Sound Like You

Subscribe to Reason+ and get the tools to sound like nobody else.

All You Need – One Subscription

• Weekly inspiring sound packs
• 70+ legendary instruments & effects
• Plugin rack for creative sound design
• Up-to-date Reason software

What's included?

Inspiring Sound Packs

Get inspired by weekly sound packs with musical building blocks that go well together. All sounds are created by world-class sound designers in the Reason Rack – so you can change them any way you want.

Legendary Instruments and Effects

Reason's 70+ instruments and effects have been used to make countless hits – and countless unique sounds. By combining them any way you want in the Reason Rack you can really control your creative expression.

Rack Plugin and Reason

The Reason Rack is a sound design playground that can be used as a plugin with any other music production software. But Reason is also full-fledged music production software where you can record and edit. As a Reason+ subscriber you always have access to the latest version with all available updates.

The Rack and Reason

Wanna add some personality to the music you make in Ableton Live, Apple Logic, FL Studio or Avid ProTools? Just use Reason+ with the Rack as a plugin.

But if you prefer to make your music in Reason (like many of the greatest producers in the world do) you can rest assured that you will always have what you need to be original and sound like you. All updates and major upgrades are included in Reason+.

New in Reason 12

A new look, a new size and new Rack devices for creative sample manipulation, Reason 12 is all about leveling up the creative potential at the heart of your music-making experience. The brand new Mimic Creative Sampler approaches sample manipulation as a musical reimagining of audio samples that can be both inventive and even fun! Bringing together the best audio technologies from Reason Studios’ history of groundbreaking DSP and sample-slicing, Mimic includes automatic transient slice detection which easily chops up a sample into individual notes or drum beats. Time-stretching samples can be done using Reason’s legendary stretch algorithm, along with new granular and tape modes to explore.

Mimic Creative Sampler

• Mimic is Reason’s brand new premium instrument for creative sample manipulation
• Advanced time-stretch and pitch shift algorithms
• Experiment with granular synthesis controls
• Automatic transient slice detection chops up samples for fast sample juggling and flipping
• Onboard filters and effects geared specifically for adding color, grit, and character to your samples

All New Combinator

• Reason’s Combinator has been updated for highly customizable front panel designs
• Combine instruments, effects, and modular devices inside the Combinator however you like
• Use the new Editor to design custom front panels with your own layout of knobs, buttons, faders, and graphics
• Combinators can now include other Combinators inside
• Updated Combinator programming features make customized macro controls, and the sounds that enable more advanced, powerful, and inspiring

Improved Browser

• Reason’s browser has been updated for instant search results while you type
• Search results categorized, showing devices, presets, samples, folders, etc. 
• Search the current folder your in or all locations at once now

High Resolution Graphics and Scalable Window

• ALL Reason Rack devices are now in glorious high resolution
• Every 3rd party Rack Extension add-on ever made now supports high resolution graphics now
• Reason scales automatically to fit your own monitor’s resolution and pixel density
• Change the zoom level manually to make the Reason window smaller or GIANT to fit your own taste

Take Your Music Anywhere

The Reason platform extends beyond the Reason software. Music is made in any number of settings and situations and Reason can be there for you when you need it.

Start your song ideas on Reason Compact for iOS and finish them on your computer. The same instruments are available on your phone and on your desktop so you can flesh out the production with all that Reason can offer.

Use your favorite Reason instrument in other music production software with the Reason Rack Plugin, a VST/AU version of the Reason Rack

Jam in perfect sync with your Ableton Live using friends. Reason supports Ableton Link to stay wirelessly on the beat tougher with any number of Link-enabled computers, apps or devices.

Sound Packs

Put a little whoosh in your boom!

Sound Packs are music-making building blocks that can inspire you and speed up your music-making process. Every week Reason Studios release new booms and blips by world-class sound designers. Sound Packs offer the simplicity of samples but add another level of flexibility and creative possibilities. You are never limited to the sounds on offer – you can always make them sound like you.

Sometimes a boom needs more whoosh. Because Sound packs are fully configured instrument and device patches in the Reason Rack, you get immediate and full creative flexibility. In other words – you can easily add as much whoosh as you like.

Instruments & Effects

Use your ears!

These instruments and effects are all included in Reason+. You can combine them any way you want in the Rack to create the perfect sound for what you want to express. Some of these may look complicated at first – but don’t worry. Nothing can break. Just use your ears and try stuff out!

Europa - Shapeshifting Synthesizer

A wavetable synth at heart; Europa is the most powerful, most modern and biggest sounding synth for your next track and the many more to come. The heart of Europa is its three spectral wave engines, where waveforms are loaded and warped through traditional wavetable sweeps and spectral waveform modifiers. Add to that a set of unique spectral filters, customizable envelopes, fantastic effects and more and you’ll be ready to realize that Europa isn’t just the greatest synth to arrive in Reason. It’s the greatest synth to arrive. Period.

Thor - Polysonic Synthesizer

Where other synths use one specific form of synthesis and one single filter, the Thor polysonic synthesizer features six different oscillator types and four unique filters. What does this give you? An unstoppable monster of a sound generator, Thor utilises synthesizer technology from the last 50 years. With its unique selection of oscillator types and filter designs, the Thor Polysonic Synthesizer is a veritable synth museum. But there’s nothing dusty about this instrument. Thor may have one foot in history, but its sound is pure future.

Monotone - Bass Synthesizer

For all the bass heads out there, here’s Monotone: a monophonic supply of speaker rattling low-end. Monotone has a deep and big sound but is inviting and easy to work with. No hidden menus or cryptic controls. Everything you need is at your fingertips when you want it. Monotone is also the bass synth in Reason Compact for iOS. Start your basslines on Reason Compact and scale up your production on your Desktop – Monotone seamlessly integrates into your workflow.

Subtractor - Polyphonic Synthesizer

Similar in layout of the analogue flagship synths of the early 80s, the Subtractor makes it easy to create anything from warm pads to rumbling bass. A unique feature of the Subtractor Synthesizer is the oscillator phase offset. By using this feature you can create complex waveforms by subtracting or multiplying a waveform with a phase offset copy of itself. This analogue type polyphonic synthesizer is based on subtractive synthesis, the method used in classic, analogue synthesizers.

Kong - Drum Designer

Kong Drum Designer is not your regular drum module. It’s the drum module focused on giving you exactly that drum sound you’re after. Kong has 16 pads and 16 drums. Build your drum sounds based on any of the nine different drum modules. Flavour the sound with 11 support generators and effects. Program automation, create alternating groups and let Reason’s powerful sequencer drive the beat.

Radical Piano - Advanced Acoustic Piano

Radical Piano will change the way you use pianos in your music by allowing you to imagine a piano in a real space and set about creating it yourself through intuitive controls. Based on a custom blend between sampling technology and physical modelling algorithms, Radical Piano affords songwriters, producers, and sound designers an unprecedented level of control to craft a realistic piano that is 100% unique.

MIDI Out - Device

Play the sounds of your favourite hardware synths and beat machines within the Reason Rack. Sequence and automate your MIDI gear in Reason's sequencer, play in new ways with Players, or control any MIDI parameter with CV cables from any rack device.

When using Reason as a VST3/AU/AAX plugin, the MIDI Out Device communicates directly with the host. Build your own custom MIDI rack using Reason's devices and control any other plugin or external hardware in your DAW of choice.

The Complete List of Reason+ Instruments

• Friktion - Modeled Strings
• Europa - Shapeshifting Synthesizer
• Thor - Polysonic Synthesizer
• Monotone - Bass Synthesizer
• Subtractor - Polyphonic Synthesizer
• Kong - Drum Designer
• Radical Piano - Advanced Acoustic Piano
• MIDI Out - Device
• Rytmik - Drum Machine
• Redrum - Drum Computer
• Dr. Octo Rex - Loop Player
• NN-XT - Advanced Sampler
• NN-19 - Sampler
• ID8 - Songwriter's Toolbox
• Grain - Sample Manipulator
• Malström - Graintable Synthesizer
• Klang - Tuned Percussion
• Pangea - World Instruments
• Humana - Vocal Ensemble
• Scenic - Hybrid Instrument
• Complex-1 - Modular Synthesizer
• Parsec 2 - Spectral Synthesizer
• Umpf Club Drums
• Umpf Retro Beats
• Reason Electric Bass
• Reason Drum Kits
• Processed Pianos
• Radical Keys
• Layers Quadrasonic Sample Player
• Layers Waves Edition

Effects

Sweeper

Add more colour with this high quality, multi-talented modulation unit with expansive dynamic modulation options. Sweeper offers three separate stereo modulation effects: phaser, flanger and filter. The pristine-sounding phaser offers up to a whopping 40 stages for some extreme phasing sounds. The Flanger excels at the sweeping sounds you’d expect from it while the filter section is the oversampled filter from Europa with nine filter modes. To breathe life into the effect, Sweeper has a modulator with a looping envelope, an audio follower and audio trig to modulate just about any of Sweeper’s settings.

Master Bus Compressor

Reason’s trusted ready-for-radio bus compressor is now available as a rack device. The sound is identical to the Mixer’s master bus compressor, but the rack unit offers expanded CV control, dry/wet settings and the ability to apply the compressor magic anywhere in your signal chain. How would your drum mix sound with its own Master Bus Compressor?

The Echo

The Echo is an advanced stereo echo bringing together the brilliance of modern delays with the organic sounds of analogue circuitry and old-school tape machines. The Echo is equal parts pristine stereo delay, sound sculpturing toolbox, and playable performance effect. Add Delay, colour, modulations and triggers to your Rack. The Trigger and Roll modes let you play The Echo as an instrument, creating stutter and repeat effects on the fly.

The Complete List of Reason+ Effects

• Audiomatic Retro Transformer
• Scream 4 Sound Destruction Unit
• RV7000 MkII Advanced Reverb
• Softube Bass Amp
• Softube Guitar Amp
• MClass Compressor
• MClass Equalizer
• MClass Stereo Imager
• MClass Maximizer
• DDL-1 Digital Delay Line
• CF-101 Chorus/Flanger
• Sweeper Modulation Effect
• Quartet Chorus Ensemble
• Master Bus Compressor
• Channel Dynamics
• Channel EQ
• The Echo
• Pulveriser Demolition Unit
• Alligator Triple Filter Gate
• Synchronous Effect Modulator
• BV512 Vocoder
• Neptune Pitch Adjuster & Voice Synth
• PH-90 Phaser
• RV-7 Digital Reverb
• ECF-42 Envelope Controlled Filter
• D-11 Foldback Distortion
• UN-16 Unison
• PEQ-2 Two Band Parametric EQ
• COMP-01 Compressor/Limiter
• Polar Dual Pitch Shifter
• Rotor Rotary Speaker

MIDI FX & Utilities

Scales & Chords

Add scale awareness to your instruments with Scales & Chords. Select your key and scale from a list of common and not-so-common scales and your playing will always be in key. Turn on the chords button and have Reason add one finger chord magic that fits right with your music. With controls for chord colouring, number of notes, inversion and more, you have a very helpful harmonic tool at your disposal.

Beat Map Algorhythmic Drummer

Beat Map is a new Reason Rack Extension that generates notes in a fast, fun, intuitive way. Designed primarily for drums, Beat Map takes away some of the complexity of writing great beats by using algorithmically-generated patterns to come up with unexpected and interesting results.

The Combinator

Combine, layer and mix instruments and effects to create rich, production-ready and performance-friendly sounds that can be loaded up in an instant.

The Complete List of Reason+ MIDI FX & Utilities

• Pattern Mutator
• Scales & Chords
• Dual Arpeggio
• Note Echo
• Beat Map Algorhythmic Drummer
• Drum Sequencer
• Quad Note Generator
• PolyStep Sequencer
• The Combinator
• Pulsar Dual LFO
• Matrix Pattern Sequencer
• RPG-8 Monophonic Arpeggiator
• Mixer 14:2
• Line Mixer 6:2
• Spider Audio Merger & Splitter
• Spider CV Merger & Splitter
• Mix Channel
• Audio Track

All The Tools You Need To Make Breathtaking Music

MNTRA is the new audio tools division of LA HACIENDA CREATIVE studios based in Montreal, Canada. With a focus on exploring new realms of musical composition and sound design, they achieve incredible results with their next-generation virtual instruments. Created for real-world demands by their passionate team, their virtual instruments are built on their extensive experience in interactive audio and decades of collecting rare instruments and sounds from across the globe. 

The MNTRA Instruments Everything Bundle gives you the opportunity to access the entire incredible range of assiduously sampled virtual instruments, and help you unlock exponential creativity within your productions.

Dark Sounds Suite Expanded

Orakle X is MNTRA's largest Sound Sculpture Instrument yet, offering everything you need to make modern cinematic music inspired by ancient sounds. Informed by their passion for international instruments and techniques, Orakle X transcends place and time. Orakle X includes experimental string articulations, thunderous horns, flute clusters, overtone singing, a massive array of unique percussion, and so much more.

At the heart of Orakle X is MNTRA's founder Brian D’Oliveira’s (The Witcher NOTW, Shadow Of The Tomb Raider, Resident Evil 7 + 8) vast collection of one-of-a-kind instruments, assembled during his many travels across the globe. His dedication to studying the ancient performance techniques of these unique instruments, combined with MNTRA's leading-edge ultrasonic sampling workflow, allows them to be heard in an entirely new way. 

From aleatoric flute swarms and bombastic drums to bowed metal textures and extended Baroque cello harmonics, Orakle X gives you all the components needed to create visionary sound worlds.

Recorded with state-of-the-art equipment in MNTRA's legendary RCA Victor studio in Montreal, and meticulously sampled to capture the nuanced resonances of these rare instruments, Orakle X has vast compositional and sound design applications.

The Total Bundle Is a Set of All FabFilter Plug-ins. With This bundle, You Get the Best EQ, Compressor, Limiter, De-Esser, Gate/Expander, Multi-Band Distortion, Stereo Delay, Filter and Synthesizer Plug-ins

Pro-Q 3

Unrivalled Sound and Workflow

An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! With FabFilter Pro-Q 3, you get the highest possible sound quality and a gorgeous, innovative interface with unrivalled ease of use.

