Boundless Reverb

Paragon is a true convolution reverb with the flexibility and control of a classic algorithmic reverb, giving you the sound of real spaces, now with unprecedented tweakability. Via re-synthesis, Paragon offers full control of the decay, room size and brightness of reverbs modelled on 3D recordings of real spaces - with no time-stretching, which means no artefacts - not to mention spectral analysis and precise EQ of the Impulse Responses themselves.

Gone are the days of enormous IR libraries. Why have 30 recordings of different-sized churches, when you can meticulously adjust the characteristics of one church?

Perfect for surround applications including Dolby Atmos bed tracks, the reverb operates in up to 7.1.2 channels of audio.

Lush reverb for surround and immersive formats

Our lush, colourful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.

The ultimate tool for lush, musical multichannel reverb

Symphony 3D is Exponential Audio’s flagship reverb offering. The character reverb engine of Symphony receives 24-channel surround support, making it perfect for crafting distinct, captivating spatial effects for any multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, no other reverb plug-in gives you this much control over your multichannel reflections.

Stretch time with Freeze

With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for generating drones and textural effects.

Overdrive and Compression modules via Warp

Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.

Expanded controls for creative precision

Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.

Key Features

• Lush surround reverb algorithm
• Up to 24 channels, including Atmos, Auro 3D, NHK, and more
• Channel-specific Balance controls for top and main signals
• Advanced control of reverb tail and early reflections
• Channel-specific control over reverb delay and gain
• Freeze, chorus, and gate for musical effects
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Natural reverbs for surround and immersive formats

Create immersive surround environments with unrivalled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job.

Impeccable reverb tone for ever-expanding audio environments

With the growing prevalence of immersive surround formats like Atmos, Auro, and beyond, there are more sonic possibilities for visual media than ever before. Stratus 3D is the perfect reverb engine for these new production formats. Aside from producing reflections with stunning clarity for up to 24-channel surround, Stratus 3D provides you with precise parameter controls to help you shape and refine the perfect spatial tone, channel by channel.

Uncompromising surround and 3D support

With support for up to 24 channels, including Atmos and Auro 3D, Stratus 3D is right at home in any multichannel workflow. Generate clean, articulate room feel, or capitalize on the 3D height expansion capabilities for wide, cavernous reflections.

Detailed gain and filter parameters

Independent input, early reflection, and reverb tail EQ filters let you decide which parts of the reflections are most present in the mix, so you control the resulting tone of your reverb on every level.

Channel-specific delay and level controls

By specifying the placement and timing of the separate vertical and horizontal reflections in each channel with the Balance module, Stratus 3D helps you craft the most enthralling, realistic sound environment for your audience.

Key Features

• Natural reverb support up to 24 channels, including Atmos, Auro 3D, NHK, and more
• Channel-specific Balance controls for top and main signals in Atmos and other immersive formats
• Advanced control of reverb tail and early reflections
• Pre-delay and reverb delay adjustable by tempo
• Warp controls with compression and overdrive
• 3D controls link multiple plug-in instances
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Realistic surround reverbs with advanced control

Create natural surround environments for your mixes with unrivalled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job.

Depth and clarity for complex channel configurations

Stratus’s clear and realistic reverb algorithm brings crisp, authentic dimension to any post production session in surround formats up to 7.1. Refine your tone with ease and precision using Stratus’s thorough, channel-specific timbre and timing controls to create the perfect atmosphere for your next project.

Versatile, comprehensive surround support

With support for up to 7.1 channels, Stratus is right at home in any industry-standard surround workflow. Generate clean, articulate rooms for dialogue mixing, or capitalize on the multichannel capabilities for wide, deep reflections.

Detailed gain and filter parameters

Comprehensive controls let you decide which parts of your reverb are most present. Control the tone and depth of your reverb on every level with independent EQ filters for the input, early reflections, and tail.

Channel-specific delay and level controls

By specifying placement and timing of the reflections in each channel with the Balance module, Stratus helps you craft the most compelling, realistic sound environment for your audience.

Key Features

• Natural surround reverb algorithm with support up to 7.1
• Channel-specific control over reverb delay and gain
• Advanced control of reverb tail and early reflections
• Pre-delay and reverb delay adjustable by tempo
• 3D controls link multiple plug-in instances
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Ready For Legendary Reverb Sound?

For decades, the 480 has been the standard by which all other reverb processors have been measured. Ask any pro and you’ll soon learn that the 480 is widely considered to be one of the best-sounding reverbs ever built. Nothing compares to the distinctive, smooth, rich “480 sound”. And now you can bring this legendary reverb sound natively to your mixes.

Get Authentic Recreations of Classic Reverb Sounds

Get many of the legendary algorithms that made the original 480L famous, including:

• Random Hall
• Hall
• Room
• Plate
• Ambiance
• Twin Delays
• Panorama

Create Reverbs That Are Deeper, Longer, and Smoother

Dial in large rooms, lush halls, shiny plates, and realistic ambiances with uncompromising and unparalleled sound quality. Go even further with the enhanced features not found on the original like modern higher density algorithms, improved modulation, additional early reflection delays, and full stereo image control. With the LX480 Complete, you get the best of both worlds - legendary sound that meets the sonic demands of any modern production.

