

A creative and straightforward slowdown effect that modulates both rhythm and pitch.

You can modulate:

• Loop Size
• Play Speed
• Quantization
• Filter (frequency band)
• Crossfade between Loops

Time StopStage

Specially made for performance, TIME STOP gives an intuitive and visual way to instantly create a classic tape stop effect.

• Trigger - The “Stop” button triggers the time stop effect within a given duration.
• Mode - Choose between 4 modes: ‘Step’, ‘Ramp Up & Down, ‘Ramp Down’ and ‘Ramp Up’.
• Hold - When Hold is ON, the trigger is not released until Hold is turned OFF.
• Speed - Control precisely the play speed.

Sequencer Stage:

The speed sequencer stage offers a unique way to program speed variations in your music.

• Length - Sets the number of steps.
• Resolution - Sets the duration of a step.
• Grid Snap - When ON, steps snap to the grid.
• Sequencer - Sets a playing speed per step. Each step has 4 different curve modes.
• Amount - Controls the amount of sequencer speed modulation.
• Randomness - Sets the amount of randomness of the sequencer.
• Fade - Controls the crossfade duration between each step.

The quickest route to lo-fi and removing high-end detail from audio.

Beatgrader is modelled on the techniques being used by beatmakers to create lo-fi, underwater and distorted low ends. We've also added saturation to that process which allows you to add more weight.

Simply select a resampling frequency button and apply saturation.

Select a resample rate to quickly remove high-end detail. Beatgrader's algorithm models off-line resampling techniques to deliver a unique lo-fi, underwater sound in real-time. Includes a saturation control to add weight.

Backmask is a chaotic reverser plugin inspired by a nostalgia for the sunny days of demon cult hysteria. Back when shadows were lurking around every corner, under every object, infecting the precious youth with subliminal brainwashing signals. Simpler times.

Backmask uses government approved paradox processing technologies to expose these hidden terrors of music. Uncover the plots of ghosts, aliens and other rogue entities with Freakshow Industries Backmask.

Shape Your Sound

Dynamic frequency Sweeping is a new way to be creative and open up your mix. It’s a more natural alternative to side-chain compression and gating and a creative tool that lets you completely reshape your sound.

How does it work?

The Sweeper plugin is a dynamic envelope following a filter with sidechain input. The plugin works by responding to a received input, either directly or via the sidechain, and moving a low pass filter or high pass filter to the shape of that input. This gives the plugin incredible flexibility and a broad range of uses, whether that’s with generating effects, or being used more precisely as a mixing tool. The plugin is suitable as a more natural-sounding and precise alternative to sidechain compression, for example.

Key Features

• Adaptive Filter: The Sweeper sets its frequency based on the loudness of the source or side chain signal.
• Resonance: Go from subtle to extreme resonance for a wide range of use cases.
• Side Chain: Shape the frequency response of one track using another track as a trigger signal. Invent new sounds and create space in your mix.
• Interactive Graph: See in real-time how the filter response to the source signal or side-chain.
• Attack & Release: Precisely control the filter’s behaviour over time.
• Start & End-Frequency: Define the filter’s desired start and end frequency with the option to flip its direction.
• Resizable Interface

Lazer sharp tool for creating a massive and controlled low end for your tracks in seconds. compression and EQ: eat your heart out.

The Bass XL adds weight and also works great on melodic content. Enhance a bass or electric guitar, a kick drum, sub-bass, percussion track or a whole drum sub-mix.

Cassette Inspired Degradation

Inspired by 4-track cassette recorders, ​SketchCassette II ​is designed to introduce a wide array of lo-fi effects into your mixes. From subtle warble to unearthed-from-the-attic destruction, ​SketchCassette II unlocks the full range of cheap tape sounds, while also offering the flexibility and control to push your sounds even further into total lo-fi weirdness.

Deliver Punch in Seconds

Hours of mixing and your drum loops still sounds like s... something you are not satisfied with? Don't waste that time anymore. If the solid, strong, proud, and punchy sound is what you desire then take a shortcut. Urban Puncher delivers it within a second. Save your time and ears for mixing other elements. The drum issue is solved with Urban Puncher.

The Quick Start To Your Mix

The S-Quick Strip is a simple plugin to use. Insert it on any track and use it as a console-style insert to quickly add saturation, EQ, compression, and transient manipulation.

