RZ062 Equalizer
EQ by Audified
Images
Description
The Sweetest EQ Ever
Two Plugins for Music Production and Mastering.
The exact models of Klangfilm RZ062a and RZ062b vintage EQ modules.
Both RZ062 plug-ins deliver pleasant vintage warmth and amazing presence to your vocals, instruments and entire mixes.
The Original
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The RZ062 Equalizers were originally (in the 1960s) designed in Germany for installation in mixing consoles. They were supposed to permit arbitrary modification of frequency response in sound recording and reproduction in order to eliminate undesired studio acoustics, noise, or to produce certain acoustic impression or tonal colouring. Soon they accommodated in top European studios. Now, these 6lbs 300V powered units are extremely rare. Due to their inaccessibility and unmistakable sound, their price climbs over $12.000 per pair. But thanks to our precise circuit modeling technique, these jewels can return to your projects.
Common EQ vs RZ062
Nowadays producers tend to surf through various frequencies and spend hours on trying to find the sweet spot of their mix. But the vintage gear worked differently. The RZ062 EQ‘s controls adjust precisely selected fixed parameters. They are perfectly sonically balanced to give the immediate and no compromise results. In addition, the circuitry adds wonderful colour to the entire material.
RZ062a
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The RZ062a and RZ062b modules differ in the function of the central knob. The a-module middle handle rotates the entire frequency curve by around the central point (650 Hz). When the bass frequencies are raised, the trebles are simultaneously lowered.
RZ062b
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The b-module is even more complicated. Its presence knob lets you choose one of four frequencies (1.4, 2, 2.8 and 4 kHz) and adjust their gain at the same time. This parameter helps your sonic material to cut through very gently and sensitively.
The Model
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To create these amazing plugins we had to emulate more than 200 circuit components. That includes 3 triodes, input and output transformers. It is not just any circuit but someone did a great job focusing on the details. Each part has its own thoughtful meaning. For RZ062 we used so called white box modeling. We described the whole circuit with complex math equations based on the circuit analysis. Eventually, the overall model was fine tuned by measurements and component-values fitting algorithm. to find as the closest model to the real device as possible.
In Use
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"RZ062‘s place is everywhere where extra bass, treble or presence is needed while improving the overall colour, smoothness, and tightness of the sonic material. RZ062 is incredible on vocals, bass or acoustic instruments.
But due to the advanced controls – the independent left/right channels tweaking or mid/side operation - the main point of the RZ062 EQs is the top quality mastering purpose."
Features:
- 2 EQ Plugins in a Bundle
- Precise Valve Circuit Models
- Left/Right and Mid/Side Controls and transformation
- Calibration
- Input and Output Level Control
- Auto Output Parameter (Link)
- Smoothest EQ Sound Available
Video
Rating
Mac OS X:
- Mac OS X 10.11 - macOS 11 (64-bit only) (M1 Apple Silicon compatible)
Plugin Formats for Mac:
- AAX for Pro Tools
- Audio Units (AU)
- VST3
Please Note: VST2 Format is no longer available.
PC:
- Windows 7 - Windows 10
Plugin Formats for PC:
- AAX for Pro Tools (64-bit)
- VST3 (32 / 64-bit)
Please Note: VST2 Format is no longer available.
Important Note: U78 Saturator is iLok protected - the USB hardware key is not necessary. Only a FREE iLok Account/License Manager is required, which is available at iLok.com.
The Sweetest EQ Ever
Two Plugins for Music Production and Mastering.
The exact models of Klangfilm RZ062a and RZ062b vintage EQ modules.
Both RZ062 plug-ins deliver pleasant vintage warmth and amazing presence to your vocals, instruments and entire mixes.
The Original
The RZ062 Equalizers were originally (in the 1960s) designed in Germany for installation in mixing consoles. They were supposed to permit arbitrary modification of frequency response in sound recording and reproduction in order to eliminate undesired studio acoustics, noise, or to produce certain acoustic impression or tonal colouring. Soon they accommodated in top European studios. Now, these 6lbs 300V powered units are extremely rare. Due to their inaccessibility and unmistakable sound, their price climbs over $12.000 per pair. But thanks to our precise circuit modeling technique, these jewels can return to your projects.
Common EQ vs RZ062
Nowadays producers tend to surf through various frequencies and spend hours on trying to find the sweet spot of their mix. But the vintage gear worked differently. The RZ062 EQ‘s controls adjust precisely selected fixed parameters. They are perfectly sonically balanced to give the immediate and no compromise results. In addition, the circuitry adds wonderful colour to the entire material.
RZ062a
The RZ062a and RZ062b modules differ in the function of the central knob. The a-module middle handle rotates the entire frequency curve by around the central point (650 Hz). When the bass frequencies are raised, the trebles are simultaneously lowered.
RZ062b
The b-module is even more complicated. Its presence knob lets you choose one of four frequencies (1.4, 2, 2.8 and 4 kHz) and adjust their gain at the same time. This parameter helps your sonic material to cut through very gently and sensitively.
The Model
To create these amazing plugins we had to emulate more than 200 circuit components. That includes 3 triodes, input and output transformers. It is not just any circuit but someone did a great job focusing on the details. Each part has its own thoughtful meaning. For RZ062 we used so called white box modeling. We described the whole circuit with complex math equations based on the circuit analysis. Eventually, the overall model was fine tuned by measurements and component-values fitting algorithm. to find as the closest model to the real device as possible.
In Use
"RZ062‘s place is everywhere where extra bass, treble or presence is needed while improving the overall colour, smoothness, and tightness of the sonic material. RZ062 is incredible on vocals, bass or acoustic instruments.
But due to the advanced controls – the independent left/right channels tweaking or mid/side operation - the main point of the RZ062 EQs is the top quality mastering purpose."
Features:
- 2 EQ Plugins in a Bundle
- Precise Valve Circuit Models
- Left/Right and Mid/Side Controls and transformation
- Calibration
- Input and Output Level Control
- Auto Output Parameter (Link)
- Smoothest EQ Sound Available
Video
Rating
Mac OS X:
- Mac OS X 10.11 - macOS 11 (64-bit only) (M1 Apple Silicon compatible)
Plugin Formats for Mac:
- AAX for Pro Tools
- Audio Units (AU)
- VST3
Please Note: VST2 Format is no longer available.
PC:
- Windows 7 - Windows 10
Plugin Formats for PC:
- AAX for Pro Tools (64-bit)
- VST3 (32 / 64-bit)
Please Note: VST2 Format is no longer available.
Important Note: U78 Saturator is iLok protected - the USB hardware key is not necessary. Only a FREE iLok Account/License Manager is required, which is available at iLok.com.
Pro Series EQ
EQ by Positive Grid
Images
Description
The World’s First Matching and Component Based Studio Plug-Ins
Pro Series Plug-Ins
Over the past decade, professional effects plug-ins have been about authentic analog emulation of original hardware, with either a black-box approach or circuit analysis and emulation. This gives musicians an easy-to-use user interface and faithful reproduction of analog tone in the digital domain.
Looking forward, the question is how we can create new tools to maximize the sound quality and usability with today’s new technology, with faster processors and memory, matching analysis, advanced nonlinear processing, and a cloud-based worldwide community. What can we do better, smarter, and more efficient?
Positive Grid teamed up the world’s brightest DSP engineers and component level modeling and matching authorities, working with the world’s leading producers, world-class engineers, and mixing & mastering gurus to develop some breakthrough technologies to bring software plug-ins to the next level.
The Pro Series EQ offers 3 revolutionary component based EQ: Digital, Tube, and Passive. It combines Positive Grid’s DSP engineering and component level modeling expertise.
Matching EQ
After years of research and development with the world’s best DSP engineers, we are proud to introduce a new way of EQ matching, one that truly recreates real world outboard analog equalizers – for the first time at component level. We used analog filters to match the frequency response for each EQ module: digital, tube, and passive EQ.
The EQ match works by analyzing the signal from the input track and side chain track – you can even see the frequency response of the matching process in real time. It then analyzes the difference curve between input and side chain, and automatically adjusts the controls to match the different curves.
The Pro Series EQ match process uses analog filters to match the frequency response difference, without adding post filters to compensate the frequency response difference. The end result is a more natural sound with real world analog sound characteristics.
Tube Equalizer
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Loaded with 12AX7, 12AU7 and 12AT7 preamp tubes, the tube EQ captures the essence of analog EQ found in the best professional studios in the world, giving you the ultimate solution to add color and warmth to your recordings. It comes with low, mid, and high control panels so you can get a full frequency range control in one single EQ module.
Digital Equalizer
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Provides the most clear and transparent digital EQ sound ever in a plug-in. With 5 bands plus high pass and low filter for each channel, its wide range control will give your mixes the necessary sound balance for professional use. You can also use the digital EQ module to shape your tracks tone without altering the output signal.
Passive Equalizer
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With 3 band controls for each channel, the passive EQ module gives an authentic analog sounding EQ shaping for a more musical mix. You can use the available tube power amplifier emulation to add even more color to the output sound, and get that rich tone from real world tube amplifier EQ racks.
Features:
- 3 individual EQ - Digital, Tube and Passive
- Matching Technology captures any real world analog EQ nuance
- Component level modeling, virtually swap out components
- Extremely high quality audio processing architecture
- Download more EQ profiles (coming soon)
Video
Rating
Mac
- OS X 10.9 or later
- Audio Units, VST, RTAS, AAX Native
- 4GB of RAM minimal, 8GB or more recommended
- 400MB free disk space
- Pro Series plug-in requires A DAW software (Digital Audio Workstation) to host, it doesn’t have a Standalone version at this moment
Windows
- Windows 7 (SP1) or Windows 8, Windows 10
- VST, RTAS, AAX Native
- 4GB of RAM minimal, 8GB or more recommended
- 1.5GHz Dual core processor minimal, 2.0GHz Dual core or more recommended
- 250MB free disk space for per version (32 or 64 bits)
- Pro Series plug-in requires A DAW software (Digital Audio Workstation) to host, it doesn’t have a Standalone version at this moment
Supported Hosts
- Ableton Live 8.0 or above
- Avid Pro Tools 10 or above
- Ardour 3.0 or above
- Apple Logic Pro 9.0 or above
- Apple GarageBand 6.0.5, 10.0 or above
- Bitwig Studio 1.0 and above
- Cakewalk Sonar X2 or above
- Cockos Reaper 3.4 or above
- Harrison Mixbus 2.0 or above
- Steinberg Cubase 5.0 or above
- Steinberg Nuendo 4.3 or above
- MuTools MuLab 6.0 or above
- PreSonus Studio One Producer/Professional 2 or above
Note: Pro Series plug-in requires A DAW software (Digital Audio Workstation) to host, it doesn’t have a Standalone version at this moment
The World’s First Matching and Component Based Studio Plug-Ins
Pro Series Plug-Ins
Over the past decade, professional effects plug-ins have been about authentic analog emulation of original hardware, with either a black-box approach or circuit analysis and emulation. This gives musicians an easy-to-use user interface and faithful reproduction of analog tone in the digital domain.
Looking forward, the question is how we can create new tools to maximize the sound quality and usability with today’s new technology, with faster processors and memory, matching analysis, advanced nonlinear processing, and a cloud-based worldwide community. What can we do better, smarter, and more efficient?
Positive Grid teamed up the world’s brightest DSP engineers and component level modeling and matching authorities, working with the world’s leading producers, world-class engineers, and mixing & mastering gurus to develop some breakthrough technologies to bring software plug-ins to the next level.
The Pro Series EQ offers 3 revolutionary component based EQ: Digital, Tube, and Passive. It combines Positive Grid’s DSP engineering and component level modeling expertise.
Matching EQ
After years of research and development with the world’s best DSP engineers, we are proud to introduce a new way of EQ matching, one that truly recreates real world outboard analog equalizers – for the first time at component level. We used analog filters to match the frequency response for each EQ module: digital, tube, and passive EQ.
The EQ match works by analyzing the signal from the input track and side chain track – you can even see the frequency response of the matching process in real time. It then analyzes the difference curve between input and side chain, and automatically adjusts the controls to match the different curves.
The Pro Series EQ match process uses analog filters to match the frequency response difference, without adding post filters to compensate the frequency response difference. The end result is a more natural sound with real world analog sound characteristics.
Tube Equalizer
Loaded with 12AX7, 12AU7 and 12AT7 preamp tubes, the tube EQ captures the essence of analog EQ found in the best professional studios in the world, giving you the ultimate solution to add color and warmth to your recordings. It comes with low, mid, and high control panels so you can get a full frequency range control in one single EQ module.
Digital Equalizer
Provides the most clear and transparent digital EQ sound ever in a plug-in. With 5 bands plus high pass and low filter for each channel, its wide range control will give your mixes the necessary sound balance for professional use. You can also use the digital EQ module to shape your tracks tone without altering the output signal.
Passive Equalizer
With 3 band controls for each channel, the passive EQ module gives an authentic analog sounding EQ shaping for a more musical mix. You can use the available tube power amplifier emulation to add even more color to the output sound, and get that rich tone from real world tube amplifier EQ racks.
Features:
- 3 individual EQ - Digital, Tube and Passive
- Matching Technology captures any real world analog EQ nuance
- Component level modeling, virtually swap out components
- Extremely high quality audio processing architecture
- Download more EQ profiles (coming soon)
Video
Rating
Mac
- OS X 10.9 or later
- Audio Units, VST, RTAS, AAX Native
- 4GB of RAM minimal, 8GB or more recommended
- 400MB free disk space
- Pro Series plug-in requires A DAW software (Digital Audio Workstation) to host, it doesn’t have a Standalone version at this moment
Windows
- Windows 7 (SP1) or Windows 8, Windows 10
- VST, RTAS, AAX Native
- 4GB of RAM minimal, 8GB or more recommended
- 1.5GHz Dual core processor minimal, 2.0GHz Dual core or more recommended
- 250MB free disk space for per version (32 or 64 bits)
- Pro Series plug-in requires A DAW software (Digital Audio Workstation) to host, it doesn’t have a Standalone version at this moment
Supported Hosts
- Ableton Live 8.0 or above
- Avid Pro Tools 10 or above
- Ardour 3.0 or above
- Apple Logic Pro 9.0 or above
- Apple GarageBand 6.0.5, 10.0 or above
- Bitwig Studio 1.0 and above
- Cakewalk Sonar X2 or above
- Cockos Reaper 3.4 or above
- Harrison Mixbus 2.0 or above
- Steinberg Cubase 5.0 or above
- Steinberg Nuendo 4.3 or above
- MuTools MuLab 6.0 or above
- PreSonus Studio One Producer/Professional 2 or above
Note: Pro Series plug-in requires A DAW software (Digital Audio Workstation) to host, it doesn’t have a Standalone version at this moment
Trident A-Range
EQ by Softube
Images
Description
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The Trident A-Range equalizer is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range - David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...
It is sometimes said that one of the disadvantages of digital mixing and recording is that the happy accidents one could experience with analog gear just don't happen in the DAW. People saying that clearly haven't tried Softube's Trident A-Range equalizer.
Because the Trident A-Range is not only a tremendously nice sounding and highly characteristic equalizer. Its four frequency bands also have a way of integrating in sometimes rather unpredictable ways. More often than not you will find that the equalizer ends up giving you something even better than you may have expected when you made a certain setting. In this sense, the Trident A-Range is more of a musical instrument than a strictly scientific tool. We think this is one of the major reasons it has been used on so many great classic rock albums and why it's still one of the most coveted pieces of audio equipment around.
Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".
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The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.
Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".
The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.
Features:
- EQ with a will of its own
- Created together with original designer Professor Malcolm Toft
- Each and every component carefully modeled
- Saturation control
- Very CPU friendly
Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and Softube's own rigorous testing standards - Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
The Trident A-Range equalizer is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range - David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...
It is sometimes said that one of the disadvantages of digital mixing and recording is that the happy accidents one could experience with analog gear just don't happen in the DAW. People saying that clearly haven't tried Softube's Trident A-Range equalizer.