Enjoy a Fast and Easy Workflow 

Use the built-in high and low pass filters to quickly tame the top and bottom frequencies of the reverb to keep your mixes clean and clutter-free. Benefit from an improved workflow with quick controls, customizable display, and support up to 96Khz.

It’s Like Two Reverbs In One 

Use the Dual Engine configuration to create new and distinct reverb sounds by selecting between 4 unique routing modes of the different algorithms: Single, Cascade, Mono Split, and Stereo Split.

MTurboReverb is a revolutionary algorithmic reverb, which features about 100 superb sounding reverbs in a single plugin and even lets you design your own reverb algorithms. It is quick, easy-to-use, perfect for mixing, mastering and creative production...

Maybe you do not need to design you own reverbs - you can consider the cheaper version MTurboReverbLE which provides all those 100 reverbs.

About 100 great sounding reverbs ready for you to use

Algorithmic reverbs are usually based on a single algorithm. But MTurboReverb comes up with a revolutionary programmable engine, where you can design your own algorithms, but most importantly about 100 of them have already been prepared for you, with a standardized GUI for extremely quick workflow and a short learning curve. There is everything from rooms to halls, plates, ethereal and shimmering sounds, and 2D positioning reverbs.

Each of these reverbs feature all the necessary controls such as dry/wet or reverb length, but also more special ones, such as a dynamics section or side high-pass filter. Switching between the reverbs is one click away, which tremendously speeds up your creative workflow.

Programming your own reverb

The Edit screen of the MTurboReverb plugin is certainly not for beginners, but if you have the courage, it actually lets you build your own reverbs! The plugin comes with 4 early reflection generators, which are editable graphically. But the true revolution comes in the form of 6 late reflection generators, each featuring a simple programming language, which lets you define the actual reverberation algorithm. And it's not complex at all, in fact, every algorithm takes only a single line. The plugin has been designed to make everything needed to make this work quick and easy; it does most of the design work for you automatically. Despite all the simplicity, it may not be just reverbs you can create; you can exploit complex feedback structures featuring modulation effects, pitch shifters, saturators and much more. The only limit is your imagination...and the algorithm generator, yes, it can even generate new algorithms...

Never-ending supply of creative features

Let's say you are temporarily out of ideas how to make something sound more interesting. No problem. Randomize any ER or LR section, or use one of the hundreds of presets for them. Exploit the modulators to do, well, almost anything. Mess up any of the predefined reverbs. And if that's not enough for you, there is also a multiband version MTurboReverbMB available for you. If that won't help you, nothing will.

Key features

• The most advanced user interface on the market - stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• Modulators
• Multiparameters
• Tube saturation
• M/S, single channel, up to 8 channels surround processing...
• Smart randomization
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• 64-bit processing and an unlimited sampling rate
• Extremely fast, optimized for newest AVX capable processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

The Oxford Reverb is a versatile reverb plugin that allows you to create real space for your sound. With 120 presets as standard, the Oxford Reverb gives you a solid foundation on which to build. From drier ambiances and open reverberant spaces, to sound effects and settings inspired by classic hardware. With so much control to hand, it’s easy to design your own spaces from scratch too.

Designed with the highest technical and sonic performance in mind, the Oxford Reverb is a class-leading stereo reverb plugin with hallmark Sonnox clarity and ease of use. The comprehensive yet intuitive GUI features flexible Early Reflection, Reverb Tail and 5-band Oxford EQ sections, giving you all the tools you need to craft a rich sound space.

By avoiding fixed algorithms and providing user control of all parameters, the Sonnox Oxford Reverb allows the professional engineer the powerful facility to build virtual spaces freely depending on artistic need.

Say hello to your new favourite reverb

Boundless reverb in stereo

Paragon ST is a true convolution reverb with the flexibility and control of a classic algorithmic reverb. Nugen Audio have used the same reverb technology as the original Paragon and packed it full of new controls for music producers, including modulation, stereo width and more.

Via re-synthesis, Paragon ST offers full control of the decay, room size and brightness of reverbs modelled on recordings of real spaces. There’s no time-stretching, which means no artefacts.

Richness of Sound

• Paragon reverb in a music-friendly package.
• Unique technology for re-synthesis of authentic IRs.
• Stereo width control.
• Tempo-locked pre-delay and modulation.
• Mic distance control.
• Spectral analysis.

Real Spaces Reimagined

Unlike a traditional convolution reverb, Paragon ST does not use a static Impulse Response. The reverb decay and room size can be set significantly longer, larger, shorter and smaller than that of the original IR space, without introducing ugly artefacts as a result of stretching or removing samples. Furthermore, the mic distance control allows you to adjust early reverb reflections in order to give an impression that the sound source is closer to or further away from the listener.

Seamless Tweakability

The IR library isn’t too big, and it isn’t too small, it’s just right. Gone are the days of keeping an Impulse Response saved for every possible configuration of every possible space - with Paragon ST, all you need is a select few, which can be tweaked to create almost limitless combinations of spaces.

Paragon ST’s IR panel allows you to seamlessly tweak the frequency response of real spaces, by EQing the reverb model itself and altering the frequency-dependent decay rate.

For Music Production

Whether you’re giving natural ambience to drums or vocals recorded in a dead room, or pushing guitars and synths far beyond realistic reverb into something fantastical, Paragon ST’s authentic IRs are perfect for adding depth to a mix.

