The Best Time Stretching and Pitch Shifting

Important Note: This software is only compatible with Pro Tools.

Pitch 'n Time Pro is a high quality time-stretching and pitch-shifting AudioSuite software plug-in for the Pro Tools platform. It works with all versions of Pro Tools including Pro Tools HD, LE, and M‑Powered.

Pitch 'n Time Pro offers time compression and expansion from a ratio of 1/8 speed through to 8 x speed independent of pitch, and pitch shifting of up to 36 semitones independent of tempo.

The time-stretching and pitch-shifting functions each have three interchangeable panels, ranging from simple fixed ratios to complex tempo and pitch alterations that vary over time. You can even warp the timing of your samples just by placing markers and moving them around.

The tempo and pitch panels can be mixed and matched to suit your application, with real time previewing.

Pro Tools users may download a 30 day demo license of Pitch 'n Time Pro or buy now from our online store.

Existing Pitch 'n Time Pro users, with Pro Tools 10.3.5 or higher, can upgrade to Pitch 'n Time Pro 3.0 from their Products page.

The Best Time Stretching and Pitch Shifting

Pitch 'n Time is a high quality time-stretching and pitch-shifting technology that premiered in 1998 to revolutionize the way we work with audio in the studio environment.

Pitch 'n Time LE makes professional quality pitch-shifting and time-stretching more accessible than ever before. Pitch 'n Time LE 3.0 is available for both Pro Tools and Logic Pro for use as an algorithm within Logic's Time & Pitch Machine.

Pitch 'n Time LE allows you to make dramatic alterations to a sample, or even to a completed mix, and produce a natural sounding result that you have to hear to believe. Pitch 'n Time LE is simple to use and yet produces an accurate and professional quality result.

Important Note: TIME FACTORY II is available as Mac OS X stand-alone application only.

Precision Batch Time Stretching And Pitch Shifting

TIME FACTORY II for Mac OS X is a professional application for high-quality audio time stretching and pitch shifting. It features the critically acclaimed MPEX, ZTX and ClearScale algorithms and allows changing duration and pitch of any audio file independently over a very wide range of stretch ratios – with unprecedented fidelity and timing precision. TIME FACTORY II supports phase-synced processing of mono, stereo and multichannel files up to 384kHz sample rate, all popular audio file types including broadcast formats with meta-data preservation, and features industrial-grade batch processing as well as formant shifting and correction. Whether you need to perform frame rate (FPS) conversion for film sound, change the tempo and/or pitch of music tracks for production or remixing a song, design new sounds or slow down music for transcription – TIME FACTORY II is your weapon of choice.

Straight Forward

Getting sample accurately precise results with TIME FACTORY II is fast and easy. Drop some files onto the application, set stretching/shifting amount, hit process...done. You can enter stretching factor either as new target duration in hours/minutes/seconds, a percentage of change in length, source and target BPM or FPS, the equivalent pitch transposition amount, or use sample frames as unit for the new target length. Whatever your preferred unit of measurement is, TIME FACTORY II lets you use it in a straight-forward way.

Precision, As In "Precision"

When stretching audio, it is vitally important that timing is precise. Particularly with very long files, such as a film reel, this can be challenging for other solutions, where you may end up with loosened lip sync or drum timing, even flanging in the transients. Not so with TIME FACTORY II, which uses extremely high precision mathematics to ensure timing accuracy to the highest degree possible without the obvious artifacts commonly associated with time stretching. Which is why TIME FACTORY II is recognized across the industry as one of the best possible solutions for stretching audio.

Freedom Of Choice

TIME FACTORY II doesn't come with one industry standard stretching algorithm, it comes with five. Each of these algorithms - MPEX 2, MPEX 3, ZTX, quickStretch, ClearScale - has its own particular strengths, parameters and applications. This gives you the option to pick and choose algorithms depending on preference, signal type and the intended result. You make the choice, TIME FACTORY II does the work.

Compatible To The Max

TIME FACTORY II supports phase synced processing of an arbitrary number of channels, making it an ideal solution for frame rate conversion of cinematic and broadcast material. It also supports any sample rate up to 384kHz (DXD), and any bit depth up to 32 bit, making it compatible to today's highest fidelity formats. Speaking of which...of course, TIME FACTORY II also supports all popular file formats, including AIFF, WAV, BWF with meta-data preservation, WAVE64, MBWF/RF64, CoreAudio and even the venerable SoundDesigner II. It also imports MP3 and AAC directly from iTunes if required. Whatever you throw at it, TIME FACTORY II can deal with it.