Key features

• Highest possible sound quality
• Up to 24 EQ bands
• NEW - Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching
• IMPROVED - Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency
• NEW - Ultra-steep 'Brickwall' slope setting for LP and HP filters
• NEW - Full surround support (up to Dolby Atmos 7.1.2) with intelligent speaker selection
• NEW - External spectrum visualization from any other Pro-Q 3 instance, including collision detection
• NEW - Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately
• Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode
• NEW - Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum
• IMPROVED - Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!
• Different interface sizes and additional Full Screen mode
• IMPROVED - Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt
• Universal filter slope support for all filter types, up to 96 dB/oct
• IMPROVED - EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal
• IMPROVED - Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection
• Auto Gain and Gain Scale
• Optional piano roll display to quantize EQ frequencies to musical notes
• Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
• Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
• Phase Invert option to change polarity
• Large output level meter with peak level readout
• Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session
• GPU-powered graphics acceleration
• Double-click text entry of parameter values
• IMPROVED - Supports stereo, mono and surround channel layouts (up to Dolby Atmos 7.1.2)
• Supports common Pro Tools hardware control surfaces
• IMPROVED - MIDI Learn with option to control the currently active band
• Undo/redo and A/B comparison
• Smart Parameter Interpolation
• Sample-accurate automation of all parameters
• Extensive help file with interactive help hints
• Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)

Learn more about FabFilter Pro-Q 3.

Pro-R

Natural Sound, Musical Controls

As one of the most used effects in the audio world, reverbs come in all forms and flavors. A great reverb sounds natural and sits in the mix perfectly. At the same time, it should not confuse you with over-technical controls, but must be easy to set up and a joy to work with. Enter FabFilter Pro-R.

Make Some Space

FabFilter Pro-R takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for — without requiring a degree in reverb science.
The stepless Space control lets you fade between dozens of different, carefully tuned room models, automatically choosing a matching decay time for a natural-sounding result.

Shape the Decay Time

The decay time of a real room often varies wildly over the frequency spectrum, which is one of the key ingredients of a room's reverb character. To simulate this, the industry-first Decay Rate EQ concept in FabFilter Pro-R offers completely free adjustment of the decay time over the frequency spectrum.
Since it uses parametric EQ bands instead of a traditional crossover system, it provides much more flexibility to shape the decay time characteristics. Together with the integrated 6-band Post-EQ, designing reverbs of any style or character has never been easier.

Click the link for further info on Pro-R.

Pro-MB

Powerful and Intuitive

Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.

A New Approach

Instead of conventionally splitting the entire spectrum with crossovers, Pro-MB enables you to directly create a new band at the frequency range you want to work on. Think bands, not crossovers!

The interactive multiband display clearly shows that the rest of the spectrum stays untouched. And if desired, you can easily snap bands together to recreate a traditional crossover system.

Lifesaver and Timesaver

FabFilter Pro-MB introduces a unique Dynamic Phase processing mode. It has virtually the same frequency response as traditional multiband processing, but doesn't introduce latency or pre-ringing, and only introduces minor phase changes when the gain actually changes. Of course, we have also included an excellent Linear Phase mode and a traditional Minimum Phase mode.

The powerful combination of high quality processing, optimized workflow using the interactive multiband display and all the expert features you need, makes Pro-MB both a lifesaver and timesaver!

Click the link for more info on FabFilter Pro-MB.

Pro-L 2

Loud and clear

A true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a professional, feature-packed limiter that is loud and transparent at the same time, equipped with extensive loudness metering? Then FabFilter Pro-L 2 is your weapon of choice!

Top-class metering

FabFilter Pro-L 2 features precise true peak level meters and extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards. Combined with its unique real-time level display, you have all the information you need to achieve the best possible results.

Click the link for further info on FabFilter Pro-L 2. 

Pro-C 2

Incredible Sound and Character

FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!

Everything You Need

Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.

Click the link for further info on FabFilter Pro-C 2.

Pro-DS

Intelligent and Transparent

Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don't worry, FabFilter Pro-DS comes to the rescue!

Accurate Detection

With its highly intelligent 'Single Vocal' detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently. When using the 'Allround' mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes. Try it out yourself!

FabFilter Pro-DS offers everything you need to get the best result possible, presented in a simple and easy-to-use interface. Wide band or linear-phase split band processing, an optional look-ahead of up to 15 ms, adjustable stereo linking with optional mid-only or side-only processing, up to four times linear-phase oversampling... it's all there.

Click the link for further info on FabFilter Pro-DS.

Pro-G

Expand In Style

A good gate/expander is an indispensable tool in any mixing or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, complete control over the side chain and channel linking, excellent metering and great interface design.

Ultra-Flexible Side-Chain Routings

Apart from excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo or mid/side processing and in expert mode, external side chain input is available with completely customizable channel linking and routing.

Clear and Precise Metering

FabFilter Pro-G combines smart input/output level meters with a real-time level display and transfer curve. Everything was specifically designed to give clear feedback on the current gate/expander settings and processing, letting you set them up easily.

Click the link for further info on FabFilter Pro-G.

Saturn 2

Timeless 3

Timeless 3 is an advanced, powerful, modern delay plugin. Timeless 3 has 2 independent, programmable delay lines, together with high-quality effects and filters, and a super-flexible modulation system. With Timeless 3, you can create any type of delay in no time

FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

Vintage Filters and Creative Effects

The stereo delay signal is routed through five unique effects and up to six analogue-sounding filters and then routed back to the input with adjustable feedback. Easily program your own delays using the well-laid-out controls and interactive delay and filter displays.

Easy Drag-and-Drop Modulation

Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless's unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

FabFilter Goodies

Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.

Click the link for further info on Timeless 3.

Volcano 3

Unbeatable Filters

Nothing beats a vintage sounding, gritty and creamy cut-off filter. That's exactly what FabFilter Volcano has been known for since its first release in 2005. Volcano 3 continues to deliver the best in creative filtering with new non-linear filter shapes and a completely redesigned interface that is an absolute delight to work with.

Non-Linear, Vintage Filters

Volcano 3 contains four analogue-sounding filters with flexible routing, each offering many filter shapes including non-linear bell and shelf filters. Different filter styles offer saturation and self-oscillation at high peak settings, just like the classic, vintage filters.

Easy Drag-and-Drop Modulation

With all the XLFOs, envelope generators, envelope followers and MIDI sources you will ever need, Volcano 3 offers endless modulation possibilities. Setting up new modulation connections could not be easier: just drag and drop.

FabFilter Goodies

Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

Click the link for further info on FabFilter Volcano 3.

Twin 2

Amazing Oscillators, Unique Filters

FabFilter Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze! Rather use presets? Twin 2 comes with more than 1600 quality sounds that you can use right away.

Innovative Easy-To-Use Interface

Programming Twin 2 is easy and fast. The what-you-use-is-what-you-see interface shows only what you are actually using, and the graphic component buttons give you direct access to the most important settings from the impressive list of features.

Easy Drag-and-Drop Modulation

With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 2 offers practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop.

Click the link for further info on FabFilter Twin 2.

FabFilter One

Amazing Oscillators, Unique Filters

For FabFilter One, we have put tremendous effort in creating the best cut-off filter ever. Our new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.

The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.

Click the link for further info on FabFilter One.

Simplon

Unique Filters, Easy Display

FabFilter Simplon is a simplified version of FabFilter Volcano 2 with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode.

Originally developed for FabFilter One, Simplon's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon's filters sound raw but never cheap or ‘digital’, even at full resonance.

Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

Click the link for further product info on FabFilter Simplon.

Micro

The Classic FabFilter Sound

With the introduction of FabFilter One in 2004, we set a new standard for digital filters... and it still stands today. Now you can get that classic FabFilter sound for a Micro price! With a single high-quality filter, FabFilter Micro is the ultimate lightweight filter plug-in.

FabFilter Micro's single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.

With the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!

Click the link for further product info on FabFilter Micro.

The UJAM Collectors Edition

All UJAM Plug-ins Available in One Bundle

UJAM creates a bunch of incredible sounding yet easy-to-use virtual instruments and effects, designed to enhance the creative process and to make music creation faster, better and easier than ever. Their plug-ins are available for most major DAW’s and plug-in formats including VST, AU, and AAX.

What’s In there?

Sounds like U

Synthesizers the UJAM way

Make Music!

Usynth is synthesizers the UJAM way... No unnecessary complexity, no secret wisdom required. Just load them up and compose, perform with ease. Usynth. Sounds like U.

What You Get:

A time-limited pre-order bundle with three titles included:

• 2080 - 80s Synthwave Atmospheres.
• CARAMEL - For Lush Pads.
• EUPHORIA - Big Room EDM.
• Get early access on January 20th, 2022.
• Attend an exclusive webinar with UJAM founder Peter Gorges.

How Does the Pre-Order Work?

Save 58% compared to the single title MSRP when you buy the bundle until January 19th, 2022. Get exclusive early access to the first three titles: You’ll be notified and receive your download link in your UJAM account section and your UJAM App on January 20th, 2022.

When is the Public Release?

On January 27th, 2022 the three Usynth titles 2080, CARAMEL and EUPHORIA are publicly available for sale together with our fully functional and free 30-day-trials.

Learn more about Usynth Bundle [PRE-ORDER].

Groovy Percussion for Popular Styles

Make your tracks move and shake with guaranteed feel

The Missing Ingredient

You’ve cooked up your track, you’ve got bass and drums, melodies and chords and yet there’s something missing. Why does it still lack taste? Percussion! Think of salt as a spice  – working dutifully in the background, a little bitter when consumed in masses. But no dish will come to full expression of flavours without it. The same goes for pop songs and percussion. 

• 30 Styles – Combi Style and Solo Styles
• 4 Sounds (Shaker, Claps, Tambourine, One-Shot shaker)
• 9 Mix & 4 Ambience Presets
• MIDI Drag and Drop

Learn more about Groovemate ONE.

Top studio-quality guitar tracks in minutes

Imagine your own personal session guitarist, available 24 hours a day and ready to play your favourite style of musical accompaniment at a moment's notice with ease? It sounds like an impossible dream, but with the Virtual Guitarist series, those dreams become reality.

The Toughest Element

UJAM built CARBON because there was nothing like it – a virtual instrument creating versatile modern “sound-designed” guitar sounds in all kinds of music genres – from the super-quantized accents in electronic music to action-packed big riffs in-game soundtracks to subtle vibes in movie scores.

The Ultimate Virtual Synth and Effects Plugin Collection

Upgrade Note: This is the full version of eXplorer 7. Upgrades for owners of previous versions of eXplorer or other Rob Papen products are also available.

• eXplorer 7 Crossgrade from 1 RP Product
• eXplorer 7 Crossgrade from 2 RP Products
• eXplorer 7 Crossgrade from 3 RP Products
• eXplorer 7 Crossgrade from 4 RP Products
• eXplorer 7 Upgrade from any version of eXplorer

​Rob Papen eXplorer 7 - This inspirational bundle holds 25 RP products if you include the amazing Prisma! which you can request after registering your bundle. For the full use of Prisma its presets, SubBoomBass, Blade, and Punch are available to be installed as well.

Predator 3

Rob Papen Predator-3 is the successor of a legendary synthesizer. Both versions 1 and 2 have inspired many artists and composers throughout the years and it has made an appearance on countless music tracks! As before, it combines a large library of over 6400 quality presets and cutting-edge features to make this your go-to synth for contemporary music production of any kind.  

The user interface has been re-designed so that all essential main controls are visible on screen, making it interactive and incredibly easy to use.

With Predator-3 they have integrated many new features into the Arpeggiator, added Multi Envelopes, added an ‘Audio Follower input’ for Side Chain control, and last but not least it has also received the analog-modeled sound code from B.I.T. which allows an uncompromised audio quality for analog types of sound or hybrid wavetable sounds!

Shipped with a large collection of inspirational Presets, Predator-3 is a unique synthesizer concept that combines user-friendliness and deep sound design features in one amazing product.

Custom XXL Collection

Your choice of content, XXL size.

Includes your choice of:

• 10 ADpaks (kits)
• 10 MIDIpaks (beats)
• 10 Kitpiece Paks (single drums)

(Also includes the Addictive Drums 2 Engine)

Buy now, choose your content later.

Follow the step-by-step instructions shown directly after you've made your purchase to choose your content.

You're the creative genius

With Custom Collections you're free to choose a combination of content that's as unique as the sound you're going to create with it.

Pick and choose among drum kits, kit pieces and MIDI beats based on your own individual preferences.

Stadium rock fills played on a Brazilian pandeiro? It could just become the sound of summer! Funk breaks on a Heavy Metal kit...why the hell not?

This offer is for power users that love exploring all options and picking content that interests them. You get the full Addictive Drums 2 engine and can select any 6 ADpaks, any 6 MIDIpaks, and any 6 Kitpiece paks of your choice. You can choose your content all at once or over time as you expand your musical horizons.

With the powerful Addictive Drums 2 plugin and the ability to pick the sound and rhythm content of your choice, you will be armed with the exact sounds and rhythms you need to take your music to the next level.

Addictive Drums 2

It's All About the Sound

Tweak any of the professionally designed presets or build up a custom kit from scratch, it's your choice. Addictive Drums 2 is packed with mixing and sound-shaping features that let you transform the raw sounds in amazing ways. Whether you need your drums to sound open and crystal-clear or produced and radio-ready, or grungy and heavily distorted, AD2 has studio-grade tools to get the job done.

Lightning Fast Workflow

The best sounds and features are useless if you can't find and use them quickly when inspiration strikes. Addictive Drums 2 really excels in this area. Every detail – from drag-and-drop audio and MIDI to rapid linking and layering, to near-instant kit piece swapping–is designed to keep you in the creative zone. The clean layout and lighting-fast workflow include hundreds of individual features that make AD2 fast and familiar – even for first-time users.

Every drum kit is recorded in world-class studios by industry professionals and amazing drummers to give you professional sonic options and creative control.

Where Do You Start?

To get the most out of Addictive Drums 2 you always start with XPN Audio's Collections.

A Collection is a bundle of ADpaks (drum kits), MIDIpaks (beats) and Kitpiece Paks (single drums) put together to give you the best possible drum production experience.

Custom XL Collection

Your choice of content, XL size.

Includes your choice of:

• 6 ADpaks (Kits)
• 6 MIDIpaks (Beats)
• 6 Kitpiece Paks (Single Drums)

(Also includes the Addictive Drums 2 Engine)

Buy now, choose your content later.

Follow the step-by-step instructions shown directly after you've made your purchase to choose your content.

You're the creative genius

With Custom Collections you're free to choose a combination of content that's as unique as the sound you're going to create with it.

Pick and choose among drum kits, kit pieces and MIDI beats based on your own individual preferences.

Stadium rock fills played on a Brazilian pandeiro? It could just become the sound of summer! Funk breaks on a Heavy Metal kit...why the hell not?

This offer is for power users that love exploring all options and picking content that interests them. You get the full Addictive Drums 2 engine and can select any 6 ADpaks, any 6 MIDIpaks, and any 6 Kitpiece paks of your choice. You can choose your content all at once or over time as you expand your musical horizons.

With the powerful Addictive Drums 2 plugin and the ability to pick the sound and rhythm content of your choice, you will be armed with the exact sounds and rhythms you need to take your music to the next level.