Add excitement and musicality with the new modulation control and tempo-locked pre-delay, and fine-tune the placement of individual elements using the new mic distance and stereo width controls. The stereo width control is based on NUGEN's iconic Stereoizer plug-in.

Typical Applications

• Adding a sense of atmosphere to dry recordings
• Using channel crosstalk to create stereo reverb from a mono source
• Manipulating IRs whilst maintaining true convolution characteristics
• Authentic sounds of real spaces

Lush stereo reverbs with powerful control

R4 delivers the historic warmth of time-tested reverb hardware units with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.

Vintage reverb, contemporary design

For decades, audio engineers have sworn by the warmth and color of reverb hardware units to bring life and fullness to their mixes. R4 delivers the classic reflections of vintage hardware with the control and versatility of present-day DSP technology. With a comprehensive parameter toolset and modern creative effects, R4 is a refreshing take on tried-and-true reverb tone.

Classic reverb meets modern technology

R4 uses an updated R2 algorithm to bring the sought-after character of vintage reverb hardware to your DAW, delivering retro tone coupled with modern filtering and gain controls for an update on the vintage reverb experience.

Stop time and space with Freeze

Freeze gives you the ability to easily stretch an instant of reflected sound into infinity, and can also be combined with the Warp module’s overdrive and compression to craft a dramatic sustained reverb drone or striking cinematic ramp effects.

Make your reverb a little more musical

With the ability to sync to the tempo of your session, R4’s global pre-delay, reverb delay, and dynamic tail suppression integrate seamlessly with your music to place the reverb into the groove for a balanced mix in any musical context.

Key Features

• Lush stereo reverb algorithm
• Warp controls with compression and overdrive
• Create ambient drones and texture with Freeze
• Pre-delay and reverb delay adjustable by tempo
• Chorus and Gate modules for musical effects
• 5 additional early reflection patterns and an additional hall algorithm
• Dynamic tail suppression to lower reverb in louder parts of a mix
• Over 1,200 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Clean multichannel reverbs

PhoenixVerb Surround delivers the signature transparent reflections of PhoenixVerb, now with multichannel support up to 7.1. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.

More channels, fewer limits

Just as the stereo version of PhoenixVerb has cemented its place in the workflow of music producers everywhere, PhoenixVerb Surround has earned the same indispensability in post production workstations the world over. Multichannel support through 7.1 surround makes PhoenixVerb Surround the ideal post production tool for introducing natural, authentic reflections to bring depth and realism during ADR work or foley mixing.

Up to 7.1 surround support

Add the signature depth and clarity of PhoenixVerb to your mix in any surround post production setting up to 7.1. In addition, PhoenixVerb Surround’s 3D connectivity allows you to link multiple instances for even more complex multichannel work.

Natural, transparent reverb engine

Whether it’s ambience matching for a low-budget indie film or orchestral mixing for a high-profile post production job, the PhoenixVerb algorithm delivers authentic, realistic room reflections, perfect for any post production work.

Advanced versatility and precision

The most useful audio tools provide an appropriate balance of technical power, flexibility, and ease of use. PhoenixVerb Surround delivers on these fronts with over 900 presets and filtering, delay, and gain controls to shape your reverb perfectly for your mix.

Key Features

• Natural reverb algorithm
• Surround support up to 7.1
• Advanced control of reverb tail and early reflections
• Additional delays and gain controls to work in complex multichannel mixes
• 3D controls link multiple plug-in instances
• Over 900 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Professional and Truly Flexible Reverb

FlexVerb is a brand new fully-featured and extremely versatile SSL reverb plug-in designed to deliver a professional mix-ready sound in a quick and intuitive way. FlexVerb’s versatile split early-late reflection interface allows you to add the natural body and tone of different early room reflections, complimented by the richness of a variety of expansive reverb tail options.

FlexVerb features a 6-band EQ, High and Low Pass Filters, 3-band reverb time multipliers and input sidechain compressor to help you craft reverb that sits perfectly in your mix. FlexVerb’s algorithmic architecture gives you the depth, character and detail of a professional reverb in a simple rewarding interface.

Reverb Time Machine

The SP2016 was the first programmable studio rack processor. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual EPROM chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski.  The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.

Six Distinct Reverbs

The SP2016 reverbs have attracted a loyal user base by using a particular blend of art and science - the end result is an effect that sounds natural and distinctive. The plug-in includes authentic emulations of Room, Stereo Room, and High-Density Plate algorithms, each available in two versions: Vintage and Modern. The Vintage algorithms are true to the original box, all the way down to the bit-depth. The Modern algorithms are brighter, more diffuse, and use a higher bit-depth.

The algorithms naturally emulate every aspect of the sound of a real physical environment – from the complex early reflections to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. It’s a powerful simulation that lends itself to parametric control.
 
Sitting in the Mix

With the unique Position control, the ability to make a reverb effect that sits perfectly in your mix is as easy as moving one slider. This powerful tool allows you to take your listeners from the back of the room all the way to the stage while retaining all of your other settings.

