Blue Cat's Hot Tuna
Utility by Blue Cat Audio
Images
Description
Tuning with Cat-Ears
Blue Cat's Hot Tuna is a high precision chromatic tuner plug-in that can dim or mute the signal when active. The reference frequency can be adjusted to support any type of tuning. Hot Tuna is a very simple yet powerful plug-in: you can freely adjust the amount of dimming, an indispensable feature for live gigs!
The reference frequency can be changed (from 430 to 450 Hz), when non-standard tuning is required. Most of the processing is performed in the background so that the tuner does not impact the performance of the real-time audio engine of the host.
All in all, it is a very simple plug-in that will keep you safely in tune!
Video
Rating
Windows
- Windows Vista, Windows 7, 8 or 10 (32 or 64-bit)
- An SSE2-enabled processor (Pentium 4 or newer).
- Any VST / AAX compatible host software (32 or 64-bit).
Mac
- macOS 10.9 or newer (Intel or M1 Apple Silicon processor) (64-bit only)
- Any VST / Audio Unit / AAX compatible application (64-bit)
Tuning with Cat-Ears
Blue Cat's Hot Tuna is a high precision chromatic tuner plug-in that can dim or mute the signal when active. The reference frequency can be adjusted to support any type of tuning. Hot Tuna is a very simple yet powerful plug-in: you can freely adjust the amount of dimming, an indispensable feature for live gigs!
The reference frequency can be changed (from 430 to 450 Hz), when non-standard tuning is required. Most of the processing is performed in the background so that the tuner does not impact the performance of the real-time audio engine of the host.
All in all, it is a very simple plug-in that will keep you safely in tune!
Video
Rating
Windows
- Windows Vista, Windows 7, 8 or 10 (32 or 64-bit)
- An SSE2-enabled processor (Pentium 4 or newer).
- Any VST / AAX compatible host software (32 or 64-bit).
Mac
- macOS 10.9 or newer (Intel or M1 Apple Silicon processor) (64-bit only)
- Any VST / Audio Unit / AAX compatible application (64-bit)
Reverse
Utility by Initial Audio
Images
Description
Press Rewind <<
Reverse rewinds your mixes, instruments, vocals and even effect channels with up to 4 bars of length. Playback everything reversed with this easy to use effect plugin for windows and mac. Especially in modern productions such as Hiphop, Trap and EDM reverse can be a very interesting effect for instrument patterns and arrangement purposes to spice up your productions. The mix knob allows you to blend between the dry and wet signal. Reverse comes with a easy to use interface and can be resized seamlessly to make it look great in every resolution in your daw.
Video
Rating
PC:
- Windows 7 or higher
- 4GB Ram
- VST compatible DAW such as FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
Mac:
- OSX 10.6 (64-bit only)
- 4GB Ram
- VST or AU compatible DAW such as Logic, FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
Press Rewind <<
Reverse rewinds your mixes, instruments, vocals and even effect channels with up to 4 bars of length. Playback everything reversed with this easy to use effect plugin for windows and mac. Especially in modern productions such as Hiphop, Trap and EDM reverse can be a very interesting effect for instrument patterns and arrangement purposes to spice up your productions. The mix knob allows you to blend between the dry and wet signal. Reverse comes with a easy to use interface and can be resized seamlessly to make it look great in every resolution in your daw.
Video
Rating
PC:
- Windows 7 or higher
- 4GB Ram
- VST compatible DAW such as FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
Mac:
- OSX 10.6 (64-bit only)
- 4GB Ram
- VST or AU compatible DAW such as Logic, FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
SlowMo
Utility by Initial Audio
Images
Description
It Just Works!
SlowMo slows down your mixes, instruments, vocals and even effect channels by 100% in realtime. Playback everything in half-speed with this easy to use effect plugin for windows and mac. Especially in modern productions such as hiphop and trap halfspeed has become a common effect. SlowMo´s built in oversampling makes sure the halfspeed version of your audio sounds as high quality as possible. The easy to use interface can be resized seamlessly to make it look great in every resolution in your daw.
Video
Rating
PC:
- Windows 7 or higher
- 4GB Ram
- VST Compatible DAW such as FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
Mac:
- OSX 10.6 (64-bit only)
- 4GB Ram
- VST or AU compatible DAW such as Logic, FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
It Just Works!
SlowMo slows down your mixes, instruments, vocals and even effect channels by 100% in realtime. Playback everything in half-speed with this easy to use effect plugin for windows and mac. Especially in modern productions such as hiphop and trap halfspeed has become a common effect. SlowMo´s built in oversampling makes sure the halfspeed version of your audio sounds as high quality as possible. The easy to use interface can be resized seamlessly to make it look great in every resolution in your daw.
Video
Rating
PC:
- Windows 7 or higher
- 4GB Ram
- VST Compatible DAW such as FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
Mac:
- OSX 10.6 (64-bit only)
- 4GB Ram
- VST or AU compatible DAW such as Logic, FL Studio, Reaper, Reason, Cubase, Ableton Live, Bitwig, Machine, MPC Ren and many more
RX950 Classic AD/DA Converter
Utility by Inphonik
Images
Description
![]()
Legendary Grit and Crunch
Meet the RX950 Classic AD/DA Converter, Inphonik's first effect plug-in, designed to perfectly mimic the whole AD/DA conversion process of the Akai S950 in order to give your music this vintage, warm and crunchy sound with the ease & flexibility of a VST.
Key Features
- Legendary 12-bit resolution
- Perfect modelling of the S950's audio signal path
- Adjustable audio bandwidth (and thus sampling frequency)
- Original steep 6th-order low-pass Butterworth filter
- Stereo or mono operation
- Low CPU consumption
- Adjustable brilliance setting (high-frequency response)
- Graphical interface scaling options (from 1x to 2.5x)
- Parameter value keyboard typing on double-click
- NKS Support
Dead Simple Controls for a Killer Sound
-
Input Gain: Makes your sound loud ’n proud with the S950’s unique grit and warm distortion. It is powerful and will help anything stand out in your mix.
-
Audio Bandwidth: Controls the target sample rate and analog-to-digital conversion circuitry with an exquisite, yet remarkably subtle, aliasing effect.
-
Filter: Controls the S950’s infamous steep low-pass filter. Use it on separate elements, or on any output bus or master section.
-
Brilliance: Adjust the Audio Bandwidth's high-frequency response with the Brilliance knob (in Settings/Back panel).
![]()
In the Beginning
The Akai S950, one of the most famous samplers from the 80s, is largely praised for its legendary sound. Many consider the 12-bit grit and crunch still unmatched today. But the 12-bit resolution is not all. For over a year, Inphonik studied every bit of this studio gear masterpiece to bring back its unique character to your modern DAW with the RX950.