Fast, Faster, TIME FACTORY II

High-quality time stretching can take time. A lot of it. Which is why you may not want to waste any, waiting for the process to complete. Hence TIME FACTORY II is built around an industrial grade batch processing engine. Set up parameters, click "process", and go ahead and focus on the other tasks at hand while your Mac processes all of those files for you. And to speed up your workflow even more, TIME FACTORY II comes with factory presets for common tasks like PAL<->NTSC frame rate conversion, and allows you to save your own custom settings. It's not a time stretching application, it's a time stretching powerhouse. Have a look at what TIME FACTORY II can do for you using the free trial today!

It's Full Of Stars

PITCHMAP is the world's first and only plug-in that allows processing the pitch of individual sounds within mixed signals in real-time. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using our stream-lined GUI, and optionally corrects any tuning issues at the same time. As if that weren't enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands.

PITCHMAP has so many uses we haven't yet discovered all of them ourselves. Here's a couple of the applications we're aware of:

• Engineers can correct tuning inaccuracies in mixed recordings
• Composers can try different harmonies for their works in an immediate, hassle-free and inspiring manner
• Music producers that work with sampled material can now sculpt the music inside the samples as if they were clay in the hands of a potter
• DJs can adapt the key/scale of their songs to fit into a seamless set
• Sound designers get a bunch of unique new ways of creating the sounds that make the films and games of today so immersive
• Mash-Up artists and Re-Mixers now spend minutes instead of hours (or days) adapting the components they use to fit each other
• Rapid song/score prototyping using existing recordings that can be transformed to be something new on-the-fly
• Mix element suppression under MIDI control
• Creating unique synthesizer sounds based on a live input
• Create instant remixes and professional accompaniment tracks directly from your favorite songs or play list

MAP That Pitch

Based on our Mixed-Signal Audio Processing technology (MAP), PITCHMAP internally de-mixes the input signal into individual sounds, including their harmonics and transients. This technique is quite literally rocket science, and is done using perceptive modeling and pattern recognition techniques also used in artificial intelligence applications. The separated sounds can then be individually tuning-corrected and mapped to other pitches, a process we call Pitch Mapping. MAP also enables PITCHMAP's  simple-to-use, yet very effective functions for suppressing or isolating mix elements. In real-time, of course.

Natural

Our MAP process is based on a model of the human perceptive system, including the cochlea and the brain region responsible for interpreting its data. Hence our process is inherently very natural sounding with correct settings and reasonable amounts of pitch modification. The human voice, however, has a very specific sonic topology that is very different from any musical instrument, and human hearing is trained to detect even the most subtle sonic variations in a voice. As a result, processing voice simultaneously with other instruments has been a challenge in the past. To accommodate for this, we've added an extra layer of intelligence that recognizes voice elements and processes them separately. We've called this Natural Mode. 

Electric & Creative

Certain pitch correction algorithm artifacts have become quite popular. We've got those, too, if you want them. But our MAP process has more sonic options than that.  We've added parameters called Purify and Electrify that allow making your sound more or less synthetic sounding, and threw in a polyphonic Portamento option named Glide, for good measure. In combination with the live MIDI function, these parameters can basically turn PITCHMAP into a unique synthesizer allowing some very far out sound design.

No PhD Required

Although the DSP code itself is insanely complex, the process of Mapping Pitch is as simple as playing some notes on a MIDI keyboard or dragging sliders on our super-slick GUI to assign source pitches to target pitches. Or you can let your computer do the pitch mapping by using dedicated macro controls to go from one key/scale to another with just a couple of clicks. Changing pitches in a mixed signal has never been so intuitive and musical. Instant correction of tuning issues, straight-forward re-harmonisation or intricate restructuring of a composition's pitches... the choice is yours, PITCHMAP does the rest.

Lightning Fast

To increase workflow efficiency even more, we've provided comprehensive Snapshot functionality. 8 Snapshot slots let you compare multiple settings, adapt the process to different parts of a recording individually and create parameter automation without a headache. Summed up, PITCHMAP gives you near-instant results while at the same time giving you access to every little detail.