A Reverb that Listens

This is the full version of Neoverb. The crossgrade option below is available for current iZotope users:

• Neoverb Crossgrade from MPS 1-3 or MPB 1-2​

From the minds behind Ozone and Nectar, and powered by legendary Exponential Audio technology, iZotope Neoverb is the most intelligent reverb plug-in for music producers. Save time - leave the trial and error behind and design unique spaces for vocals and instruments in seconds, without muddying the mix.

A new real-time Reverb Assistant guides you in selecting and blending reverbs according to your creative needs. An AI-powered EQ section listens to your audio and helps you avoid artefacts, mud, and masking. Explore a deep Advanced panel and dozens of presets for vocals and instruments, and add your personal touch.

Whether you're a new producer honing your craft, or a veteran on your latest project, Neoverb will help you get to a great reverb sound in less time.

Powered by Exponential Audio — now a part of iZotope

Neoverb is powered by Exponential Audio’s famous reverb engines. Inspired by classic studio hardware, Exponential Audio reverbs are beloved for their high-quality algorithms and realistic room sounds. Combine best-in-class sound quality with iZotope’s intuitive workflow, and you have a reverb plug-in ready to tackle any mix.

Design & Combine

Blend up to three different reverbs at once, or let the assistant choose them for you. Automate the blend pad in your DAW to create exciting movement in your mix!

Carve it Out

Neoverb's AI-powered EQs listen to your audio to make suggestions. Unmasking technology helps your reverb stand out in the crowd, or blend into the mix.

Visualize Your Space

Explore dozens of presets and advanced controls that let you add your own personal touch, no matter the genre.

Find the Right Reverb, Fast

Neoverb is designed to help you mix faster, and easily find the right blend of reverbs for your mix. The Blend Pad gives lets you intuitively mix three reverbs in one plug-in to place your instruments and vocals in their own unique environments.

A new Reverb Assistant helps you blend reverbs based on your creative intent, adjusting Advanced parameters for you via a streamlined, real-time workflow. 

Fit Your Reverb into the Mix

Neoverb's AI-powered EQs listen to your audio to give you a great reverb tone for any track. Use the Pre EQ with an Auto Cut function to automatically clean your input signal so it sounds its best before adding reverb. A Reverb EQ with a built-in Masking Meter, along with automatic Unmasking of the input signal, help keep your reverb under control in the mix. With Neoverb, you can achieve a great reverb sound without long plug-in chains or routing in your session.

Explore and Get Creative

When you're ready to go deeper, Neoverb offers an endless world of reverb sounds to explore. Add your own unique touch with the Advanced Panel controls with unique settings for all three reverb styles, for near-infinite creative possibilities. Or, get reverbs ready-made for vocals, instruments, and genres with dozens of unique presets made by iZotope's team of professional sound designers.

Main Features

Blend Pad

iZotope Neoverb’s innovative Blend Pad gets you further, faster by helping you mix three different types of reverbs at once, to create a unique reverb tail that fits your track.

• Blend different types of reverb together to get a unique sound in seconds: Add realistic space with Reflections, classic environments with Plate, and height and depth with Hall.
• Separate Size controls for each reverb type to let you create epic guitar tones, construct massive drum rooms, or dream up completely exotic spaces to make your mix unique.
• The Blend Pad is automatable, so you can change between different blends of reverb for creative effects and transitions in your song.

Reverb Assistant

Get a great reverb for any track, with an easy four-step Assistant that adjusts iZotope Neoverb’s settings in real-time. Create complex, customized reverbs, without spending time in menus.

• Choose your preferred Size and Style while iZotope Neoverb automatically selects and blends reverb combinations and advanced settings as you move the sliders.
• Add a little vibe with four different Tone selections that further adjust your reverb to give you dark, airy, bright sounds.
• Reverb Assistant listens to your audio and makes further EQ suggestions to get the cleanest possible reverb tone.

Reverb EQ

 iZotope Neoverb's Reverb EQ helps keep your reverb clean and under control in the mix, with AI-powered Unmasking that listens and unmasks your dry signal, providing a clean professional sound.

• Mix your reverb, avoid long, corrective plug-in chains and get the cleanest reverb tone in just one plug-in.
• The Reverb EQ can automatically unmask your dry signal to get a clean reverb tone quickly with the Unmask button.
• You can have Reverb Assistant set up Unmask for you, or you can quickly access it in the EQ window to get your reverb sitting right.

Pre EQ

Having a clean input signal is the key to getting a great reverb tone, and iZotope Neoverb's 3-band Pre EQ gets you set up by listening to your audio and suggesting the best areas to cut. You can further customize the EQ with shelving and band-filters.

• Treat your input signal before it hits the reverb to avoid unwanted build-up or resonances in your wet signal.
• Use Auto Cut to have Neoverb listen to your signal and suggest areas to cut, in order to avoid.
• Use filter nodes to customize your cuts, or let Neoverb learn your audio and make suggestions for you.

Advanced Panel

You can customize Neoverb’s advanced parameters within each reverb engine using the Advanced Panel for even greater control of your sound. If you're not getting quite the results you're looking for, dive into the Advanced Panel and explore!

• Individual, customizable parameters for each reverb engine, including Attack, Crossover, Damping, and more.
• Sync your pre-delay and reverb time to your host tempo to create reverbs that move with your music.
• Reverb Assistant also sets the Advanced Panel controls, so you can view and adjust your results.