![]()
Video
Rating
Mac
- macOS 10.7 and higher (64-bit only) (Added M1 Apple Silicon support)
- VST 2 / VST 3 / AU / AAX
Windows
- Vista and higher (64-bit only)
- VST 2 / VST 3 / AAX
Linux
- 64-bit only
Important note: This software is 64-bit only and will not function on 32-bit systems.
Legendary Grit and Crunch
Meet the RX950 Classic AD/DA Converter, Inphonik's first effect plug-in, designed to perfectly mimic the whole AD/DA conversion process of the Akai S950 in order to give your music this vintage, warm and crunchy sound with the ease & flexibility of a VST.
Key Features
- Legendary 12-bit resolution
- Perfect modelling of the S950's audio signal path
- Adjustable audio bandwidth (and thus sampling frequency)
- Original steep 6th-order low-pass Butterworth filter
- Stereo or mono operation
- Low CPU consumption
- Adjustable brilliance setting (high-frequency response)
- Graphical interface scaling options (from 1x to 2.5x)
- Parameter value keyboard typing on double-click
- NKS Support
Dead Simple Controls for a Killer Sound
- Input Gain: Makes your sound loud ’n proud with the S950’s unique grit and warm distortion. It is powerful and will help anything stand out in your mix.
- Audio Bandwidth: Controls the target sample rate and analog-to-digital conversion circuitry with an exquisite, yet remarkably subtle, aliasing effect.
- Filter: Controls the S950’s infamous steep low-pass filter. Use it on separate elements, or on any output bus or master section.
- Brilliance: Adjust the Audio Bandwidth's high-frequency response with the Brilliance knob (in Settings/Back panel).
In the Beginning
The Akai S950, one of the most famous samplers from the 80s, is largely praised for its legendary sound. Many consider the 12-bit grit and crunch still unmatched today. But the 12-bit resolution is not all. For over a year, Inphonik studied every bit of this studio gear masterpiece to bring back its unique character to your modern DAW with the RX950.
Video
Rating
Mac
- macOS 10.7 and higher (64-bit only) (Added M1 Apple Silicon support)
- VST 2 / VST 3 / AU / AAX
Windows
- Vista and higher (64-bit only)
- VST 2 / VST 3 / AAX
Linux
- 64-bit only
Important note: This software is 64-bit only and will not function on 32-bit systems.
Lowtility 2
Utility by Venomode
Images
Description
Stereo Bass Utility
Lowtility 2 is a low-end filter and mid/side utility plugin. It lets you cleanly cut the low frequencies from your mix, and modify the stereo width of the low end.
Width Adjustment
Lowtility 2 lets you adjust the stereo signal of your low-end to clean up bass frequencies. Choose to reduce the width, or make it mono keeping either the mid-channel or one of the left and right channels.
Low Cut
Cut the low frequencies using a choice of 4 different filters, from a gentle 12dB roll-off, to a steep 48dB slice.
Stereo Meters
Lowtility 2 features both a Goniometer and a Correlation meter, visually displaying the phase and stereo information of your signal. The meters can be switched between full band or just the low band.
Video
Rating
Lowtility 2 should work in any DAW that can run VST, VST3, AAX, or AU plugins, on any dual-core system with at least 1GB of RAM.
Windows
- Windows 7 / 8 / 10
- 32 / 64-bit VST / VST3 / AAX Compatible DAW
macOS
- OSX 10.7+
- 64-bit VST / VST3/ AU / AAX Compatible DAW
Ubuntu
- Ubuntu 18.04+
- 64-bit VST Compatible DAW
Important Note: Mac and Ubuntu versions are 64-bit only.
Stereo Bass Utility
Lowtility 2 is a low-end filter and mid/side utility plugin. It lets you cleanly cut the low frequencies from your mix, and modify the stereo width of the low end.
Width Adjustment
Lowtility 2 lets you adjust the stereo signal of your low-end to clean up bass frequencies. Choose to reduce the width, or make it mono keeping either the mid-channel or one of the left and right channels.
Low Cut
Cut the low frequencies using a choice of 4 different filters, from a gentle 12dB roll-off, to a steep 48dB slice.
Stereo Meters
Lowtility 2 features both a Goniometer and a Correlation meter, visually displaying the phase and stereo information of your signal. The meters can be switched between full band or just the low band.
Video
Rating
Lowtility 2 should work in any DAW that can run VST, VST3, AAX, or AU plugins, on any dual-core system with at least 1GB of RAM.
Windows
- Windows 7 / 8 / 10
- 32 / 64-bit VST / VST3 / AAX Compatible DAW
macOS
- OSX 10.7+
- 64-bit VST / VST3/ AU / AAX Compatible DAW
Ubuntu
- Ubuntu 18.04+
- 64-bit VST Compatible DAW
Important Note: Mac and Ubuntu versions are 64-bit only.
LINone
Utility by MAAT
Images
Description
Essential Dithering at a Fantastic Price
LINone is your easy to use, lower cost entry into a world of better delivery. LINone gives you the essentials; precision, 1st order noise shaped dithering for 16 or 24-bit delivery using LINpro’s superior, modern engine.
LINone provides basic, high precision dithering at a price anyone can afford. Plus, LINone’s dither is more accurate and better sounding than the dither built into several popular DAWs. Compare LINone’s exacting action with your DAWs inbuilt dither. We think you’ll be surprised.
Rating
Operating Systems
- macOS 10.9 - 10.15 (Universal Binary 2) (64-bit only)
- Windows 7 and newer (32 & 64 bit)
Supported Platforms
- AAX Native (Pro Tools 10.3.10 and newer)
- AU, VST 2, VST 3
- Sample rates from 44.1 to 384 kHz
Essential Dithering at a Fantastic Price
LINone is your easy to use, lower cost entry into a world of better delivery. LINone gives you the essentials; precision, 1st order noise shaped dithering for 16 or 24-bit delivery using LINpro’s superior, modern engine.
LINone provides basic, high precision dithering at a price anyone can afford. Plus, LINone’s dither is more accurate and better sounding than the dither built into several popular DAWs. Compare LINone’s exacting action with your DAWs inbuilt dither. We think you’ll be surprised.
Rating
Operating Systems
- macOS 10.9 - 10.15 (Universal Binary 2) (64-bit only)
- Windows 7 and newer (32 & 64 bit)
Supported Platforms
- AAX Native (Pro Tools 10.3.10 and newer)
- AU, VST 2, VST 3
- Sample rates from 44.1 to 384 kHz
Mongoose
Utility by Boz Digital Labs
Images
Description
Mongoose lets you solidify your low end by collapsing your bass frequencies to mono. Out of the box, you will get a tighter, more focused low end. The clear, simple layout makes it so it couldn’t be easier to dial in the exact sound you need.