So how does PITCHMAP compare to other pitch processing products, like Celemony's Melodyne Editor or Antares' Auto Tune? In a nut-shell: it doesn't. They have different applications and strengths, and complement each other nicely. In simplified words:

• If you need to tune a solo vocal take or other monophonic instrument, use Auto Tune.
• If you need to fine-tune or manipulate a single but polyphonic instrument, or a section of instruments, and using off-line editing doesn't break your workflow, use Melodyne.
• If you need to tune or change the pitches of a full mix or other complex polyphonic signal in real-time and under MIDI control, while retaining all the transient crispness of any percussive elements, or if you want to create far-out sounds, or if you want to try out different harmonies on your loops and recordings from within the creative, musical workflow....use PITCHMAP.

Depending on your field of work, you may want to have all three of them. So grab a copy of PITCHMAP and complete your pitch processing toolkit!

NB: Please note that for tuning some types of polyphonic audio, offline processing may yield better results.

The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.

A powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. Use the H910's pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback.

H910-EKD

A number of enhancements have been added to this release including Keyboard and Envelope pitch control modes, Output 2 Delay Group and a Mixer. This H910-EKD (Envelope/Keyboard/Delay) as it is known, allows the plug-in to be even more responsive to your sound.

The recreation of the original piano-style keyboard remote control allows you to play musical pitch offsets and blend in a second delay line by using new mixer controls for added stereo sound. The new envelope follower uses the input signal to bend the pitch.

Two is Better than One

When you purchase the H910 Harmonizer plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.

Real-Time Multi-Pitch Modification 

reTune gives you full access to the pitch content of your audio samples and enables you to map each input pitch to any other pitch of the chromatic scale – all in realtime.

This allows you to re-tune your audio to any target key (e.g. from D major to C# minor), or to use it as a creative tool to modify the pitch content in any way you like. If you are unsure about the key of your input audio, you can let reTune estimate the key for you.

In addition, reTune can act as a pitch correction tool that quantizes pitches to the nearest semitone. Additional controls include the sensitivity of the pitch corrections, the treatment of transients as well as a smoothing of the pitch contours.

A new kind of vocal-transforming processor.

Through unique granular algorithms, Manipulator can dramatically alter the timbre and pitch of monophonic audio in new and unexplored ways. From subtly imposing pitch and harmonization, to a full-on sonic mangle that will leave you with a totally new sound, Manipulator is as versatile as it is creativity-inducing.

Warp and bend your voice into amazing new sounds.

Real-Time Pitch Shifting Plug-in

Elastique Pitch is the real time pitch shifting solution for RTAS, VST, AU and AAX. Powered by zplane's élastiquePro pitch shifting engine which is used by millions of end-users around the world, the plugin ensures the highest, program independent pitch shifting quality.

Elastique Pitch focuses on the essential things: you won't find any unnecessary or confusing controls or functionality. Instead, the plugin offers you quality, stability, and ease of use.

In the second edition, we´ve added a feedback delay and the infiniSTRETCH function of the new élastiquePro v3 engine. Both make it easy to use Elastique Pitch in a more creative way.

Dual Voice Pitch-Shifter + Special FX

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it's legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

And, like all H9 series plug-ins, MicroPitch is designed to 'play'. The RIBBON lets you sweep the effect between two completely different settings. Turn your sweetening shift into a delay-throw and back, or change your delays from dark to bright for transitional effects. Use the Ribbon to add a bit of 'life' while you're mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile control of this intuitive performance macro.

Play it Live

The plug-in has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. It also promises much more tweak-ability than simple pitch shifting plugins. Tone, Modulation, and Feedback controls provide territory for ear-catching production techniques. Unleash the full range of MicroPitch’s parameters and you can discover rich repeating delays, thick modulations, and tempo-synced special effects.

MicroPitch's Proud Legacy

Eventide originated the micropitch effect by accident in the early 1970s with the introduction of the world's first digital audio effects box, the H910 Harmonizer®. The design of the H910 predates large (and medium) scale integrated circuits, including analogue-to-digital converters, sample rate standards and digital signal processing algorithms. The H910's system clock was not crystal-based but instead used an LC (inductor/capacitor) oscillator circuit which proved to be just a tad unstable. As a result, the pitch ratio would wiggle about. Early owners of the H910, especially studios that could afford two, discovered that setting the pitch ratio on one H910 to 'flicker' between 0.99 and 1.00, while adjusting another to flicker 1.00 and 1.01, resulted in a rich spread stereo effect. 