Masking Meter

Stop muddy mixes before they happen with a Masking Meter that communicates with other iZotope plug-ins (via Inter-Plugin Communication) to show you where your reverb is masking other tracks, helping you keep track of reverb build-up in your mix.

• Use Dry vs. Wet mode to view masking over your dry track. Or, select another compatible iZotope plug-in to check masking on other tracks in the mix.
• Works with other compatible iZotope plug-ins like Neutron 3, Nectar 3 Plus, VocalSynth 2, and Relay.

Smooth, Pre-Delay, & Mixing Controls

Neoverb's Input/Output (I/O) panel gives you more ways to mix reverb. Soften the transients of the audio entering Neoverb with the Smooth control to keep your reverb sounding even, control Pre-Delay to add depth or a sense of distance, and create a natural blend with the Dry/Wet and Level slider.

• Based on transient shaping technology, the Smooth slider lets you easily tame sharp, percussive sources so they don't create unnatural results in your reverb.
• A global Pre-Delay lets you control the distance of your reverb reflection, letting you create a sense of space without resorting to longer reverb tails.
• Create a natural balance of reverb and dry signal with Dry/Wet and Level controls.

Mod Pad

Add subtle animation to your reverb with a Mod pad, offering two modes for both subtle and creative reverb modulation. Keep the Mod on low settings to make longer reverb tails feel more natural, or increase the setting (up to 125%) for more intense creative effects.

• An intuitive X/Y Pad helps you quickly dial in the right setting
• Pitch mode creates a subtle pitch shift, similar to a Doppler effect.
• Random ('RandomFat') mode produces a randomized modulation effect akin to a classic chorus.

Supporting Features

• Input Smoothing: Keep your dynamics even and avoid artefacts in the reverb tail with one simple control that reduces the sharp, percussive transients in your reverb.
• Resizable: Built for the demands of the modern music producer, window resizability ensures iZotope Neoverb fits in your workflow—and your screen.
• Presets: iZotope Neoverb comes packed with over 100 inspiring presets created by iZotope’s team of professional sound designers. Explore presets for vocals, guitars, experimental spaces, and more. 

The Sound of a Legend

Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb.

Visconti set up three microphones in the hall of Berlin’s Hansa Studios, the first for Bowie to sing directly into, a second positioned about 15 feet away and the third further back in the hall. Visconti placed gates on the second and third microphones set to open as Bowie sang louder and louder.

Signature Techniques

Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.

Inspiration of the Past/Power of the Future

Tverb was designed with a new level of efficiency for plug-ins. It captures the rich ambience of Hansa’s studio 2, the historic Meistersaal concert hall, without burdening your DAW’s CPU. Tverb features three independent reverbs, with the ability for the two far microphones to be convincingly placed anywhere in the hall.

Harmonic Tracking Resynthesis Reverb

ADAPTIVERB is a revolutionary reflectionsless reverberation plugin. Unlike traditional acoustic room modeling using reflections, ADAPTIVERB focuses on creating depth, harmonic richness, and butter-smooth harmonic tails without obscuring the source or perceptually moving it back. Built using ray tracing reverberation, adaptive similarity filtering, and a revolutionary new AI technique similar to the technology that enables self-driving cars to avoid collisions, ADAPTIVERB can create lush spaces, smooth drones, and far-out textures while optionally filtering dissonance – so it never gets in the way of your sounds.

Reverb, zynaptified

Wouldn't it be cool to have a reverb that auto-magically adapts to your sound and blends with perfection? A reverb that doesn't clutter up your mix, and doesn't push your sounds into the background. A reverb designed to sound beautiful and lush, rather than just realistic. A reverb so organically smooth it's as if your sounds had a longer sustain to begin with. A reverb that loves creating organic ambient sonic textures.

We thought so. Say "hello" to ADAPTIVERB.

Key Features:

• Revolutionary new reverberation approach with unique sonic characteristics
• Bionic Sustain Resynthesis creates stunningly organic tails, eliminating noisy components from the input for clear, harmonic results free of graininess
• Harmonic Contour Filter (HCF) circuit for removing effect components not in tune with the input, a captured harmonic fingerprint, or a set of notes defined using an on-screen keyboard
• Filtering and pitch quantization based HCF Keyboard modes to conform the effect to a specific key
• HCF HOLD mode for creating cross-filtering effects
• Ray Tracing and Allpass based reverb engine
• Input FREEZE function for creating drones, pads or infinite reverb type sounds
• SIMPLIFY function that recreates the input’s harmonic content with a small amount of oscillators for additive synthesis type sounds — without the warbliness
• RICHNESS parameter for adding octave, fifth or unison interval harmonics into the reverb
• Pre-Processing section including harmonic synthesis based AIR
• More than 400 presets covering a broad range of effects, including bread-and-butter reverbs, “invisible” reverbs, instrument-/voice-colored reverbs, cross-filtering, adaptively filtered delays, and pads/drones that play without input signal
• MIDI control of all key parameters

Plug In Lushness

ADAPTIVERB was designed to sound beautifully lush and smooth from the ground up. Rather than simulating a realistic room, it focuses on creating depth, harmonic richness, and sustain that sounds so naturally organic it's as if your sounds had more sustain to begin with. Its unique Bionic Sustain Resynthesizer creates reverb free of graininess or noise splashes, and its Ray Tracing engine creates super-dense and perfectly diffuse tails free of any attention-grabbing discrete reflections. 