Because the Trident A-Range is not only a tremendously nice sounding and highly characteristic equalizer. Its four frequency bands also have a way of integrating in sometimes rather unpredictable ways. More often than not you will find that the equalizer ends up giving you something even better than you may have expected when you made a certain setting. In this sense, the Trident A-Range is more of a musical instrument than a strictly scientific tool. We think this is one of the major reasons it has been used on so many great classic rock albums and why it's still one of the most coveted pieces of audio equipment around.
Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".
The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.
Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".
The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.
Features:
- EQ with a will of its own
- Created together with original designer Professor Malcolm Toft
- Each and every component carefully modeled
- Saturation control
- Very CPU friendly
Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and Softube's own rigorous testing standards - Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
Summit Audio EQF-100
EQ by Softube
Images
Description
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The Summit Audio EQF-100 Full Range Passive Tube Equalizer really sets the standard for all passive equalizer designs. It is a highly versatile and sweet sounding equalizer that will solve most of the tonality issues you may experience in a mix. The EQF-100 is equally suitable for separate tracks as across subgroups or the entire stereo buss.
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Flexibility and smoothness are the key features of this tube driven passive equalizer. Here's finally an equalizer you can use in your DAW to boost frequencies and not limit yourself to cutting. Four fully parametric bands of equalization plus low and high cut filters with three selectable cutoff frequencies each make the EQF-100 a go-to equalizer for any sound or instrument in your mix. A mix that no doubt will sound warmer and fatter with the help of the EQF-100 and its unique blend of tube and solid state technology. If you want more edge from your EQ, just drive the output meter into the red and you'll experience a woody and thick saturation coming from the output stage.
Video
Rating
- Mac OS X 10.12 or newer (older OS versions may work but are not tested (64-bit only).
- Windows 64-bit, versions 7, 8 or 10 (64-bit only).
- Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
The Summit Audio EQF-100 Full Range Passive Tube Equalizer really sets the standard for all passive equalizer designs. It is a highly versatile and sweet sounding equalizer that will solve most of the tonality issues you may experience in a mix. The EQF-100 is equally suitable for separate tracks as across subgroups or the entire stereo buss.
Flexibility and smoothness are the key features of this tube driven passive equalizer. Here's finally an equalizer you can use in your DAW to boost frequencies and not limit yourself to cutting. Four fully parametric bands of equalization plus low and high cut filters with three selectable cutoff frequencies each make the EQF-100 a go-to equalizer for any sound or instrument in your mix. A mix that no doubt will sound warmer and fatter with the help of the EQF-100 and its unique blend of tube and solid state technology. If you want more edge from your EQ, just drive the output meter into the red and you'll experience a woody and thick saturation coming from the output stage.
Video
Rating
- Mac OS X 10.12 or newer (older OS versions may work but are not tested (64-bit only).
- Windows 64-bit, versions 7, 8 or 10 (64-bit only).
- Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
KickBox
EQ by SoundSpot
Images
Description
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The kick drum is the backbone of many modern music genres, both electronic and acoustic. It’s Often times the thing you start with in a new mix, but to get it sounding just right can be a complex task.
A well mixed kick drum has a warm sounding low end, doesn’t sound too boxy and pierces through the mix in a very natural way. When designing KickBox, these are the qualities we’ve focused on, simplifying the mixing process for any modern kick drum.
The KickBox is modelled after analogue filters and separates the relevant frequency ranges in a very transparent way. KickBox can help you get your kicks sounding extremely tight in a matter of just a few clicks.
How to Use
KickBox can be used directly on both mono and stereo tracks. For most electronic kicks it is best used first or early in your mixing chain. For live recorded acoustic kicks however, it can be beneficial to use a shelving equaliser to achieve a general frequency balance before applying KickBox.
Equaliser
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The EQ section of the KickBox has been stepped to target the most common areas of the frequency spectrum, allowing you to achieve precise balanced adjustments in a matter of a few clicks.
Each band has a frequency and db control and can be operated with simple click. The allows you to run through the values without looking at the plugin, so you can trust your ears and not your eyes.
The Q values allow you to zone in on the area you have selected. Value 1 represents the widest band width, with value 4 being the tightest notch.
Compressor
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The compressor has been designed with a completely unique algorithm that has been designed to get your kick drums sounding punchy and clear.
The controls are the same Ratio, Threshold, Attack, Release and Make Up that are found on most compressors, so the workflow remains familiar to the user.
Limiter
Our new compressor algorithm allows users to drive their kicks like never before, with- out the fear of clipping. During testing, we achieved an RMS level of -5.8 without any distortion artefacts at all.
The limiter has no user editable controls, and will react in the best possible way to the signal being fed into it, so you can spend more time on the compression parameters, until the desired punch and thump is achieved.
Presets
Whilst the source material selected is the key to the results you can achieve, with KickBox we have created a small number of presets that can be found in the system presets dropdown.
To the right, you can see where the presets can be found within the system menu in Logic Pro X.
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Alternative Applications
We designed the KickBox for kick drum processing, but as there are no rules in music, we decided to experiment with other source materials and discovered it also has many other interesting uses when used on other low end instruments like bass guitar, toms and other types of percussion. Why not experiment a little yourself.
Features:
- Fast and intuitive workflow.
- Analog modeled filters.
- Suited for electronic and acoustic kick drums.
- Extremely light on CPU and RAM.
Video
Rating
macOS:
- 10.12 – 10.15 (older OS versions may work but are not tested)
Plugin Formats:
- VST
- VST3
- AU
- AAX (Pro Tools 11.0.2 or higher)
Windows
- Windows 7, 8 or 10 (32 & 64-bit)
Plugin Formats:
- VST
- VST3
- AAX (Pro Tools 11.0.2 or higher)
Specification Requirements:
-
RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
-
Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
-
Formats: In theory any 32 or 64-bit VST, VST3, AU, or AAX compatible host application should work.
-
Licensing: Internet access for activating licence key. Please ensure any outgoing connection blockers are deactivated.
-
Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
The kick drum is the backbone of many modern music genres, both electronic and acoustic. It’s Often times the thing you start with in a new mix, but to get it sounding just right can be a complex task.
A well mixed kick drum has a warm sounding low end, doesn’t sound too boxy and pierces through the mix in a very natural way. When designing KickBox, these are the qualities we’ve focused on, simplifying the mixing process for any modern kick drum.
The KickBox is modelled after analogue filters and separates the relevant frequency ranges in a very transparent way. KickBox can help you get your kicks sounding extremely tight in a matter of just a few clicks.
How to Use
KickBox can be used directly on both mono and stereo tracks. For most electronic kicks it is best used first or early in your mixing chain. For live recorded acoustic kicks however, it can be beneficial to use a shelving equaliser to achieve a general frequency balance before applying KickBox.
Equaliser
The EQ section of the KickBox has been stepped to target the most common areas of the frequency spectrum, allowing you to achieve precise balanced adjustments in a matter of a few clicks.
Each band has a frequency and db control and can be operated with simple click. The allows you to run through the values without looking at the plugin, so you can trust your ears and not your eyes.
The Q values allow you to zone in on the area you have selected. Value 1 represents the widest band width, with value 4 being the tightest notch.
Compressor
The compressor has been designed with a completely unique algorithm that has been designed to get your kick drums sounding punchy and clear.
The controls are the same Ratio, Threshold, Attack, Release and Make Up that are found on most compressors, so the workflow remains familiar to the user.
Limiter
Our new compressor algorithm allows users to drive their kicks like never before, with- out the fear of clipping. During testing, we achieved an RMS level of -5.8 without any distortion artefacts at all.
The limiter has no user editable controls, and will react in the best possible way to the signal being fed into it, so you can spend more time on the compression parameters, until the desired punch and thump is achieved.
Presets
Whilst the source material selected is the key to the results you can achieve, with KickBox we have created a small number of presets that can be found in the system presets dropdown.
To the right, you can see where the presets can be found within the system menu in Logic Pro X.
Alternative Applications
We designed the KickBox for kick drum processing, but as there are no rules in music, we decided to experiment with other source materials and discovered it also has many other interesting uses when used on other low end instruments like bass guitar, toms and other types of percussion. Why not experiment a little yourself.
Features:
- Fast and intuitive workflow.
- Analog modeled filters.
- Suited for electronic and acoustic kick drums.
- Extremely light on CPU and RAM.
Video
Rating
macOS:
- 10.12 – 10.15 (older OS versions may work but are not tested)
Plugin Formats:
- VST
- VST3
- AU
- AAX (Pro Tools 11.0.2 or higher)
Windows
- Windows 7, 8 or 10 (32 & 64-bit)
Plugin Formats:
- VST
- VST3
- AAX (Pro Tools 11.0.2 or higher)
Specification Requirements:
- RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
- Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
- Formats: In theory any 32 or 64-bit VST, VST3, AU, or AAX compatible host application should work.
- Licensing: Internet access for activating licence key. Please ensure any outgoing connection blockers are deactivated.
- Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
Percolate
EQ by SoundSpot
Images
Description
Extremely Tight Drum Recordings & Percussion Loops in a Matter of a Few Clicks
Many modern music genres rely on groovy and danceable sounding drums and percussion. But because many drum and percussion loops come pre-mixed with different elements combined in a single track, it can be very difficult to make them work in a busy mix.
We designed Percolate to help you separate and target the snare, hi-hat and percussion parts of such loops, providing you with an easy and fast workflow to create a balanced drum or percussion mix.
Percolate uses analog modelled filters that separate the relevant frequency ranges in a very transparent way, and can be used in combination with our KickBox plug-in to target the whole drum or percussion section in your mix.
Features:
- Fast and intuitive workflow
- Analog modeled filters
- Suited for electronic and acoustic drums and percussion
- Extremely light on CPU and RAM
Video
Rating
macOS:
- 10.12 – 10.15 (older OS versions may work but are not tested)
Plugin Formats:
- VST
- VST3
- AU
- AAX (Pro Tools 11.0.2 or higher)
Windows
- Windows 7, 8 or 10 (32 & 64-bit)
Plugin Formats:
- VST
- VST3
- AAX (Pro Tools 11.0.2 or higher)
Specification Requirements:
-
RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
-
Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
-
Formats: In theory any 32 or 64-bit VST, VST3, AU, or AAX compatible host application should work.
-
Licensing: Internet access for activating licence key. Please ensure any outgoing connection blockers are deactivated.
-
Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
Extremely Tight Drum Recordings & Percussion Loops in a Matter of a Few Clicks
Many modern music genres rely on groovy and danceable sounding drums and percussion. But because many drum and percussion loops come pre-mixed with different elements combined in a single track, it can be very difficult to make them work in a busy mix.
We designed Percolate to help you separate and target the snare, hi-hat and percussion parts of such loops, providing you with an easy and fast workflow to create a balanced drum or percussion mix.
Percolate uses analog modelled filters that separate the relevant frequency ranges in a very transparent way, and can be used in combination with our KickBox plug-in to target the whole drum or percussion section in your mix.
Features:
- Fast and intuitive workflow
- Analog modeled filters
- Suited for electronic and acoustic drums and percussion
- Extremely light on CPU and RAM
Video
Rating
macOS:
- 10.12 – 10.15 (older OS versions may work but are not tested)
Plugin Formats:
- VST
- VST3
- AU
- AAX (Pro Tools 11.0.2 or higher)
Windows
- Windows 7, 8 or 10 (32 & 64-bit)
Plugin Formats:
- VST
- VST3
- AAX (Pro Tools 11.0.2 or higher)
Specification Requirements:
- RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
- Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
- Formats: In theory any 32 or 64-bit VST, VST3, AU, or AAX compatible host application should work.
- Licensing: Internet access for activating licence key. Please ensure any outgoing connection blockers are deactivated.
- Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
entropy:EQ+
EQ by sonible
Images
Description
![]()
Mix | Create | Repair
Pushing Boundaries with entropy:EQ+
The Entropy Module of frei:raum.
The new dimension of EQing simplifies the postproduction of the harmonic and inharmonic sound components of audio recordings - seamlessly and extremely fast.
The entropy:EQ+ is a plug-in that allows for both harmonic and inharmonic sound portions to be adjusted over the entire frequency range. Take this well-known feeling, for example: you’ve already run out of patience, but the snare triggers are still too muffled, while the guitar plucking sounds are way too dominant. It’s situations like this that have encouraged us to seek new ways of EQing and thus put an end to spending countless hours of studio time on postproduction. The entropy:EQ+ simplifies the editing process for the impact noise of drums, guitars and other plucking instruments, and introduces you to a whole new world of postproduction creativity.
Video
Rating
MAC:
- OS X 10.7+ (macOS 11 Big Sur only supported on Intel-based Mac systems)
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - AU, VST2 (Universal Binary), AAX
-
iLok License Manager is required to install sonible software
PC:
- Windows 7+
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - VST2 (32/64 bit), VST3, AAX
-
iLok License Manager is required to install sonible software
Important Notes:
- In order to install this sonible product, you must have the iLok License Manager installed on your computer. You DO NOT need an iLok account or a physical iLok USB Dongle.
- macOS 11 Big Sur is only supported on Intel-based Mac systems.
Please note - To use sonible plugins on an M1 Mac, you may need to launch your DAW under Rosetta (right-click the application icon, select "Get Info" and then select "Open using Rosetta"). Note that many DAWs do not yet support macOS Big Sur, so it is important to check your DAW's website for compatibility info before updating.
Mix | Create | Repair
Pushing Boundaries with entropy:EQ+
The Entropy Module of frei:raum.
The new dimension of EQing simplifies the postproduction of the harmonic and inharmonic sound components of audio recordings - seamlessly and extremely fast.
The entropy:EQ+ is a plug-in that allows for both harmonic and inharmonic sound portions to be adjusted over the entire frequency range. Take this well-known feeling, for example: you’ve already run out of patience, but the snare triggers are still too muffled, while the guitar plucking sounds are way too dominant. It’s situations like this that have encouraged us to seek new ways of EQing and thus put an end to spending countless hours of studio time on postproduction. The entropy:EQ+ simplifies the editing process for the impact noise of drums, guitars and other plucking instruments, and introduces you to a whole new world of postproduction creativity.
Video
Rating
MAC:
- OS X 10.7+ (macOS 11 Big Sur only supported on Intel-based Mac systems)
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - AU, VST2 (Universal Binary), AAX
- iLok License Manager is required to install sonible software
PC:
- Windows 7+
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - VST2 (32/64 bit), VST3, AAX
- iLok License Manager is required to install sonible software
Important Notes:
- In order to install this sonible product, you must have the iLok License Manager installed on your computer. You DO NOT need an iLok account or a physical iLok USB Dongle.
- macOS 11 Big Sur is only supported on Intel-based Mac systems.
Please note - To use sonible plugins on an M1 Mac, you may need to launch your DAW under Rosetta (right-click the application icon, select "Get Info" and then select "Open using Rosetta"). Note that many DAWs do not yet support macOS Big Sur, so it is important to check your DAW's website for compatibility info before updating.
proximity:EQ+
EQ by sonible
Images
Description
![]()
Mix | Create | Repair
Pushing Boundaries with proximity:EQ+
The Proximity Module of frei:raum.
Meet the EQ plug-in that effortlessly edits the proximity of your audio sources. Whether it’s music or speech – the proximity:EQ+ gets you closer to premium sound.
It’s a rare occasion when you actually manage to put on tape the perfect mix you’ve had spinning around in your head. We’ve all been there: you’re entering postproduction with high hopes, only to realize that the sound of your first few seconds of recording takes you right back to your old rehearsal room in the basement. It’s to fix this problem that we developed the proximity:EQ+.
Thanks to its adjustable settings for direct sound and reverberation, this plug-in lets you retrospectively shape the room’s acoustics, any way you can imagine. This intuitive tool lets you turn fuzzy recordings into crisp statements, diplomatically put an overambitious singer in the back, or give that muffled bass the kick it needs.