Here’s the deal: Having a nice wide stereo spread is great. It helps your mix sound more spacious and less cluttered. Instruments seem to fight less and everything just sounds more clear. But our brain reacts differently to a wide stereo spread in high frequencies than it does in low frequencies. Large stereo spread in high frequencies = good. Large stereo spread in low frequencies = not so good.
The problem exists because of the way our ears and brains are used to hearing sounds naturally. With low frequencies, we can’t really detect where a sound is coming from. It’s the high frequencies that lets us know where a sound is coming from.
This can lead to some major issues when mixing on monitors. You might have some low frequencies that are coming out of only one speaker, and you won’t be able to tell. Put on headphones, and it becomes immediately obvious that there is a problem. You can feel your head instinctively turn as your brain tries to figure out why the low end sounds so unnatural.
This is where Mongoose comes in. It takes all those wide low frequencies and puts them right in the middle where they belong. The result is a low end that translates better to headphones and 2.1 systems, and just provides a tighter, more natural sound overall.
This plugin really couldn’t be any easier to use than it is. Just set your crossover frequency, and everything below that is summed to mono. You can also fine tune how wide the stereo image is by adjusting the width knobs. This is the kind of plugin that should automatically be on every master bus.
Video
Rating
Available Formats
- Win (32 and 64 bit): VST, VST3, RTAS, AAX Native
- Mac (32 and 64 bit): VST, VST3, RTAS, AU, AAX Native
Mongoose lets you solidify your low end by collapsing your bass frequencies to mono. Out of the box, you will get a tighter, more focused low end. The clear, simple layout makes it so it couldn’t be easier to dial in the exact sound you need.
Here’s the deal: Having a nice wide stereo spread is great. It helps your mix sound more spacious and less cluttered. Instruments seem to fight less and everything just sounds more clear. But our brain reacts differently to a wide stereo spread in high frequencies than it does in low frequencies. Large stereo spread in high frequencies = good. Large stereo spread in low frequencies = not so good.
The problem exists because of the way our ears and brains are used to hearing sounds naturally. With low frequencies, we can’t really detect where a sound is coming from. It’s the high frequencies that lets us know where a sound is coming from.
This can lead to some major issues when mixing on monitors. You might have some low frequencies that are coming out of only one speaker, and you won’t be able to tell. Put on headphones, and it becomes immediately obvious that there is a problem. You can feel your head instinctively turn as your brain tries to figure out why the low end sounds so unnatural.
This is where Mongoose comes in. It takes all those wide low frequencies and puts them right in the middle where they belong. The result is a low end that translates better to headphones and 2.1 systems, and just provides a tighter, more natural sound overall.
This plugin really couldn’t be any easier to use than it is. Just set your crossover frequency, and everything below that is summed to mono. You can also fine tune how wide the stereo image is by adjusting the width knobs. This is the kind of plugin that should automatically be on every master bus.
Video
Rating
Available Formats
- Win (32 and 64 bit): VST, VST3, RTAS, AAX Native
- Mac (32 and 64 bit): VST, VST3, RTAS, AU, AAX Native
DIFIX
Utility by United Plugins
Images
Description
DIFIX
A lot of sound cards claim to have a Hi-Z instrument input. But in reality, the input impedance is not high enough to make your pick-ups work properly. And that has a displeasing effect on your instrument‘s signal. If you use one of the kind you definitely need DIFIX to make your directly recorded guitar or bass sound right.
Key Features
What it Does
Soundcard's instrument input is not the same as a proper DI-box. When plugging your guitar or bass directly in it your recording may lose brilliance and sound really dull. DIFIX uses a multi-band dynamic processor to level the sound and adds a little bit of analogue saturation as if you used a real DI-box.
Not Only for Home Studios
Mostly, you will need DIFIX when recording in a home studio with a cheap sound card. But even with hundred-dollar hardware DIs, you may still need a little fix. The question is not IF but HOW MUCH.
First Step Fix
The first step wrong, all track bad. DIFIX should be inserted as the first plugin on the guitar track. After you fix the input imperfection use all your favourite guitar effects and amp simulations.
Easy Operation
All the science is inside this easy looking plugin and so controlling it is no science at all. Simply choose if you are recording guitar or bass and decide how much should DIFIX improve your input signal.
Guitarists, Prepare for More
DIFIX is United Plugins' first electric guitar/bass dedicated effect. But it is definitely not the last. Expect something bigger to use in combination with DIFIX...
Save your Old Records
To play it fair, DIFIX can fix a lot. It can save and help to remix your old records. But if you are serious with direct recording buy a propper DI-box and use DIFIX in a combination with it.
Hassle-free Software Protection
No iLok, no dongle nor internet access is required for activation. United Plugin's software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.
Realistic 3D yet Flexible GUI
The photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size - make it smaller to save the valuable screen space, or enlarge it to make it easier to use.
15-Days Unlimited Trial Version for FREE
All the descriptions are nothing comparing to putting your hands on the plugin yourself. No saving limits. No noises. No boundaries. Engage the plugin in your project for real and fully exploit its powers for two weeks.
64-bit Adio Quality at ANY Sampling Rate
The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.
Smart Bypass
The intelligent way United Plugins manage bypassing ensures that you don't get any click or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.
Intelligent Sleep on Silence
This plugin intelligently detects whether it makes sense to perform processing at all. And if not, it temporarily turns on sleep mode. In such a state, it requires virtually no CPU at all saves the computing sources for other processes.
Video
Rating
Mac
- macOS 10.10 and later (M1 Silicon Mac and macOS 11 Big Sur supported) (64-bit only)
- Intel/AMD processor with SSE2 support
- VST2, VST3, AAX or AU compatible host
Windows
- Windows 8 - 10 (32 or 64-bit)
- Intel/AMD processor with SSE2 support
- VST2, VST3 or AAX compatible host
DIFIX
A lot of sound cards claim to have a Hi-Z instrument input. But in reality, the input impedance is not high enough to make your pick-ups work properly. And that has a displeasing effect on your instrument‘s signal. If you use one of the kind you definitely need DIFIX to make your directly recorded guitar or bass sound right.
Key Features
What it Does
Soundcard's instrument input is not the same as a proper DI-box. When plugging your guitar or bass directly in it your recording may lose brilliance and sound really dull. DIFIX uses a multi-band dynamic processor to level the sound and adds a little bit of analogue saturation as if you used a real DI-box.
Not Only for Home Studios
Mostly, you will need DIFIX when recording in a home studio with a cheap sound card. But even with hundred-dollar hardware DIs, you may still need a little fix. The question is not IF but HOW MUCH.