Our testers have described ADAPTIVERB as "it's just soo MUSICAL!”, "oh boy, does it sound GOOD!" and "I don't use reverbs in general, they always mush up the sound - this one doesn't, and I'm now turning into a reverb LOVER!". We tend to agree with our testers and trust you will too.

You will find ADAPTIVERB works wonders on instruments like guitars, pianos, synthesizers or strings, on speech and vocals, on SFX and location sound, and even on full mixes.

And if you (like us) like Daniel Lanois, Robert Fripp, Ulrich Schnauss or My Bloody Valentine... you'll love ADAPTIVERB.

No Clutter, No Mud, No Dissonance

Applying long reverb tails is a great way to "carry" a sound and embed it into a mix. However, the length and amount of reverb you can successfully use for this effect is usually limited. Reverb tends to obscure detail by moving sounds into the background and it can introduce dissonance and tonal clashing when the tail overlaps with a note or chord change. This often results in a cluttered, "muddy" mix that lacks directness and tonal definition.
ADAPTIVERB is always in tune with the input or a user-defined set of pitches, filtering out all unwanted harmonic content from the reverb automatically. Bye bye, mud & clutter – hello, harmonic clarity!

Like a (Bionic) Chameleon

Rather than stacking delay/allpass nodes or convolving the input with an IR (impulse response), ADAPTIVERB employs machine learning, ray tracing and source separation techniques to synthesize a reverb tail that automatically adapts to the audio context in which it is used – like a chameleon. As a result, reverb timbre can be matched to the source automatically, and the reverb can blend with your sounds so seamlessly that it becomes "invisible" with minimal effort – great for adding "glue" in mixing and mastering applications without having to adjust roll-offs, frequency dependent decay times or crossover frequencies manually. 

Sound Design Savvy

ADAPTIVERB loves sound design. Add fifth or octave interval harmonics into the reverb using the RICHNESS parameter, create additive synth style timbres using SIMPLIFY, create drones and pads that play without input using FREEZE, or create cross-filtering effects with the Harmonic Contour Filter's HOLD functionality – quickly, easily and at maximum quality. Whether you produce music or design sound for film and games, ADAPTIVERB is for you. Read more about ADAPTIVERB's pitch/synthesis, cross-filtering or drone/pad creation features...

Presets Galore

ADAPTIVERB ships with over 400 presets, including basic starting points, music production reverbs, adaptive delays, voice and orchestral colored reverbs, drones, pads, speech-optimized reverbs, cross-filtering presets, robotizers and more. And even this huge number of presets is just scratching the surface of what you can do with ADAPTIVERB!

Easy To Use

Like with all Zynaptiq products, the heavy lifting stays “under the hood” – making your workflow as effortless as possible. With “main” and “fine tune” GUI modes, ADAPTIVERB’s controls are both highly accessible and comprehensive. And with Zynaptiq’s advanced artificial intelligence, ADAPTIVERB can quite literally “drive itself” – saving you valuable time while producing stellar results. Test drive it now!

In-Depth

Bionic Sustain Resynthesis

At the heart of ADAPTIVERB lies the BIONIC SUSTAIN RESYNTHESIZER, a new type of reverb free of any harshness or graininess, which has no inherent resonant frequencies of its own, and that blends with the source excellently by nature. Built using an AI technique similar to that used to enable self-driving cars to avoid collisions, it synthesizes a reverb tail using a network of hundreds of oscillators that learn to re-create just the pitched/harmonic parts of the input sound. Thus, noise and transients don't enter the reverb, making for organic tails even when working with otherwise difficult material like the master bus or field recordings.

Pitch Processing and Synthesis Parameters

As if that weren't cool enough, we've built in controls for tweaking these oscillators, for timbral manipulation from subtle to...quite dramatic.

SIMPLIFY reduces the number of oscillators the Bionic Sustain Synth uses from hundreds right down to one at the slider's maximum value. The result is a simplification of the timbre that has a distinct "flavor" somewhat similar to that of additive synthesizers. SIMPLIFY does not introduce the typical "warbliness" of additive synthesizers, though, due to the unique design of the resynthesis engine used. SIMPLIFY loves being automated, and works really well for creating ambient sounds.

RICHNESS introduces harmonics of a specified interval into the SUSTAIN SYNTH’s sound, similar to how you might add a pitch shifter in front of or in the feedback loop of a reverb. However, instead of adding pitch shifted copies of the sound in, RICHNESS works by causing oscillators to excite other oscillators that are at or close to the interval specified with INTERVAL, or in other words: *existing* harmonics at this interval are reinforced and no new oscillators are added. This makes for a much more harmonic, organic and transparent sound, and avoids adding pitch shifting artifacts into the effect.

INTERVAL specifies the RICHNESS interval. Available settings are -12, -5, +7 and +12 semitones, as well as a DETUNE setting (10 cents).

PITCH RANDOMIZE adds random pitch modulation to the oscillators, adding an ensemble style shimmer with a very nice characteristic.