Addictive Drums 2

It's All About the Sound

Tweak any of the professionally designed presets or build up a custom kit from scratch, it's your choice. Addictive Drums 2 is packed with mixing and sound-shaping features that let you transform the raw sounds in amazing ways. Whether you need your drums to sound open and crystal-clear or produced and radio-ready, or grungy and heavily distorted, AD2 has studio-grade tools to get the job done.

Lightning Fast Workflow

The best sounds and features are useless if you can't find and use them quickly when inspiration strikes. Addictive Drums 2 really excels in this area. Every detail – from drag-and-drop audio and MIDI to rapid linking and layering, to near-instant kit piece swapping–is designed to keep you in the creative zone. The clean layout and lighting-fast workflow include hundreds of individual features that make AD2 fast and familiar – even for first-time users.

Every drum kit is recorded in world-class studios by industry professionals and amazing drummers to give you professional sonic options and creative control.

Where Do You Start?

To get the most out of Addictive Drums 2 you always start with XPN Audio's Collections.

A Collection is a bundle of ADpaks (drum kits), MIDIpaks (beats) and Kitpiece Paks (single drums) put together to give you the best possible drum production experience.

Custom Collection

Your Choice of Content.

Includes your choice of:

• 3 ADpaks (Kits)
• 3 MIDIpaks (Beats)
• 3 Kitpiece Paks (Single Drums)

(Also includes the Addictive Drums 2 Engine)

Buy now, choose your content later.

Follow the step-by-step instructions shown directly after you've made your purchase to choose your content.

You're the creative genius

With Custom Collections you're free to choose a combination of content that's as unique as the sound you're going to create with it.

Pick and choose among drum kits, kit pieces and MIDI beats based on your own individual preferences.

Stadium rock fills played on a Brazilian pandeiro? It could just become the sound of summer! Funk breaks on a Heavy Metal kit...why the hell not?

If you’re a drum geek at heart and enjoy exploring the nitty-gritty details of every sound and rhythm, Addictive Drums 2: Custom is for you! You get the powerful Addictive Drums 2 engine and the ability to look through our extensive vault and handpick the sounds and rhythms that most appeal to you. 

Select any 3 ADpaks, any 3 MIDIpaks and any 3 Kitpiece Paks to build a drum library that is just right for you! There is no need to choose all your content at once. Pick what you like now and come back for the rest when you're ready.

Addictive Drums 2 brings the world's finest drums straight into your music. You get outstanding drums, professionally played rhythms, and phenomenal sound-shaping and mixing features that make your productions sound alive. All this with a fast, musician-centric interface that gets amazing results without getting in your way.

Addictive Drums 2

It's All About the Sound

Tweak any of the professionally designed presets or build up a custom kit from scratch, it's your choice. Addictive Drums 2 is packed with mixing and sound-shaping features that let you transform the raw sounds in amazing ways. Whether you need your drums to sound open and crystal-clear or produced and radio-ready, or grungy and heavily distorted, AD2 has studio-grade tools to get the job done.

Lightning Fast Workflow

The best sounds and features are useless if you can't find and use them quickly when inspiration strikes. Addictive Drums 2 really excels in this area. Every detail – from drag-and-drop audio and MIDI to rapid linking and layering, to near-instant kit piece swapping–is designed to keep you in the creative zone. The clean layout and lighting-fast workflow include hundreds of individual features that make AD2 fast and familiar – even for first-time users.

Every drum kit is recorded in world-class studios by industry professionals and amazing drummers to give you professional sonic options and creative control.

Where Do You Start?

To get the most out of Addictive Drums 2 you always start with XPN Audio's Collections.

A Collection is a bundle of ADpaks (drum kits), MIDIpaks (beats) and Kitpiece Paks (single drums) put together to give you the best possible drum production experience.

Includes Curve 2, FilterShaper 3, FilterShaper Core 2, HalfTime, PanShaper 3, TimeShaper 2, VolumeShaper 6, WidthShaper 2, NoiseShaper, MidiShaper and CrushShaper.

Save 66% off the Combined Prices of the Individual Products!

Curve 2

For Experimentation & Detailed Tweaking

Curve 2 is a software synthesizer with an irresistible waveform editor, huge sound library and slick interface. Ideal for both experimentation and detailed tweaking at an excellent sound quality.

Feed Curve's oscillators, LFOs and envelopes with custom waveforms. For anything rhythmic from wobbles to FX loops and evolving pads. For broad oscillator timbres from deep basses to shrill, aggressive snarls.

A huge library will get you started, with quality presets by well-known preset designers such as Michael Kastrup, Pluginguru, Myagi, Xenos Soundworks, Soundsdivine, and hidden pearls from the Curve community.

Curve 2 provides completely new possibilities for experimentation and detailed tweaking, with a simple to use, immediate, slick interface.

Sound Features - Curve features aliasing-free oscillators with custom waveforms, noise generation and broad FM options. Waveform crossfades provide for changing timbres; a comprehensive unison mode delivers fat lead sounds, wide pads and massive sound. Drawable LFOs deliver everything from melodic and rhythmic patterns to dubstep wobbles and punishing bit-crushing effects. Flexible filter routing, a feature-rich mono mode plus legato and glide, are all designed for great depth of control.

Preset Library - Curve's preset library is a shared online database, providing a constant source of inspirational sound. Public preset sharing allows an ever-increasing number of great presets, public preset voting will help you manage the vast number of sounds, all from within the plugin. Curve ships with an excerpt of this ever-growing sound library. Macro knobs let you explore vast sound variations quickly, for quick access to those parameters that define the core of a sound.

Elegant Interface - Curve shows you everything important at a glance, featuring high contrasts and a fresh colour scheme. Inbuilt MIDI assignment allows you to set up external MIDI controllers quickly.

The Curve Community - Since the first beta of Curve 1.0, the Curve community has steered the synthesizer's future by submitting feature requests, comments and bug reports, and by sharing presets. Curve 2 is the result of our users submitting wishes and uploading great sounds.

Learn more about Curve 2.

FilterShaper 3

A Detailed, Interconnected Toolbox for Shaping Your Sound

FilterShaper 3 takes a giant leap into unconventional sound design with two powerful filters, freely editable modulation curves, and an immensely flexible modulation framework.

The new Sallen-Key type filters deliver a rich, warm, intricate sound. Create complex, shifting, interweaving effects. Apply subtle nuances or giant wobbles. From filter sweeps and stereo tremolo to surgically-precise filter control and multiband sidechain effects.

Experiment and Explore - Start with two filters, running in serial or in parallel, plus a set of simple controls. Then set things in motion: All main controls have their own modulation section with two flexible LFOs and one envelope follower each. For advanced effects editing, each LFO in turn has its own speed and intensity control — each with its own LFO and envelope follower. And all LFOs can be MIDI triggered. Visual feedback on each control and oscilloscope views on each LFO keep you focused. And a community-powered, ever-growing library of presets provides starting points and inspiration for your own sounds.

Total Precision Control - FilterShaper 3 excels at surgically precise control. For pinpoint tweaking of the modulation curve and a close-up oscilloscope view, open up the detail panel. Filter out a specific beat in a loop. Tame a booming kick. Or shape a tired sample into something lively and vibrant. You have two filters, 60 LFOs, and 50 envelope followers at your fingertips — a detailed, interconnected toolbox for shaping your sound.

Advanced Multiband Sidechain Effects - As well as pinpoint editing, pulsing rhythmic effects, and left-field, alien craziness, FilterShaper 3 can deliver flexible, precisely timed sidechain compression effects. For multiband sidechain, set up filter one to manage the lows and assign filter two to the highs. Duck out the bass when the kick hits, take out the highs to emphasize a snare — simply draw the curve for each as required. 

Learn more about FilterShaper 3.

FilterShaper Core 2

28 Filter Types • Warm Sweeps • Rich Wobbles • Flexible LFOs

Experience all the richness, warmth and intricacy of a high-quality analogue filter with FilterShaper Core 2. Choose from warm Sallen-Key filters based on classic hardware designs, and Clean zero-delay feedback (ZDF) modes. Create amazing modulations and wild patterns in seconds with a drawable LFO and dynamic envelope follower on every band.

Features

• Redesigned interface with larger editing areas
• Retina/HiDPI support for crisper, clearer graphics
• Trigger Smoothing to reduce clicks when MIDI Triggering
• 1-click Quick Presets for Rhythm, Env. Follow and Build-up
• Dedicated selection tool for multinode editing
• 2x/3x button — double or triple patterns with a click
• Clean filters use zero-delay feedback design for more analogue-like response
• 8 Peak/Notch Phasers for giant swooshes
• Smoother, more accurate spectrum view
• Magnitude oscilloscope graph
• Clearer oscilloscope waveforms and smoother LFO editing

Learn more about FilterShaper Core 2.

HalfTime

Instant Creative Half-Speed Effect

For Trap • EDM • Hip-Hop • Techno • House • And More

Enter a world of spaced-out, slowed-down sound with HalfTime, the only plugin 100% dedicated to half-speed effects, in use by Armin van Buuren, David Guetta, members of 808 Mafia, The Chemical Brothers and more.

HalfTime transforms any audio into a dark, downtempo version of itself, giving your tracks huge mood and atmosphere. Lead synths mutate into heavyweight EDM bass monsters. Plinky piano lines become haunting trap melodies. Percussion thickens, expanding to reveal new rhythmic possibilities.

Just add the plugin for an instant half-speed effect with zero set-up, or go in deep with powerful creative controls. HalfTime works on loops, virtual instruments or even live audio input, inspiring you in seconds.

The hands-on 'Power' button makes it easy to fit HalfTime into your tracks - create a rapid switch or sink in slowly with smooth fades up to 16 bars.

Three-speed 'Modes' give you classic half-speed, tight harmonies and shuffling swing rhythms, and drugged-out quad-time playback. Adjustable 'Loop' length allows multi-bar slow-downs, funky syncopations and totally new grooves.

Slow only the lows, mids or highs with the 'Band' split - generate deep bass movement, fatten midrange percussion, or flip your top-end on its head.

The Future Classics Collection

The most forward-looking and innovative side of NI’s flagship production suite, giving you SUPER 8, FORM, TRK-01, and MOD PACK, to equip any studio with the tools to push the boundaries of music production.

SUPER 8

Polysynth Reimagined

Retro Inspiration For Modern Tracks

Add the classic warm, rich tones of vintage synths to your contemporary productions. SUPER 8 gives you a fun, easy way to bring the past into your present. Dial-up presets ranging from basses and leads to pads and special effects. Tweak your tones all you want with a simple, modern VST 3 interface that always keeps you in the instrument’s sweet spot.

Designed for Tweaking

SUPER 8 makes it easy to tweak your sound through a clean, next-generation interface. Use simple sliders to blend up to four waveforms for each of the two oscillators. Mix the oscillators, sync them, and fold in FM oscillation for a digital edge. Apply low-pass, band-pass, or high-pass filtering, then use ASDR sliders to make quick changes to filter and amplifier envelopes.

Add motion to your patches by diving into the interface’s modulation section. Choose one or more mod waveforms, then dial in speed and phase. For maximum creative flexibility, use mod routing to map almost any source to any destination.

Extensive Presets

Need something fast? Get started right away with any of the 550+ presets – from rich analogue strings and ethereal pads to deep basses, biting leads, electronic percussion, and unusual effects. Patches were inspired by legendary synths from Roland, Sequential Circuits, and others. But SUPER 8 has a character all its own. Modern presets give you combinations of oscillators, filters, and modulation settings that wouldn’t have been possible on original hardware.

Built To Be Played

Explore the full range of SUPER 8’s creative possibilities with your MIDI controller. Drive the SUPER 8 pitch wheel, mod wheel, and touch strip controls from your hardware to produce expressive leads, shifting soundscapes, and evolving textures. You can set parameters directly from the interface’s front page – or take advantage of automatic parameter mapping using a Komplete Kontrol keyboard. With Super 8’s flexible mod routing, you can adjust pitch, modulation, filtering, keytracking, and more – all in real-time.

FORM

Transformative Sample-Tracking Synthesizer

Extend sound creation beyond traditional synthesis, and transform samples into anything you can imagine. Intriguing and playful, FORM offers a refreshing approach to sound creation that delivers beautifully organic and powerful results.

Start creating something new – just drag and drop a sample into the FORM interface. Using a sample as the primary oscillator for the synth engine, FORM lets you craft complex new sounds rapidly. Scrub the sample to discover new worlds within its waveform, then select the section you want to manipulate.

Breathe life into samples and enhance the sense of realism by generating movement from even the most static starting points. Choose the direction and behaviour of sample playback, and set playback rates according to sample length, frequency, or BPM. For in-depth manipulation, carve up and modify the amplitude curve, applying presets or using the Curve Editor to redraw segments.

FORM Oscillator 

Use the Sound section to sculpt your sound at its source. Control pitch and formants independently from playback speed. Use an additive oscillator to enhance harmonic content. Further sculpt the sound in the OSC FX section, where you can deform the wave, add frequency modulation (FM), and more.

Modulation and Filter

Tap into a flexible, easy-to-use, and powerful modulation framework that encourages experimentation. Just click a parameter, select a modulation source, and assign. Comprehensive modulation controls allow both pinpoint control and playful experimentation.

Performance

Save multiple snapshots of sound parameters in Performance slots, which you can apply to any sample. Quickly explore variations on your sound when you load a new sample. Choose Multimode to simultaneously play multiple snapshots across instrument voices, creating evolving, shifting sounds.

Polish With Effects

Enhance the colour of your sound and add polish in the effects section. Use frequency shaping to slice your sound into two frequency bands and then control them independently. Warm up the sound with digital or analogue saturation. Give it some punch with dynamics. Then place your unique creation in a 3D space with delay and reverb. Modulate any effects to create complex, shifting textures.

Ready To Play

FORM has 400+ wide-ranging presets. They span sonic staples like bass, keys, leads, and pads, and avant-garde SFX, soundscapes, and sequences, showcasing FORM’s singular audio identity. Each is crafted to slot right into your productions, as the missing piece in the sonic puzzle or an inspirational track-starter, and most have triggerable variations, for expressive play.

Designed For Komplete Kontrol

FORM is designed for seamless integration with Komplete Kontrol S-Series keyboards. Load FORM from the hardware – everything is pre-mapped and ready to go. The FORM performance presets are automatically assigned to keys and highlighted clearly. The keyboard’s Light Guide even shows the detected pitch of a new sample.

TRK-01

Creative Kick and Bass

Low end forms the foundation of almost all electronic music, so getting great kick and bass from the start makes all the difference. TRK-01 marries classic mixing techniques with innovative sound design, sequencing, and modulation, so you’re always inspired to write solid and exciting kick-bass combinations. Get your new tracks rolling quicker and sounding bigger than ever before – start with TRK-01.