Video
Rating
MAC:
- OS X 10.7+ (macOS 11 Big Sur only supported on Intel-based Mac systems)
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - AU, VST2 (Universal Binary), AAX
-
iLok License Manager is required to install sonible software (activation is optional)
PC:
- Windows 7+
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - VST2 (32/64 bit), VST3, AAX
-
iLok License Manager is required to install sonible software (activation is optional)
Important Notes:
- In order to install this sonible product, you must have the iLok License Manager installed on your computer. You DO NOT need an iLok account or a physical iLok USB Dongle.
- macOS 11 Big Sur is only supported on Intel-based Mac systems.
Please note - To use sonible plugins on an M1 Mac, you may need to launch your DAW under Rosetta (right-click the application icon, select "Get Info" and then select "Open using Rosetta"). Note that many DAWs do not yet support macOS Big Sur, so it is important to check your DAW's website for compatibility info before updating.
Mix | Create | Repair
Pushing Boundaries with proximity:EQ+
The Proximity Module of frei:raum.
Meet the EQ plug-in that effortlessly edits the proximity of your audio sources. Whether it’s music or speech – the proximity:EQ+ gets you closer to premium sound.
It’s a rare occasion when you actually manage to put on tape the perfect mix you’ve had spinning around in your head. We’ve all been there: you’re entering postproduction with high hopes, only to realize that the sound of your first few seconds of recording takes you right back to your old rehearsal room in the basement. It’s to fix this problem that we developed the proximity:EQ+.
Thanks to its adjustable settings for direct sound and reverberation, this plug-in lets you retrospectively shape the room’s acoustics, any way you can imagine. This intuitive tool lets you turn fuzzy recordings into crisp statements, diplomatically put an overambitious singer in the back, or give that muffled bass the kick it needs.
Video
Rating
MAC:
- OS X 10.7+ (macOS 11 Big Sur only supported on Intel-based Mac systems)
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - AU, VST2 (Universal Binary), AAX
- iLok License Manager is required to install sonible software (activation is optional)
PC:
- Windows 7+
- RAM - at least 4 GB (recommended)
- CPU - at least intel DualCore i5 (recommended)
- Plug-in formats - VST2 (32/64 bit), VST3, AAX
- iLok License Manager is required to install sonible software (activation is optional)
Important Notes:
- In order to install this sonible product, you must have the iLok License Manager installed on your computer. You DO NOT need an iLok account or a physical iLok USB Dongle.
- macOS 11 Big Sur is only supported on Intel-based Mac systems.
Please note - To use sonible plugins on an M1 Mac, you may need to launch your DAW under Rosetta (right-click the application icon, select "Get Info" and then select "Open using Rosetta"). Note that many DAWs do not yet support macOS Big Sur, so it is important to check your DAW's website for compatibility info before updating.
TDR VOS SlickEQ GE
EQ by Tokyo Dawn Labs
Images
Description
TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi-parametric filter bands.
SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high-quality analogue audio gear, up to more obvious saturation.
An elaborate auto gain option automatically compensates for changes of perceived loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. “internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.
Besides the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, a frequency magnitude plot, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more. Finally, SlickEQ GE allows to exclusively process the stereo sum or stereo difference without external sum/difference encoding (see “M/S” microphony).
Video
Rating
Windows
- Win XP SP2 or above
- VST (32-bit / 64-bit)
- AAX (64-bit only)
Mac
- macOS 10.9 or above
- VST, AU, AAX (64-bit only)
Important note: the Mac version of this software is 64-bit only and will not function on 32-bit systems.
TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi-parametric filter bands.
SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high-quality analogue audio gear, up to more obvious saturation.
An elaborate auto gain option automatically compensates for changes of perceived loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. “internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.
Besides the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, a frequency magnitude plot, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more. Finally, SlickEQ GE allows to exclusively process the stereo sum or stereo difference without external sum/difference encoding (see “M/S” microphony).
Video
Rating
Windows
- Win XP SP2 or above
- VST (32-bit / 64-bit)
- AAX (64-bit only)
Mac
- macOS 10.9 or above
- VST, AU, AAX (64-bit only)
Important note: the Mac version of this software is 64-bit only and will not function on 32-bit systems.
Overtone
EQ by SoundSpot
Images
Description
![]()
Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix.
Since the explosion of software-based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.
At SoundSpot® they recognised that many software EQ’s are solely focused on being as transparent as possible and while transparency is certainly a virtue in some cases, they felt that the sparkle and unique character that boutique hardware adds was not being delivered in the software realm.
With this in mind, SoundSpot set out to build a plugin with its own personal character that will truly give a hardware flavour to software mastering.
The Interface
![]()
The Overtone interface has been designed to give the feel of an analogue EQ, which may seem slightly alien to those of you not familiar with using hardware. It may even seem a little old fashioned, but SoundSpot can tell you that sound is not the only reason that studios insist on using these units.
When you are deprived of visual information, you are forced to trust your ears and make decisions based on what sounds good, and not what looks like the EQ curves you’ve seen on YouTube tutorials. As a result, you’ll get a better mix with less second-guessing.
Saturation
![]()
There is a theme with many software EQ’s to sound as transparent as possible, and whilst transparency is indeed a virtue, SoundSpot felt that the digital age has brought too many neutral-sounding plugins that differ based on functions and not the character of the sound. In the past, hardware EQ’s were selected for the unique character that they would bring to a mix, and so SoundSpot set out to create a software EQ with its very own flavour.
This character is achieved by adding a saturation effect only to the boosted signal, which adds pleasant harmonics, creating a sense of warmth and clarity.
SoundSpot does however appreciate there is a need for transparent equalisation, so they designed the plugin to be volume independent when at neutral settings, and volume-dependent when boosted. What this means is the unit will remain transparent for cuts and add saturation to boosts.
SoundSpot realised that some users will want to boost without the saturation, so they designed the plugin to react based on the input signal. If you feed a lower signal into the Overtone, the saturation will not kick in. Conversely, the more you drive the input, the more dramatic the saturation giving you the best of both worlds in one unit.
Solo - Stereo & Mid/Side
The Overtone has two settings you’ll all be familiar with, Stereo and Mid/Side mode. This allows you to get the overall mix balanced first, then switch into Mid/Side to create a more open stereo image. Combine this with the solo buttons allowing you to independently process the mid or side without hearing the other, and you’ve got some seriously accurate equalisation possibilities.
Notched Frequencies
![]()
When SoundSpot set out creating the Overtone, they wanted to mimic the notched frequency ranges found within boutique hardware mastering equalisers. These frequencies have been tried and tested to be both versatile and deliver fantastic results.
Whilst SoundSpot used these frequencies as a starting point, they felt the ranges could be improved and after extensive research, SoundSpot found a frequency range with very specific crossover points that were more harmonically pleasing and had a greater musical feel than the hardware counterpart.
Intelligent Channel Linking
![]()
Many EQ’s will make a direct copy from left to right when the channel link button is pressed. When linking is set up in this way, it provides a very rigid user experience, with users often finding they lose the settings they wanted to keep. Our intelligent linking system makes linked editing much more flexible and intuitive for the user, by allowing you to individually select control on either side of the plugin, which is then mirrored on the opposite side.
Video
Rating
macOS:
- 10.12 – 10.15 (older OS versions may work but are not tested)
Plugin Formats:
- VST
- VST3
- AU
- AAX (Pro Tools 11.0.2 or higher)
Windows
- Windows 7, 8 or 10 (32 & 64-bit)
Plugin Formats:
- VST
- VST3
- AAX (Pro Tools 11.0.2 or higher)
Specification Requirements:
-
RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
-
Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
-
Formats: In theory any 32 or 64-bit VST, VST3, AU, or AAX compatible host application should work.
-
Licensing: Internet access for activating the licence key. Please ensure any outgoing connection blockers are deactivated.
-
Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix.
Since the explosion of software-based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.
At SoundSpot® they recognised that many software EQ’s are solely focused on being as transparent as possible and while transparency is certainly a virtue in some cases, they felt that the sparkle and unique character that boutique hardware adds was not being delivered in the software realm.
With this in mind, SoundSpot set out to build a plugin with its own personal character that will truly give a hardware flavour to software mastering.
The Interface
The Overtone interface has been designed to give the feel of an analogue EQ, which may seem slightly alien to those of you not familiar with using hardware. It may even seem a little old fashioned, but SoundSpot can tell you that sound is not the only reason that studios insist on using these units.
When you are deprived of visual information, you are forced to trust your ears and make decisions based on what sounds good, and not what looks like the EQ curves you’ve seen on YouTube tutorials. As a result, you’ll get a better mix with less second-guessing.
Saturation
There is a theme with many software EQ’s to sound as transparent as possible, and whilst transparency is indeed a virtue, SoundSpot felt that the digital age has brought too many neutral-sounding plugins that differ based on functions and not the character of the sound. In the past, hardware EQ’s were selected for the unique character that they would bring to a mix, and so SoundSpot set out to create a software EQ with its very own flavour.
This character is achieved by adding a saturation effect only to the boosted signal, which adds pleasant harmonics, creating a sense of warmth and clarity.
SoundSpot does however appreciate there is a need for transparent equalisation, so they designed the plugin to be volume independent when at neutral settings, and volume-dependent when boosted. What this means is the unit will remain transparent for cuts and add saturation to boosts.
SoundSpot realised that some users will want to boost without the saturation, so they designed the plugin to react based on the input signal. If you feed a lower signal into the Overtone, the saturation will not kick in. Conversely, the more you drive the input, the more dramatic the saturation giving you the best of both worlds in one unit.
Solo - Stereo & Mid/Side
The Overtone has two settings you’ll all be familiar with, Stereo and Mid/Side mode. This allows you to get the overall mix balanced first, then switch into Mid/Side to create a more open stereo image. Combine this with the solo buttons allowing you to independently process the mid or side without hearing the other, and you’ve got some seriously accurate equalisation possibilities.
Notched Frequencies
When SoundSpot set out creating the Overtone, they wanted to mimic the notched frequency ranges found within boutique hardware mastering equalisers. These frequencies have been tried and tested to be both versatile and deliver fantastic results.
Whilst SoundSpot used these frequencies as a starting point, they felt the ranges could be improved and after extensive research, SoundSpot found a frequency range with very specific crossover points that were more harmonically pleasing and had a greater musical feel than the hardware counterpart.
Intelligent Channel Linking
Many EQ’s will make a direct copy from left to right when the channel link button is pressed. When linking is set up in this way, it provides a very rigid user experience, with users often finding they lose the settings they wanted to keep. Our intelligent linking system makes linked editing much more flexible and intuitive for the user, by allowing you to individually select control on either side of the plugin, which is then mirrored on the opposite side.
Video
Rating
macOS:
- 10.12 – 10.15 (older OS versions may work but are not tested)
Plugin Formats:
- VST
- VST3
- AU
- AAX (Pro Tools 11.0.2 or higher)
Windows
- Windows 7, 8 or 10 (32 & 64-bit)
Plugin Formats:
- VST
- VST3
- AAX (Pro Tools 11.0.2 or higher)
Specification Requirements:
- RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
- Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
- Formats: In theory any 32 or 64-bit VST, VST3, AU, or AAX compatible host application should work.
- Licensing: Internet access for activating the licence key. Please ensure any outgoing connection blockers are deactivated.
- Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
MTurboEQ
EQ by MeldaProduction
Images
Description
MTurboEQ is a unique vintage-style equalizer inspired by most of the well-known classic hardware. It's not one of them, it's all of them! For quick and easy equalization with pristine results.
Equalization reinvented for easier and faster workflow
MTurboEQ speeds up the workflow tremendously by providing access to so many classic equalizers in a single click. But it doesn't stop there. The controls in each hardware were very different, and very weird in many cases, so one had to take a lot of time learning to work with such a clumsy interface. All models in MTurboEQ have pretty much the same user interface and features. There is always a low-shelf and a high-shelf, the most essential filters. Then there are usually 4 peak filters, even if the original had just one, and they always work the same way. And of course there are the classic goodies such as high-pass and low-pass filters (which are used on pretty much all tracks these days, but not many vintage equalizers actually had them), saturation to get some of the analogue feel, dry/wet for easy control of the amount of equalization, automatic gain compensation to avoid loudness trickery, mid/side/surround and more...
Stepped vs. Continous
Some people just like lots of versatility, others prefer having limited options. MTurboEQ provides both options. In Stepped mode almost everything has limited values - predefined frequencies for each filter, gain increasing by single decibels etc. It is much faster to make a decision this way, especially since bigger differences are easier to compare by ear. And when (if) you are ready, you can just switch to Continous mode for fine-tuning. MTurboEQ then lets you access all of the frequencies etc., even if the original hardware (and all emulations) didn't have that. Courtesy of the digital world.
We did the hard work, you equalize!
There is no doubt, that you could do 99.9999% of the sound of any analog equalizer using a versatile parametric equalizer, such as MAutoDynamicEq. It's just frequencies and curves after all, there's no hidden magic. But the analogue equalizers have one big advantage - the design. They provide access only to what you will likely use, configured in such a way, that it all just sounds good from the beginning. We analyzed these designs, copied what we considered useful, trashed the rest (such as noise, hum, pointless overall gain changes...) and now we serve you a finished equalizer, which you can just plug in, turn a few knobs and you are done. It's fast and the results are great, that's all, no magic.
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MTurboEQ is a unique vintage-style equalizer inspired by most of the well-known classic hardware. It's not one of them, it's all of them! For quick and easy equalization with pristine results.
Equalization reinvented for easier and faster workflow
MTurboEQ speeds up the workflow tremendously by providing access to so many classic equalizers in a single click. But it doesn't stop there. The controls in each hardware were very different, and very weird in many cases, so one had to take a lot of time learning to work with such a clumsy interface. All models in MTurboEQ have pretty much the same user interface and features. There is always a low-shelf and a high-shelf, the most essential filters. Then there are usually 4 peak filters, even if the original had just one, and they always work the same way. And of course there are the classic goodies such as high-pass and low-pass filters (which are used on pretty much all tracks these days, but not many vintage equalizers actually had them), saturation to get some of the analogue feel, dry/wet for easy control of the amount of equalization, automatic gain compensation to avoid loudness trickery, mid/side/surround and more...
Stepped vs. Continous
Some people just like lots of versatility, others prefer having limited options. MTurboEQ provides both options. In Stepped mode almost everything has limited values - predefined frequencies for each filter, gain increasing by single decibels etc. It is much faster to make a decision this way, especially since bigger differences are easier to compare by ear. And when (if) you are ready, you can just switch to Continous mode for fine-tuning. MTurboEQ then lets you access all of the frequencies etc., even if the original hardware (and all emulations) didn't have that. Courtesy of the digital world.
We did the hard work, you equalize!
There is no doubt, that you could do 99.9999% of the sound of any analog equalizer using a versatile parametric equalizer, such as MAutoDynamicEq. It's just frequencies and curves after all, there's no hidden magic. But the analogue equalizers have one big advantage - the design. They provide access only to what you will likely use, configured in such a way, that it all just sounds good from the beginning. We analyzed these designs, copied what we considered useful, trashed the rest (such as noise, hum, pointless overall gain changes...) and now we serve you a finished equalizer, which you can just plug in, turn a few knobs and you are done. It's fast and the results are great, that's all, no magic.
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
Helper Equalizer 2
EQ by W.A. Production
Images
Description
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Helper Equalizer 2 is also available in the Helper Series 2 Bundle.
Helper Equalizer 2 is a unique and versatile equalizer plug-in that contains special features with excellent workflow and a simple-to-use user interface. Unlike any other equalizer plug-in, you’ll get to play with 5 different EQ shapes to shape your sound better.
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You have only 3 knobs to play with in this plug-in but do not be fooled by its simplicity. With the frequency knob, you can determine which frequency to be affected by the equalizer itself. With the gain knob, the volume of the sound can be increased or decreased to bring out the muddiness or to give some air to the sound. With the quality knob, you can adjust the filter slope to effectively equalize your sound. Although the gain knob and quality knob are not available in certain filter modules, they are still vital to proper audio equalizing.
You can also choose to effect different types of audio signal from the audio source – Stereo, Mid, Side, Left & Right. Imagine what all this unique feature offers you.
With the input and output gain control, proper gain staging can be done before and after the saturation process.