First Step Fix
The first step wrong, all track bad. DIFIX should be inserted as the first plugin on the guitar track. After you fix the input imperfection use all your favourite guitar effects and amp simulations.
Easy Operation
All the science is inside this easy looking plugin and so controlling it is no science at all. Simply choose if you are recording guitar or bass and decide how much should DIFIX improve your input signal.
Guitarists, Prepare for More
DIFIX is United Plugins' first electric guitar/bass dedicated effect. But it is definitely not the last. Expect something bigger to use in combination with DIFIX...
Save your Old Records
To play it fair, DIFIX can fix a lot. It can save and help to remix your old records. But if you are serious with direct recording buy a propper DI-box and use DIFIX in a combination with it.
Hassle-free Software Protection
No iLok, no dongle nor internet access is required for activation. United Plugin's software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.
Realistic 3D yet Flexible GUI
The photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size - make it smaller to save the valuable screen space, or enlarge it to make it easier to use.
15-Days Unlimited Trial Version for FREE
All the descriptions are nothing comparing to putting your hands on the plugin yourself. No saving limits. No noises. No boundaries. Engage the plugin in your project for real and fully exploit its powers for two weeks.
64-bit Adio Quality at ANY Sampling Rate
The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.
Smart Bypass
The intelligent way United Plugins manage bypassing ensures that you don't get any click or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.
Intelligent Sleep on Silence
This plugin intelligently detects whether it makes sense to perform processing at all. And if not, it temporarily turns on sleep mode. In such a state, it requires virtually no CPU at all saves the computing sources for other processes.
Video
Rating
Mac
- macOS 10.10 and later (M1 Silicon Mac and macOS 11 Big Sur supported) (64-bit only)
- Intel/AMD processor with SSE2 support
- VST2, VST3, AAX or AU compatible host
Windows
- Windows 8 - 10 (32 or 64-bit)
- Intel/AMD processor with SSE2 support
- VST2, VST3 or AAX compatible host
Universal Plug
Utility by Stagecraft
Images
Description
Ever get a new DAW you really .. really … liked, only to realize that you can’t get to some of your favourite plugins because it won’t host them? Stagecraft is talking to you …
-
Logic Pro (loads AudioUnits but not VSTs)
-
Pro Tools (loads only its own format – AAX)
-
Bitwig (loads VST but not AU)
-
Garageband (loads AU but not VST)
-
Ableton Live (loads VST AU and VST3)
Well, now you can load any 64-bit VST / VST3 / AU plugin in any host. We’ve created an easy to use wrapper plugin that will let you open your favourite plugins anywhere.
Rating
:
Mac OS X:
- Mac OS X 10.11 or newer (64-bit only)
- AAX, AU, VST, VST 3
Windows:
- Windows 7 or newer (64-bit only)
- AAX, VST, VST 3
Please Note: 32-bit plugin hosts are not supported within Universal Plug.
Ever get a new DAW you really .. really … liked, only to realize that you can’t get to some of your favourite plugins because it won’t host them? Stagecraft is talking to you …
- Logic Pro (loads AudioUnits but not VSTs)
- Pro Tools (loads only its own format – AAX)
- Bitwig (loads VST but not AU)
- Garageband (loads AU but not VST)
- Ableton Live (loads VST AU and VST3)
Well, now you can load any 64-bit VST / VST3 / AU plugin in any host. We’ve created an easy to use wrapper plugin that will let you open your favourite plugins anywhere.
Rating
Mac OS X:
- Mac OS X 10.11 or newer (64-bit only)
- AAX, AU, VST, VST 3
Windows:
- Windows 7 or newer (64-bit only)
- AAX, VST, VST 3
Please Note: 32-bit plugin hosts are not supported within Universal Plug.
ParamLink
Utility by 2nd Sense Audio
Images
Description
ParamLink Module of ReSample
ParamLink plugin helps you make parameter connections between two tracks and saves your automation drawing. For example, you can set the volume or cutoff in one ParamLink plugin to follow the change of another ParamLink plugin (or follow reversely).
Video
Rating
Mac
- OS X 10.6+ (32/64 bit)
- VST 2.x (32/64 bit)
- Audio Units (32/64 bit)
- AAX Native (32/64 bit)
Windows
- Windows 7+ (32/64 bit)
- VST 2.x (32/64 bit)
- AAX Native (32/64 bit)
ParamLink Module of ReSample
ParamLink plugin helps you make parameter connections between two tracks and saves your automation drawing. For example, you can set the volume or cutoff in one ParamLink plugin to follow the change of another ParamLink plugin (or follow reversely).
Video
Rating
Mac
- OS X 10.6+ (32/64 bit)
- VST 2.x (32/64 bit)
- Audio Units (32/64 bit)
- AAX Native (32/64 bit)
Windows
- Windows 7+ (32/64 bit)
- VST 2.x (32/64 bit)
- AAX Native (32/64 bit)
Radio
Utility by Plugin Boutique
Images
Description
![]()
Air.Play
Radio lets you stream and sample from a diverse list of internet radio stations, both inside and outside of your DAW. Use Radio as a plugin within your DAW when you are feeling creative, and use it as a standalone application when you simply want to listen to the radio.
Once you launch Radio, you can select from a carefully curated list of online stations. The station presets are diverse and include a balance of comedy, sci-fi, police scanners, ambient, spoken word, paranormal and many more, so it’s easy to find something unexpected!
Simple to Use
Radio records the last 30 seconds of any streamed material. Once you hear something you like, select it, save it and drag it into your DAW. Finding new samples to inspire your music has never been done like this before!
The onboard FX section lends Radio the authentic air of real consumer equipment, with 24 processors to make your feed sound like it’s coming through a genuine tube radio speaker, car stereo, phone or another device.
Radio stations focus on diversity, which will keep you coming back for new inspirational material.
Video
Rating
Mac
- OS X 10.7 and later (32-bit and 64-bit compatible)
Formats:
- Audio Units (AU)
- VST
- Standalone Application
Windows
- Windows 7 and later (32-bit and 64-bit compatible)
Formats:
- AAX
- VST
- Standalone Application
Important Notes:
- Radio is designed for listening to the radio while you work or for inspirational purposes.
- The copyright of all sources remains with the creator, publisher or other rights holder.
- If you want to use any sound material recorded from Radio you will need permission from the rights holder.
- You should ensure that you comply with any legal restrictions for recording streamed audio that may exist in your country.
Air.Play
Radio lets you stream and sample from a diverse list of internet radio stations, both inside and outside of your DAW. Use Radio as a plugin within your DAW when you are feeling creative, and use it as a standalone application when you simply want to listen to the radio.