The S-Quick Includes a polarity flip button, two circuits of saturation, a highpass filter, a two-band EQ with shelf and bell options, one-knob compressor with auto makeup gain, a transient designer, saturation wet and dry mix, and a compressor sidechain.

Includes Presets From These Producers:

• Sam Guiana (Silverstein, The Devil Wears Prada, Intervals)
• Jesse Ray Ernster (Doja Cat, Kanye West, Burna Boy)
• Sam Sherbin (Rachel Platten, BIG K.R.I.T, Stray Kids)
• Alberto De Lcaza (Miss May I, We Came As Romans, Four Year Strong)
• Zac Tiessen (Ubisoft, Netflix, Cole Rolland)

The Modules

• Input - The preamp section gives you a polarity flip button, a Gain knob to dial in the amount of saturation, a saturation button to switch between two circuits of saturation (off, the saturation will be subtle. on, the saturation will be dense and heavy with a slightly brighter tone) This section also includes a highpass filter button which when on engages a filter at 75Hz.
• EQ - The EQ section contains two knobs and two buttons. The buttons switch between a bell curve and a shelf. For the high-frequency section the bell is at 2kHz and the shelf is at 8kHz. For the low frequency section the bell is at 200Hz and the shelf is at 120Hz.
• Compressor - The compressor section contains just one knob (threshold) . Use this knob to dial in compression from the fixed settings. You can also engage auto makeup to compensate for the drop in signal when using extreme settings. The fixed compressor settings are: attack - 5ms release - 300ms, ratio - 4:1.
• Transient Designer - The transient designer section is another one knob module. Turning the knob clockwise will enhance the transients leading to a punchier sound. Turning the knob counterclockwise will remove some of the attack and punch of the transients and soften the sound.
• Extra Controls - The extra controls section includes a saturation mix knob to mix between the wet and dry signal. A compressor sidechain to allow low end to pass through the compressor and input and output gain knobs.

Creative Effects Sound Design

BLEASS Motion FX offers a new and creative workflow to effects sound design. Choose between 11 different effects and dynamically modulate it thanks to a highly versatile motion sequencer. Thanks to its very low CPU usage, load as many instances of Motion FX as you want and unveil new sonic territories!

BLEASS Motion FX contains 11 different effects which you can modulate precisely thanks to an intuitive and comprehensive sequencer.

The 11 effects included are:

• Low Pass Filter
• High Pass Filter
• Band Pass Filter
• Volume
• Pan
• Pitch Shifter
• Frequency Shifter
• Ring Modulator
• Warmth
• Bit Crusher
• Delay

Each effect has a parameter automated by the sequencer and can have one or more secondary parameters. Pick an effect and then modulate it dynamically.

Sequencer

The sequencer offers 4 to 16 steps, each step has a value and a curve. You can set the value by touching and/or dragging the step and set the curve by tapping the curve icon at the bottom of each step. Curves choices are: Step, Ramp Up, Ramp Down, Ramp and Smooth Ramp.

• Length controls the number of steps (4 to 16).
• Resolution controls the duration (in bars) of each step. (from 1/32 bar up to 4 bars)
• Grid snap: when set to ON, steps values snap to the displayed grid when you change their values.
• Reset: resets all steps to their default values (default value depends on the currently selected effect).
• Randomness sets the range in which step values are randomly chosen.
• Smooth sets the interpolation time between steps.

Effects

Low pass filter, high pass filter and bandpass filter

• The sequencer modulates the frequency value of the filter.
• A slider controls the resonance of the filter.

Volume

• The sequencer modulates the gain.

Pan

• The sequencer modulates the pan.

Pitch shifter

• The sequencer modulates the pitch. The pitch range is +/- 12 semitones.
• Grain Size sets the density of the granular pitch shifter.
• Grid sets the sequencer grid to Chromatic, Major or Minor. Set Grid Snap to ON to quantize the pitch to the selected scale.

Frequency shifter

• The sequencer modulates the frequency. The frequency range is +/- 1kHz.
• Fine adds an offset to the frequency set by the sequencer.
• If Stereo is On, Fine value for the right channel is the opposite to the left channel.