Rating
- Windows 8 or higher (32 / 64-bit)
- macOS 10.15 and later (64-bit only) (M1 Apple Silicon Supported)
- AAX - ProTools 11 or higher
Helper Equalizer 2 is also available in the Helper Series 2 Bundle.
Helper Equalizer 2 is a unique and versatile equalizer plug-in that contains special features with excellent workflow and a simple-to-use user interface. Unlike any other equalizer plug-in, you’ll get to play with 5 different EQ shapes to shape your sound better.
You have only 3 knobs to play with in this plug-in but do not be fooled by its simplicity. With the frequency knob, you can determine which frequency to be affected by the equalizer itself. With the gain knob, the volume of the sound can be increased or decreased to bring out the muddiness or to give some air to the sound. With the quality knob, you can adjust the filter slope to effectively equalize your sound. Although the gain knob and quality knob are not available in certain filter modules, they are still vital to proper audio equalizing.
You can also choose to effect different types of audio signal from the audio source – Stereo, Mid, Side, Left & Right. Imagine what all this unique feature offers you.
With the input and output gain control, proper gain staging can be done before and after the saturation process.
Rating
- Windows 8 or higher (32 / 64-bit)
- macOS 10.15 and later (64-bit only) (M1 Apple Silicon Supported)
- AAX - ProTools 11 or higher
Tube-Tech Equalizer Collection
EQ by Softube
Images
Description
Timeless Equalizers Revitalized
Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.
Now combined into a single plug-in, which not only improves the workflow but allows for a revitalized approach to the sonics using Softube's latest digital signal processing technology, the Tube-Tech Equalizers Mk II are a huge step forward for an already phenomenal pair of processors.
By combining the PE 1C and ME 1B equalizers, Softube have made a new beast which benefits from Softube's latest signal-processing technology. Sound engineers all over the world praise the 'Pultec' tube-driven passive equalizer PE 1C for its super huge bass and its silky shiny treble. The all-new high-res graphics look absolutely stunning on any display.
Long and Happy Partnership
As long ago as 2006, Softube formed a partnership with Tube-Tech of Lydkraft, Denmark, and began work on what would become the definitive plug-in representations of Tube-Tech’s best and most highly-prized analogue hardware units.
In 2018 Softube released the updated Mk II versions; a total ground-up remodel of the CL 1B compressor, and a single combined EQ plug-in, taking advantage of Softube's latest signal processing technology. Softube also added stunning high-resolution graphics and additional features to make the best even better.
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Much More Than Function
Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.
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Quite a Few Tricks Up Its Sleeves
Try, for example, the famous 'Pultec' low-end trick. Because the filters for the low-frequency boost and attenuate functions are slightly offset in frequency (despite being controlled by the same frequency knob) it’s possible to create attractive and well-focused bumps or cuts in the low end by boosting and attenuating simultaneously. Give a kick drum more body, for example, by boosting heavily at 60 CPS and then attenuating to deal with the muddiness. The bump will remain, but you’ll have cleaned up too.
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Unmatchable Together
The ME 1B was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it's a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full-featured equalizer.
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Straightforward Interface
The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low-Frequency Peak, Mid Frequency Dip and the High-Frequency Peak. The only confusing thing is that the midsection never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C 'Pultec' Equalizer you'll find that these equalizers complement each other perfectly.
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Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and Softube's own rigorous testing standards - Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
Timeless Equalizers Revitalized
Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.
Now combined into a single plug-in, which not only improves the workflow but allows for a revitalized approach to the sonics using Softube's latest digital signal processing technology, the Tube-Tech Equalizers Mk II are a huge step forward for an already phenomenal pair of processors.
By combining the PE 1C and ME 1B equalizers, Softube have made a new beast which benefits from Softube's latest signal-processing technology. Sound engineers all over the world praise the 'Pultec' tube-driven passive equalizer PE 1C for its super huge bass and its silky shiny treble. The all-new high-res graphics look absolutely stunning on any display.
Long and Happy Partnership
As long ago as 2006, Softube formed a partnership with Tube-Tech of Lydkraft, Denmark, and began work on what would become the definitive plug-in representations of Tube-Tech’s best and most highly-prized analogue hardware units.
In 2018 Softube released the updated Mk II versions; a total ground-up remodel of the CL 1B compressor, and a single combined EQ plug-in, taking advantage of Softube's latest signal processing technology. Softube also added stunning high-resolution graphics and additional features to make the best even better.
Much More Than Function
Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.
Quite a Few Tricks Up Its Sleeves
Try, for example, the famous 'Pultec' low-end trick. Because the filters for the low-frequency boost and attenuate functions are slightly offset in frequency (despite being controlled by the same frequency knob) it’s possible to create attractive and well-focused bumps or cuts in the low end by boosting and attenuating simultaneously. Give a kick drum more body, for example, by boosting heavily at 60 CPS and then attenuating to deal with the muddiness. The bump will remain, but you’ll have cleaned up too.
Unmatchable Together
The ME 1B was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it's a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full-featured equalizer.
Straightforward Interface
The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low-Frequency Peak, Mid Frequency Dip and the High-Frequency Peak. The only confusing thing is that the midsection never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C 'Pultec' Equalizer you'll find that these equalizers complement each other perfectly.
Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and Softube's own rigorous testing standards - Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
Oxford SuprEsser DS
EQ by Sonnox
Images
Description
The Oxford SuprEsser DS offers simple and precise control of aggressive frequencies between 1kHz & 20kHz – using the combination of 3 listen modes and a clear FFT display. Hear and see where to focus the Plug-In’s filters before dialling out a problem tone with a single control. There’s a simple mode for quick fixes with an advanced mode to hand for increased functionality and fine-tuning.
Video
Rating
Pro Tools:
- Pro Tools 10.3.8, 11.3.2, 12 - AAX Native
- Approved Pro Tools CPU, OS and hardware configuration
-
iLok USB device with latest drivers OR active internet connection required
-
iLok2 / iLok3 OR active internet connection required for AAX plug-ins
Audio Units:
- Not available
VST2:
- Not available
Compatibility:
- AAX
Supported Hosts:
Mac:
- Pro Tools 10.3.8, 11.3.2, 12 (AAX Native)
Windows:
- Pro Tools 10.3.8, 11.3.2, 12 (AAX Native)
Please Note: This product now supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product.
The Oxford SuprEsser DS offers simple and precise control of aggressive frequencies between 1kHz & 20kHz – using the combination of 3 listen modes and a clear FFT display. Hear and see where to focus the Plug-In’s filters before dialling out a problem tone with a single control. There’s a simple mode for quick fixes with an advanced mode to hand for increased functionality and fine-tuning.
Video
Rating
Pro Tools:
- Pro Tools 10.3.8, 11.3.2, 12 - AAX Native
- Approved Pro Tools CPU, OS and hardware configuration
- iLok USB device with latest drivers OR active internet connection required
- iLok2 / iLok3 OR active internet connection required for AAX plug-ins
Audio Units:
- Not available
VST2:
- Not available
Compatibility:
- AAX
Supported Hosts:
Mac:
- Pro Tools 10.3.8, 11.3.2, 12 (AAX Native)
Windows:
- Pro Tools 10.3.8, 11.3.2, 12 (AAX Native)
Please Note: This product now supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product.
Carve EQ
EQ by Kilohearts
Images
Description
Available in the kiloHearts - Equalizers Bundle
Graphic equalizers have stayed the same for a long time, but Carve EQ takes the next big step in evolution.
Carve EQ is a 31-band graphic equalizer, that runs laps around the competition. Innovative new tools, and loads of EQ profiles from famous songs makes sure you'll get your desired results in no time!
Carve EQ has a very advanced filtering system hidden under a small set of efficient and deceptively simple tools, to give you perfect control in any situation.
Perfect sound: Carve EQ won't let anyone down soundwise. Using top of the line, digitally clean filters it will give you a crisp result every time.
Workspace layout: With a recognizeable workspace layout the Carve EQs user interface makes sure you will quickly find your way to all the features.
Really fast!: All Kilohearts plugins get the job done quickly. That way you can stack them high without worrying about performance issues.
Size does matter: The Carve EQ workspace is freely resizable and you can set the UI scale to match your preference.
Snapin compatible: Carve EQ works with our excellent Snapin hosts. Check out Snap Heap for instance.
Precision all the way: The point selection tool lets you control single bands perfectly with clearly labeled axes. You can also select multiple bands at once and make exact changes where you need them.
More of a feeling: Carve EQ excells at letting you smoothly work with sections of the spectrum through the awesome "Sculpt tool" that adds a peak that you can drag around and modify easily.
Compare your work: Using others sounds or songs as a reference has never been easier. Choose from the factory profiles or create your own from any WAV file. You can also use a sidechain channel as a reference.
Match EQ: Do you like that special Taylor Swift sound, or the whole Surrender album by The Chemical Brothers? Simply steal the mastering of any audio and let Carve EQ apply it to your song in seconds.
Tired ears? When EQing you can sometimes start having problems determining if your are actually making things better or worse. Use the A/B comparison tool to make your way forward.
EQ in stereo: Are you used to working in Left/Right, or Mid/Side? Either way Carve EQ present your work in a way that is intuitively understandable at a glance.
Video
Rating
These are the minimum recommended system requirements for running Carve EQ.
CPU:
- 2 GHz or faster
Memory:
- 1 GB or more
Operating System:
- Windows (7 or newer) or Mac OS X (10.7 or newer)
Software:
- A VST / Audio Unit / AAX compatible DAW
Supported formats:
- AAX
- AU
- VST2
- Snapin
Please note: If you use many instances of Carve EQ at the same time in your song the CPU usage will increase accordingly. Thus, we cannot guarantee that the Carve EQ will work flawlessly in all use cases even if your system does meet the minimum recommended system requirements.
Available in the kiloHearts - Equalizers Bundle
Graphic equalizers have stayed the same for a long time, but Carve EQ takes the next big step in evolution.
Carve EQ is a 31-band graphic equalizer, that runs laps around the competition. Innovative new tools, and loads of EQ profiles from famous songs makes sure you'll get your desired results in no time!
Carve EQ has a very advanced filtering system hidden under a small set of efficient and deceptively simple tools, to give you perfect control in any situation.
Perfect sound: Carve EQ won't let anyone down soundwise. Using top of the line, digitally clean filters it will give you a crisp result every time.
Workspace layout: With a recognizeable workspace layout the Carve EQs user interface makes sure you will quickly find your way to all the features.
Really fast!: All Kilohearts plugins get the job done quickly. That way you can stack them high without worrying about performance issues.
Size does matter: The Carve EQ workspace is freely resizable and you can set the UI scale to match your preference.
Snapin compatible: Carve EQ works with our excellent Snapin hosts. Check out Snap Heap for instance.
Precision all the way: The point selection tool lets you control single bands perfectly with clearly labeled axes. You can also select multiple bands at once and make exact changes where you need them.
More of a feeling: Carve EQ excells at letting you smoothly work with sections of the spectrum through the awesome "Sculpt tool" that adds a peak that you can drag around and modify easily.
Compare your work: Using others sounds or songs as a reference has never been easier. Choose from the factory profiles or create your own from any WAV file. You can also use a sidechain channel as a reference.
Match EQ: Do you like that special Taylor Swift sound, or the whole Surrender album by The Chemical Brothers? Simply steal the mastering of any audio and let Carve EQ apply it to your song in seconds.
Tired ears? When EQing you can sometimes start having problems determining if your are actually making things better or worse. Use the A/B comparison tool to make your way forward.
EQ in stereo: Are you used to working in Left/Right, or Mid/Side? Either way Carve EQ present your work in a way that is intuitively understandable at a glance.
Video
Rating
These are the minimum recommended system requirements for running Carve EQ.
CPU:
- 2 GHz or faster
Memory:
- 1 GB or more
Operating System:
- Windows (7 or newer) or Mac OS X (10.7 or newer)
Software:
- A VST / Audio Unit / AAX compatible DAW
Supported formats:
- AAX
- AU
- VST2
- Snapin
Please note: If you use many instances of Carve EQ at the same time in your song the CPU usage will increase accordingly. Thus, we cannot guarantee that the Carve EQ will work flawlessly in all use cases even if your system does meet the minimum recommended system requirements.
Fatmaker
EQ by Singomakers
Images
Description
Fatmaker
Singomakers are very proud to present their brand new plugin Fatmaker.
Fatmaker is not just a regular equalizer, it's a multiband saturator mixed with different processing chains for each band and a powerful equalizer created for the best mixing and mastering results!
It works perfectly on Synths, Drums, Basses and Vocals!
Fatmaker has already been championed by professional Sound Engineers and A-list Producers from all over the world. We are sure you will enjoy it too!
Video
Rating
Mac:
- macOS 10.11+
Formats:
- AU
- VST 32-bit
- VST 64-bit
Please Note: If you have updated to Mac OS Sierra, a reboot is needed in order for Fatmaker to work properly.
Windows:
- Windows 7+
Formats:
- VST 32-bit
- VST 64-bit
Fatmaker
Singomakers are very proud to present their brand new plugin Fatmaker.
Fatmaker is not just a regular equalizer, it's a multiband saturator mixed with different processing chains for each band and a powerful equalizer created for the best mixing and mastering results!
It works perfectly on Synths, Drums, Basses and Vocals!
Fatmaker has already been championed by professional Sound Engineers and A-list Producers from all over the world. We are sure you will enjoy it too!
Video
Rating
Mac:
- macOS 10.11+
Formats:
- AU
- VST 32-bit
- VST 64-bit
Please Note: If you have updated to Mac OS Sierra, a reboot is needed in order for Fatmaker to work properly.
Windows:
- Windows 7+
Formats:
- VST 32-bit
- VST 64-bit
smart:EQ live
EQ by sonible
Images
Description
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Live never felt so good.
The new adaptive equalizer from sonible continuously analyses audio signals and optimizes them in real-time. smart:EQ live has your back, so you can focus on the things that really count when mixing live.
- Latency-free smart:engineTM for any live situation
- Optimally balanced sound within seconds
- Additional safety net for hassle-free mixing
smart:EQ live is the award-winning smart:EQ as latency-free live plug-in. The high-precision adaptive filter of smart:EQ live analyzes audio signals, interprets them musically and compensates spectral imbalances in real-time. The plug-in leads to a more transparent sound image within seconds and enables a streamlined workflow for live sound mixing.
Live sound engineers are all too familiar with stressful circumstances. Often there is little or no time for sound checks and proper preparation. Engineers constantly have to deal with unexpected situations and need to make substantial decisions within seconds. sonible developed smart:EQ live to take some pressure off of them and enable new workflows in live sound. The plug-in completes basic repair tasks for you and helps to produce a homogeneous, clear sound image at every venue.
Improving the live workflow has been the main objective from the beginning: “Live technicians can now focus more on the musical experience for both artists and audiences instead of having to troubleshoot all the time”, explains sonible CEO Ralf Baumgartner, who himself has over 15 years of experience as a live sound engineer.
Hand in hand: Fully controllable AI
smart:EQ live belongs to the latest generation of AI mixing assistants. Rather than offering a one-size-fits-all solution, however, sonible provides a sophisticated and powerful EQing tool. The plug-in provides detailed but intuitive controls and allows adjusting the algorithm to the mixing task at hand. Informed by years of hands-on experience, the practice-oriented selection of parameters facilitates a targeted adaptation and control of the smart:engineTM algorithm to your purposes. Bandwidth, responsiveness and the weighting of the autonomous calculated filter curve can be precisely defined. The threshold and the limit line of the smart-band primes the algorithm for the essential signal components.
Custom-made profiles add even more flexibility by optimizing the smart algorithm for different source signals. The profiles tell the AI what kind of instrument or voice it deals with. Similar to a preset, the user can edit and save them individually.
All the world’s a stage: from intimate concerts to international broadcasting
In addition to helping to mix at concerts, smart:EQ live also brings significant advantages at corporate events and live broadcasting. The software is perfect for complementing other adaptive live technologies: it handles challenges like less-than-ideal microphone positioning or fast back-and-forth switching between different speakers without any artifacts.