Kick

The Kick module is built for versatility, ease-of-use, and expressive fun, and relies on a powerful combination of two sound layers: sampled or synth-based. Each layer has drive and a multimode filter (ideal for blending the low end of an 808-style kick with the transient crack of an acoustic sample, for example). The combined kick is further shaped using effects, envelopes, and sequenced modulation, and can be tuned automatically to a master tune setting, avoiding bass frequency clashes.

Bass

The Bass module offers total expressive freedom with a choice of five synth engines, allowing anything from epic super saws to underground sine subs. An innovative Ducker module lets you quickly apply creative sidechain-style effects or surgical mix cuts to the level, EQ, FX sends, and insert effects parameters. Like the Kick module, Bass features a number of modulators, and all parameters can be controlled by the step sequencer.

Sequencer 

Independent step-sequencers for Kick and Bass each offer extensive sequencing and modulation controls – far more than traditional step-sequencers. Every step allows a number of controls, such as note-on, velocity, pitch, length (for bass), and gate. But the real fun starts with the step-modulation controls. Parameter Focus lets you draw in sequence modulation for any Kick or Bass parameter (filter sweeps, for example). Step Locks then allow any number of fixed parameter values for a given sequencer step: Simply click the Lock button for that step then draw in as many settings as you like – just for that step.

Effects

TRK-01 offers a range of tailored processing types and sound-shaping techniques, starting with a user-selectable insert effect for both Kick and Bass modules.

Delay and Reverb sends provide key controls in a simple interface, with additional features for huge creative potential. Both feature their own dedicated stereo output for external mixing.

Finally, two master inserts – a harmonic bass enhancer, followed by a saturation-capable compressor/limiter module – allow creative enhancement and performance-ready weight.

NKS/Komplete Kontrol

TRK-01 integrates seamlessly with Komplete Kontrol and Maschine for even more expressive sound-design and enhanced playability. The layout of key TRK-01 controls mirrors the hardware layout, with intelligent pre-mapping of additional controls. Light Guide keyboard mapping enables intuitive hardware control of powerful performance features such as hot-swapping of sequencer patterns and complete module set-ups for both Kick and Bass. Meanwhile, enhanced browsing, complete with instant patch audio previews, makes finding the perfect starting point even easier.

MOD PACK

Classic Modulation Effects Reinvented

MOD PACK takes three classic modulation effects – chorus, flanger, and phaser – and adds never-before-seen features. Each offers spectacular new creative possibilities, plus stunningly convincing vintage-sounding results, making MOD PACK an essential upgrade from your conventional modulation effects.

Choral: Classic Choruses and More

CHORAL takes sonic inspiration from some of the most prized chorus effects of the last 40 years – including iconic rack-mount and synth-based ‘unison’ effects. Add width, movement, sheen, and shimmer to any signal, or take advantage of an all-new feedback mode, Scatter. It avoids the unpleasant metallic quality of heavy feedback settings in traditional designs, instead creating an entirely new reverb-like effect.

CHORAL has four sound modes, each with a distinct character.

• Universal offers a clean modern digital sound, while three are inspired by classic hardware choruses.
• Synth mode takes its sonic lead from a series of 80s synthesizers, famous for their lush ‘unison’ chorusing function.
• Ensemble mode is reminiscent of the BBD (bucket brigade device) chorus section of one of the most prized string synths of the late 70s.
• Dimension references the sound of a truly legendary early 80s rackmount chorus.

Chorus Control

The unifying factor of all the classics that inspired CHORAL is that they featured little, if any, customization options. On, Off, and Type, were typically the only controls. CHORAL, on the other hand, offers many custom parameters.

The number of chorus voices can be set progressively from one to three, the sync rate can be manually altered, as can the modulation rate, amount, mix, delay time, stereo width, and feedback (the latter offering an entirely new routing option, called Scatter).

Flair: A New Type Of Flanger

Flair turns the classic flanger on its head. Not satisfied simply recreating vintage analogue tape and pedal flanging effects – though it does both beautifully – Flair adds a revolutionary new Voices mode which uses multiple delay lines to create tuned harmonic flanging layers and resonances. It even features 24 chord settings, offering a variety of chords and note intervals.

Flair offers three modes.

• In Standard mode, each voice behaves like a normal flanger.
• In Thru Zero mode, each voice is duplicated at its respective pitch, but the duplicates are not modulated, so as the modulation increases, the flanging becomes even more apparent.
• In Scan mode, things get even more creative: Instead of stacking the voices into a chord, they play consecutively, a bit like an arpeggiator, with the order set by one of three waveforms.

Capable Classics

In addition to the revolutionary features on offer, FLAIR is capable of traditional lush tape and pedal-style flanging, offering all the parameters you would commonly expect, such as tempo-synced pitch modulation.

Sound-enhancing features include Detune for offsetting the pitch of the flanging, Feedback for thickening the flanging (complete with adjustable damping control to roll off high frequencies and soften the effect at high feedback values), and Width, for creating stereo flanging.

Phasis: Phasing Redefined

Phasis offers timeless phasing sounds – adding movement, soul, and creative magic to any signal. Phasis draws inspiration from classic phasers but adds powerful new features for never-heard-before results. For example, the Spread control changes the spacing of the phaser’s notches, for vocal-style effects. Ultra mode pushes modulation to ultra-high rates, producing unique FM-esque tones.

Though offering a lush, analogue-inspired sound, reminiscent of some of the finest rackmount and pedal-housed phaser effects, Phasis’ unique Spread control allows wah-wah and formant-style filtering effects, but with a highly distinct sonic flavour.

Spread adjusts the density of peaks and notches in the spectrum, and whether set to a single value, controlled live or with automation, or flipped with the Invert button, Spread provides a fresh take on both phasing and vowel-filtering.

Ultra Features

With up to 12 notches, a powerful stereo spread function, extensive tempo-sync options, and all the controls you would expect on a professional phaser, PHASIS is already a formidable modulation device, but ULTRA takes things to new territory.

Engaging ULTRA raises the maximum modulation speed from 8.37kHz up to an incredible 477.3kHz allowing some extraordinary FM-style effects that have never been heard before, capable of transforming even white noise into an exciting sound.

The Classics Collection

A time-honoured taste of what the world’s leading production suite has to offer, packing MASSIVE, ABSYNTH5, FM8, and REPLIKA, to give you a rack of genre-defining instruments that sound as fresh as ever.

MASSIVE

The Heavyweight Synthesizer

The synth that defined bass music, this powerhouse synthesizer is an uncompromising sonic monster and the go-to choice for bass music and electro producers.

MASSIVE is a sonic monster – the ultimate synth for basses and leads. The virtual-analogue concept belies the contemporary, cutting-edge sound it generates. Clearly laid out and easy to use, MASSIVE gives you earth-shuddering sounds from the very first note.

MASSIVE gives your tracks a solid foundation with the creamiest, punchiest basses. Razor-sharp leads cut through the mix even with grit and dirt piled high. And an overwhelming array of wavetable oscillators, modulation options, and filters, and effects offer a sonic spectrum as broad as it is inspiring.

MASSIVE contains over 1300 sounds, all crafted by leading artists and sound designers. The efficient search and intuitive filter functions let you find presets according to specific characteristics and attributes – a particularly musical and intuitive approach.

Macro Controls

MASSIVE's macro controls offer fast, direct control - automatically mapped to the eight macro knobs on all Komplete Kontrol S-Series keyboards, and all Maschine hardware.

All of a sound's most important parameters are pre-configured and mapped to these controllers. A single controller can handle multiple assignments – for example, just twist 'Rhythm' and watch how multiple underlying parameters change simultaneously.

The macro controls enable you to customize any of MASSIVE's presets instantly and profoundly, without having to understand the technical structure of the sound. The macro controls essentially turn each sound into a set of possible sounds that seamlessly morph into one another.

Moreover, the macro controls are the most important interface to other applications. They are targets for MIDI assignments, which are easily set using the MIDI Learn function. They are also the first eight parameters that are reported to any host when MASSIVE is used as a plug-in.

Sound Synthesis

MASSIVE's sound synthesis is based on a unique Wave Scanning algorithm, implemented in three parallel oscillator modules. It combines the highest sonic quality with utmost flexibility and controllability. Think of a Wave Scanning oscillator as a multi-track sequencer; one of the tracks contains a saw wave and the other a pulse wave. In the vertical dimension, each of MASSIVE's oscillators allows these tracks to be faded seamlessly into one another. In the horizontal dimension, a single cycle's read-out speed curve can be manipulated in three different bending modes.

MASSIVE features an unlimited number of these "tracks" in each wavetable as well as two additional manipulation modes relevant for time and frequency settings. Of course, the “tracks” are not restricted to usual sawtooth or pulse waves.

MASSIVE comes with 85 specially designed wavetables, each one with a unique combination of waveforms and particular sonic characteristics. Finally, a modulation oscillator can be used to vary the main oscillators' signal. It can be used for ring modulation, phase modulation (which sounds similar to FM) as well as further modulation modes. A noise generator provides an additional signal source that can be mixed in with the other signals, generating particular effects. It can, for instance, be used in combination with MASSIVE's comb filters for a physical modelling approach to sound design.

Flexible Routing

MASSIVE's basic structure conforms to the well-known subtractive synthesis paradigm, making it easy to understand while simultaneously ensuring the signal flow is highly flexible. You can place two insert effects at various places within the signal flow. You can also take the signal at any point and route it back to the beginning. For example, you can filter a sound and feed it back into the filter's input. This can create very lively and dynamic results. The flexibility is further increased by placing an insert effect into the feedback path.

You can route any of the oscillator’s signals directly to the synthesizer's output, bypassing all filters and/or master effects. This feature allows a direct 'punch' to be added to layered, highly modulated sounds, for example, to add a sub-bass.

Modulation Sources

MASSIVE features several types of modulation sources that, thanks to the innovative user interface, can easily be assigned to any of its parameters. Multiple parameters can be assigned to a single macro control, bundling technical settings into a single control – a far more musical approach. For instance, you can assign both the filters' cutoff frequencies to one macro control and label it as "Brightness".

The envelopes in MASSIVE feature an advanced loop mode: a part of the envelope can be looped and you can morph between different transitions or crossfades for the defined loop start and end points. Various other options make MASSIVE's envelopes truly unique.

MASSIVE contains two step sequencer modes: While the Stepper conforms to the well-known, established operating modes, the Performer allows each step to be shaped individually, making it ideal for advanced rhythmic structures. A flexible low frequency oscillator completes the list of modulation sources. The variety of possibilities is as wide as it is fast to use. This is further enhanced by the inclusion of templates for standard tasks for all the modulation sources, such as envelopes, LFOs, steppers and performers. For example, setting an envelope to a generic ADSR shape is a quick, one-click issue.

Change The Framework

MASSIVE's various global settings pages allow a variety of parameters to be adjusted – parameters that most other synthesizers leave unmentioned and unadjustable. MASSIVE unveils their true sound design potential. The Keytracking pages map the incoming pitch information generated by your keyboard or sequencer individually for each oscillator and filter. There is even separate keytracking control over the filters' cut-off frequencies and other additional parameters such as a bandpass filter's width or a comb filter’s feedback. This allows effects to be created that can be controlled by simply playing your keyboard.

Like in most synthesizers, you can adjust glide times between pitches when you play legato notes. MASSIVE goes a step further, allowing the pitchbend range or the phase of each oscillator to be adjusted. The Voicing page allows switching between polyphonic and monophonic voice handling as well as several voice trigger options, for example playing musical-sounding trills easily with your keyboard.

Several voices can be triggered by a single note. Much like an orchestra where several violins play the same 'voice', making the sound warmer and more lively, the unisono feature makes your sound thick and vivid. This feature can also be adjusted to extreme settings, spreading your voices over several octaves or filling the stereo panorama – all with just one single note being played.

The Library

MASSIVE contains over 1300 production-ready sounds, including the full libraries from former products 'MASSIVE Expansion' 1 and 2, 'Urban Arsenal' 1 and 2, and 'MASSIVE Threat'. All have pre-defined macro controls and all have been crafted by professional sound designers and well-known artists. The spectrum of styles included is as wide and varied as music itself, bound to inspire you no matter what the flavour of the piece you're currently working on.

The browser, besides being intuitive and easy to handle, delivers results in an instant.

ABSYNTH 5

Beyond The Horizon

Semi-modular synthesizer offering a vast range of sonic possibilities. Perfect for pads, endlessly evolving soundscapes, otherworldly sounds, and more.

ABSYNTH 5 is a synthesizer with exceptional sonic potential. Its specialty is unusual, evolving sounds created using a powerful, hybrid synthesis architecture and sophisticated modulation and effects. Dig in to more than 2,100 presets or start building your very own sound worlds.

ABSYNTH 5 is also a powerful effect plug-in for treating audio using its unique effects bank.

ABSYNTH 5 makes creative sound design easy. Apply new and unusual effects. Explore uncharted sonic realms with filters such as the Aetherizer, Cloud Filter, and Supercomb. And the Sound Mutator lets you create completely new sounds by combining the characteristics of different audio signals without ever delving into the synthesizer’s architecture.

The Sound Generators 

ABSYNTH can use up to three independent oscillation modules in parallel. All parameters can be modulated in real-time for expressive, dynamic interaction.

The oscillator modules feature the following operation modes:

• Single and Double: Classic oscillators – use a single oscillator or two in parallel.
• FM: Combines two waveforms and uses them as carrier and modulator, respectively.
• Ringmod: Combines two waveforms in a ring modulation architecture.
• Fractalize: Folds a waveform into itself to create additional harmonics.
• Sync Granular: Re-synthesizes a waveform to generate breathy sounds.
• Sample: Uses a sample as a sound source. 22 sample categories including acoustic instruments, percussion, morphing textures, and vocal sounds.
• Granular: Re-synthesize a sample.
• Audio In: Integrates any signal sent to ABSYNTH into the signal flow and transforms the synthesizer into an effect unit.

Modules 

After the oscillators, various modules can be used to further sculpt your sound. 14 filter modes let you control the frequency spectrum. A ring modulator and frequency shifter allow advanced sound mangling. The Waveshape module changes the sound based on its amplitude for highly dynamic sound changes.

The order of these modules is freely definable. A versatile effect module is available at the end of the signal chain, completing the range of audio modulation modules. The ABSYNTH Universal Library allows you to save single modules or complete channels for future use.

Wave Editing

Custom waveforms can be used in any of the modules that use waveforms, from oscillators to LFOs to the waveshaper. A library of waveforms is also included – simply select a waveform and get straight to making music.

A dedicated window with two special views allows modification of a waveform’s time and frequency. Apply ring modulation, filters, or fractalize a waveform. Use the new Morph Waves to merge two simple waveforms into something entirely new. Both waveform components can be edited in real-time.