Ray Tracing Reverb

ADAPTIVERB also features an advanced RAY TRACING REVERB module, which creates a very dense and perfectly diffuse reverb, with a beautifully smooth and full sound. Ray tracing reverb works by simulating the paths soundwaves take from a virtual sound source to a virtual listening position in a 3D room model. ADAPTIVERB's AI-based implementation simulates the effects of 16,000 such paths, without explicitly computing individual reflections. The reverb created is linear ("white") across all frequencies – perfect for diffusion of the sound pre-filtered by the SUSTAIN RESYNTH, as well as for post-filtering using the HARMONIC CONTOUR FILTER. ADAPTIVERB's REVERB section also provides a traditional allpass-filter based reverb, and can be fed by the output of the BIONIC SUSTAIN SYNTH, directly from the input section, or a mixture of both – for maximum flexibility.

Harmonic Contour Filter, a.k.a The HCF

The unique HARMONIC CONTOUR FILTER post-processes the output of the preceding sections. Its primary purpose is to remove those pitched parts from the reverb tail that would clash with the input, for example when the source track had a chord-change, or that would create “mud” or obscure the source too much, limiting the amount of reverb that can be successfully used in a mix. The HCF also enables automatically adapting the tail to blend perfectly with the source, or, when applied with negative amounts, suppressing commonalities between the input and the reverb, to “fill just the gaps”. The HCF also features a HOLD function, that allows “freezing” the current filtering effect, so you can apply the timbral/tonal characteristics of one source to the reverb of another, for cross-filtering effects similar to those created with convolution (minus the temporal evolution). And finally, the HCF can be used to selectively conform the reverb tail to a specific set of pitches, under control of a virtual keyboard. See below for more information on these powerful features.

HCF Keyboard Mode

Switching the HCF to KEYBOARD MODE allows conforming the reverb to a user-defined set of pitches, under control of a small on-screen keyboard that features 5 snapshots for chord storage and automation. Simply select which pitches are "allowed", and the entire effect path will conform. Pitch conforming can be done using precision filtering or pitch quantization, removing all unwanted harmonics or shifting them to allowed pitches, respectively. Both methods can be used to process the dry signal, too, by setting REVERB SOURCE and REVERB MIX to minimum values, for very cool sounding effects. 

Cross-Filtering With HCF HOLD

Use the HCF HOLD mode to create voice-colored reverbs, guitar flavored delays or other cross-filtering effects. Simply play a sound into the plug-in, and activate the HCF's HOLD function when you hear the timbre you'd like to impart onto ADAPTIVERB's effect path. Then, swap the input signal and cross-filter away! The HCF will extract or remove all components from the input or reverb that are not similar to the HOLD snapshot you took in terms of pitch. This source separation (a.k.a. De-Mixing) based similarity filtering engine is so precise that you can even use it to remove static sounds like hum, single notes or chords from your audio. A very powerful tool for sound design.

Create Drones, Pads & Ambience with FREEZE

Using the input FREEZE it takes just seconds to create stunningly organic, evolving drones, pads and ambient textures, that play even without input and are stored with the preset – effectively turning ADAPTIVERB into a unique ambient texture synthesizer. Unlike other "infinite reverb" type functions that simply recycle the contents of the reverb, in ADAPTIVERB, the actual input signal before the reverb is captured, and resynthesized in a seamless manner that does not sound looped and is free of warbling artifacts typically associated with such functionality. Because of this, all plugin parameters stay active during FREEZE, for your sonic texture sculpturing enjoyment. There are actually two freezers running in parallel, one at the input of the BIONIC SUSTAIN RESYNTHESIZER, and one at the "direct input" of the REVERB section. They have slight differences in terms of sound and what part of the input they capture, and you can mix between both using the REVERB SOURCE parameter. You can, of course, still get a more classic frozen reverb flavor, too, by setting SUSTAIN or the Ray Tracing REVERB's SIZE parameter to maximum.

Experience the Revolutionary Vivid Hall Algorithm in 3D

Verberate Immersive 2 is a surround and 3D capable edition of Verberate 2 — our algorithmic reverb plug-in that simulates real acoustical spaces with exceptional realism. Verberate Immersive 2 replaces Verberate Surround and supports all common surround and immersive formats up to 7.1.6 channels. The new Vivid Hall algorithm adds time variance to avoid the stiffness that plagues convolution-based reverbs while preserving the natural high-density reverb tails of Verberate Surround 1.

Verberate Immersive 2 was developed in close cooperation with professionals in film and TV post-production. Great efforts were made to create a tool that not only delivers best-in-class audio quality but also delivers results quickly through a well thought out workflow. Verberate Immersive 2 offers complete and independent control over the panning of the dry sound, late reverberation and early reflections. The panners work in up to three dimensions and have adjustable divergence. The pan positions and divergences are visualized and adjusted in an intuitive way, thus simplifying the automation of complex movements.

The decay editor resembles a fully parametric equalizer and allows you to set frequency-dependent reverb times quickly and effortlessly. Additionally, there are integrated and fully parametric input and output equalizers, each with five bands.

A large catalogue of beautiful factory presets is delivered with Verberate Immersive 2. A search button allows you to find the desired preset quickly. A clear and to-the-point graphical user interface simplifies the search for a specific reverb quality.

Highlights

• Supports all the common surround and immersive formats up to 7.1.6 channels
• Powerful integrated panning tools
• The new time-variant Vivid Hall algorithm goes beyond convolution
• Powerful decay editor allows frequency dependent reverb times
• Input and output equalizers with up to five fully parametric bands

Extraterrestrial Reverb

Most reverbs are earth-bound and constrained by the physics of the real world. Our Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.