On top of that, smart:EQ live can also function like a capable safety net. The adaptive filter banks are very resistant to feedback. They automatically detect and eliminate critical resonances. The smart-band intervenes long before the relevant parameters can be accessed manually by the user.
Video
Rating
Mac
- Windows 7+
- VST2, VST3, AAX, Waves MultiRack Native
- Supported Samplerates 44.1 kHz to 192 kHz
- RAM at least 4 GB (recommended)
- CPU at least intel DualCore i5 (recommended)
-
Lok License Manager is required to install sonible software (activation is optional)
PC
- MacOSX 10.7+ (macOS 11 Big Sur only supported on Intel-based Mac systems)
- AU, VST2, VST3, AAX, Waves MultiRack Native
- Supported Samplerates 44.1 kHz to 192 kHz
- RAM at least 4 GB (recommended)
- CPU at least intel DualCore i5 (recommended)
-
Lok License Manager is required to install sonible software (activation is optional)
Important Notes:
- In order to install this sonible product, you must have the iLok License Manager installed on your computer. You DO NOT need an iLok account or a physical iLok USB Dongle.
- macOS 11 Big Sur is only supported on Intel-based Mac systems.
Please note - To use sonible plugins on an M1 Mac, you may need to launch your DAW under Rosetta (right-click the application icon, select "Get Info" and then select "Open using Rosetta"). Note that many DAWs do not yet support macOS Big Sur, so it is important to check your DAW's website for compatibility info before updating.
Live never felt so good.
The new adaptive equalizer from sonible continuously analyses audio signals and optimizes them in real-time. smart:EQ live has your back, so you can focus on the things that really count when mixing live.
- Latency-free smart:engineTM for any live situation
- Optimally balanced sound within seconds
- Additional safety net for hassle-free mixing
smart:EQ live is the award-winning smart:EQ as latency-free live plug-in. The high-precision adaptive filter of smart:EQ live analyzes audio signals, interprets them musically and compensates spectral imbalances in real-time. The plug-in leads to a more transparent sound image within seconds and enables a streamlined workflow for live sound mixing.
Live sound engineers are all too familiar with stressful circumstances. Often there is little or no time for sound checks and proper preparation. Engineers constantly have to deal with unexpected situations and need to make substantial decisions within seconds. sonible developed smart:EQ live to take some pressure off of them and enable new workflows in live sound. The plug-in completes basic repair tasks for you and helps to produce a homogeneous, clear sound image at every venue.
Improving the live workflow has been the main objective from the beginning: “Live technicians can now focus more on the musical experience for both artists and audiences instead of having to troubleshoot all the time”, explains sonible CEO Ralf Baumgartner, who himself has over 15 years of experience as a live sound engineer.
Hand in hand: Fully controllable AI
smart:EQ live belongs to the latest generation of AI mixing assistants. Rather than offering a one-size-fits-all solution, however, sonible provides a sophisticated and powerful EQing tool. The plug-in provides detailed but intuitive controls and allows adjusting the algorithm to the mixing task at hand. Informed by years of hands-on experience, the practice-oriented selection of parameters facilitates a targeted adaptation and control of the smart:engineTM algorithm to your purposes. Bandwidth, responsiveness and the weighting of the autonomous calculated filter curve can be precisely defined. The threshold and the limit line of the smart-band primes the algorithm for the essential signal components.
Custom-made profiles add even more flexibility by optimizing the smart algorithm for different source signals. The profiles tell the AI what kind of instrument or voice it deals with. Similar to a preset, the user can edit and save them individually.
All the world’s a stage: from intimate concerts to international broadcasting
In addition to helping to mix at concerts, smart:EQ live also brings significant advantages at corporate events and live broadcasting. The software is perfect for complementing other adaptive live technologies: it handles challenges like less-than-ideal microphone positioning or fast back-and-forth switching between different speakers without any artifacts.
On top of that, smart:EQ live can also function like a capable safety net. The adaptive filter banks are very resistant to feedback. They automatically detect and eliminate critical resonances. The smart-band intervenes long before the relevant parameters can be accessed manually by the user.
Video
Rating
Mac
- Windows 7+
- VST2, VST3, AAX, Waves MultiRack Native
- Supported Samplerates 44.1 kHz to 192 kHz
- RAM at least 4 GB (recommended)
- CPU at least intel DualCore i5 (recommended)
- Lok License Manager is required to install sonible software (activation is optional)
PC
- MacOSX 10.7+ (macOS 11 Big Sur only supported on Intel-based Mac systems)
- AU, VST2, VST3, AAX, Waves MultiRack Native
- Supported Samplerates 44.1 kHz to 192 kHz
- RAM at least 4 GB (recommended)
- CPU at least intel DualCore i5 (recommended)
- Lok License Manager is required to install sonible software (activation is optional)
Important Notes:
- In order to install this sonible product, you must have the iLok License Manager installed on your computer. You DO NOT need an iLok account or a physical iLok USB Dongle.
- macOS 11 Big Sur is only supported on Intel-based Mac systems.
Please note - To use sonible plugins on an M1 Mac, you may need to launch your DAW under Rosetta (right-click the application icon, select "Get Info" and then select "Open using Rosetta"). Note that many DAWs do not yet support macOS Big Sur, so it is important to check your DAW's website for compatibility info before updating.
Slice EQ
EQ by Kilohearts
Images
Description
Available in the kiloHearts - Equalizers Bundle
Cut, or enhance, frequencies with surgical precision using Slice EQ. And modulate your filters for some really cool effects. Slice EQ is an advanced parametric equalizer, with great modulation potential, especially when combined with Snap Heap. Slice EQ offers you everything you need to create mathematically perfect filter combinations to get your music exactly where you want it to go.
Perfect sound: Slice EQ won't let anyone down soundwise. Using top of the line, digitally clean filters, it will give you a crisp result every time.
Workspace layout: With a recognizable workspace layout the Slice EQs user interface makes sure you will quickly find your way to all the features.
Really fast!: All Kilohearts plugins get the job done quickly. That way you can stack them high without worrying about performance issues.
Download & install: Once your purchase has gone through you will get an email with installation instructions. With our custom installer, it couldn't be easier.
Size does matter: The Slice EQ workspace is freely resizable and you can set the UI scale to match your preference. This can be very handy at times.
Snapin compatible: Slice EQ works with our excellent Snapin hosts. Check out Snap Heap for instance.
Video
Rating
These are the minimum recommended system requirements for running Carve EQ.
CPU:
- 2 GHz or faster
Memory:
- 1 GB or more
Operating System:
- Windows (7 or newer) or Mac OS X (10.7 or newer)
Software:
- A VST / Audio Unit / AAX compatible DAW
Supported formats:
- AAX
- AU
- VST2
- Snapin
Please note: If you use many instances of Slice EQ at the same time in your song the CPU usage will increase accordingly. Thus, we cannot guarantee that the Slice EQ will work flawlessly in all use cases even if your system does meet the minimum recommended system requirements.
Available in the kiloHearts - Equalizers Bundle
Cut, or enhance, frequencies with surgical precision using Slice EQ. And modulate your filters for some really cool effects. Slice EQ is an advanced parametric equalizer, with great modulation potential, especially when combined with Snap Heap. Slice EQ offers you everything you need to create mathematically perfect filter combinations to get your music exactly where you want it to go.
Perfect sound: Slice EQ won't let anyone down soundwise. Using top of the line, digitally clean filters, it will give you a crisp result every time.
Workspace layout: With a recognizable workspace layout the Slice EQs user interface makes sure you will quickly find your way to all the features.
Really fast!: All Kilohearts plugins get the job done quickly. That way you can stack them high without worrying about performance issues.
Download & install: Once your purchase has gone through you will get an email with installation instructions. With our custom installer, it couldn't be easier.
Size does matter: The Slice EQ workspace is freely resizable and you can set the UI scale to match your preference. This can be very handy at times.
Snapin compatible: Slice EQ works with our excellent Snapin hosts. Check out Snap Heap for instance.
Video
Rating
These are the minimum recommended system requirements for running Carve EQ.
CPU:
- 2 GHz or faster
Memory:
- 1 GB or more
Operating System:
- Windows (7 or newer) or Mac OS X (10.7 or newer)
Software:
- A VST / Audio Unit / AAX compatible DAW
Supported formats:
- AAX
- AU
- VST2
- Snapin
Please note: If you use many instances of Slice EQ at the same time in your song the CPU usage will increase accordingly. Thus, we cannot guarantee that the Slice EQ will work flawlessly in all use cases even if your system does meet the minimum recommended system requirements.
EVE-AT1
EQ by Kuassa
Images
Description
INSPIRED BY THE EQUALIZERS THAT SHAPED THE MUSIC OF THE 20TH CENTURY
The EVE-AT1 is an equalizer modelled after the classic Neve* 1081. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 is an EQ inspired by the design of the legendary Neve* 1081 that is known for its clear, smooth, and very musical characteristics. We are thrilled by the sound and present this EQ as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 possesses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 implements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-around utility.
The AT1 was designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. It is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Video
Rating
- Windows Vista, 7, or later (32 / 64-bit)
- Mac OS 10.6 or later (64-bit)
- VST, VST3, Audio Units or AAX compatible Host Software
Note: This product is a plugin and a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software.
INSPIRED BY THE EQUALIZERS THAT SHAPED THE MUSIC OF THE 20TH CENTURY
The EVE-AT1 is an equalizer modelled after the classic Neve* 1081. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 is an EQ inspired by the design of the legendary Neve* 1081 that is known for its clear, smooth, and very musical characteristics. We are thrilled by the sound and present this EQ as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 possesses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 implements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-around utility.
The AT1 was designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. It is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Video
Rating
- Windows Vista, 7, or later (32 / 64-bit)
- Mac OS 10.6 or later (64-bit)
- VST, VST3, Audio Units or AAX compatible Host Software
Note: This product is a plugin and a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software.
Oxford Dynamic EQ HD/HDX
EQ by Sonnox
Images
Description
Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head?
Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. 5 bands of the ultra-musical Type-3 EQ curve can be overlapped to bring unparalleled control and characteristic Sonnox transparency to your single sources, instrument groups and 2-bus alike.
The Dynamic EQ introduces unique features such as the option to engage the effect by onset (transient) detection – very useful when working with drums and percussion. Additionally, mid-side processing can be used to enhance a vocal without affecting side-channel balance or to open up a mix by focusing low-end energy in the centre.
This highly-tweakable space-carving capabilities of the Dynamic EQ will be a welcome addition to your mixing arsenal.
Video
Rating
Mac:
- macOS 10.7 or later
-
iLok USB device with latest drivers OR active internet connection required
Formats:
- AAX Native and Pro Tools HDX compatible 10.3.8, 11.3.2, 12 - Approved Pro Tools CPU, OS and hardware configuration
PC:
- Windows 7 or later
-
iLok USB device with latest drivers OR active internet connection required
Formats:
- AAX Native and HDX for Pro Tools 10.3.8, 11.3.2, 12 - Approved Pro Tools CPU, OS and hardware configuration
Important Note: This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
Please Note: This product now supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product.
Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head?
Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. 5 bands of the ultra-musical Type-3 EQ curve can be overlapped to bring unparalleled control and characteristic Sonnox transparency to your single sources, instrument groups and 2-bus alike.
The Dynamic EQ introduces unique features such as the option to engage the effect by onset (transient) detection – very useful when working with drums and percussion. Additionally, mid-side processing can be used to enhance a vocal without affecting side-channel balance or to open up a mix by focusing low-end energy in the centre.
This highly-tweakable space-carving capabilities of the Dynamic EQ will be a welcome addition to your mixing arsenal.
Video
Rating
Mac:
- macOS 10.7 or later
- iLok USB device with latest drivers OR active internet connection required
Formats:
- AAX Native and Pro Tools HDX compatible 10.3.8, 11.3.2, 12 - Approved Pro Tools CPU, OS and hardware configuration
PC:
- Windows 7 or later
- iLok USB device with latest drivers OR active internet connection required
Formats:
- AAX Native and HDX for Pro Tools 10.3.8, 11.3.2, 12 - Approved Pro Tools CPU, OS and hardware configuration
Important Note: This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
Please Note: This product now supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product.
AE600 Active EQ HD
EQ by McDSP
Images
Description
Note: This product is the HD version. You can purchase the Native version HERE.
The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
HD v6 Software Supports
- AAX DSP & AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
Note: This product is the HD version. You can purchase the Native version HERE.
The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
HD v6 Software Supports
- AAX DSP & AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
AE600 Active EQ Native
EQ by McDSP
Images
Description
Please Note: This product is the Native version. You can purchase the HD version HERE.
The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
Native v6 Software Support:
- AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
Please Note: This product is the Native version. You can purchase the HD version HERE.
The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
Native v6 Software Support:
- AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
4020 Retro EQ Native
EQ by McDSP
Images
Description
Note: This product is the Native version. You can purchase the HD version HERE.
The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.
All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
Native v6 Software Support:
- AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
Note: This product is the Native version. You can purchase the HD version HERE.
The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.
All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
Native v6 Software Support:
- AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
4020 Retro EQ HD
EQ by McDSP
Images
Description
Note: This product is the HD version. You can purchase the Native version HERE.
The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.
All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
HD v6 Software Supports
- AAX DSP & AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
Note: This product is the HD version. You can purchase the Native version HERE.
The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.
All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
HD v6 Software Supports
- AAX DSP & AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
6020 Ultimate EQ Native
EQ by McDSP
Images
Description
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Note: This product is the Native version. You can purchase the HD version HERE.
The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.
All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
Native v6 Software Support:
- AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
Note: This product is the Native version. You can purchase the HD version HERE.
The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.
All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
Native v6 Software Support:
- AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
6020 Ultimate EQ HD
EQ by McDSP
Images
Description
![]()
Note: This product is the HD version. You can purchase the Native version HERE.
The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.
All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
HD v6 Software Supports
- AAX DSP & AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
Note: This product is the HD version. You can purchase the Native version HERE.
The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.
All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.
Video
Rating
Mac:
- macOS 10.10 or higher (64-bit only) (macOS 11 Big Sur compatible)
Windows:
- Windows 7, 8 & 10 (64-bit only)
HD v6 Software Supports
- AAX DSP & AAX Native
- Audio Units (AU)
- Audio Suite
- VST3
Platform Requirements:
- AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
- S6L versions require VENUE OS 5.3.2 or higher
- AU versions recommended for Logic X or higher
- VST version recommended for Cubase 9.x, and 10.x, and Nuendo 6.5 or higher
- McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok Cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher
Compatible DAW's
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
Activation:
- Active internet connection required OR physical iLok USB Dongle required.
Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.
This is an HD/HDX plug-in that is intended for use with the DSPs of an Avid HDX system to prevent the software from taxing your host processor. There is no difference in sound quality between the Standard and HD/HDX versions. If you do not own an Avid HDX system, all you need is the Native version.
Passive-Active Pack
EQ by Softube
Images
Description
This Collection Includes Three Highly Useable Equalizer Models that are Unique to Softube
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The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The Passive and Active equalizers emulate real workhorse units, used on thousands of recordings from past to present. The Focusing Equalizer combines these with analog sounding saturation and a novel workflow.
Passive Equalizer
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Passive Equalizer is modeled from a famous German passive three-band equalizer, and features a wide bandwidth and an unsurpassed clear and open sound. The low boost gives you a warm low end, perfect to fatten up a bass drum or bass guitar track. Cutting the highs gives you a very gentle 6 dB cut which allows you to remove highs in a very musical way. The high boost is open and crisp and breathes life into any track.
Key Features:
- Three bands with an extremely wide and open sound
- Excellent treble control without any "digital harshness"
- Warm low end and a sparkling top
Active Equalizer
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Active Equalizer is modeled from an active equalizer design made somewhere in the Swiss alps in the seventies. Whereas the Passive Equalizer is wide, clear and unintrusive, the Active Equalizer is more of a surgeon with a tight and focused sound. It's a highly useful problem solver when you need to get into details.