The Envelopes

ABSYNTH lets you assign an individual envelope to nearly all of the audio engine's parameters. Use steps within your envelopes for tempo-synced precision. The Expand to Rhythm command lets you easily create rhythmically looped sections within your envelopes. Use a preset envelope or customize them for the perfect sound.

Similar to the Macro Controls, ABSYNTH's Master Envelope allows envelopes to be controlled with just four knobs based on common Attack, Delay, Sustain, and Release controls. All the library’s sounds are pre-mapped to these knobs, for fast and easy customization.

Versatile Modulation

Nearly all of ABSYNTH's audio engine parameters can be modulated. Link them to a Macro Control for quick and easy modification. The new Audio Mods extend these possibilities by linking a parameter to a module’s audio output signal. Additionally, three LFOs can modulate a wide variety of parameters.

The Morph Waves can also be used as LFO waveforms. Change the LFO rate or depth, as well as the signal's shape in real-time. This goes way beyond the traditional use of LFOs.

Flexible Flow 

The Patch Window is ABSYNTH's control center. Here, you choose modules and define their order in the signal path. Place a filter after a waveshaper to smooth your distorted sound, combine a frequency shifter with a ring modulator, and so much more – ABSYNTH's freely definable routing multiplies the sound design possibilities exponentially.

The Macro Controls

All of a sound's most important parameters have been pre-configured and mapped onto Macro controls. For example, twist the Color knob and watch several parameters change simultaneously. The macro controls put several distinct sound variations on one knob, letting you instantly switch between sounds without extensive knob turning.

Effects and Surround

All effects offer an intuitive set of master controls. The surround module places effects within a surround panorama for enveloping effects.

The synthesizer's effect unit features the following operation modes:

• Pipe: Models a pipe or string for resonance effects.
• Multicomb: Features up to six parallel comb filters for stunning spatial effects.
• Multitap: Creates sophisticated echo effects with feedback.
• Echoes: Models three independent delay lines with separately adjustable filters and feedback.
• Resonators: Contains different modes that simulate various resonant bodies from halls to metal bars and more.

Each operation mode's most relevant parameters are assigned to a Macro Control for instant access. This makes the effects an integral part of the ABSYNTH sound.

The Mutator - Simple Sound Design

You don’t need deep knowledge of synthesizers or sound design to create your own professional sounds. The Mutator represents a fresh approach to sound design, allowing you to combine characteristics from several sounds from the factory library.

For example, you could take the characteristics of a distorted bass from the ABSYNTH Library and apply them to a soft pad. Simply use the Browser to find the musical attributes you need.

It's also easy to define which elements of the sound should be mutated. The Randomize fader provides additional variations. Compare your newly-generated sounds in the new Sound History window and then tag and save them with your desired attributes for future use.

In addition, the Mutator's eight fine tuning controls provide quick access to eight sound properties, such as brightness, bass, resonance, distortion, and effects for instant tweaking of your newly created sounds.

Aetherizer Effect

The Aetherizer is a sophisticated granular effect that ‘decomposes’ the sounds into the smallest sample slices (‘grains’). These slices are then manipulated and re-assembled in a variety of ways. The results are unusual chorus and vocoder sounds, grain clouds, delays, pitch shifts, reverbs, and strange reflections. You can even use the Aetherizer on audio signals to spice up your recordings.

Cloud Filter

The Cloud Filter has a similar structure as the Aetherizer's granular effect, but acts in each of the three oscillator channels. It provides granular-based results such as unusual Chorus, Pitch Shift and reverb effects, and can produce synth sounds that are dense and aggressive.

Supercomb Filter

This new comb filter uses physical-modelling with finely adjustable resonance for even more realistic, acoustic, and colossal sounds.

FM8

The Power Of Digital

Native Instruments has harnessed the power of FM synthesis. The strengths of digital are manifest in FM8’s powerful audio engine which generates breath-taking, brilliantly dynamic FM sound in pristine quality. With its emphasis on ease-of-use, the FM8 brings a high degree of simplicity to the otherwise intricate process of FM synthesis, delivering unsurpassed depth, brilliance, and dynamism.

A central aspect of FM8 is usability. The "Easy Edit Page" offers a clearly-designed interface with simple controls that adjust more complex parameters automatically, allowing you to take a far more musical approach to FM synthesis. The more detailed editing pages have been improved for easier handling and are all accessible with just one click. FM8 lets you play straight away!

FM8 offers an unprecedented range of features and effects. The classic crystalline bells and keys are perfect for creating melodic and percussive sounds of the highest quality. A unique arpeggiator, a revolutionary sound morphing feature, and a large selection of new, charismatic effects add countless sound-shaping possibilities. The sonic potential of FM8 goes well beyond the confines of conventional FM synthesis.

The FM8 library contains over 1200 expertly designed presets. Rich and detailed, they exemplify the strengths of FM synthesis, from dynamic digital pianos to bright, bold brass. Also included are a number of effect rack, sound morphing, and arpeggio presets. Simply search and you will find – instantly.

Enter The Matrix

Frequency modulation is based on the interaction of operators. A minimum of two, known as the modulator and carrier, are always interconnected. The modulator signal modulates the carrier's frequency by a specific amount. The FM8's matrix allows you to quickly connect any two operators, as well as determine the modulation amounts for all connections. The matrix makes handling frequency modulation parameters simple. It also provides a concise overview of all FM connections, so you don’t have to go from page to page to collect all a sounds' parameter data.

Smooth Operators

Each operator has a detailed editing page where you can adjust all its parameters. Choose different waveforms, select different ways to adjust the operator’s frequency, control responsiveness to MIDI velocity messages, and set panning and amplitude. Several modulation sources or different MIDI values such as aftertouch or mod wheel can be used to modulate the amplitude. The amplitude is shaped by the multi-breakpoint envelope – add and delete breakpoints, set their levels and control their transitions. You can load a template or create your own shapes.

Access All Areas

The Operator Overview Page displays all the operators' most important parameters simultaneously. This offers a very fast and convenient way to set up the basic structure of a sound and customize existing ones. Each individual oscillator also has a dedicated page presenting all its parameters and providing you with the opportunity to fine-tune your sound.

Envelopes At A Glance

The Envelope Expert Page offers the same functionality as the Operator Overview Page. It allows operator envelopes to be viewed simultaneously. Edit one envelope while still being able to see the others at the same time. Edit several simultaneously by linking them in one or more groups. This allows envelopes to share the same structure and can be very useful, for example, to synchronize the amplitude progression of two operators. You can also create one basic shape for several envelopes, unlink them, and then modify each one separately. The page also gives you a graphical overview of all envelopes and thus the overall amplitude response of the complete sound.

Morphing Sounds

The Morph Square allows you to morph between four different sounds. Each corner represents one timbre. By moving the morph handle you gradually morph one timbre into the other. All of FM8’s presets have four timbres that were selected to deliver maximum expressive variety. Additionally, all movements can be automated via MIDI or a sequencer allowing you to morph the timbres remotely or according to a song’s structure. You can also randomize your sounds with the Morph Square, producing playful, experimental results.

The Arpeggiator 

The arpeggiator in FM8 is more than a step sequencer – it transforms your MIDI input into rhythmic lines and melodic patterns. Tie steps to each other and accentuate individual ones. Transpose notes in semitones or octaves. Re-order notes and choose different repeat modes. Or combine all options to achieve truly dynamic results. The arpeggiator is equipped with a list of master controls. Easily change the sequence's tempo and shuffle amount. Adjust note length and velocity. Split your keyboard to trigger arpeggiator patterns with one part of the keyboard while simultaneously playing chords or bass lines with the other. Use one of 48 templates for quickly setting up new and exciting sequences or create and save your own.

Rack 'Em Up!

FM8 contains twelve high quality effects, offering huge scope. Switch these effects on and off, or crossfade between the wet and dry sound. Add warmth and grit with Overdrive, Tube Amp, and Cabinet. Make your synth speak with Talk Wah. Sculpt your sound with Shelving and Peak EQ, Add motion with Phaser, Flanger, and Tremolo, and much more.

The Library

The FM8 library contains over 1200 expertly designed presets. Rich and detailed, they exemplify the strengths of FM synthesis, from dynamic digital pianos to bright, bold brass. Also included are a number of effect rack, sound morphing, and arpeggio presets. Simply search and you will find – instantly.

REPLIKA

The Essential Delay

Elegant Echoes

REPLIKA packs two professional quality delays and a powerful diffusion algorithm into a sleek, streamlined interface. Simple to use with a resonant filter and classic phaser built-in, REPLIKA is a versatile delay for anything from subtle slapback to warped sheets of noise.

Major Delay

REPLIKA provides three distinct algorithms. Modern is a digital delay that delivers the crystal-clear repeats of high-end units. Vintage Digital delivers the charismatic grit of early studio delays. Diffusion delivers a fresh sound that rides the line between delay and reverb.

Modulation And More

A high-class resonant filter and classic phaser add subtle to drastic motion that can be sync’d to the beat for intense sound design. You can even adjust your signal’s placement in the mix with normal, wide, and ping pong stereo modes.

Constant Control

REPLIKA's powerful sound shaping features are laid out on a slick, essentials-only interface. Choose your delay mode and fine-tune lows and highs. One-knob subdivision adjustment steps you through the most widely-used delay times. And adding modulation is just as easy with simple combinations of three intuitive knobs and two buttons to choose between phaser and filter – lowpass, highpass or notch.

Learn more about REPLIKA.

The Integral Bundle includes all the Applied Acoustic Systems Plugins as well as all of their Sound Banks.

Professional Series Bundle and Sound Packs

Multiphonics CV-1 Modular Synthesizer - Dive Deep Into Sound

A playground for the exploration of sound and synthesis

Dive into the mind-bending world of modular synthesis with Multiphonics CV-1, a brand new space for exploration, experimentation, creation, learning, and fun. 

Multiphonics CV-1 is a powerful platform for assembling and playing patches. With a simple and straightforward interface, Multiphonics is a fast and efficient creation tool for musicians and sound designers. It is also a great learning environment for newcomers. At the core of Multiphonics is a comprehensive library of modules, from the basics to unique and sophisticated originals, and a vast and inspiring library of patches crafted by top sound designers. 

The secret sauce behind the songs and scores you love.

From blockbusters like Black Panther and Stranger Things to multi-platinum hits by Rihanna, Coldplay, Diplo, and more.

Get all of Output's non-subscription engines, effects, and expansions, in one complete bundle.

INSTRUMENTS

ANALOG BRASS & WINDS

ANALOG BRASS & WINDS is a virtual instrument that breaks 400 years of tradition by supercharging orchestral sounds with legendary synths. Big braams, gritty synths, ethereal tape loops blend together to give you the best possible combinations.

BIAS Platinum

With BIAS Studio Platinum you are one click away to get the best guitar effects processor, the most accurate and versatile amp modeller, the best analog sounding pedals and the most professional master and mixing tools.

BIAS Studio Platinum incorporates the most professional tools developed for all those artists who want to easily achieved their perfect tone.

The BIAS Platinum Bundle also includes the Pro Series Studio EQ and Pro Series Studio Compressor, a complementary professional tools that gives your recordings that final touch before the mix/master process. 

The BIAS Studio Platinum Bundle Includes:

• BIAS FX Elite
• BIAS Amp 2 Elite
• BIAS FX Metal Signature Pack, Bass Expansion Pack and Acoustic Expansion Pack.
• BIAS Distortion, Delay and Modulation Pedals.
• Pro Series Compressor and EQ.

BIAS FX Elite

Tone at an Entire New Level

Want access to famous classic and modern amplifiers and effects, right at your fingertips? BIAS FX 2 provides this and more like an intuitive, fully customizable virtual electric guitar, bass or acoustic guitar rig for Mac and PC. Works as a standalone app, allowing you to inject new tones and creativity into your playing, practising and jamming — no need for any other software or DAW.

New Features

• Completely Re-Engineered - Completely re-engineered, higher-resolution DSP engine with hundreds of improvements deliver the ultimate in responsive, detailed and varied guitar tones
• Hyper-realistic Guitar Match - Positive Grid’s newly developed, exclusive Guitar Match and emulation technologies virtually turn your guitar into another with startling realism
• New Amps, Pedals & Racks - An extensive collection of all-new revamped amps, pedals and HD racks add unparalleled depth and width to your guitar sounds
• Stunning Advanced Modelers - All-new Fuzz, Time and Harmonizer modellers pump up your productions with exciting, unique guitar tones and effects

The Libraries Bundle includes all of Applied Acoustic System's Sound Packs for their Ultra Analog VA-3, String Studio VS-3, Strum GS-2 and Chromaphone 2 Virtual Instruments.

(Please Note: The bundle does not include the Ultra Analog VA-3, String Studio VS-3 or Chromaphone 2 Plugins, only their Sound Bank Libraries)

All Sound Packs Included

Tremendous value and an enormous amount of sound from the best sound designers - a fantastic way to start exploring AAS’ sound universe.

6100+ Professionally Crafted Presets

With more than 5500 signature sounds on tap, Libraries will become an original and bountiful source of inspiration that you’ll want to visit again and again.

Over 50 Sound packs

With over 50 packs, Libraries explores many genre and themes for an incredible amount of variety. Whether it’s for a specific production task or a new type of music you would like to wander in, the collection will prove to be an invaluable resource.

The Benefits of Physical Modelling

Libraries brings you inspiring and animated sounds that reacts dynamically to your playing. Small memory footprint, flash-loading presets, and no velocity switching ensure a smooth workflow and natural-sounding performance.

20 Top Sound Designers

AAS are very proud to have parterned with Daniel Stawczyk, Christian Laffitte, Thiago Pinheiro, Richard Devine, Sean Divine, Andre Ettema, Gregory Simpson, Simon Stockhausen, Martin Walker, Deadbeat, David Kristian, Adam Pietruszko, Francis Preve, Yves Frulla, David of MixbusTV, Niall McCallum, Emeric Zubar, and Amon Tobin—some of the industry’s top sound designers.

Super-Fast Download & Installation

Install and authorize all sound packs at once from a single custom installer file. At less than 75 MB, you'll be up and running in no time.

The Included Sound Packs of Libraries

All Sound Packs for Ultra Analog VA-3

ALL Sound Packs for String Studio VS-3

All Sound Packs for Chromaphone 2

All Sound Packs for Strum GS-2

Works Four Ways

The sound packs in Libraries were created with Chromaphone 2, String Studio VS-3, and Ultra Analog VA-3. You can obviously play and edit the sounds in their respective synth engine, but you can also access and play them via the free AAS Player included with your purchase.