Once you launch Radio, you can select from a carefully curated list of online stations. The station presets are diverse and include a balance of comedy, sci-fi, police scanners, ambient, spoken word, paranormal and many more, so it’s easy to find something unexpected!
Simple to Use
Radio records the last 30 seconds of any streamed material. Once you hear something you like, select it, save it and drag it into your DAW. Finding new samples to inspire your music has never been done like this before!
The onboard FX section lends Radio the authentic air of real consumer equipment, with 24 processors to make your feed sound like it’s coming through a genuine tube radio speaker, car stereo, phone or another device.
Radio stations focus on diversity, which will keep you coming back for new inspirational material.
Video
Rating
Mac
- OS X 10.7 and later (32-bit and 64-bit compatible)
Formats:
- Audio Units (AU)
- VST
- Standalone Application
Windows
- Windows 7 and later (32-bit and 64-bit compatible)
Formats:
- AAX
- VST
- Standalone Application
Important Notes:
- Radio is designed for listening to the radio while you work or for inspirational purposes.
- The copyright of all sources remains with the creator, publisher or other rights holder.
- If you want to use any sound material recorded from Radio you will need permission from the rights holder.
- You should ensure that you comply with any legal restrictions for recording streamed audio that may exist in your country.
LaunchCraft
Utility by Stagecraft
Images
Description
The LaunchCraft plugin extends the native functionality of the Novation Launchpad MK2 and Launchpad Pro. When using the Launchpad in Notes mode, instead of being locked into a single note layout, this plugin allows you to choose from a variety of scales and modes, trigger samples from pads similar to a drum machine, and synthesizes sounds using any synth or other VST/AU instrument.
Note Quantization
![]()
The LaunchCraft plugin can quantize the pads to a large variety of scales and modes, allowing for easy and intuitive melodic exploration.
Session Mode
![]()
In session mode, you can trigger samples much like you would with a drum machine, or the session view of ableton or other DAWs.
Instrument Support
![]()
Features:
- Extends the functionality of the launchpad in DAWs without sacrificing
- Maintains existing DAW integrations
- Allows for a variety of sales / modes / layouts on the Launchpad
- Support aftertouch / channel pressure
- MIDI is sent out, allowing you to route the quantized MIDI stream to any DAW native synths
- Can host VST/AU instruments
- Effects Chaining
- One button Record / stack / delete on sampler grid
- LaunchCraft can host any AU/VST/VST3 software formats, even though it is a plugin itself
Video
Rating
:
Mac
- Mac OS X 10.11 or newer
Formats:
- AAX
- AU
- VST
- VST3
- Standalone
Windows
- Windows 7 or newer
Formats:
- AAX
- VST
- VST3
- Standalone
The LaunchCraft plugin extends the native functionality of the Novation Launchpad MK2 and Launchpad Pro. When using the Launchpad in Notes mode, instead of being locked into a single note layout, this plugin allows you to choose from a variety of scales and modes, trigger samples from pads similar to a drum machine, and synthesizes sounds using any synth or other VST/AU instrument.
Note Quantization
The LaunchCraft plugin can quantize the pads to a large variety of scales and modes, allowing for easy and intuitive melodic exploration.
Session Mode
In session mode, you can trigger samples much like you would with a drum machine, or the session view of ableton or other DAWs.
Instrument Support
Features:
- Extends the functionality of the launchpad in DAWs without sacrificing
- Maintains existing DAW integrations
- Allows for a variety of sales / modes / layouts on the Launchpad
- Support aftertouch / channel pressure
- MIDI is sent out, allowing you to route the quantized MIDI stream to any DAW native synths
- Can host VST/AU instruments
- Effects Chaining
- One button Record / stack / delete on sampler grid
- LaunchCraft can host any AU/VST/VST3 software formats, even though it is a plugin itself
Video
Rating
Mac
- Mac OS X 10.11 or newer
Formats:
- AAX
- AU
- VST
- VST3
- Standalone
Windows
- Windows 7 or newer
Formats:
- AAX
- VST
- VST3
- Standalone
ATA Auto Time Adjuster
Utility by Mellowmuse
Images
Description
Important Note: This product is only available as an AAX and is only compatible with newer versions of ProTools (9 and above)
Auto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 & 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of ProTools (9+/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.
ATA is inserted on each track in your mix. The actual latency of all plugin and outboard inserts is then measured using a short burst of audio, or 'ping' triggered from the ATA inserted on the master fader. ATA then calculates and sets appropriate delays for each ATA on each track or bus, bringing all tracks into alignment and providing the tightest timing possible.
Rating
- Windows 10 or above
- Mac OSX 10.9 or above
- 64-bit only
- AAX only
Important Note: This product is only available as an AAX and is only compatible with newer versions of ProTools (9 and above)
Auto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 & 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of ProTools (9+/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.
ATA is inserted on each track in your mix. The actual latency of all plugin and outboard inserts is then measured using a short burst of audio, or 'ping' triggered from the ATA inserted on the master fader. ATA then calculates and sets appropriate delays for each ATA on each track or bus, bringing all tracks into alignment and providing the tightest timing possible.
Rating
- Windows 10 or above
- Mac OSX 10.9 or above
- 64-bit only
- AAX only
RP-Reverse
Utility by Rob Papen
Images
Description
![]()
Thinking out of the box is part of what the Rob Papen brand ethos is, however, we do not want to lose the fact that plugins should be there for creating music. Well, here we present RP-Reverse which is an FX plugin for the creative minded artist that loves to add different sonic ingredients into their tracks!
RP-Reverse reverses the incoming audio in a creative way, the resulting audio can be tempo-synced to make it easily fit the reversed sound right into your track. With RP-Reverse it is also possible to trigger the recording of the audio (which is reversed) in various ways.
In true Rob Papen style, it’s not just about the main feature! On the reversed signal you can also add distortion, two analog modelled Filters or a Comb Filter.
On top of this, you will also find a handy LFO to modulate the reversed audio and the Filters.
Whilst using RP-Reverse in the creative process we kept in mind that you might like to fade in/out the reversed sound or use a mute button. The top section, therefore, has a separate volume dial for the reversed audio and a separate mute button to make it easy to automate these functions in your music host program.
RP-Reverse is a cool plugin to be used on your drum-loops, vocals or instruments, and for adding ‘thinking out of the box’ type FX to your tracks!
Video
Rating
PC
- Windows 7/ Windows 8/ Windows 10 (32 & 64 bits)
Formats:
- VST
- AAX (Note: PC AAX for PT 12 or higher)
Mac
- OS-X 10.9 - 10.15 (64 bits only)
Formats:
- AU
- VST
- AAX
Notes:
- Serial/licence system with activation whilst registering the product
- 2nd serial for a secondary computer/laptop is available after you have registered the product’s original serial/license.