Key Features:
- Tight and focused sounding filters
- Low and High cut
- Three parametric bands with selectable gain in 2dB steps (-/+ 16 dB), selectable frequency with overlapping, but non-interfering, bands (50-500 Hz, 380Hz-3.8kHz, 1.8-18kHz) and a choice between a narrow or wide peak (Q) for each band
Focusing Equalizer
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Focusing Equalizer is an inspiring and untraditional take on the EQ concept, which is all made up by Softube. The Focusing Equalizer works in a very musical way and does a lot of thinking for you.
At first glance it may seem like you're sacrificing versatility by using an equalizer with a limited set of options - why use a three-band equalizer when you can use your digital equalizer with umpteen bands, continous gain, selectable Q and different curves all built in? Well, equalization is all about sound design. Having an equalizer where the designer has already made some of the choices four you is like having an experienced sound engineer helping out and giving you directions.
Key Features:
- Inspiring, untraditional and very useful workflow
- Choose between Passive or Active EQ character
- Three-band EQ that automatically and musically changes with Low and High Cut
- Built-in one-knob saturation with metering and selectable saturation type
Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and Softube's own rigorous testing standards - Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
This Collection Includes Three Highly Useable Equalizer Models that are Unique to Softube
The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The Passive and Active equalizers emulate real workhorse units, used on thousands of recordings from past to present. The Focusing Equalizer combines these with analog sounding saturation and a novel workflow.
Passive Equalizer
Passive Equalizer is modeled from a famous German passive three-band equalizer, and features a wide bandwidth and an unsurpassed clear and open sound. The low boost gives you a warm low end, perfect to fatten up a bass drum or bass guitar track. Cutting the highs gives you a very gentle 6 dB cut which allows you to remove highs in a very musical way. The high boost is open and crisp and breathes life into any track.
Key Features:
- Three bands with an extremely wide and open sound
- Excellent treble control without any "digital harshness"
- Warm low end and a sparkling top
Active Equalizer
Active Equalizer is modeled from an active equalizer design made somewhere in the Swiss alps in the seventies. Whereas the Passive Equalizer is wide, clear and unintrusive, the Active Equalizer is more of a surgeon with a tight and focused sound. It's a highly useful problem solver when you need to get into details.
Key Features:
- Tight and focused sounding filters
- Low and High cut
- Three parametric bands with selectable gain in 2dB steps (-/+ 16 dB), selectable frequency with overlapping, but non-interfering, bands (50-500 Hz, 380Hz-3.8kHz, 1.8-18kHz) and a choice between a narrow or wide peak (Q) for each band
Focusing Equalizer
Focusing Equalizer is an inspiring and untraditional take on the EQ concept, which is all made up by Softube. The Focusing Equalizer works in a very musical way and does a lot of thinking for you.
At first glance it may seem like you're sacrificing versatility by using an equalizer with a limited set of options - why use a three-band equalizer when you can use your digital equalizer with umpteen bands, continous gain, selectable Q and different curves all built in? Well, equalization is all about sound design. Having an equalizer where the designer has already made some of the choices four you is like having an experienced sound engineer helping out and giving you directions.
Key Features:
- Inspiring, untraditional and very useful workflow
- Choose between Passive or Active EQ character
- Three-band EQ that automatically and musically changes with Low and High Cut
- Built-in one-knob saturation with metering and selectable saturation type
Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and Softube's own rigorous testing standards - Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
MEqualizerLP
EQ by MeldaProduction
Images
Description
MEqualizerLP mastering 8-band equalizer plugin is a surgical tool necessary for every mastering engineer. It has a crystal clear sound with minimal distortion (measured below -160dB). It doesn't smear transients or create mud, nor does it alter the imaging and depth information of the original sound. It is especially useful for enhancing or correcting difficult material like vocals, instrumental soloists and groups, orchestral recordings and complex mixes, without introducing any unwanted colouring.
Features
- 3 equalization algorithms with (approximately) the same frequency response - true bidirectional filtering algorithm, FFT algorithm and standard minimum phase equalization. Bidirectional filtering provides maximal accuracy and minimal noise ratio. As a supplement MEqualizerLinearPhase implements a standard equalization and FFT algorithm adopted in most cheap linear-phase equalizers.
- Adjustable dry/wet mix - what is impossible for common equalizers due to phase alteration is not impossible for MEqualizerLinearPhase! Using just one slider you can have complete control of the amount of performed equalization.
- Q in range 0.05 to 10 with protection against pops and crackles.
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- 7 filter types for each band. - peak, low-shelf, high-shelf, low-pass, high-pass, band-pass, notch.
- Advanced editor and smooth visualization of resulting frequency response. All parameters are adjustable from the graph. No more searching in complicated band editors. Just click on a band and configure all of the parameters from filter type and gain to advanced features such as harmonics control. Everything with almost infinite precision if you need maximum control.
- Enable, Q, and Actual source level indication inside the shape graph.
- Integrated tube saturation gives the sound a great vintage analogue feel.
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MEqualizerLP mastering 8-band equalizer plugin is a surgical tool necessary for every mastering engineer. It has a crystal clear sound with minimal distortion (measured below -160dB). It doesn't smear transients or create mud, nor does it alter the imaging and depth information of the original sound. It is especially useful for enhancing or correcting difficult material like vocals, instrumental soloists and groups, orchestral recordings and complex mixes, without introducing any unwanted colouring.
Features
- 3 equalization algorithms with (approximately) the same frequency response - true bidirectional filtering algorithm, FFT algorithm and standard minimum phase equalization. Bidirectional filtering provides maximal accuracy and minimal noise ratio. As a supplement MEqualizerLinearPhase implements a standard equalization and FFT algorithm adopted in most cheap linear-phase equalizers.
- Adjustable dry/wet mix - what is impossible for common equalizers due to phase alteration is not impossible for MEqualizerLinearPhase! Using just one slider you can have complete control of the amount of performed equalization.
- Q in range 0.05 to 10 with protection against pops and crackles.
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- 7 filter types for each band. - peak, low-shelf, high-shelf, low-pass, high-pass, band-pass, notch.
- Advanced editor and smooth visualization of resulting frequency response. All parameters are adjustable from the graph. No more searching in complicated band editors. Just click on a band and configure all of the parameters from filter type and gain to advanced features such as harmonics control. Everything with almost infinite precision if you need maximum control.
- Enable, Q, and Actual source level indication inside the shape graph.
- Integrated tube saturation gives the sound a great vintage analogue feel.
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MFreeformAnalogEQ
EQ by MeldaProduction
Images
Description
MFreeformAnalogEq is a unique equalizer, that allows you to draw any frequency response you wish and then attempts to match the response by applying analog filters using our MeldaProduction Filter Adaption technology (MFA). If the response you draw can be achieved using analog filters, then MFreeformAnalogEq will create it for you so now there's no need to worry about complicated parametric equalizer settings anymore. MFreeformAnalogEq combines an extremely quick and easy-to-use interface with the highest analog audio quality available.
Features
- Freeform equalizer with range up to -64dB..64dB editable using the MeldaProduction Envelope System (MES).
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- Integrated tube saturation gives the sound a great vintage analogue feel.
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MFreeformAnalogEq is a unique equalizer, that allows you to draw any frequency response you wish and then attempts to match the response by applying analog filters using our MeldaProduction Filter Adaption technology (MFA). If the response you draw can be achieved using analog filters, then MFreeformAnalogEq will create it for you so now there's no need to worry about complicated parametric equalizer settings anymore. MFreeformAnalogEq combines an extremely quick and easy-to-use interface with the highest analog audio quality available.
Features
- Freeform equalizer with range up to -64dB..64dB editable using the MeldaProduction Envelope System (MES).
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- Integrated tube saturation gives the sound a great vintage analogue feel.
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MFreeformEqualizer
EQ by MeldaProduction
Images
Description
MFreeformEqualizer is a FFT based linear-phase equalizer which can provide virtually any frequency response and may save you when other methods have failed. Using MFreeformEqualizer you can literally draw any frequency response you may want. You can correct problematic frequencies with surgical accuracy, play with the spectrum, or even create interesting effects.
Features
- Freeform equalizer with range up to -64dB..64dB editable using the MeldaProduction Envelope System (MES).
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- 64-bit processing and an unlimited sampling rate, recommended maximum is 384kHz.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MFreeformEqualizer is a FFT based linear-phase equalizer which can provide virtually any frequency response and may save you when other methods have failed. Using MFreeformEqualizer you can literally draw any frequency response you may want. You can correct problematic frequencies with surgical accuracy, play with the spectrum, or even create interesting effects.
Features
- Freeform equalizer with range up to -64dB..64dB editable using the MeldaProduction Envelope System (MES).
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- 64-bit processing and an unlimited sampling rate, recommended maximum is 384kHz.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MAutoDynamicEQ
EQ by MeldaProduction
Images
Description
MAutoDynamicEQ is the ultimate "go-to" parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital!
Melda Production's Adjustable Slope Filter (MASF) technology gives you natural sounding, versatile filters that are free of the resonance associated with other equalizers. Each highly adjustable and dynamic band let's you fix problems easily, whether you are putting together a mix, or, tackling compression, expansion or de-essing tasks.
Melda Production's Filter Adaption (MFA) technology can actually perform your equalization for you based on an analysis of your recording, another recording or even your own 'drawn-in' spectral content!
They've included a whole host of other useful features too. Their integrated analyzer and sonogram lets you quickly see the structure of your audio material, while the high-pass and low-pass filters offer slopes from 6dB/oct up to 120dB/oct. There's also soft-saturation that adds a character normally only associated with analog consoles. And of course there is mono/stereo processing, upsampling, A/H presets and much more! The plugin even comes with 4 advanced modulators, just in case you feel like being creative..
MAutoDynamicEQ is extremely versatile, useful for everything from mixing to mastering!
You can make your recordings sound professional. You can ensure all of your recordings on your new album sound similar. You can let MAutoDynamicEq fit a track into a mix using spectral separation feature. You can draw your desired frequency response. In any case MAutoDynamicEq will find the best settings and configure the parametric equalizer bands for you.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MAutoDynamicEQ is the ultimate "go-to" parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital!
Melda Production's Adjustable Slope Filter (MASF) technology gives you natural sounding, versatile filters that are free of the resonance associated with other equalizers. Each highly adjustable and dynamic band let's you fix problems easily, whether you are putting together a mix, or, tackling compression, expansion or de-essing tasks.
Melda Production's Filter Adaption (MFA) technology can actually perform your equalization for you based on an analysis of your recording, another recording or even your own 'drawn-in' spectral content!
They've included a whole host of other useful features too. Their integrated analyzer and sonogram lets you quickly see the structure of your audio material, while the high-pass and low-pass filters offer slopes from 6dB/oct up to 120dB/oct. There's also soft-saturation that adds a character normally only associated with analog consoles. And of course there is mono/stereo processing, upsampling, A/H presets and much more! The plugin even comes with 4 advanced modulators, just in case you feel like being creative..
MAutoDynamicEQ is extremely versatile, useful for everything from mixing to mastering!
You can make your recordings sound professional. You can ensure all of your recordings on your new album sound similar. You can let MAutoDynamicEq fit a track into a mix using spectral separation feature. You can draw your desired frequency response. In any case MAutoDynamicEq will find the best settings and configure the parametric equalizer bands for you.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
SSL Native X-EQ 2
EQ by Solid State Logic
Images
Description
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The Ultimate SSL EQ for your DAW
X-EQ 2 is the ultimate SSL EQ toolkit for audio professionals. Built upon SSL’s proprietary anti-cramping algorithms, X-EQ 2 simply sounds stunning. With 17 different classic and modern EQ type/curve options, X-EQ 2 is a formidable and powerful contender to be your new ‘go-to’ EQ plug-in.
X-EQ 2 is a highly configurable 24-band EQ plug-in, featuring unique anti-cramping algorithms for an unparalleled open and transparent sound. It’s the ultimate EQ toolkit, with 17 different EQ types and filter shapes. Each band is switchable between bell, shelf, low pass or high pass filter types, with both classic and customisable shapes available for each band. It features brand new spatial processing options, band soloing, and the classic X-EQ 'Parallel' mode for recreating the characteristic sound of old parallel passive EQ circuits.
Video
Rating
Mac
- macOS Sierra (10.12) or higher (64-bit only)
- Intel Dual Core Mac running at 2.4GHz or higher
- 4GB of RAM minimum, 8GB preferable
- AU, VST2, VST3, AAX Native
Windows
- Windows 7, 8, 8.1, and Windows 10 (64-bit only)
- Intel Core 2 (or comparable) CPU running at 2.4GHz or higher
- 4GB of RAM minimum, 8GB preferable
- VST 2, VST3, AAX Native#
Please note: A FREE iLok Account is required for authorisation of this software.
The Ultimate SSL EQ for your DAW
X-EQ 2 is the ultimate SSL EQ toolkit for audio professionals. Built upon SSL’s proprietary anti-cramping algorithms, X-EQ 2 simply sounds stunning. With 17 different classic and modern EQ type/curve options, X-EQ 2 is a formidable and powerful contender to be your new ‘go-to’ EQ plug-in.
X-EQ 2 is a highly configurable 24-band EQ plug-in, featuring unique anti-cramping algorithms for an unparalleled open and transparent sound. It’s the ultimate EQ toolkit, with 17 different EQ types and filter shapes. Each band is switchable between bell, shelf, low pass or high pass filter types, with both classic and customisable shapes available for each band. It features brand new spatial processing options, band soloing, and the classic X-EQ 'Parallel' mode for recreating the characteristic sound of old parallel passive EQ circuits.
Video
Rating
Mac
- macOS Sierra (10.12) or higher (64-bit only)
- Intel Dual Core Mac running at 2.4GHz or higher
- 4GB of RAM minimum, 8GB preferable
- AU, VST2, VST3, AAX Native
Windows
- Windows 7, 8, 8.1, and Windows 10 (64-bit only)
- Intel Core 2 (or comparable) CPU running at 2.4GHz or higher
- 4GB of RAM minimum, 8GB preferable
- VST 2, VST3, AAX Native#
Please note: A FREE iLok Account is required for authorisation of this software.
Pro EQ
EQ by Minimal System Group
Images
Description
Important Note: This product is only compatible with Windows operating systems.
The Pro EQ is a high end analogue processor designed for the most demanding producers and mastering engineers. Modelled on gorgeous EQ's from the likes of SSL and Neve the Pro EQ is now used in a large number of high end studios
Features:
- Analogue Modelled EQ Processor
- LF/LMF/HMF/HF
- High and Low Pass Filters
- 29 Presets for all kinds of instruments and scenarios
- Professional GUI Design
- Very low CPU usage
Rating
- PC running a Windows operating system. VST compatible DAW or VST hosting software.
- This plugin is 32bit but can be run on 64bit systems using jBridge.
- This plugin also operates within the 64bit versions of Cubase, Nuendo, Bitwig Studio, Reaper, Tracktion, Renoise, FL Studio, Sonar, Mixcraft and Samplitude using their inbuilt bridging.
- It is recommended that you always try out the demo before purchases to ensure that the plugin is compatible with your system.
Host Compatibility
- Minimal System Group Plugins run on Windows based PC's using a suitable VST host or DAW. Our plugins have been fully tested within Ableton Live, Adobe Audition, Cakewalk Sonar, FL Studio, Energy XT, Presonus Studio One, Renoise, and Cubase.
Please Note: This plugin is 32bit but can be run on 64bit systems using jBridge.
Important Note: This product is only compatible with Windows operating systems.
The Pro EQ is a high end analogue processor designed for the most demanding producers and mastering engineers. Modelled on gorgeous EQ's from the likes of SSL and Neve the Pro EQ is now used in a large number of high end studios
Features:
- Analogue Modelled EQ Processor
- LF/LMF/HMF/HF
- High and Low Pass Filters
- 29 Presets for all kinds of instruments and scenarios
- Professional GUI Design
- Very low CPU usage
Rating
- PC running a Windows operating system. VST compatible DAW or VST hosting software.
- This plugin is 32bit but can be run on 64bit systems using jBridge.