Eventide's second Harmonizer, the H949, introduced in the mid-1970s, 'fixed' the randomness of the H910 by incorporating a rock-steady crystal oscillator. The H949 provided a number of new features made possible by digital audio - reverse effects, de-glitching and "u PC" -thereby formally introducing this new effect into the pro audio lexicon. The H949 was also an early digital audio device, 100% DSP/CPU-free, predominately analogue, and, to achieve small, precise, deviations of pitch it employed using a radio technique called Single Side Band modulation. 

With the introduction of the DSP-based Eventide H3000 Harmonizer®, an enhanced version of the MicroPitch effect was developed and the effect became a 'go-to' tool for audio pros and artists worldwide. Today's MicroPitch continues the long tradition of offering ever-expanding capabilities to this fundamental effect.

Intuitive Compositions

Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences. With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences.

Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values. Each of the four voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays.

Extreme Pitch Shifting

Underneath Pitch Monster’s streamlined exterior lurks an absolute beast, capable of 64 voices of sound-warping insanity. Transform a solo vocal into a beautiful choir or robotic melody; turn a mono synth into an orchestra, or your own familiar speaking voice into the rumbling vibrations of Thor, God of Thunder.

With its granular, formant and robo-tastic vocoder engines, Pitch Monster goes far beyond ordinary pitch shifting. Realtime MIDI control, low latency and 8-voice polyphony mean that it can be played like an instrument. Pitch and time spread and randomisation functions turn ordinary sounds into the fantastical, whilst extreme formant shifting can not only alter the gender of a voice but mutate it into an entirely different species!

Just don’t turn the knobs too far. You don’t want to get it over-excited.

Chord Mode

Chord mode lets you select up to eight notes on the on-screen keyboard to form a chord. This mode can be used to harmonize or add higher or lower energy to a sound. With eight chord memory slots, you can save and recall chords for live performance.

Build chords for your track in MIDI learn mode, or copy and paste chords between slots and edit them. You can even copy chords to other instances of the plugin.

MIDI Mode

As well as Normal mode, with its pitch wheel control over the sound’s shift, Pitch Monster can operate using MIDI or Chord mode.

Route MIDI to Pitch Monster, and control the amount of shift applied from your DAW or MIDI keyboard. With MIDI note, glide and pitch bend support you can get musical results quickly – imposing new melodies and harmonies on existing material. In MIDI mode, audio-only plays when a note is pressed.

Formant Mode

Formant mode is tailored for vocals but also works with other clean monophonic audio.

If you think of the voice as a series of pulses from your vocal cords through the resonating chambers of your neck and head then this mode lets you control the speed of the pulses and the size of your neck and head independently.

Unison, Jitter and Spread

Pitch Monster can create 8 voices in unison (or 64 total voices in MIDI or chord mode) and spread them in time, pitch or both. Use these controls to create wide, thick or diffuse textures.

The Creative Pitchbend Plugin

Fluid Pitch is an innovative next-generation MIDI Pitch bend system for all musicians using any standard MIDI keyboard. Give your MIDI keyboard a Smarter Pitch bend Wheel + the Micro Tuning Edge + MPE capabilities. Fluid Pitch introduces the World’s first Scale-Locked-Pitch-Bend system powered by a MIDI to MPE upscale engine. Now musicians no longer have to think about which scale or where they are using the pitch bend wheel, Fluid Pitch always takes you to the right note!

Play any style of music with unparalleled ease and boost your confidence on stage, without the need to buy any new keyboard or going through a new learning curve.

Now experience Fluid pitch bending, Polyphonic pitch bending, Access MPE synths, Micro-tune individual notes, and open new dimensions in Music productions.

Important Note: You must have an eLicenser dongle to use Vengeance Sound products.

The Tapestop effect is as old as it is famous, and Vengeance has the deluxe version of this effect for you:

VPS Tapestop is your new favourite tool when it comes to all kinds of pitch effects. But stop, it can do a lot more: with the built-in sequencer, volume and filter envelopes or the new "tape slip" feature you can create crazy effects, way beyond the classic Tapestop pitch-down.