Thinking out of the box is part of what the Rob Papen brand ethos is, however, we do not want to lose the fact that plugins should be there for creating music. Well, here we present RP-Reverse which is an FX plugin for the creative minded artist that loves to add different sonic ingredients into their tracks!
RP-Reverse reverses the incoming audio in a creative way, the resulting audio can be tempo-synced to make it easily fit the reversed sound right into your track. With RP-Reverse it is also possible to trigger the recording of the audio (which is reversed) in various ways.
In true Rob Papen style, it’s not just about the main feature! On the reversed signal you can also add distortion, two analog modelled Filters or a Comb Filter.
On top of this, you will also find a handy LFO to modulate the reversed audio and the Filters.
Whilst using RP-Reverse in the creative process we kept in mind that you might like to fade in/out the reversed sound or use a mute button. The top section, therefore, has a separate volume dial for the reversed audio and a separate mute button to make it easy to automate these functions in your music host program.
RP-Reverse is a cool plugin to be used on your drum-loops, vocals or instruments, and for adding ‘thinking out of the box’ type FX to your tracks!
Video
Rating
PC
- Windows 7/ Windows 8/ Windows 10 (32 & 64 bits)
Formats:
- VST
- AAX (Note: PC AAX for PT 12 or higher)
Mac
- OS-X 10.9 - 10.15 (64 bits only)
Formats:
- AU
- VST
- AAX
Notes:
- Serial/licence system with activation whilst registering the product
- 2nd serial for a secondary computer/laptop is available after you have registered the product’s original serial/license.
Blue Cat's Remote Control
Utility by Blue Cat Audio
Images
Description
Blue Cat's Remote Control is a plug-in that allows you to control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface.
Is the user interface of your favourite plug-in is not satisfying? Your favourite hardware device is too complicated to control? Your project contains hundreds of plug-ins and you would like to control them all from a single user interface? Do you need to undo/redo all of your modifications? Would you like to instantly recall all settings of your favourite MIDI devices from your DAW projects? If so, then this product was designed for you!
With Blue Cat's Remote Control, you can choose any type of control (switches, faders, joysticks, knobs) or meter, assign a MIDI channel and CC number to each control, customize its response curve. You can also choose a built-in skin that suits your needs for every instance of the plug-in, or create your own (see the Skins section): this is the best way to create your own user interface to control your entire Digital Audio Workstation (DAW) and external hardware the way you have chosen. Since the Remote Control can also be controlled via MIDI, you can also use it to remap and transform MIDI messages, from one MIDI CC to another, with different response curves or MIDI channels.
Typical applications: MIDI remote control, MIDI CC mapping, MIDI CC values monitoring, transform automation to MIDI and MIDI to automation, custom user interface.
Video
Rating
macOS
- Intel or Apple Silicon Processor
- macOS 10.9 or newer
- Any VST/AU/AAX compatible host applications
- 64-bit only
Windows
- SSE2-enabled processor (Pentium 4 or newer)
- Windows Vista or newer
- Any VST/AAX compatible host application
- 32-bit or 64-bit
Blue Cat's Remote Control is a plug-in that allows you to control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface.
Is the user interface of your favourite plug-in is not satisfying? Your favourite hardware device is too complicated to control? Your project contains hundreds of plug-ins and you would like to control them all from a single user interface? Do you need to undo/redo all of your modifications? Would you like to instantly recall all settings of your favourite MIDI devices from your DAW projects? If so, then this product was designed for you!
With Blue Cat's Remote Control, you can choose any type of control (switches, faders, joysticks, knobs) or meter, assign a MIDI channel and CC number to each control, customize its response curve. You can also choose a built-in skin that suits your needs for every instance of the plug-in, or create your own (see the Skins section): this is the best way to create your own user interface to control your entire Digital Audio Workstation (DAW) and external hardware the way you have chosen. Since the Remote Control can also be controlled via MIDI, you can also use it to remap and transform MIDI messages, from one MIDI CC to another, with different response curves or MIDI channels.
Typical applications: MIDI remote control, MIDI CC mapping, MIDI CC values monitoring, transform automation to MIDI and MIDI to automation, custom user interface.
Video
Rating
macOS
- Intel or Apple Silicon Processor
- macOS 10.9 or newer
- Any VST/AU/AAX compatible host applications
- 64-bit only
Windows
- SSE2-enabled processor (Pentium 4 or newer)
- Windows Vista or newer
- Any VST/AAX compatible host application
- 32-bit or 64-bit
Pan Knob
Utility by Boz Digital Labs
Images
Description
Why do I need a plugin for a tool that every daw has?
Yes, this plugin is a pan knob in plugin format. But the truth is, the way traditional pan knobs work kind of sucks for headphone listeners, and according to polls, about 87% of people listen to their music on headphones. Have you ever listened to a mix that had one instrument panned hard to one side? It sounds ok on monitors, but sounds awful on headphones. That’s because traditional panning don’t take headphone listeners into consideration.
Have you ever heard a mix where you have two distinct guitar tones panned to opposite sides, but one dominates the low end and makes the entire mix feel lopsided? That’s because traditional panning treats all frequencies equally, even though our ears don’t.
Pan Knob overcomes this by having a smarter panning algorithm. One that keeps your low frequencies unpanned so that it sounds natural in headphones. It doesn’t do any room simulation, so it isn’t going to mess up your mono mixdown.
Convenient options
Aside from just sounding better, it has a few options to make it more convenient to use. It has a quick “Pan Swap” that will give you the opposite panning position with the click of a button. It has quick one button settings for the most used pan positions. You can choose which pan law is used, and choose between Balance and Pan for your stereo tracks.
Beyond 100%
Sometimes you need to pan a little wider than 100% to either side. Pan Knob lets you go to 120%, to give extra width when you need it.
More Panning Opportunities
When panning with Pan Knob, a whole new world of panning is opened up to you as a mixer. Because it sounds natural wherever you pan your tracks, you aren’t limited by the traditional panning rules that have become standard. You can pan any tracks wherever you want while keeping it sounding good and natural.
Video
Rating
Mac
Formats:
- AAX
- AU (Audio Units)
- RTAS
- VST
- VST3
Windows
Formats:
- AAX
- RTAS
- VST
- VST3
Why do I need a plugin for a tool that every daw has?
Yes, this plugin is a pan knob in plugin format. But the truth is, the way traditional pan knobs work kind of sucks for headphone listeners, and according to polls, about 87% of people listen to their music on headphones. Have you ever listened to a mix that had one instrument panned hard to one side? It sounds ok on monitors, but sounds awful on headphones. That’s because traditional panning don’t take headphone listeners into consideration.