From the Extreme to the Sublime

While it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. Whether you're at the event horizon or closer to home, Blackhole will inspire and amaze while its intuitive controls will allow you to add that special something to your tracks without a degree in rocket science. 

In short, Blackhole is destined to be one of those tools that you turn to time and again when reality just isn't enough.

The Secret Weapon

This famed, massive reverberator first saw the light of day as an algorithm in our rackmount DSP4000 and remained a favorite in the rackmount H8000FW. For decades studio engineers considered Blackhole their "secret weapon." More recently, it was ported to our Space stompbox and became the go-to ambient effect for guitar and keyboard layers. With each new version the reverb has been refined and enhanced.

We’ve now perfected the galactic sounds of the Blackhole reverb in native plug-in form. With the Blackhole plug-in, any instrument in your DAW can warp acoustic space and time.

The TSAR-1 Reverb is not an emulation. It's not a stock design. It's not a static snapshot of a space. The TSAR-1 is a powerful, modern reverb algorithm. It's alive and vibrant, it's gentle and dreamy, and above all - it's natural and believable. The TSAR-1 is the better-sounding alternative to the established, traditional reverb products. At a fraction of the price.

The True Stereo Algorithm inside the TSAR-1 is what gives it its magic. The strength lies in its sophisticated sound and versatility, no matter whether it's used on strings and brass or rock drums and lead vocals, it always shines. All this while still having a comprehensive and easy-to-use interface that is unparallelled in other high-end reverb products.

The TSAR-1 has been designed with ease of use in mind. Instead of a myriad of controls, we gave the user interface five sliders and a couple of switched options. But you may very well find you never need to use even these simple controls. Because we included a solid bank of presets, which will cover most of your needs. The presets are clearly named for their intended use, so find a setting you like, maybe tweak a little - and you're good to go.

In Short:

• True Stereo Algorithm
• Extraordinary versatility
• Comprehensive user interface
• Modern and powerful high-end reverb
• Extensive preset library
• Also includes the TSAR-1R Reverb

The Culmination of More than 35 Years of Reverb R&D

9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available. 

Natural Sound, Musical Controls

As one of the most used effects in the audio world, reverbs come in all forms and flavors. A great reverb sounds natural and sits in the mix perfectly. At the same time, it should not confuse you with over-technical controls, but must be easy to set up and a joy to work with. Enter FabFilter Pro-R.

Make Some Space

FabFilter Pro-R takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for — without requiring a degree in reverb science.
The stepless Space control lets you fade between dozens of different, carefully tuned room models, automatically choosing a matching decay time for a natural-sounding result.

Shape the Decay Time

The decay time of a real room often varies wildly over the frequency spectrum, which is one of the key ingredients of a room's reverb character. To simulate this, the industry-first Decay Rate EQ concept in FabFilter Pro-R offers completely free adjustment of the decay time over the frequency spectrum.
Since it uses parametric EQ bands instead of a traditional crossover system, it provides much more flexibility to shape the decay time characteristics. Together with the integrated 6-band Post-EQ, designing reverbs of any style or character has never been easier.

FabFilter Goodies

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!

Key Features

• Beautifully designed room models, ranging from small ambiences and rooms to large concert halls and huge cathedrals.
• Carefully developed to easily fit in the mix, without causing undesirable coloration, density or phase problems.
• Gorgeous Retina interface with large interactive reverb display featuring Decay Rate EQ and Post EQ curves.
• Very easy to set up, with user-friendly, non-technical controls.
• Stepless Space control, which smartly and smoothly combines the room model and decay time of the reverb. You can choose from over a dozen carefully designed room models and seamlessly vary between them, without hearing clicks or unwanted artifacts.
• Decay Rate control, changing the overall decay time from 50% to 200% of the current Space setting.
• Intelligent Stereo Width control, ranging from pure mono to true stereo and beyond.
• Distance control to adjust the proximity to the sound source in the selected space.
• The Character control changes the sound from a clean, transparent decay, to a lively reverb with pronounced reflections and echoes, all the way to an over-modulated chorus-like effect.
• Perfectly tuned Brightness knob, affecting not only overall brightness, but also the decay of high frequencies.
• Mix knob with a Lock Mix option, which prevents preset loading from overriding the current mix setting.
• Predelay control via the bottom bar, ranging from 0 to 500 ms, with optional host tempo sync.
• Innovative six-band Decay Rate EQ, giving you full control over the decay rate at different frequencies.
• Six-band Post EQ to equalize the final reverb sound. Together with the Decay Rate EQ, this lets you design reverbs of any style or character.
• Real-time spectrum analyzer that also visualizes the decay time at different frequencies.
• Full Screen mode, offering a large analyzer display and Decay Rate EQ and Post EQ controller.
• Multiple interface sizes: Medium, Large and Extra Large.
• Stereo and mono plug-ins available.
• Supports common Pro Tools hardware control surfaces.
• MIDI Learn.
• Undo/redo and A/B comparison.
• Smart Parameter Interpolation.
• Sample-accurate automation of all parameters.
• Extensive help file with interactive help hints.
• Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only).