AAS Player

• Free - Included with purchase
• Distraction-free playing experience
• More than an hundred free extra presets via Swatches

3 Unique Synthesizer Engines

• Sold separately
• Sound manipulation at the source core
• Starting point for new sound design ideas

Operating Systems:

• Windows
• Mac OS X

Plugin Formats:

• VST
• AU
• RTAS
• AAX Native
• Standalone

The Modeling Collection instruments run in both 32 and 64-bit on Mac OS X and Windows making them compatible with nearly all DAWs.

These DAWs include:

• Ableton Live
• Apple GarageBand
• Apple Logic Pro
• Apple MainStage
• Avid Pro Tools
• Bitwig Studio
• Cakewalk Sonar
• Cuckos Reaper
• Image-Line FL Studio
• MOTU Digital Performer
• Native Instruments Komplete Kontrol
• Native Instruments Maschine
• Presonus Studio One
• Propellerhead Reason
• Steinberg Cubase

Chromaphone 3

Melodies, Beats and Crazy Soundscapes

Chromaphone strikes in full dynamics with acoustic sharpness and precision.

Chromaphone 3 is a two-voice synthesizer based on eight physically modelled acoustic resonators. This versatile instrument provides a delightful mixture of real-life presence and distinctive timbres that can’t be found anywhere else. Chromaphone 3 ships with 1000+ sounds taking full advantage of its state-of-the-art acoustic object synthesis.

16 Appreciated Plug-ins Available in this Total Bundle

This compact, intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

The hybrid algorithm at the heart of Spacerek fuses modelled virtual spaces to a dynamic delay network, generating reverb tails with supremely realistic early reflections, dense, colourful late reflections, and separately adjustable ER and LR pre-delay times. Dozens of emulated room types take in halls, towers, chambers, tunnels and much more, and each one integrates a variety of preset stereo microphone and speaker setups. 

Spacerek also makes balancing the Direct signal, Early reflections and Late reflections easy with its three-channel mixer; while the highly musical Tilt EQ and Low Cut filter modules provide effortless shaping of the overall tail. And as each Reverb Model is pre-configured for left-right or mid-side stereo operation, tweaking width and spatialisation is a snap.

The Virtual Space Reverb

Early reflections are generated through painstakingly accurate simulation of a diverse range of real-world spaces, and the positioning of speakers and microphones within them.

Hybrid Algorithm for Quality and Performance

A dynamic delay network defines the Late reflections, blending seamlessly with the Virtual Space simulation to create super-realistic rooms, at surprisingly low cost to your CPU.

114 Stunning Reverb Models

Choose from dozens of room types, each with multiple microphone and speaker configurations for extensive mixing flexibility and sonic control.

Convenient Mixer

Effortlessly balance the direct signal, early reflections and late reflections using a simple three-channel mixer.

Tilt EQ and Low Cut filter

Sit your reverb perfectly in the mix with the musical Tilt EQ and mid-side-compatible Low Cut filter.

Learn more about Spacerek.

The Swiss army knife of modulation effects

The most powerful modulation effect D16 group has ever created, Godfazer is your new go-to plugin for chorus, phasing, filtering, rotary speaker emulation and much more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters.

Vintage devices and more

Godfazer’s Ensemble section offers a wide range of delay- and amplitude-modulating vintage device emulations, including BBD-based choruses, Solina-style ensembles and rotary speakers, as well as a variety of original tremolos, auto-panners and other models. But that’s only the beginning! Alongside the Ensemble, two identical Multi Filters each feature 40 spectacularly diverse filter types, from dual shelving EQs, low/high/band-pass models and formant filters, to an extensive selection of vintage and modern phasers.

Powerful modulation

Bringing movement and dynamism to the Multi Filters, Godfazer’s dual Modulators each enable one of four styles of cutoff/center frequency modulation to be brought into play. Apply static offset to the left and right channels with the Constant Modulator; get things wobbling with the tempo-syncable, pannable, phase-adjustable LFO; generate a modulation signal based on input amplitude with the envelope Follower, and hand craft your own synced or free-running cyclical progressions with the 16-step Step sequencer.

Freedom of routing

Both Modulators are routed independently to each Multi Filter, for truly complex signal blending, and the polarity of every input can be inverted at a click. The Multi Filters themselves are configurable for parallel or serial signal flow using six topology options, which also determine the position of the Ensemble within the chain.

... Of course, Godfazer also includes all the standard features of the SilverLine plugin series, including 64-bit internal processing, three quality options for real-time playback and offline rendering, a resizable GUI, and a tagged preset browser. From enhancing beats, thickening basslines and glamorizing vocals, to animating pads and bringing life to keys and FX, no modulation-based task is beyond its sonic remit.

Learn more about Godfazer.

Enter the Delay Matrix

Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines. What really sets it apart from other, similar products, however, is the way it’s controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can't be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs!

Inspired by Ergonomics

Each and every aspect of the plugin’s workflow is presented in a visually clear and intuitive way, allowing for quick and precise control of every facet of the device, as well as the ability to easily tame all 16 delay lines it contains with global controls. The ability to visually grasp the entire layout with minimal effort allows you to achieve even the most complex results with extraordinary speed.

Learn more about Tekturon.

LuSH-101 is a synthesizer created from modules that can be found in many modern virtual synthesizers, all combined into a single compact and logically intuitive design. However, this basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential.

The multilayer architecture guarantees that both the sound design possibilities and number of unique situations in which LuSH-101 can be used, are virtually limitless. Layered sounds can be created simply by assigning the layers to the same MIDI channel; the results can sound as massive as anything imaginable! Assigning the layers to different keyboard zones allows you to create even the most sophisticated splits. Of course, you can always assign the various layers to different MIDI channels for 8-part multitimbral usage. And, virtually any combination of splits, layers, and multitimbrality is possible with just a single instance of LuSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arpeggiator, and a palette of only the finest insert effects, LuSH-101 can push your creativity to unprecedented levels!

Want to express yourself even more? In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator's MIDI output can be used as a modulation source, unleashing your creativity to build complex sequences and progressions.

LuSH also comes complete with a powerful built in mixer, complete with layer-independent parametric equalizers and compressors. Three send effects in superb quality allow you to put the finishing touches on the final output.

LuSH plays perfectly in any genre. For funkier styles, the Gate may be used instead of the VCA for instant staccato sounds full of energy and rhythmic pep. When creating Ambient or Chillout, longer attack and release times along with the smooth, rich spaciousness of the built-in reverb are enough to satisfy even the most ardent purists. Is Dubstep or Drum & Bass more your thing? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead to the sickest, nastiest, and most novel vibrations - your sound system won't know what hit it (and you won't, either), so watch out! No matter what you want to play or how you want to use it, LuSH will get the job done.

LuSH plays perfectly in any genre. For funkier styles, the Gate may be used instead of the VCA for instant staccato sounds full of energy and rhythmic pep. When creating Ambient or Chillout, longer attack and release times along with the smooth, rich spaciousness of the built-in reverb are enough to satisfy even the most ardent purists. Is Dubstep or Drum & Bass more your thing? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead to the sickest, nastiest, and most novel vibrations - your sound system won't know what hit it (and you won't, either), so watch out! No matter what you want to play or how you want to use it, LuSH will get the job done.

Learn more about Lush-101.

Synthesis

Nepheton contains 17 fully synthesized instruments perfectly emulating the famous 808 drum machine. All the nuances and details of the instruments sounds are captured perfectly. The instruments models are equipped with additional controls giving you possibility to tweak the sound much better. Listen to the audio examples or just download the demo and try it out.

Outputs

Nepheton has a flexible output configuration. Every instrument's audio signal can be routed to any of the 17 outputs. This allows users to further shape sounds individually or in groups via their favourite plug-ins.
Each individual output can be set to mono or stereo. For the greatest 808 fans we've added also original Trigger output (configurable as well).

Every instrument also has a Mute, Solo button and Activity led. Mute will not just silence the sound, it will stop the sound being triggered. Solo will stop all other instruments from being triggered and only allow the selected sound(s) to play.

Control

Nepheton has extensive midi control. Midi notes can be used to trigger each individual sound. Alternatively, the internal sequencer can be used. This can be set to play using Nepheton's internal clock or set to synchronize perfectly to the host sequencer.

Most of Nepheton's parameters can be automated within the host and also controlled using MidiCC with an external controller. An easy-to-use Midi Learn function allows reassignment of any of the parameters.

Internal Sequencer

Internal sequencer's memory contains two banks of patterns: simple and extended. There is 16 extended and 96 simple patterns which both can be edited traditionally using the step buttons or using the tap function.

Simple patterns are used in Host Mode where each pattern location has a midi note number assigned to it. With these notes you can control freely the order of played patterns.
Extended pattern differs from the simple one in it has 4 segments (variation A/B and part 1/2). The whole bank of 16 extended patterns is divided into two groups of Basic Patterns and Intro/Fill In Patterns. You can choose freely from played patterns, used variations, and fill in modes (triggered automatically or manually). It also can be defined whether the starting pattern should be preceded by introduction pattern and many many more. Extended patterns are used when Host Mode is off.

A Randomizer function is also provided within the internal sequencer. It can be used to make simple changes to a pattern or create a whole new one - ideal when your creativity needs a boost! Randomizing can be applied to specific instruments and the frequency of occurrence can also be adjusted easily to give you just the right amount.

Learn more about Nephaton.

Drumazon synthesis emulates all the sounds of the original 9O9. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation.

Synthesis

Drumazon synthesis emulates all the sounds of the original 9O9. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation.

Outputs

Drumazon has a flexible output configuration. Every instrument's audio signal can be routed to any of the 11 outputs. This allows users to further shape sounds individually or in groups via their favourite plug-ins. Each individual output can be set to mono or stereo. Every instrument also has a Mute and Solo button. Mute will not just silence the sound, it will stop the sound being triggered. Solo will stop all other instruments from being triggered and only allow the selected sound(s) to play.

Control

Drumazon has extensive midi control. Midi notes can be used to trigger each individual sound. Alternatively, the internal sequencer can be used. This can be set to play using Drumazon's internal clock or set to synchronize perfectly to the host sequencer. Most of Drumazon's parameters can be automated within the host and also controlled using MidiCC with an external controller. An easy-to-use Midi Learn function allows reassignment of any of the parameters.

Internal Sequencer

Within the internal sequencer, patterns are stored in 8 banks. Each bank can store up to 12 patterns. Each pattern consists of 16 steps. Each pattern location has a midi note number assigned to it. The patterns can be edited traditionally using the step buttons or using the tap function.

The internal sequencer has various modes of operation. In Chain Mode, a range of patterns are selected from the internal banks and are played through in a circular fashion. Patterns can also be triggered freely by selecting the corresponding midi note (for example, from a midi controller keyboard). External controllers can be used in any mode to provide full control over pattern playback.

A Randomizer function is also provided within the internal sequencer. It can be used to make simple changes to a pattern or create a whole new one - ideal when your creativity needs a boost! Randomizing can be applied to specific instruments and specific steps. The frequency of occurrence can also be adjusted to give you just the right amount.

Files are stored in the XML format. This allows single patterns or whole banks to be exchanged between users easily. XML allows the files to be edited in a text editor. Ideal if you want to post or share a pattern on a web site - just post the text!

Presets

The settings for each instrument can be stored in it's own preset. Each instrument preset can be loaded in individually. This allows maximum flexibility when putting kits of instruments together. A dedicated Preset Manager is provided to help the user manage the sounds within their own unique library.

Learn more about Drumazon.

Nithonat is a fully synthesized drum machine based on the classic 606. The unique sound of this machine has been used by many artists over the years in the production of Electro, Hip-Hop and Rnb. The original 606 has been perfectly emulated. However, since Nithonat is software based, D16 were able to enhance the original with extra functionality.

Full control over the sound

On the original 606, the only editable sound parameter was volume. D16 have added to the original and as a result, Nithonat is equipped with extra controls which allow each sound to be shaped in ways which were not possible in the original machine.
A whole spectrum of sounds is now at you fingertips ? rumbling kicks, rustling snares and completely synthesized and unnatural sounding toms and hi-hats.

For the first time since the 80s, it is now possible to hear what the analog synthesis of the 606 is truly capable off!

One of a kind

Nithonat was designed completely from the ground up. Its synthesis is special ? even when compared to Nephetonís. It has very unique and characteristic hi-hat and cymbal sounds which are due to the emulated structure of the circuits in the original. The bass drum has unparalleled attack character and strong punch. The snare sounds sandy.

These unique attributes guarantee that our 606 is not a sub-standard 808 but is a great instrument with a unique timbre which will bring an old school feel to any track it is used on.

New dimension of creativity

Nithonat has a powerful built-in internal sequencer. The tracks can be edited in a very simple and intuitive way and modified with many useful functions. The clear GUI means that sequencer is very easy to use.

In addition to having many internal sequencer modes, Nithonat can also be used as a sound module. All sounds and functions within Nithonat can be controlled from a host sequencer.  Experimenting with Nithonat can give interesting and unexpected results. Operation of Nithonat is very similar to Drumazon and Nepheton ? having knowledge of these will mean that using Nithonat will not require much manual reading!

Learn more about Nithonat.

The best choice for designing top-quality & dancefloor-crushing kicks.

PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds. An equally vast and exquisite factory content delivered by industry-standard sound designers Sounds of Revolution and CFA-Sound gets you started in no time.

Synthesis & Sampling Shaking Hands in One Plugin

PunchBOX easily brings together the best of the two worlds. The expressiveness of synthesized sounds next to the richness and complexity of samples end up delivering top-notch, never-heard and dancefloor-crushing kick sound.

Each of the onboard samples is a little diamond in itself, crafted with professional experience, precious pieces of studio equipment, top-shelf instruments and vintage analog gear. The kick sound synthesizers, originating from highly acclaimed D16 emulations of classic Roland drum machines, were taken to the next level and customized to perfectly fit the purpose of PunchBOX.

The very heart of PunchBOX is comprised of four sound generators, each of them standing for a key component of the final majestic kick sound. Factory settings were created to allow influencing the sound in a unique, intuitive and inspiring way.

Vast Quality Factory Content

The best sound designers out there prepared an arsenal of 1100 samples and 800 presets suitable for pretty much all contemporary subgenres of electronic music. It's never been easier to keep up or even exceed the most recent trends in music production and sound quality standard. Organized using the reknowned D16 tagging system makes browsing for the right (base) sound easy, efficient and smooth. 

An Effect Rack that Get's Your Kicks

Fulfilling you every need when it comes to taking a kick sound to the next level drove the PunchBOX dev team to create an effect rack with (almost) unlimited power. Switching effect order by simple drag'n'drop? Varying effect amounts with a simple click? Feeding an effect with only a small proportion of sound generator X? It's all in there! The greatest kick sound mangling tools at hand.