Have you ever heard a mix where you have two distinct guitar tones panned to opposite sides, but one dominates the low end and makes the entire mix feel lopsided? That’s because traditional panning treats all frequencies equally, even though our ears don’t.
Pan Knob overcomes this by having a smarter panning algorithm. One that keeps your low frequencies unpanned so that it sounds natural in headphones. It doesn’t do any room simulation, so it isn’t going to mess up your mono mixdown.
Convenient options
Aside from just sounding better, it has a few options to make it more convenient to use. It has a quick “Pan Swap” that will give you the opposite panning position with the click of a button. It has quick one button settings for the most used pan positions. You can choose which pan law is used, and choose between Balance and Pan for your stereo tracks.
Beyond 100%
Sometimes you need to pan a little wider than 100% to either side. Pan Knob lets you go to 120%, to give extra width when you need it.
More Panning Opportunities
When panning with Pan Knob, a whole new world of panning is opened up to you as a mixer. Because it sounds natural wherever you pan your tracks, you aren’t limited by the traditional panning rules that have become standard. You can pan any tracks wherever you want while keeping it sounding good and natural.
Video
Rating
Mac
Formats:
- AAX
- AU (Audio Units)
- RTAS
- VST
- VST3
Windows
Formats:
- AAX
- RTAS
- VST
- VST3
SigMod
Utility by NUGEN Audio
Images
Description
Now with VST3 Hosting
Twelve single-process modules
Instantly enhance the functionality of your plug-ins and DAW with twelve different signal modification units. Explore new creative possibilities and quickly add missing features. Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio.
Expand your system
SigMod contains many useful, creative functions which are otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.
- Master & channel strip features
- Signal monitoring & routing options
- Mid/side conversion
- Output level protection
- Frequency banded splits
- 1000's of possibilities...
Use stereo plug-ins in mid/side mode
Add mid/side functionality to classic stereo compressor and EQ emulations, or get creative with mid/side delays, distortion and many other effects by inserting the mid/side encoder/decoder either side of any left/right plug-in instance.
Protect speakers, ears & sanity
Insert the Protect unit across your output bus and this safety module will automatically cut in to prevent bursts of noise or feedback howls due to system errors, saving both your nerves and your speakers. Manual or auto reset options give you the level of protection you need - a real gift when working with headphones!
Tap and crossover
Want to try some parallel processing? Drop in the Tap module and you are good to go. Use the Crossover module to split the highs from the lows to apply different effects to different frequency ranges - great for avoiding muddying up the low frequencies or getting creative with automation and sweep effects.
Host any VST3 plug-in anywhere within your signal chain
Enhance the functionality of your plug-ins and enable multiple new applications. A dual mono option allows for independent processing of two parallel channels, turbo-charging your existing plug-in collection with new creative possibility.
For your DAW
Several of SigMod's modules offer easy access to functionality which is either missing from certain DAWs, or at least complicated to access natively. Solo/mute or trim the left and right sides of a stereo signal independently, or easily flip the stereo image in one click. Quickly detect and correct DC offset to retain valuable headroom.
How does your mix sound in mono? Think about how many listeners will be using a phone or a DAB radio with one speaker - the Mono module switches your signal from stereo to mono in one click. You can also check the phase relationship between your left and right channels with the Phase module.
Your imagination is the limit
With SigMod's creative signal routing - particularly the Mid/side, Tap and Crossover modules - the possibilities are virtually endless, not to mention easy and tweakable.
Ever wondered how your go-to tape emulator would sound in mid/side mode?
Splitting your vocals into 6 different frequency bands and sending each of them to a different compressor?
How about 600 to 800Hz through your favourite guitar amp sim, and the side channels above 13kHz sent to a giant hall reverb? Unusual, but very easy.
Video
Rating
- Mac OSX 10.7.x / 512 MB RAM
- Windows XP or above / 512 MB RAM
Formats
- AAX
- VST2
- VST3
- AU
- AudioSuite
- 64-bit and 32-bit
Now with VST3 Hosting
Twelve single-process modules
Instantly enhance the functionality of your plug-ins and DAW with twelve different signal modification units. Explore new creative possibilities and quickly add missing features. Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio.
Expand your system
SigMod contains many useful, creative functions which are otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.
- Master & channel strip features
- Signal monitoring & routing options
- Mid/side conversion
- Output level protection
- Frequency banded splits
- 1000's of possibilities...
Use stereo plug-ins in mid/side mode
Add mid/side functionality to classic stereo compressor and EQ emulations, or get creative with mid/side delays, distortion and many other effects by inserting the mid/side encoder/decoder either side of any left/right plug-in instance.
Protect speakers, ears & sanity
Insert the Protect unit across your output bus and this safety module will automatically cut in to prevent bursts of noise or feedback howls due to system errors, saving both your nerves and your speakers. Manual or auto reset options give you the level of protection you need - a real gift when working with headphones!
Tap and crossover
Want to try some parallel processing? Drop in the Tap module and you are good to go. Use the Crossover module to split the highs from the lows to apply different effects to different frequency ranges - great for avoiding muddying up the low frequencies or getting creative with automation and sweep effects.
Host any VST3 plug-in anywhere within your signal chain
Enhance the functionality of your plug-ins and enable multiple new applications. A dual mono option allows for independent processing of two parallel channels, turbo-charging your existing plug-in collection with new creative possibility.
For your DAW
Several of SigMod's modules offer easy access to functionality which is either missing from certain DAWs, or at least complicated to access natively. Solo/mute or trim the left and right sides of a stereo signal independently, or easily flip the stereo image in one click. Quickly detect and correct DC offset to retain valuable headroom.
How does your mix sound in mono? Think about how many listeners will be using a phone or a DAB radio with one speaker - the Mono module switches your signal from stereo to mono in one click. You can also check the phase relationship between your left and right channels with the Phase module.
Your imagination is the limit
With SigMod's creative signal routing - particularly the Mid/side, Tap and Crossover modules - the possibilities are virtually endless, not to mention easy and tweakable.
Ever wondered how your go-to tape emulator would sound in mid/side mode?
Splitting your vocals into 6 different frequency bands and sending each of them to a different compressor?
How about 600 to 800Hz through your favourite guitar amp sim, and the side channels above 13kHz sent to a giant hall reverb? Unusual, but very easy.
Video
Rating
- Mac OSX 10.7.x / 512 MB RAM
- Windows XP or above / 512 MB RAM
Formats
- AAX
- VST2
- VST3
- AU
- AudioSuite
- 64-bit and 32-bit
Blue Cat's Connector
Utility by Blue Cat Audio
Images
Description
The Virtual Cable For Your Virtual Studio
Blue Cat's Connector is an audio & MIDI streaming plug-in that can be used to transmit audio and MIDI signals in real time between several computers or applications, or create your own routings within a single application, with minimal latency.