- This plugin also operates within the 64bit versions of Cubase, Nuendo, Bitwig Studio, Reaper, Tracktion, Renoise, FL Studio, Sonar, Mixcraft and Samplitude using their inbuilt bridging.
- It is recommended that you always try out the demo before purchases to ensure that the plugin is compatible with your system.
Host Compatibility
- Minimal System Group Plugins run on Windows based PC's using a suitable VST host or DAW. Our plugins have been fully tested within Ableton Live, Adobe Audition, Cakewalk Sonar, FL Studio, Energy XT, Presonus Studio One, Renoise, and Cubase.
Please Note: This plugin is 32bit but can be run on 64bit systems using jBridge.
Blue Cat's MB-7 Mixer
EQ by Blue Cat Audio
Images
Description
Blue Cat's MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks.
Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the "stereoness" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility.
The plug-in can also operate as a multiband VST Host: you can process each band independently with your favourite VST plug-ins! Up to four plug-ins can be loaded on each band, pre or post-fader. Latency compensation presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation.
The plug-in also proposes unique linking and grouping options thanks to our multi-instance technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks.
And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what's exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response.
Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat's MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential.
Typical applications: Multiband levels correction, multiband VST hosting, spectral enhancement, multiband stereo widening, multiband stereo placement, frequency isolation, EQ, spectrum inspection, mastering, spectrum-based side chain effects, apply audio effects to a selected frequency range, VST plug-in bridge.
Features
- Multiband mixing console: adjust the levels, panning and "stereoness" of each band separately.
- Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.
- 30 built-in effects for multiband processing: EQ, filters, pitch & frequency shifter, delays, reverb, modulation effects, compressor, gate, bit crusher, wave shaper and more.
- External side chain support for sub-plug-ins on each band.
- Parameters Mapping: map sub-plug-ins parameters to automate them or use a control surface.
- Flexible Audio routing: connect sub-plug-ins i/o to any audio channel for multi-mono effects or creative side chain.
- Pre and post-fader VST/VST3/AU plug-in inserts, with full latency compensation.
- Up to 7 bands, with crossover filters from 12 to 192 dB/Oct for optimal separation.
- Multiple instances linking: group bands within a single instance or between multiple instances of the plug-in. Modify the spectrum on multiple tracks with a single slider.
- Bypass, mute, solo on every band.
- Mono switch on master for mono compatibility check.
- Dual Mode: independent left and right or mid and side channels control.
- Complete visual feedback with real-time response curves, spectrogram, and levels display for each band.
- Sidechaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.
- No additional latency.
Blue Cat Audio Standards:
- Available as: Mac-AAX, Mac-AU, Mac-VST, Mac-VST3, Win-AAX, Win-VST, Win-VST3, Win x64-AAX, Win x64-VST, Win x64-VST3.
- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
- Customizable user interface with transparency management and zoom.
- Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
- Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
- Undo/Redo.
- Fully-featured integrated presets manager.
- Copy/paste the state of the plug-in between instances using the system clipboard.
- Any sample rate supported.
Video
Rating
Windows
- An SSE2-enabled processor (Pentium 4 or newer).
- Windows Vista or newer
- Any VST / VST3 / AAX compatible host software (32 or 64 bit).
Mac OS X
- Intel or M1 processor.
- Mac OS 10.9 or newer.
- Any VST / VST3 / Audio Unit (32/64-bit) / AAX compatible application.
Blue Cat's MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks.
Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the "stereoness" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility.
The plug-in can also operate as a multiband VST Host: you can process each band independently with your favourite VST plug-ins! Up to four plug-ins can be loaded on each band, pre or post-fader. Latency compensation presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation.
The plug-in also proposes unique linking and grouping options thanks to our multi-instance technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks.
And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what's exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response.
Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat's MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential.
Typical applications: Multiband levels correction, multiband VST hosting, spectral enhancement, multiband stereo widening, multiband stereo placement, frequency isolation, EQ, spectrum inspection, mastering, spectrum-based side chain effects, apply audio effects to a selected frequency range, VST plug-in bridge.
Features
- Multiband mixing console: adjust the levels, panning and "stereoness" of each band separately.
- Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.
- 30 built-in effects for multiband processing: EQ, filters, pitch & frequency shifter, delays, reverb, modulation effects, compressor, gate, bit crusher, wave shaper and more.
- External side chain support for sub-plug-ins on each band.
- Parameters Mapping: map sub-plug-ins parameters to automate them or use a control surface.
- Flexible Audio routing: connect sub-plug-ins i/o to any audio channel for multi-mono effects or creative side chain.
- Pre and post-fader VST/VST3/AU plug-in inserts, with full latency compensation.
- Up to 7 bands, with crossover filters from 12 to 192 dB/Oct for optimal separation.
- Multiple instances linking: group bands within a single instance or between multiple instances of the plug-in. Modify the spectrum on multiple tracks with a single slider.
- Bypass, mute, solo on every band.
- Mono switch on master for mono compatibility check.
- Dual Mode: independent left and right or mid and side channels control.
- Complete visual feedback with real-time response curves, spectrogram, and levels display for each band.
- Sidechaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.
- No additional latency.
Blue Cat Audio Standards:
- Available as: Mac-AAX, Mac-AU, Mac-VST, Mac-VST3, Win-AAX, Win-VST, Win-VST3, Win x64-AAX, Win x64-VST, Win x64-VST3.
- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
- Customizable user interface with transparency management and zoom.
- Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
- Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
- Undo/Redo.
- Fully-featured integrated presets manager.
- Copy/paste the state of the plug-in between instances using the system clipboard.
- Any sample rate supported.
Video
Rating
Windows
- An SSE2-enabled processor (Pentium 4 or newer).
- Windows Vista or newer
- Any VST / VST3 / AAX compatible host software (32 or 64 bit).
Mac OS X
- Intel or M1 processor.
- Mac OS 10.9 or newer.
- Any VST / VST3 / Audio Unit (32/64-bit) / AAX compatible application.
Oxford EQ V3
EQ by Sonnox
Images
Description
A great sounding EQ is essential to any mix. Which EQ to use can vary depending on artistic requirement, but quality and flexibility are both critical at all times. What if there was one Plug-In with four distinct EQ types – from surgical to musical – with a track record of being used to mix the biggest hits, films, and live shows?
Enter our flagship Oxford EQ, a Plug-In that traces its heritage to the original EQ section on the acclaimed Sony OXF-R3 digital console. Hallmark sonic transparency meets a simple and interactive interface – resulting in quick, confident and great sounding mix decisions.
Video
Rating
Pro Tools
- Pro Tools 10.3.8, 11.3.2, 12 (AAX Native)
- Pro Tools 7, 8, 9, 10 (RTAS)
- Approved Pro Tools CPU, OS and hardware configuration: www.avid.com
- Legacy support for OS X 10.4.11 – 10.6.8 & Windows XP: RTAS
-
iLok USB device with latest drivers OR active internet connection required
-
iLok2 / iLok3 OR active internet connection required for AAX plug-ins
Audio Units
- Audio Units-compatible application (Logic, Digital Performer etc)
- Mac OS X 10.7 – 10.11
- (El Capitan supported where confirmed by host DAW manufacturer)
- Legacy 32-bit support for OS X 10.4.11 – 10.6.8
-
iLok USB device with latest drivers OR active internet connection required
-
iLok2 / iLok3 OR active internet connection required for 64-bit plug-ins
VST2
- VST2-compatible application (Cubase, Nuendo, Sequoia etc)
- Mac OS X 10.7 – 10.11
- (El Capitan supported where confirmed by host DAW manufacturer)
- Windows 7 or later
- Legacy 32-bit support for OS X 10.4.11 – 10.6.8 & Windows XP
-
iLok USB device with latest drivers OR active internet connection required
-
iLok2 / iLok3 OR active internet connection required for 64-bit plug-ins
Supported Hosts
Mac:
- Pro Tools 10.3.8 – 12 (AAX Native)
- Pro Tools 7 – 10 (RTAS)
- Logic Pro X 10.2
- Logic 8 & 9
- Digital Performer
- Nuendo
- Cubase
- Ableton
- Studio 1
Windows:
- Pro Tools 10.3.8 – 12 (AAX Native)
- Pro Tools 7 – 10 (RTAS)
- Nuendo
- Cubase
- Ableton
- Samplitude
- Sequoia
- Pyramix
- Studio 1
Please Note: This product now supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product.
A great sounding EQ is essential to any mix. Which EQ to use can vary depending on artistic requirement, but quality and flexibility are both critical at all times. What if there was one Plug-In with four distinct EQ types – from surgical to musical – with a track record of being used to mix the biggest hits, films, and live shows?
Enter our flagship Oxford EQ, a Plug-In that traces its heritage to the original EQ section on the acclaimed Sony OXF-R3 digital console. Hallmark sonic transparency meets a simple and interactive interface – resulting in quick, confident and great sounding mix decisions.
Video
Rating
Pro Tools
- Pro Tools 10.3.8, 11.3.2, 12 (AAX Native)
- Pro Tools 7, 8, 9, 10 (RTAS)
- Approved Pro Tools CPU, OS and hardware configuration: www.avid.com
- Legacy support for OS X 10.4.11 – 10.6.8 & Windows XP: RTAS
- iLok USB device with latest drivers OR active internet connection required
- iLok2 / iLok3 OR active internet connection required for AAX plug-ins
Audio Units
- Audio Units-compatible application (Logic, Digital Performer etc)
- Mac OS X 10.7 – 10.11
- (El Capitan supported where confirmed by host DAW manufacturer)
- Legacy 32-bit support for OS X 10.4.11 – 10.6.8
- iLok USB device with latest drivers OR active internet connection required
- iLok2 / iLok3 OR active internet connection required for 64-bit plug-ins
VST2
- VST2-compatible application (Cubase, Nuendo, Sequoia etc)
- Mac OS X 10.7 – 10.11
- (El Capitan supported where confirmed by host DAW manufacturer)
- Windows 7 or later
- Legacy 32-bit support for OS X 10.4.11 – 10.6.8 & Windows XP
- iLok USB device with latest drivers OR active internet connection required
- iLok2 / iLok3 OR active internet connection required for 64-bit plug-ins
Supported Hosts
Mac:
- Pro Tools 10.3.8 – 12 (AAX Native)
- Pro Tools 7 – 10 (RTAS)
- Logic Pro X 10.2
- Logic 8 & 9
- Digital Performer
- Nuendo
- Cubase
- Ableton
- Studio 1
Windows:
- Pro Tools 10.3.8 – 12 (AAX Native)
- Pro Tools 7 – 10 (RTAS)
- Nuendo
- Cubase
- Ableton
- Samplitude
- Sequoia
- Pyramix
- Studio 1
Please Note: This product now supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product.
Blue Cat's Liny EQ
EQ by Blue Cat Audio
Images
Description
Blue Cat's Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds).
Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow.
The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.
Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal "Mix" control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.
Features
- Linear phase graphic equalizer
- Very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.
- Customizable range (+/- 40 dB).
- Exact EQ curve display.
- Four EQ shapes.
- Automatic gain compensation.
- Real time spectrum analyzer display.
- High resolution color and greyscale spectrogram display.
- High resolution color peak meter.
- Single and dual channel versions.
- Left/right or mid/side processing for spectral stereo widening or narrowing.
- Advanced channels linking capabilities.
- Multiple display sizes.
- Highly customizable user interface: display what you need, the way you need.
Blue Cat Audio Standards
- Available as: Mac-AAX, Mac-AU, Mac-RTAS, Mac-VST, Win-AAX, Win-DX, Win-RTAS, Win-VST, Win x64-DX, Win x64-VST.
- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
- Skinnable and customizable user interface with transparency management.
- Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
- Undo/Redo.
- Full featured integrated presets manager.
- Any sample rate supported.
Rating
Windows
- An SSE2-enabled processor (Pentium 4 or later).
- Microsoft Windows XP, Vista, Windows 7 or 8.
- Any DirectX / VST / RTAS / AAX compatible host software (32 or 64 bit).
Mac OS X
- An Intel or Apple Silicon processor (M1)
- Mac OS 10.9 or newer.
- Any VST / Audio Unit (32/64-bit) / RTAS / AAX compatible application.
Blue Cat's Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds).
Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow.
The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.
Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal "Mix" control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.
Features
- Linear phase graphic equalizer
- Very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.
- Customizable range (+/- 40 dB).
- Exact EQ curve display.
- Four EQ shapes.
- Automatic gain compensation.
- Real time spectrum analyzer display.
- High resolution color and greyscale spectrogram display.
- High resolution color peak meter.
- Single and dual channel versions.
- Left/right or mid/side processing for spectral stereo widening or narrowing.
- Advanced channels linking capabilities.
- Multiple display sizes.
- Highly customizable user interface: display what you need, the way you need.
Blue Cat Audio Standards
- Available as: Mac-AAX, Mac-AU, Mac-RTAS, Mac-VST, Win-AAX, Win-DX, Win-RTAS, Win-VST, Win x64-DX, Win x64-VST.
- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
- Skinnable and customizable user interface with transparency management.
- Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
- Undo/Redo.
- Full featured integrated presets manager.
- Any sample rate supported.
Rating
Windows
- An SSE2-enabled processor (Pentium 4 or later).
- Microsoft Windows XP, Vista, Windows 7 or 8.
- Any DirectX / VST / RTAS / AAX compatible host software (32 or 64 bit).
Mac OS X
- An Intel or Apple Silicon processor (M1)
- Mac OS 10.9 or newer.
- Any VST / Audio Unit (32/64-bit) / RTAS / AAX compatible application.
MDynamicEq
EQ by MeldaProduction
Images
Description
Equalizing is probably the most important task, so you should get the best tool out there! MDynamicEq, the little brother of MAutoDynamicEq, is an unbelievably transparent and musical sounding equalizer with a gorgeous interface stuffed with amazing features. It pushes the technology forward by introducing dynamic processing!
5 Bands with Gorgeous-Sounding Dynamic Filters
Our variable-slope filters just sound amazing. No more resonances, you can finally be really surgical. Dynamic filters can do common tasks such as de-essing, ducking, compression, expansion plus much more and the world of possibilities is far from being explored! Plus flexible high-pass and low-pass filtering for speeding up your mixing workflow.
Simple User Interface for Common Tasks
Tasks such as de-essing or bass drum enhancement are so common that we decided to make them available with the simplified 4 knob interface. Just plug it in, select what you want to do and enjoy the results.
Super-Modern Visualisation
MDynamicEq not only shows the results of your processing, it also features an integrated analyzer, sonogram, spectrum areas plus much more.
Side-Chain Wonders
Normal equalizers could hardly benefit from a side-chain, but MDynamicEq is dynamic. Attenuate the bass guitar when bass drum is played? No problem\! And that's just the beginning.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
Equalizing is probably the most important task, so you should get the best tool out there! MDynamicEq, the little brother of MAutoDynamicEq, is an unbelievably transparent and musical sounding equalizer with a gorgeous interface stuffed with amazing features. It pushes the technology forward by introducing dynamic processing!
5 Bands with Gorgeous-Sounding Dynamic Filters
Our variable-slope filters just sound amazing. No more resonances, you can finally be really surgical. Dynamic filters can do common tasks such as de-essing, ducking, compression, expansion plus much more and the world of possibilities is far from being explored! Plus flexible high-pass and low-pass filtering for speeding up your mixing workflow.
Simple User Interface for Common Tasks
Tasks such as de-essing or bass drum enhancement are so common that we decided to make them available with the simplified 4 knob interface. Just plug it in, select what you want to do and enjoy the results.
Super-Modern Visualisation
MDynamicEq not only shows the results of your processing, it also features an integrated analyzer, sonogram, spectrum areas plus much more.
Side-Chain Wonders
Normal equalizers could hardly benefit from a side-chain, but MDynamicEq is dynamic. Attenuate the bass guitar when bass drum is played? No problem\! And that's just the beginning.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
Equalize
EQ by Acon Digital
Images
Description
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The new Equalize 2 — now with Tilt and Bandpass Filters
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.