Intuitive & Inspiring Workflow

The PunchBOX dev team worked hard to offer you an interface that understands your needs – and not the usual other way round. You'll immediate feel like working with Lego and see how simple it is to just activate/deactivate/level the building blocks of a kick sound – and all of that only a mouse click, wheel turn or drag'n'drop away. Not feeling creative today? Not a problem, just browse through the perfectly tagged presets or use the random sound generator!  This is an interface that understands your needs. Not the usual other way round. Get creative in a giff!

Learn more about PunchBOX.

Taking the classic analog sound of the legendary silver box into the future, PHOSCYON offers an unmatched sound together with advanced features such as a state of the art Distortion unit; fully user configurable BPM sync'd Arpeggiator and Randomizer; a unique 'Play Live' mode; vintage arrangement and pattern builder, full MIDI CC support and, to top it off, the most authentic 18db/oct low pass filter ever created

Diehard fans of the original Bass Line will be blown away with PHOSCYON’s uncanny emulation of the classic, but will also marvel at the ease with which new sounds can be crafted; sounds which were not possible on the original. PHOSCYON gives you access authentic vintage sounds at a fraction of the cost of the real thing. With the familiar Bass Line interface coupled with the added sound generation tools, we at D16 Group feel that PHOSCYON is quite simply in a class of its own.

Capabilities

Phoscyon is a vintage analog modeled Bassline synthesizer with a unique low pass filter with an 18db/oct dumping and constant resonance amplitude throughout the entire frequency domain. The filter sounds phenomenal! Hear that squelch and you’ll swear its analog! We’ve also equipped it with a fully customizable integrated arpeggiator (essential in electronic music) as well as an exhaustively analog modeled distortion effect, crucial for those screaming acid bass lines!

PHOSCYON's designers are also musicians who believe that in order for electronic music to stay relevant, it needs to evolve – just like any other genre. Our approach is to give forward thinking musicians and producers the tools they need to craft the sounds they want. Whether it’s Techno, Acid, Triphop, IDM, D&B, Ambient, or any other kind of genre-bending music, PHOSCYON will take your sound further. 

• Classic 303 Sound - Faithful emulation of the classic analog sound of the legendary silver box taken into the future with whole bunch of new features for new level of artistic freedom
• State Of The Art Distortion Unit Build-In - Yet more easy, convenient and instant tweaking acidic sounds
• Arpeggiator and Randomizer - For effortless and joyful creating bass lines and crazy melodic passages with total control over the process

Learn more about Phoscyon.

The Delay is the ultimate creative tool for adding space, depth, and excitement to music.

There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and their friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!

Two is better than one

At first glance, Repeater appears to be your typical stereo delay effect processor with independent control of the processing path for the left and right channels. In actuality, it features independent re-panning and dry/wet mixing for each of two stereo channels, which makes it a very flexible double delay line effect. You'll be surprised and delighted by all the capabilities this approach can offer over the typical, fixed-panned one.

Learn more about Repeater.

A Legendary Flanger Resurrected

In bringing the classic stomp box back to life, we’ve created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, our newest effect in the SilverLine Collection!

Loaded with features way beyond the original

Antresol's users can also enjoy absolute freedom of control over every aspect of the BBD-based delay line (including such nuances as calibration of the linearity of the clocking system or the number of analog memory cells constituting the backbone of the BBD). Fashioning a flanger sound that is uniquely you yet retains all the richness and warmth afforded by the original, classic circuit design has never been easier!

In addition to the standard parameter knobs found on the face of the original unit, there is also a wide range of deeper parameters available to tweak, such the on-PCB trimpots which would normally be inaccessible without taking the stompbox apart. Some even go far beyond those you could find in common flanger-type effects: a fully controllable LFO (with adjustable phase and rate sync to a host application’s tempo); the ability to delink the stereo channels and control the most important parameters independently for left and right (or mid/side, depending on selected mode), and more. Try the demo today and see where your imagination takes you!

True BBD emulation with Total control

An exceptionally accurate emulation of an impulse-controlled, solid-state analog delay line (a Bucket Brigade Device) is responsible for the impeccable sonic characteristics found in Antresol. Effects based on high-quality BBD emulations stand out with remarkable, even seductive warmth, and we have no doubt that the tremendous success of D16’s first foray into BBD delay line emulation, the chorus plugin Syntorus 2, has been directly attributable to this approach.

The key element around which Antresol is designed, an analog BBD integrated circuit, proved to offer some unique challenges for a digital emulation of this type. In particular, the feedback parameter showed some weaknesses in the form of improper shapes of emerging peaks and notches in the frequency response, forcing us back to the drawing board. After much R&D, our Eureka moment came in the form of a much-refined BBD emulation using quasi-analog signal representation throughout, guaranteeing behavior much more akin to the original, physical circuit. While a bit chaotic, it includes all the benefits and subtleties the analog domain can offer—unlike a deterministic, classically digital algorithm—and all this without any unwanted artifacts such as aliasing (something we always take great pains to minimize)… and all with the rock-solid stability only digital can offer!

Learn more about Antresol.

Sigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom. There's an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. With Sigmund, this is especially true: each of the delay lines has complementary modules built in, independent from the feedback loop:

• Multi-mode Filter (can work either in or outside of the feedback loop)
• Overdrive module
• Amplitude modulator (for tremolo effects)

But that's not all: Sigmund has two general-purpose LFOs which can be used to auto-modulate some of the delay lines' internal parameters. Used subtly, these LFOs can be used to delicately bring a sound to life, to add gently flowing, modulated warmth reminiscent of the analog delays of yesteryear. At extreme settings, these LFOs are capable of twisting the input signal utterly beyond recognition and into what you might expect transmissions from an alien civilization to sound like! 

This all adds up to an immensely powerful architecture, the potential of which can be explored nearly endlessly and often with hardly predictable outcomes.

Flexible Routing

Sigmund's four delay lines can be interconnected with each other in practically every manner possible. The plugin offers a choice of nine different routing topologies which give access to completely new dimensions of sound creation. For example, say you have your delays currently running in parallel but would like to have a cascade of serially connected delays instead: you can reconfigure them instantly by choosing your desired algorithm with just a click of the mouse. For even greater convenience when working with Sigmund, the output signals of each of the four delay lines are combined in a special, purpose-built internal mixer to ensure seamless transition between algorithms and greatly speed workflows.

Oustanding Quality

The signal processing solutions we chose to implement in Sigmund have allowed us to achieve an unprecedented level of audio quality! A signal being routed sequentially through each processing block suffers no loss in fidelity from one to the next and no undesirable artifacts are introduced as is so often the case with some of the more widely used but inferior solutions. With Sigmund, each delay line is absolutely alias free: the only sonic colorations you'll ever hear are the ones you've intentionally created.

The signal path design process that went into Sigmund has been zero-comprimise from beginning to end: in fact, the sound quality is so high, the processing so pure that it's possible to work with even the smallest delay times, even down to one-tenth of one millisecond with zero artifacts emerging. Thus, it's possible without any tricks or half-measures to use a single delay line not only as a traditional delay effect, but also as a chorus or flanger and in some of the highest audio quality theoretically possible!

Learn more about Sigmund.

With so many chorus effect plugins on the market, finding one capable of delivering a truly authentic analogue sound is easier said than done.

With that in mind, D16 Group set out to create the ultimate analogue chorus emulation, inspired by the revered effects found in classic synthesizers such as the Solina String Ensemble, Elka Synthex and Roland Juno-106. This fruit of their labour is Syntorus 2, the newest addition to the Silver Line series of plugins.

Syntorus 2’s unique analogue sound enriches any instrument routed into it, bringing life and movement to synth basses and leads, and adding depth and lushness to guitars and other electric/acoustic instruments.

Learn more about Syntorus 2.

The concept algorithm implemented in the unit allows to create practically ANY type of reverb.

When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any "off-the-shelf" algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb. Our goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many ways by the user.

Reverb is a critical effect in a mix. Result depends on the reverb algorithm used and the quality of the implementation. Usually reverb is used as a send effect in which many channels in a mix are routed to it. If a low-quality plug-in or hardware unit is used, the end results can sound very disappointing with the reverb tail sounding like it had been “ripped-off” in the mix.

Learn more about Toraverb 2.

Decimort recreates the colouration and adds the vintage sampler's magic to any sound.

Electronic music (especially Hip-Hop) producers have long been aware that classic samplers (such as early Akai and E-MU units) had a character and sound all their own: they added a "grit" and "color" to the samples and loops they played back which made them sound "fat" and sit well in a mix. This sound coloration was due to the encoding techniques, lower sample rate and bit depth, and conversion circuits used by these early samplers. Decimort recreates this coloration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results.

The highest quality low-quality effect you can buy

While this tagline may seem like an oxymoron on the surface, allow us to explain: the Decimort effect unit (available as part of the SilverLine collection of plugins from D16) is a premium grade bit crusher and sample rate reducer with some highly unconventional features. The advanced signal processing algorithms within Decimort simulate the complex behavior of the entire sampling path that exists in every AD/DA converter, and with version 2 comes far greater control over the process!

Decimort has zero internal aliasing—in fact, the only aliasing present is the emulated aliasing of the classic samplers we modeled when creating it. Unwelcome artefacts are completely absent in the processed signal: only the desirable, modeled ones remain.

More control than any other effect of this type

Decimort isn’t just another bitcrusher with only bit resolution and sampling frequency to tweak; in fact, it provides far more advanced features than you likely could have ever expected from an effect of this kind, all implemented in stunning quality:

• Two optional anti-alias filters - A very steep low-pass pre filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum. A further post filter (Image filter), also synchronized with the resampler, gives control over amount of aliasing images appearing above resampling frequency when enabled.
• Adjustable Jitter - An unprecedented feature in the bit crusher’s world which introduces short-period, random fluctuations to the resampling frequency, thus making the process even more sonically interesting by producing a type of harmonic distortion you’ve likely never heard in this context.
• Two quantization methods - Two available quantization methods; the mid-raiser and mid-tread decimation algorithms, each of them characterized by a drastically different dynamics response.
• Controllable dithering - Dithering was conceptually developed as means to reduce audible quantization errors by masking the harmonic distortions they cause. We added controllable dithering to increase number of ways in which you can (mal)treat the sound.

All this adds up to a very powerful and musical tool which is not only another creativity-releasing item for your arsenal, but one that gives you the ability to emulate classic sampling units in-the-box—now with even greater precision through access to a variety of parameters unavailable up till now in effects of this type!

Learn more about Decimort 2.

Vintage Tube Distortion effect

Precisely modeled tube distortion module capturing the sensitivity, warmth, and character of real tube saturation and analog circuits. NEW With refined emulation.

Parametric EQ

4 Band fully parametric equalizer provides unparalleled control over your overdriven and distorted tones.

Independent stereo processing

Redoptor accurately emulates the sonic signature of a classic high-gain guitar amplifier while offering the flexibility of a modern stereo signal path.

Dynamics under control

A compressor before the gain stage lets you shape the tube circuit’s response, and a master output limiter tames your fierce distorted levels.

Overview

Redoptor is a high quality Vintage Tube Distortion emulator

The organic sound of a tube amplifier being pushed into breakup has been the gold standard for overdriven and distorted tones for as long as musicians have been intentionally distorting their signals.

The gentle natural compression and rich blend of even and odd harmonics produced by analog tube circuitry make any effected signal feel more powerful, punchy, and alive.

Unlike solid-state transistor and fuzz circuits which only produce odd harmonics and limit the incoming signal in an unnatural and unresponsive way, Redoptor smoothly and dynamically responds to the changes in volume of incoming audio, just like a real tube amplifier. This means that louder sounds are saturated with more crunch and delicious harmonics, while softer and naturally decaying sounds clean up gradually. This creates a very sonically pleasing distortion.

Learn more about Redopter 2.

Fazortan 2 is the new incarnation of Controllable Space Phaser which is part of our SilverLine Collection. No need to say we didnt cut much corners on quality and that robust, yearned by all - analog feel of the sound. Total control over the Phase shifter provides you with adjustability and allows to obtain the desired contour with high precision. Have you ever wondered where does that unique magical breeze so audible in most of Jean Michael Jarre's tunes come from. Surprisingly the backbone here isn't the synth itself but the effect unit coupled with the synthesizer, saying more precisely - analog phaser of which our Fazortan 2 seems to be a fine equivalent. Thanks to the analog modelling technique we were able to implement allpass filters comprising characteristics identical to its analog counterpart based on Operational Transconductance Amplifiers. Now in version 2 we're even closer to the sound character the original hardware unit brings.

You can think about Fazortan 2 as of the exact copy of a retro phaser taken out from 70's and redone to become a virtual unit. But being the same sounding unit that provides primal functionality and sound of the original is where similarities end and where limitless scope of plugin comes to play. Bearing on mind only one Rate knob and a Color switch on the front panel of the real phaser device, Fazortan 2 from the first look at its GUI, presents itself as a completely new device that effectivelly expands capabilities of its origin.

Structure

Full control over two LFOs (waveform, rate and depth) controlling the unit and unlike the hardware unit Fazortan 2 LFO works in various waveform modes: sinus, triangle, hyper-triangle and random (i.e. only triangle is available in original).

By using both LFOs simultaneously you're now able to obtain the result that owners of the hardware box could only dream about. Endless countour diversity stretches results from monotonius sluggish swing to become a gurgling scrumble, just by a slight repositioning of the rate knob. Additionally, it is now possible to add consecutive allpass stages as well as regulate the feedback effect. The amount of stages translates on how many humps and pits residues in the converted sound spectrum while feedback parameter value implies severity of these irregularities. Feedback knob gives you sounds from soft to rapid and drilling. To visually display how it works consider a white noise as an input signal. Moving the feedback knob will start to morph incoming "sea waves" reminiscent noise into "windy" whizz. Additionally, each lfo can be modified by altering its respective phase giving, as a result, an improved panning of the incoming signal.

Learn more about Fazortan 2.

The sweet spot in distortion domain

Devastor 2 is the second generation of D16’s first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!

Structure

The plug-in consists of four essential blocks:

• Dynamics-flattener module (one-knob controlled input signal compressor)
• Diode-clipper distortion
• Three multi-mode filter sections
• Optionally activated signal limiter

The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.

Devastor’s filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!

Versatile and advanced

Devastor can be used to distort and enhance a wide range of sounds, from full-on acid synth sounds to guitar fuzz or an analog amp with speaker combo. It can even be used with drums to make them sound dirtier and more dynamic! Devastor isn't just good at creating distorted, monster sounds: it can also be used subtly to improve the timbre and character of gentler sounds. For example, reducing the preamp gain, increasing the threshold, and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.