Have you ever dreamt to overcome the limitations of your favorite DAW and draw virtual audio and MIDI cables between any places that accept plug-ins?
Have you ever been frustrated not to be able to create feedback loops with plug-ins?
What about connecting multiple applications together, on different computers?
The wait is over! Blue Cat's Connector lets you do all of this, and more! It can stream audio and MIDI data in real time, between any locations that accepts plug-ins: one or several applications, on one or several machines connected to a network.
With precise buffering control, you can achieve the lowest possible latencies: down to 0 samples, when used in a single application.
Its built-in resampling and drift compensation algorithms let you create seamless connections between locations with different sample rates and unsynchronized master clocks: it just works!
Video
Rating
Windows
- An SSE2-enabled processor (Pentium 4 or newer).
- Microsoft Windows Vista, Windows 7, 8 or 10.
- Any VST / AAX compatible host software (32 or 64 bit).
Mac OS X
- An Intel or Apple Silicon processor.
- Mac OS 10.9 or newer.
- Any VST / Audio Unit / AAX compatible application (64-bit) .
The Virtual Cable For Your Virtual Studio
Blue Cat's Connector is an audio & MIDI streaming plug-in that can be used to transmit audio and MIDI signals in real time between several computers or applications, or create your own routings within a single application, with minimal latency.
Have you ever dreamt to overcome the limitations of your favorite DAW and draw virtual audio and MIDI cables between any places that accept plug-ins?
Have you ever been frustrated not to be able to create feedback loops with plug-ins?
What about connecting multiple applications together, on different computers?
The wait is over! Blue Cat's Connector lets you do all of this, and more! It can stream audio and MIDI data in real time, between any locations that accepts plug-ins: one or several applications, on one or several machines connected to a network.
With precise buffering control, you can achieve the lowest possible latencies: down to 0 samples, when used in a single application.
Its built-in resampling and drift compensation algorithms let you create seamless connections between locations with different sample rates and unsynchronized master clocks: it just works!
Video
Rating
Windows
- An SSE2-enabled processor (Pentium 4 or newer).
- Microsoft Windows Vista, Windows 7, 8 or 10.
- Any VST / AAX compatible host software (32 or 64 bit).
Mac OS X
- An Intel or Apple Silicon processor.
- Mac OS 10.9 or newer.
- Any VST / Audio Unit / AAX compatible application (64-bit) .
Batch Pro 2
Utility by Digital Brain Instruments
Images
Description
The Ultimate Batch Processing Tool
Real-Time Processing & Recording of Large Amounts of Files
Batch Pro 2 is a standalone software developed for processing a large number of files in one click.
It allows changing the file format, sampling rate, bit depth, pan, stereo/mono files, pitch shifting, frequency shifting, filter, volume and processing the files through up to 8 VST / AU plugins.
Batch Pro can save you a lot of time in the studio when you need to edit a large number of files.
Highlights
-
Audio Preview - Preview audio files before and after the batch processing.
-
Audio Format - Export WAV and AIFF files. Stereo & Mono.
-
Sampling Rate - Export files at 44.1, 48, 88.2, 96 and 192 kHz.
-
Bit Depth - Export at 8, 16, 24 or 32-bits.
-
Pitch / Freq Shifting - Change pitch from -24 to +24 semitones (Apply frequency-shifting +/- 1000Hz).
-
Filters - Process files through HP or LP Filters.
-
Plugins - Process files through up to 8 VST / AU plugins.
-
Gain Stage - Change gain from -40dB to +40dB.
Video
Rating
Mac
- macOS 10.11.6 or later (Intel / M1 Apple Silicon supported) (64-bit only)
- Minimum 2 GB RAM
PC
- Windows 8 or later (64-bit only)
- Minimum 2 GB RAM
Important Note: This software is delivered as a standalone application and will not function as a plugin inside a DAW.
The Ultimate Batch Processing Tool
Real-Time Processing & Recording of Large Amounts of Files
Batch Pro 2 is a standalone software developed for processing a large number of files in one click.
It allows changing the file format, sampling rate, bit depth, pan, stereo/mono files, pitch shifting, frequency shifting, filter, volume and processing the files through up to 8 VST / AU plugins.
Batch Pro can save you a lot of time in the studio when you need to edit a large number of files.
Highlights
- Audio Preview - Preview audio files before and after the batch processing.
- Audio Format - Export WAV and AIFF files. Stereo & Mono.
- Sampling Rate - Export files at 44.1, 48, 88.2, 96 and 192 kHz.
- Bit Depth - Export at 8, 16, 24 or 32-bits.
- Pitch / Freq Shifting - Change pitch from -24 to +24 semitones (Apply frequency-shifting +/- 1000Hz).
- Filters - Process files through HP or LP Filters.
- Plugins - Process files through up to 8 VST / AU plugins.
- Gain Stage - Change gain from -40dB to +40dB.
Video
Rating
Mac
- macOS 10.11.6 or later (Intel / M1 Apple Silicon supported) (64-bit only)
- Minimum 2 GB RAM
PC
- Windows 8 or later (64-bit only)
- Minimum 2 GB RAM
Important Note: This software is delivered as a standalone application and will not function as a plugin inside a DAW.
Gaffel
Utility by Klevgrand
Images
Description
![]()
Synced Band Splitter
Create multiband effects with any plugin
Gaffel is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effects out of any other plugin installed.
Frequency parameters are globally synchronized between different instances of the plug-in if they’re set to the same group, which makes it really convenient to work with in any DAW.
Anatomy
![]()
1. Three crossover frequencies - Frequencies will be synchronised among all instances of the plugin that belongs to the selected group. Hold down option key while dragging for finetuning.
2. Four frequency bands - Click to toggle a specific band on/off.
3. Eight different groups - Frequencies will only sync within the selected group
Video
Rating
- macOS 10.10 or later (optimized for the M1-processor)
- Windows 7 SP1 or later
- AU, VST-2, VST-3, AAX
Synced Band Splitter
Create multiband effects with any plugin
Gaffel is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effects out of any other plugin installed.
Frequency parameters are globally synchronized between different instances of the plug-in if they’re set to the same group, which makes it really convenient to work with in any DAW.
Anatomy
1. Three crossover frequencies - Frequencies will be synchronised among all instances of the plugin that belongs to the selected group. Hold down option key while dragging for finetuning.
2. Four frequency bands - Click to toggle a specific band on/off.
3. Eight different groups - Frequencies will only sync within the selected group
Video
Rating
- macOS 10.10 or later (optimized for the M1-processor)
- Windows 7 SP1 or later
- AU, VST-2, VST-3, AAX