Ring modulator

• The sequencer modulates the frequency. The frequency range is 1Hz to 10kHz
• Fine adds an offset to the frequency set by the sequencer.
• If Stereo is On, Fine value for the right channel is the opposite to the left channel.

Warmth

• Warmth is a waveshaper. The sequencer modulates the strength of the waveshaper.
• Drive adds a gain before the waveshaper.

Bit crusher

• The sequencer modulates the rate of the bit crusher.
• Depth controls the depth of the bit crusher.

Delay

• The signal is delayed by a time set by the sequencer. The time range is 0 to 50ms.
• Feedback sets the amount of delay feedback.
• When Ping Pong is On, the delayed signal bounces back and forth between the left and right channels.
• Stereo sets the difference between left and right delays.
• A Dry/Wet control lets you set the balance between the dry and wet signals.

The random preset generator (dice button next to the presets manager) only affects the parameters of the current selected FX.
 

Breathe Life into Audio

Important Note: This is the Lite version of Lifeline Expanse with reduced functionality. The full version of Lifeline Expanse is also available. A comparison table of features is available at the bottom of this product page.

The Lifeline series begins with Lifeline Expanse Lite – a fast and intuitive multi-effect that breathes life into any sound by adding character, space and width.

Lifeline Expanse Lite creates authenticity and realism by using intricate re-amping techniques. Re-amping is the process of taking an audio signal and playing it out in an environment. The signal is sent through amps, mics and effects to add colour, texture and depth, then re-recorded.

Lifeline Expanse Lite distils this complex technique into a modern, sleek workflow that offers producers instant flexibility and control over every element. Rearrange the signal chain and delicately blend effects using each module's unique controls.

Overview

• 5 Effects Modules
• 20 Unique Algorithms
• Rearrangeable Modular workflow
• Resizeable UI
• Zero Latency

Replicate Realism

Re-amping helps to shape sounds and draw out their unique character. Where producers and engineers once needed hours to set up studios to create ambience and realistic room tones, Expanse can instantly create a realistic ‘live’ environment in a few clicks.

Expanse has a versatile range of speaker emulations to experiment with, ranging from classic recording equipment to modern-day devices. From a Gameboy and vintage 8-track recorder to high definition monitors and an electric guitar cabinet, decades of audio authenticity is ready and waiting. You can easily manipulate the age, tone and mix of each element to emphasise each device’s individual qualities.

• Device: Emulations of small consumer electronics such as phone and laptop speakers.
• Cabinet: Emulations of medium-sized guitar cabinets.
• Monitors: Emulations of larger studio monitors with a rich frequency response.
• Vintage: Uses the impulse responses from vintage recording equipment including a classic 8-track cassette recorder and a ribbon microphone.

Enhance Harmonics 

Dirt uses classic saturation to swerve between subtle warmth and thickness through to hard-hitting distortion and fuzz. Whether you need delicate textures or aggressive overdrive, Dirt takes on the challenge, effortlessly. Warm your mixes with gentle tape or tube saturation, or add a gritty edge to vocals, guitars, basses, synths and drums with Rectify and Fuzz.

The Tube, Tape, Rectify and Fuzz algorithms instantly add distortion, saturation, aggressive harmonics and noise to any sound you want. Using the Drive and Tone controls, the character of each effect can be easily dialled in to suit any context.   

• Tube: Smooth saturation for all-around analogue warmth. Increasing the drive provides heavier distortion.
• Tape: Adds subtle warmth, glue and fullness. Increase the drive for extra punch.
• Rectify: Introduces extra harmonics and fuzz an octave above the incoming signal.
• Fuzz: A heavy guitar fuzz for extreme harmonic overtones.

Digital Damage 

Reducing audio resolution to boost your sonic creativity. This is where Format shines – restricting digital audio data to produce warm, grainy layers, or much harsher digital deconstructions, depending on how far you want to take it. 

Every element of Format brings a distinct flavour. Degrade and Resample reduce the bit-depth and sample rate to collide two contrasting directions of digital distortion. Flatten combines these effects with a gate to toy with the resolution of the signal’s volume peaks, whilst Washed floods the audio to twist the sound wave into a bubbling, corrupted MP3. 