When designing Devastor, we applied special antialiasing techniques to the output signal to make sure it was devoid of aliasing (one of the reasons why digital distortion units can sound so cold and un-musical). As a result, Devastor has a warm, musical, and very high quality sound.

We would like to invite you to listen the audio examples to whet your appetite and to check out the demo version for yourself if you need any more convincing. Devastor uses algorithms of such high quality that you'd be forgiven in a blind test for wondering if the sound has somehow been sent from the computer to an external analog distortion unit and back into the computer again!

Learn more about Devastor 2.

Note: This is the Lite version of MSoundFactory. The full version of MSoundFactory is also available.

MSoundFactoryLE provides all the sounds MSoundFactory comes with, but it doesn't let you access the edit screen though.

Powerful Instruments

MSoundFactory provides hundreds of predefined sounds available via global presets, just as any other instrument. The true marvel however is the categorized system of instruments. An instrument is not just a sound, potentially with a few macro controls. It is an entire "instrument", with lots of settings and its own presets.

Imagine an 808 bass, you'd buy a dedicated plugin for it, right? Well, you don't need to, because that's an instrument inside MSoundFactory. Same as a grand piano, an electric piano, an organ, various synths, basses etc.

Free-for-life Updates Including New Instruments

As a Melda customer you already know that you get all future versions for free, right? But you also get future instruments for free! Melda Production are just not going to try to sell you more stuff all the time like everyone else. MSoundFactory is a platform that gets you a free flow of new sounds.

There may be some commercial instruments in the future, but most of the stuff will be available for you with no cost at all. You can expect electronic synthesized stuff as well as various sampled instruments.

Key Features

Automatic gain compensation (AGC)

• Most plugins change loudness of the output audio, which makes browsing presets inconvenient, not mentioning randomization. MSoundFactoryLE includes automatic gain compensation, which quickly adapts to current settings and ensures the output sounds as loud as the input. This even protects you from thinking that something sounds better in cases it is just louder.

Safety Limiter

• Some plugins can intensely increase gain when exposed to specific audio materials. MSoundFactoryLE provides a safety brickwall limiter, which ensures the output stays below 0dB and prevents your equipment and your ears from potential danger automatically.

Extremely fast, optimized for newest AVX2 and AVX512 capable processors

• Computers are now extremely fast, but the algorithms are more complex and projects bigger, so we still need to use the processing power with care. MSoundFactoryLE uses the fastest algorithms, takes advantage of the newest processor capabilities, lets your GPU handle the graphics, and shares the resources with other MeldaProduction plugins. The plugin is among the fastest on the market, yet it provides the best possible audio quality.

Compare Multiple Settings

A/B comparison is a widely used method to objectively hear the changes you are making to your audio and help you to make better decisions, non destructively.

• A to H Switching: Melda has taken this to the next level. Have up to 8 instances of the plugin, copy/paste the A to H slots and freely switch between them.
• A to D Morphing: You can also morph between the first 4 slots with an X-Y pad. Not sure which preset to choose? You could load 4 and find the perfect blend of all of them. Not sure if A or B sounds better? You might prefer an interpolated state somewhere between the two.

Supports VST, VST3, AU and AAX interfaces on Windows (both 32-bit and 64-bit) & Mac (64-bit only)

• MSoundFactoryLE supports all major hosts on both platforms.

Advanced GUI

User interfaces need to be fast, simple to use and be easy on the eye. Everyone's needs can be different, so flexibility is important. Melda solves this with the most advanced GUI engine on the market.

• Stylable: From vintage hardware to super futuristic. You can choose the colours and style of the GUI, making the plugins personal to you.
• Resizable: All Melda plugins are freely resizable. Many also feature popup windows. So no matter how many screens you have or what size they are, you will be able to arrange your plugins to keep a focus on what is important.
• GPU Accelerated: All the elements in the GUI are accelerated by your GPU. This makes the graphics lightning-fast and frees up extra power for your CPU to focus on the audio.
• Stunning Quality: Melda plugins support HDPI and Retina displays, so you will experience beautiful crisp resolutions. With adjustable frames per second up to 100, you will not miss a thing in our detailed analyzers.

No dongle nor internet access is required for activation

• How many times did you forget your USB dongle? Melda Production are an honest company and expect the same from their customers. This software uses licence files to activate your software. And the licences are to-person, so you can use it on all your computers as long as you are the user.

MIDI Controllers with MIDI Learn

• MSoundFactoryLE contains a powerful MIDI processor, which listen to MIDI controllers and MIDI keyboard and control any parameters realtime.

Global Preset Management and Online Preset Exchange

MSoundFactoryLE presets are carefully stored in a system database and you can quickly access them from any project in any host. The plugin can automatically share your presets and download presets of other users from Melda Production's servers. They are building a community and you can be a part of it!

Smart Randomization

Melda's state of the art randomization system gives you complete control. You can randomize parameters in 3 ways:

• Complete full randomization of everything.
• Subtle small random changes to your current state.
• Smart randomization.

Melda's smart randomization engine learns, using information based on existing presets to offer better values that will result in more successful changes. You can even lock certain parameters that you wish to be excluded from the randomization. This level of control can really help you out when you have a creative block and offer up fresh and inspiring ideas you may have never thought of.

Sinc Interpolation

MSoundFactoryLE implements the most advanced interpolation technology to provide the best audio quality.

• M/S, single channel, up to 8 channels surround processing...
• MSoundFactoryLE can handle not only mono and stereo signals, but also mid/side encoding for stereo field processing, separate left & right channels, separate mid or side signal and up to 8 channels of surround audio. It is perfect for audio production for music, movies, games...

Free-for-life Updates

• When you buy the software you are entitled to free updates, forever. No more money wasted on major updates like it is with other companies. And Melda Production update their software a lot!

Adjustable Up-sampling 1x-x

• Digital audio provides very superior audio quality compared to ancient analog gear, but there are problems too. The main problem is the aliasing, which may be noticeable, when using nonlinear processes such as compression or saturation. MSoundFactoryLE includes both minimum-phase and high-quality linear-phase upsampling algorithms, which avoids the aliasing.

Unique Visualisation Engine with Classic Meters and Time Graphs

• Your ears should always be the main tool, but they are not the only way to judge your audio. Visual aids can be incredibly useful for a variety of reasons. Melda's comprehensive metering system is extremely flexible and delivers you accurate information when you need it. From classic meters to time-based graphs, you will see important visual feedback including; Input, Output, Stereo width, Loudness, Waveforms, Bands, Gain reduction and Sidechain, and some plugin dependent meters.

64-bit Processing and an Unlimited Sampling Rate

MSoundFactoryLE provides the maximum audio quality you can get. It uses 64-bit audio processing and can handle any sampling rate. It does not make much sense to go over 192kHz, but if you think it is a good idea, the plugin can do that.

Which Version of MSoundFactory is right for you?

Features	MSoundFactory	MSoundFactoryLE	MSoundFactory  Player
All Sounds and Instruments Included	Yes	Yes	No
Third Party Full Support	Yes	Yes	Yes
Customizations	Yes	Limited	No

Connected by music. United by creativity.

This product is an annual Membership to the PreSonus Sphere.

Music connects all of us. PreSonus Sphere celebrates sonic creativity by providing a complete suite of powerful tools to fuel your imagination and bring your inspiration to life. More than software and content, PreSonus Sphere is a global community of creative enthusiasts and respected professionals—all brought together by and for the love of music. 

PreSonus Sphere membership includes licenses for essential software tools to build the core of your studio, including the award-winning Studio One Professional DAW and Notion music composition and performance software. You also get every plug-in and Studio One and Notion Add-on that PreSonus makes, including CTC-1 Pro Console Shaper, Audio Batch Converter, Presence XT Editor, add-on sounds, and so much more! Use over 100 inspiring content libraries to supercharge your productions with the complete Spark Collection sample and loop libraries, Tom Brechtlein Drums, and new content being added continuously.

PreSonus Sphere makes it easy to share your projects with other members using your PreSonus Sphere workspace. Your Sphere membership also includes 30 gigabytes of cloud storage for backups, stems, collaboration, and more. A live chat lets you communicate in real-time with your global production team to make sure you’re all on the same page and striving towards the same goal. As a member, you’ll be invited to exclusive events and training to meet like-minded Sphere users and grow your collaborative network. Each month you can expect something new—whether it’s new exclusive content or a special surprise gift, just to thank you for being a part of PreSonus Sphere—and all at a low monthly or annual membership with no additional upgrade costs or hidden fees.

MSoundFactory may well be the most powerful instrument out there. It's modular, so you can have any number of oscillators, filters, samplers etc. you want. It features per-voice and global modulation, full MPE support, the best sounding oscillators on the market, a fully modular effects engine... and Melda are just getting started...

MSoundFactory will most likely be a never-ending project. Melda are probably not going to make any further instruments, instead they are going to implement further modules and features into the mighty MSoundFactory. MSoundFactory currently comes with many presets converted from MPowerSynth and several fully-featured instruments, but it's far from being "ready". However, it can already be used by creative minds looking for an extremely powerful instrument. The only necessary module needed to be added to the first official release is a sampler, so please stay in tune.

Key Features

Advanced GUI

• User interfaces need to be fast, simple to use and be easy on the eye. Everyone's needs can be different, so flexibility is important. Melda solves this with the most advanced GUI engine on the market.
• Stylable: From vintage hardware to super futuristic. You can choose the colours and style of the GUI, making our plugins personal to you.
• Resizable: All Melda plugins are freely resizable. Many also feature popup windows. So no matter how many screens you have or what size they are, you will be able to arrange your plugins to keep a focus on what is important.
• GPU Accelerated: All the elements in the GUI are accelerated by your GPU. This makes the graphics lightning-fast and frees up extra power for your CPU to focus on the audio.
• Stunning Quality: Melda plugins support HDPI and Retina displays, so you will experience beautiful crisp resolutions. With adjustable frames per second up to 100, you will not miss a thing in our detailed analyzers.

Unique Visualisation Engine with Classic Meters and Time Graphs

• Your ears should always be the main tool, but they are not the only way to judge your audio. Visual aids can be incredibly useful for a variety of reasons. Melda's comprehensive metering system is extremely flexible and delivers you accurate information when you need it. From classic meters to time-based graphs, you will see important visual feedback including; Input, Output, Stereo width, Loudness, Waveforms, Bands, Gain reduction and Sidechain, and some plugin dependent meters.

Modulators

• MSoundFactory provides 8 fully-featured modulators which can control any set of parameters including other modulators. Each modulator works as an LFO, level follower, midi/audio triggered ADSR enveloper, randomizer or pitch detector, or even a combination and can listen to the plugin\'s side-chain.
• You can make the sound move in time, be less static and more interesting. You can make various parameters depend on the input (or the sidechain) level or even listen to the input pitch.

Adjustable Oscillator Shape Technology

• Every oscillator in MSoundFactory uses the most versatile oscillator algorithm on the market. It provides a mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), a step-sequencer and several methods for algorithmic postprocessing.
• It also provides a harmonic mode, which lets you control the harmonic content instead of oscillator shape. This is especially useful for high-frequency oscillators.

Multiparameters

• MSoundFactory lets you control multiple parameters using a single so-called multiparameter. This may not only come handy for automation for example, but the multiparameters are very smart units and you can use them to smartly morph between banks of settings for example. All in the name of creativity!

Smart Randomization

Melda's state of the art randomization system gives you complete control. You can randomize parameters in 3 ways:

• Complete full randomization of everything.
• Subtle small random changes to your current state.
• Smart randomization.

Melda's smart randomization engine learns, using information based on existing presets to offer better values that will result in more successful changes. You can even lock certain parameters that you wish to be excluded from the randomization. This level of control can really help you out when you have a creative block and offer up fresh and inspiring ideas you may have never thought of.

Automatic Gain Compensation (AGC)

• Most plugins change loudness of the output audio, which makes browsing presets inconvenient, not mentioning randomization. MSoundFactory includes automatic gain compensation, which quickly adapts to current settings and ensures the output sounds as loud as the input. This even protects you from thinking that something sounds better in cases it is just louder.

Safety Limiter

• Some plugins can intensely increase gain when exposed to specific audio materials. MSoundFactory provides a safety brickwall limiter, which ensures the output stays below 0dB and prevents your equipment and your ears from potential danger automatically.

Sinc Interpolation

• MSoundFactory implements the most advanced interpolation technology to provide the best audio quality.

Adjustable Up-sampling 1x-16x

• Digital audio provides very superior audio quality compared to ancient analog gear, but there are problems too. The main problem is the aliasing, which may be noticeable, when using nonlinear processes such as compression or saturation. MSoundFactory includes both minimum-phase and high-quality linear-phase upsampling algorithms, which avoids the aliasing.

Synchronization to Host Tempo

• Every oscillator and modulator in the plugin can automatically synchronize to the host. But it can be out-of-sync if you want of course.

MIDI Controllers with MIDI Learn

• MSoundFactory contains a powerful MIDI processor, which listen to MIDI controllers and MIDI keyboard and control any parameters realtime.

64-bit Processing and an Unlimited Sampling Rate

• MSoundFactory provides the maximum audio quality you can get. It uses 64-bit audio processing and can handle any sampling rate. It does not make much sense to go over 192kHz, but if you think it is a good idea, the plugin can do that.

Extremely Fast, Optimized for Newest AVX2 and AVX512 Capable Processors

• Computers are now extremely fast, but the algorithms are more complex and projects bigger, so you still need to use the processing power with care. MSoundFactory uses the fastest algorithms, takes advantage of the newest processor capabilities, lets your GPU handle the graphics, and shares the resources with other MeldaProduction plugins. The plugin is among the fastest on the market, yet it provides the best possible audio quality.

Global Preset Management and Online Preset Exchange

• MSoundFactory presets are carefully stored in a system database and you can quickly access them from any project in any host. The plugin can automatically share your presets and download presets of other users from our servers. Melda are building a community and you can be a part of it!

Compare Multiple Settings

• A/B comparison is a widely used method to objectively hear the changes you are making to your audio and help you to make better decisions, non destructively.
• A to H Switching: Melda has taken this to the next level. Have up to 8 instances of the plugin, copy/paste the A to H slots and freely switch between them.
• A to D Morphing: You can also morph between the first 4 slots with an X-Y pad. Not sure which preset to choose? You could load 4 and find the perfect blend of all of them. Not sure if A or B sounds better? You might prefer an interpolated state somewhere between the two.

No Dongle nor Internet Access is Required for Activation

• How many times did you forget your USB dongle? Melda are an honest company and expect the same from our customers. Our software uses licence files to activate your software. And the licences are to-person, so you can use it on all your computers as long as you are the user.

Free-for-life Updates

• When you buy the software you are entitled to free updates, forever. No more money wasted on major updates like it is with other companies. And Melda update our software a lot!