MHarmonizerMB is a pitch shifting and multi-voice harmonizing plugin that lets you play like many musicians at once. It widens or enhances recordings, adds bass drum subharmonics and much more. With multiple harmonizing algorithms, up to 120 voices, formant adjustment and features such as strumming, MHarmonizerMB is the most versatile harmonizing effect on the market.

Features

Very fast, optimized for SSE and SSE2 processors.

• Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully automatable.

Micro pitch shifting is not a new effect. It is a trick that has been used for decades to thicken and widen vocals, synths and guitars (some people even use it on drums). So why did we make another one? Because we wanted one that was dead easy to use without sacrificing control. ProVocative is so quick and easy to dial in. It's also incredibly light on your CPU without sacrificing quality.

Band Limit

The ability to apply a low and high pass filter to your micro pitched tracks has proven to be incredibly valuable. Take off a bit of the high and low end of your pitch-shifted tracks to get a nice smooth subtle widening.

Mix Section

ProVocative gives you intuitive wet and dry knobs so that you can blend them together however you want. If you prefer mix style blending, you can enable the link button, and the wet and dry knobs act as mix knobs instead.

Discord4 is the latest version of our most popular and long-lived product, our Discord stereo pitch shifter. Originally modelled from the H910, Discord has long since become its own effect and a studio standby, and this version includes major additions to further stretch its capabilities. 

The pitch-shifter consists of three separate algorithms: a "vintage" mode (the original Discord algorithm, modelled on the Eventide H910 and H949), a "clean" mode for more modern shifting sounds, and a "granular" mode for experimental effects. Each mode has its strengths, depending on the input material, and Discord3 has a broad palette of capabilities as a result. The P1 and P2 algorithms have full control over the buffer (window) size of the shift effect, for fine-tuning the shift to the input signal, or for stranger sound effects. At the extremes of the six-octave shift range, some truly strange aliasing and artifacts can be had with this control. 

Discord4 retains its pair of tempo-synced delays and bandpass filters from previous versions and adds a reverb in the feedback loop (for easy access to "shimmer" effects). We have also replaced the modulation sources from the original with our all-new FLFO (Flexible LFO) design. Panorama controls are included to control the stereo width of the wet signal. Finally, soft saturation and limiting have been added or improved throughout the signal path, for an overall improved sound and added vintage-style warmth, and to allow for extreme feedback experiments without fear of overloading your DAW's channel.

Tape Stop: Tape speed simulation

At about the same time as dinosaurs roamed the earth, magnetic tape was the hottest way to store recorded audio. Naturally, cave men discovered that starting and stopping the tape while playing back would lead to interesting effects.

kHs Tape Stop simulates this arcane technology in a simple way, allowing you to get great spindown/speedup sounds quickly with the push of a button. What's next? Harnessing the power of fire?

What's a Snapin?

This plugin is a "snapin". That means you can use it as a regular VST/AU plugin, or you can use it with our snapin hosts Multipass and Snap Heap where you can combine effects in amazing ways.

Dumpster Fire is what its name sounds like, a preventable tragedy of arbitrary pitch rotation. Featuring the latest in anti-utility advancements, it is not meaningful or intuitive. This information will not help you.

Strike the eldritch match of transformation with Freakshow Industries, Dumpster Fire

Analogue Modelled Monophonic Octaver Plugin

Important Note: This is not a physical product and is a music software plugin available for online download only.

Octaver 82 is an analogue simulation of the *BOSS® OC-2™, classic monophonic octaver of the early 80s. The Octaver 82 is used to fatten up the instrument signal by adding two pitched down tones (1 and 2 octaves below the original one).

This plugin, like the original pedal, is monophonic. Chords will play totally scrambled! The technique used to make this pedal is very primordial, yet very innovative for the times. That’s why clean and precise playing is very important to get the best results.

Audiority also played with the circuit ending up with new exciting mods, adding overdrive, envelope filtering and gnarly synth tones!

Pitch Shifter: Harmonic Shifting

Are you out of tune? Do you want to be? Either way, pitch shifter uses grain delay to bring the pitch where you want it to be.  Or at least somewhere else from where it already is.

What's a Snapin?

This plugin is a "snapin". That means you can use it as a regular VST/AU plugin, or you can use it with our snapin hosts Multipass and Snap Heap where you can combine effects in amazing ways.