• Degrade: Reduces bit depth of incoming audio and causes digital distortion.
• Resample: Reduces the sample rate of the audio and causes digital distortion.
• Washed: An ‘underwater’ distortion that sounds like a corrupted low-quality MP3.
• Flatten: A combination of a gate and bitcrusher that reduces the resolution of the audio during transients.

Dream in Stereo

Give your audio movement, energy and tension by making the most of the stereo field. Manipulating stereo width is a vital processing technique in modern music production and allows producers to explore the full reaches of the sonic landscape. Expanse’s unique width controls can help you create vast soundscapes, captivating leads and intimate vocal takes.

Whether it’s through panning, pitching, signal boosting or detuning, Expanse offers balanced and detailed control over your mix. Access the full spectrum of your audio’s potential by utilising effective, streamlined parameters to produce any kind of stereo width processing. 

• Haas: Creates stereo width by duplicating the audio signal.
• Mid / Side: Alters the balance between the mid and side signal.       
• Detune: Adds pitch variation for a wide, chorusing effect.
• Mono: Reduces the width of the audio

A New Dimension

Reverb gives sound its organic and vibrant feel. The sonic reflections echo and decay, building natural room and depth in the mix. Use Expanse’s ultra-flexible Space module early in the signal chain as a reverb effect pedal or place it at the end to create a limitless environment for your instruments to explore.

Taking inspiration from classic reverb functions, Expanse focuses on four different algorithms that each offer a wide spectrum of space and time manipulation – the resulting reflections can be realistic and organic or synthetically stretched out. With reverb, time and space are key, and Expanse gives you the parameters and tools to precisely apply as much as you need. 

• Plate: A classic, fast sounding plate reverb producing the sound of vibrations through metal.
• Hall: A real-sounding room reverb at its smallest and a large concert hall at its largest.
• Spring: An emulation of the metallic and vintage-sounding spring reverb from a guitar amp.
• Slap: Slapback delay that can either add a single realistic, early reflection or create metallic feedback mayhem.

Features

• 5 Effects Modules (Re-amp, Dirt, Format, Width & Space)
• 20 Unique Algorithms (1024 different combinations)
• Drag & Drop Modular workflow
• Resizeable UI
• 100 Presets
• Zero Latency

Global

• Linkable Input/Output Gain Controls
• Frequency Smoothing & Gain Safety control
• Global Bypass
• Low-Cut/Hi-Cut Filter
• Dry/Wet Mix Control

Re-amp

• 4 Speaker Emulations
• Speaker Age control
• Output Gain, Tone, Dry/Wet Mix controls

Dirt

• 4 Saturation/Distortion algorithms
• Drive control (With Adv. Multiband processing)
• Dry/Wet Mix, Output Gain & Tone controls

Format

• 4 audio resolution reduction algorithms
• Crush control
• Dry/Wet Mix, Output Gain & Tone controls

Width

• 4 Stereo Width algorithms
• Stereo control
• Dry/Wet Mix, Output Gain & Tone controls

Space

• 4 Reverb algorithms
• Reverb Time control
• Dry/Wet Mix, Output Gain & Tone controls

New in Version 1.1.1

• Bug Fix - Connecting to server during activation

New in Version 1.1.0

• CPU Optimisation (35% reduction in CPU usage)
• 75 Additional Presets (Including 'Mastering' presets)
• Standalone Version

Version Comparison

Get Low

As a famous vocalist once sang, “It’s all about the bass” and in as far as most genres of music are concerned, she’d be correct! Bassline balancing has always been a big challenge for producers, especially at the mixing stage, as the dynamic range of low-end material can be huge. If you leave bass lines as they are, then they’ll threaten to unbalance the rest of your mix, but apply compression too liberally and a lively bass sound will have the life sucked out of it. So what to do?

That’s where Fundamental Bass comes in, giving you a quick way to tighten up the dynamics of your low end whilst keeping the snap and sparkle of mids and highs. The processing is achieved with an adjustable frequency split which feeds to two separate modules for processing. The low band features twin-compressors and imaging adjustment for clarity and mono compatibility. The high band compresses and adds grit, enhancing natural harmonics whilst keeping the bounce of the bass. 

With a clutch of useful parameters and a comprehensive range of presets, all you need to worry about is where to set the frequency split for maximum dance floor destruction.

Low & High-Frequency Split

The main concept behind Fundamental Bass is in the way it splits audio into high and low modules for independent processing. This way of mixing bass ensures that the low end is smoothly compressed without losing the excitement of mid and high-frequency dynamics. Green (low) and yellow (high) coloured modules make it easy to see which range you’re adjusting, and each has separate on/off buttons, gain sliders and mix ratio dials.

Low Module

The Balance dial sets a compression level with up to -60dB attenuation. Make-up gain is automatically applied. The Flatten dial is a more aggressive compressor, used for evening out the dynamics of really bouncy bass lines or acoustic material with a wide dynamic range. Experiment with these two compression types to control your bass whilst still maintaining the groove. 

High Module

Use the Balance dial to introduce gentle compression and the Drive dial to add a little (or a lot) of grit to the sound. You get tube-style saturation at low levels and full-on distortion when pushed harder. Careful tweaking of this control can add sparkling top-end to bass lines whilst keeping the low end clean and clear.

High & Low Pass Filters

Manoeuvre your bass line out of the way of your kick with the high pass filter handle - simply drag to determine a lower frequency limit and your kick and bass separation will sound much clearer. You can also ditch troublesome high frequencies that might be conflicting with other instruments. Just use the low pass filter handle to set a limit.

Split-stereo Imaging

An age-old producer trick is to collapse bass lines to mono. This ensures that they will mesh with the kick more effectively and better translate to a wider range of playback systems. Fundamental Bass can perform this trick easily, with independent stereo imaging sliders for the low and high modules. Set the low module to mono and high module to stereo to maintain the lively top end whilst centering any wandering low frequencies.

Mix & Balance

With independent gain controls for both the high and low modules, plus mix ratio dials for parallel processing, you can use Fundamental Bass for either subtle changes or powerfully expressive makeovers. The master clipper smooths out the dynamics of the outgoing audio and the output level slider allows you to set an accurate level for accurate A/Bing with the pop-free bypass control. 

Visual Feedback

The live frequency display towards the top of the interface shows exactly what’s happening to the signal as it’s being processed in real-time. Separate green and yellow meters correlate with the coloured high and low modules so you can visually monitor what’s happening each time you make a parameter change, with precision and accuracy.

Presets

With many included factory and artist presets, it’s easy to find the perfect starting point for your own bespoke bass tone. Tailored to specific bass characteristics and even other instruments, these factory options can be used to quickly cycle through parameter snapshots. The presets include everything from full-range bass compression, to frequency-specific transformations.

W.A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Move Through Time and Sound

LoFi Flux Machine is an instant classic effect that can be used to add appeal, life & character to any audio signal you feed into it. Its intricate mix of analogue modelled tape warble, flutter as well as a versatile tone section allow the creation of anything, from subtle stereo effects to full-blown creative sound transformations.

Yum Audio took their established virtual tape circuits and used them in a way that gives you full control over the behaviour and accuracy of their Warble and Flutter effects. The plugin can be very clean and precise or create a sound that is warm and has beautiful inconsistencies.

Features

• Add appeal, life & character to any audio signal.
• Analogue modelled Warble section for slow pitch changes.
• Flutter section with four distinct movement modes.
• Freely adjustable warble instability.
• Warble Width control to create wide stereo manipulations.
• Tone Section for characterful sound shaping.
• Warm and distinct Tape Saturation.
• Noise generator based on signal input.
• Dark and Bright controls.
• Stereo Width control known from Spread Light.
• Intensity Slider to change overall processing amount.
• Two time modes - free running or in sync with your session.

Pushing the Boundaries of Live Looping

Inspired by loved loopers of the past, Loop Lab expands the possibilities of live looping through its modern UI and innovative new features. 

Add Complexity and Texture to your Creations

In addition to providing control over speed, pitch, tempo, and stack delay, Loop Lab features the full suite of Stagecraft effects. This includes Stagecraft’s DJ Delay, Multiband EQ, Overdrive, BitCrusher, Chorus, Flanger, and more, all with a wet/dry mix functionality. Possibilities are extended even further with the use of real-time visualization of the stereo field, full parameter automation, and the option to save and share presets.

Full Automation of all Parameters

Loop Lab has the capacity to fully automate any parameter. This powerful feature unlocks the plugin’s full potential by allowing you to create more complex and expressive sounds than what’s possible with manual tweaking.