Great care has been taken to provide a user interface that is straightforward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency.
Highlights
- Eight different band filter types — low cut, low shelf, peak, tilt, bandpass, notch, high shelf and high cut
- Up to twelve independent bands
- Freely adjustable gain, frequency, bandwidth, resonance and filter slope
- Three different phase modes, including the novel mixed phase mode with adjustable latency
- Choose channel mode for each band independently (mid, side, left, right or full processing)
Acon Digital Equalize 2 is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, VST3, AAX and Audio Units (OS X only) are supported. The upgrade to version 2 is free for all Equalize customers and the license key is valid in version 2.
The new version of Equalize includes two new filter types – tilt and bandpass. It now offers a total of eight different filter types. Just like the previously available filters, both the tilt and bandpass filters offer the unique continuously adjustable filter slopes in the range 3 to 120 dB per octave.
The frequency range of the equalizer curve can now be altered conveniently by dragging the edges of the frequency axis or moved by clicking and dragging the center. This makes it possible to zoom in on specific frequency ranges for more precise control. A new preferences page offer user settings such as analyzer resolution and user interface language. Another new feature is the optional piano keyboard display above the frequency axis. Band frequencies can easily be set to match a tone’s frequency by clicking the key on the piano keyboard.
New Features at a Glance
- Two new filter types — tilt and bandpass filters
- Adjustable frequency range in the equalizer curve editor
- Optional piano keyboard display
- EUCON and full Pro Tools HW controller support
- New preferences page with spectrum analyzer, tooltip, language and piano roll settings
- Spectrum analyzer with adjustable frequency tilt
Video
Rating
PC Version (Windows)
- Windows 10 / 8 / 7
- Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
- 1366 x 768 display resolution (1920 x 1080 or higher recommended)
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application that is compatible with VST, VST3 or AAX (Pro Tools 10.3.5 or higher)
Macintosh Version (OS X)
- macOS / OS X 10.9 or later (macOS 11 Big Sur Intel and M1 Mac supported) (64-bit only)
- Runs natively on ARM64 and Intel
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application that is compatible with AU, VST, VST3 or AAX (Pro Tools 11 or higher)
The new Equalize 2 — now with Tilt and Bandpass Filters
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.
Great care has been taken to provide a user interface that is straightforward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency.
Highlights
- Eight different band filter types — low cut, low shelf, peak, tilt, bandpass, notch, high shelf and high cut
- Up to twelve independent bands
- Freely adjustable gain, frequency, bandwidth, resonance and filter slope
- Three different phase modes, including the novel mixed phase mode with adjustable latency
- Choose channel mode for each band independently (mid, side, left, right or full processing)
Acon Digital Equalize 2 is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, VST3, AAX and Audio Units (OS X only) are supported. The upgrade to version 2 is free for all Equalize customers and the license key is valid in version 2.
The new version of Equalize includes two new filter types – tilt and bandpass. It now offers a total of eight different filter types. Just like the previously available filters, both the tilt and bandpass filters offer the unique continuously adjustable filter slopes in the range 3 to 120 dB per octave.
The frequency range of the equalizer curve can now be altered conveniently by dragging the edges of the frequency axis or moved by clicking and dragging the center. This makes it possible to zoom in on specific frequency ranges for more precise control. A new preferences page offer user settings such as analyzer resolution and user interface language. Another new feature is the optional piano keyboard display above the frequency axis. Band frequencies can easily be set to match a tone’s frequency by clicking the key on the piano keyboard.
New Features at a Glance
- Two new filter types — tilt and bandpass filters
- Adjustable frequency range in the equalizer curve editor
- Optional piano keyboard display
- EUCON and full Pro Tools HW controller support
- New preferences page with spectrum analyzer, tooltip, language and piano roll settings
- Spectrum analyzer with adjustable frequency tilt
Video
Rating
PC Version (Windows)
- Windows 10 / 8 / 7
- Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
- 1366 x 768 display resolution (1920 x 1080 or higher recommended)
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application that is compatible with VST, VST3 or AAX (Pro Tools 10.3.5 or higher)
Macintosh Version (OS X)
- macOS / OS X 10.9 or later (macOS 11 Big Sur Intel and M1 Mac supported) (64-bit only)
- Runs natively on ARM64 and Intel
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application that is compatible with AU, VST, VST3 or AAX (Pro Tools 11 or higher)
Tonelux Tilt and Tilt Live
EQ by Softube
Images
Description
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Go from shimmering bright to warm and wide with a twist of a knob! The Tonelux Tilt plug-in is a fast and easy way of making a track sit better in a mix or make it sound "warmer" or "cooler". It's also perfect in a live situation where you need to tweak the whole mix to adjust for ear fatigue.
You may want to put Tonelux Tilt first on all your channels. It includes all the controls you need for a quick and rough setting before you get into the details - and it's quite possible you will find that Tilt was all your track needed to find its place in the mix.
The Tilt filter does precisely what the name says - if you activate it and turn the control knob clockwise, it will attenuate the lows and boost the highs. Go counterclockwise, and the opposite happens - the sound gets fatter and darker. Turn on or off the Loud switch to make the effect stronger or back to keep it more subtle. So by the twist of a single knob, you give your sound a basic and nice sounding frequency trimming.
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Move on to the gentle and natural sounding high and low pass filters, that are sweepable and switchable from -6dB to -12 dB per octave. Finally, you will find a polarity reversal switch and a gain knob. See? All you need for a basic rough setting of each and every channel! Softube's model of Tonelux Tilt also includes modeling of the transformer found in the Tonelux MP1a mic preamp. The transformer adds a subtle distortion for bass frequencies which fattens up the low end of a track.
The Tilt plug-in is a joint development effort between Tonelux designer Paul Wolff and Softube, bringing the famous Tonelux sound to the digital world. The innovative Tilt design was first featured on the Tonelux MP1a discrete mic preamp module and has been a godsend for engineers and producers that need to take control of their sound in a fast and effective manner.
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A special "Live" version of the Tilt plug-in is included, which is optimized for Digidesign VENUE and other live systems and contains features requested by live sound engineers.
Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
Go from shimmering bright to warm and wide with a twist of a knob! The Tonelux Tilt plug-in is a fast and easy way of making a track sit better in a mix or make it sound "warmer" or "cooler". It's also perfect in a live situation where you need to tweak the whole mix to adjust for ear fatigue.
You may want to put Tonelux Tilt first on all your channels. It includes all the controls you need for a quick and rough setting before you get into the details - and it's quite possible you will find that Tilt was all your track needed to find its place in the mix.
The Tilt filter does precisely what the name says - if you activate it and turn the control knob clockwise, it will attenuate the lows and boost the highs. Go counterclockwise, and the opposite happens - the sound gets fatter and darker. Turn on or off the Loud switch to make the effect stronger or back to keep it more subtle. So by the twist of a single knob, you give your sound a basic and nice sounding frequency trimming.
Move on to the gentle and natural sounding high and low pass filters, that are sweepable and switchable from -6dB to -12 dB per octave. Finally, you will find a polarity reversal switch and a gain knob. See? All you need for a basic rough setting of each and every channel! Softube's model of Tonelux Tilt also includes modeling of the transformer found in the Tonelux MP1a mic preamp. The transformer adds a subtle distortion for bass frequencies which fattens up the low end of a track.
The Tilt plug-in is a joint development effort between Tonelux designer Paul Wolff and Softube, bringing the famous Tonelux sound to the digital world. The innovative Tilt design was first featured on the Tonelux MP1a discrete mic preamp module and has been a godsend for engineers and producers that need to take control of their sound in a fast and effective manner.
A special "Live" version of the Tilt plug-in is included, which is optimized for Digidesign VENUE and other live systems and contains features requested by live sound engineers.
Video
Rating
- Mac OS X 10.13 or newer (older OS versions will not work) (64-bit only).
- Windows 10 64-bit (older Windows versions may work but are not tested) (64-bit only).
- Mac: Intel Core i3 / i5 / i7 / Xeon - M1 support pending.
- Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
- Screen resolution 1280x800 or larger.
- Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).
- A Softube account is required to register and install the software.
- An iLok account is required for authorisation of the software.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use a physical iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
- The most recent maintenance release of the DAW application is recommended.
However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.
Important note: make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
MAutoEqualizer
EQ by MeldaProduction
Images
Description
MAutoEqualizer advanced mastering equalizer and analyzer plugin is a revolutionary (but not limited to) mastering plugin, that combines a powerful equalizer, state-of-the-art linear-phase equalizer and analyzer in a single window. Also, it is the first software featuring our MeldaProduction Filter Adaption (MFA) technology which can actually perform the equalization for you based on an analysis of your recording, another recording or any spectral content which you can literally 'draw' using our MeldaProduction Envelope System (MES).
Features
- Parametric equalization provided by MAuto Equalizer can not be matched by simple FFT-based algorithms. MAuto Equalizer provides true Analogue sound and 2 top-class linear-phase algorithms.
- Fully adjustable linear & minimum phase parametric equalizer. Unlike common spectral matching algorithms our automatic equalization configures all bands of the equalizer only. No black box, you see exactly what it is doing. It only does what you would do, but it does not suffer from lack of experience. ear fatigue or exhaustion.
- Extremely versatile, useful for everything from mixing to mastering! You can make your recordings sound professional. You can ensure all of your recordings on your new album sound similar. You can let MAutoEqualizer fit a track into a mix using spectral separation feature. You can draw your desired frequency response. In any case MAutoEqualizer will find the best settings and configure the parametric equalizer bands for you. With a standard equalizer you are listening to the spectrum and amplifying or attenuating frequencies. This is very difficult even if you are a very experienced user with advanced listening skills. With MAutoEqualizer you no longer need to worry about your ears being objective.
- State-of-the-art 10 band parametric equalizer and linear-phase equalizer combined with a powerful spectrum analyzer in a single window. Finally you can see input and output spectrum along with the equalizer shape and controls.
- Automatic equalization - long-term analysis of average recording spectral properties provides information necessary to use MeldaProduction Filter Adaption (MFA) technology, which can configure bands to approximate the requested resulting spectrum for you.
- Includes comparisons to most (not-only) modern styles - when you need to master your recording, you typically get some professional recording to compare it to. We have analyzed more than 80 well-known songs for you. So if you don't know or do not want to bother searching for some particular tune, just select an analysis of a song and let your recording sound like it!
- Averaging, smoothing and magnitude normalization are pretty outstanding features that all help optical recognition and accuracy of automatic equalization.
- 3 equalization algorithms with (approximately) the same frequency response - true bidirectional filtering algorithm, FFT algorithm and standard minimum phase equalization. Bidirectional filtering provides maximal accuracy and minimal noise ratio. As a supplement MAutoEqualizer implements a standard equalization and FFT algorithm adopted in most cheap linear-phase equalizers.
- Adjustable dry/wet mix - what is impossible for common equalizers due to phase alteration is not impossible for MAutoEqualizer! Using just one slider you can have complete control of the amount of performed equalization.
- Q in range 0.05 to 10 with protection against pops and crackles.
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- 7 filter types for each band. - peak, low-shelf, high-shelf, low-pass, high-pass, band-pass, notch.
- Advanced editor and smooth visualization of resulting frequency response. All parameters are adjustable from the graph. No more searching in complicated band editors. Just click on a band and configure all of the parameters from filter type and gain to advanced features such as harmonics control. Everything with almost infinite precision if you need maximum control.
- Enable, Q, and Actual source level indication inside the shape graph.
- Integrated tube saturation gives the sound a great vintage analog feel.
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
MAutoEqualizer advanced mastering equalizer and analyzer plugin is a revolutionary (but not limited to) mastering plugin, that combines a powerful equalizer, state-of-the-art linear-phase equalizer and analyzer in a single window. Also, it is the first software featuring our MeldaProduction Filter Adaption (MFA) technology which can actually perform the equalization for you based on an analysis of your recording, another recording or any spectral content which you can literally 'draw' using our MeldaProduction Envelope System (MES).
Features
- Parametric equalization provided by MAuto Equalizer can not be matched by simple FFT-based algorithms. MAuto Equalizer provides true Analogue sound and 2 top-class linear-phase algorithms.
- Fully adjustable linear & minimum phase parametric equalizer. Unlike common spectral matching algorithms our automatic equalization configures all bands of the equalizer only. No black box, you see exactly what it is doing. It only does what you would do, but it does not suffer from lack of experience. ear fatigue or exhaustion.
- Extremely versatile, useful for everything from mixing to mastering! You can make your recordings sound professional. You can ensure all of your recordings on your new album sound similar. You can let MAutoEqualizer fit a track into a mix using spectral separation feature. You can draw your desired frequency response. In any case MAutoEqualizer will find the best settings and configure the parametric equalizer bands for you. With a standard equalizer you are listening to the spectrum and amplifying or attenuating frequencies. This is very difficult even if you are a very experienced user with advanced listening skills. With MAutoEqualizer you no longer need to worry about your ears being objective.
- State-of-the-art 10 band parametric equalizer and linear-phase equalizer combined with a powerful spectrum analyzer in a single window. Finally you can see input and output spectrum along with the equalizer shape and controls.
- Automatic equalization - long-term analysis of average recording spectral properties provides information necessary to use MeldaProduction Filter Adaption (MFA) technology, which can configure bands to approximate the requested resulting spectrum for you.
- Includes comparisons to most (not-only) modern styles - when you need to master your recording, you typically get some professional recording to compare it to. We have analyzed more than 80 well-known songs for you. So if you don't know or do not want to bother searching for some particular tune, just select an analysis of a song and let your recording sound like it!
- Averaging, smoothing and magnitude normalization are pretty outstanding features that all help optical recognition and accuracy of automatic equalization.
- 3 equalization algorithms with (approximately) the same frequency response - true bidirectional filtering algorithm, FFT algorithm and standard minimum phase equalization. Bidirectional filtering provides maximal accuracy and minimal noise ratio. As a supplement MAutoEqualizer implements a standard equalization and FFT algorithm adopted in most cheap linear-phase equalizers.
- Adjustable dry/wet mix - what is impossible for common equalizers due to phase alteration is not impossible for MAutoEqualizer! Using just one slider you can have complete control of the amount of performed equalization.
- Q in range 0.05 to 10 with protection against pops and crackles.
- Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
- 7 filter types for each band. - peak, low-shelf, high-shelf, low-pass, high-pass, band-pass, notch.
- Advanced editor and smooth visualization of resulting frequency response. All parameters are adjustable from the graph. No more searching in complicated band editors. Just click on a band and configure all of the parameters from filter type and gain to advanced features such as harmonics control. Everything with almost infinite precision if you need maximum control.
- Enable, Q, and Actual source level indication inside the shape graph.
- Integrated tube saturation gives the sound a great vintage analog feel.
- Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
- Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
- Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
- MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully Automatable.
Video
Rating
Windows
- Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
- VST / VST3 / AAX compatible host (32-bit or 64-bit)
- Intel/AMD processor with SSE2 support
Always use 32-bit plugins in 32-bit hosts, or 64-bit plugins in 64-bit hosts!
64-bit plugins can't work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable.
Mac OS X
- Mac OS X 10.9 and newer (64-bit only)
- VST / VST3 / AU / AAX compatible host (64-bit only)
- Intel/AMD processor with SSE2 support or Apple Silicon processor
Note: Please check your product PDF documentation for more information and installation instructions.
SplineEQ
EQ by Photosounder
Images
Description
SplineEQ is a linear phase equalizer plugin. Designed to be simple and flexible, SplineEQ allows you to create filters using Bézier splines, the best-known way to design curves.
Video
Rating
Windows
- VST 2.4 (32 / 64 bit)
Mac
- VST 2.4 (32 / 64 bit)
- Audio Unit
- Important Note: macOS 10.15 Catalina and macOS 11 are NOT supported.
SplineEQ is a linear phase equalizer plugin. Designed to be simple and flexible, SplineEQ allows you to create filters using Bézier splines, the best-known way to design curves.
Video
Rating
Windows
- VST 2.4 (32 / 64 bit)
Mac
- VST 2.4 (32 / 64 bit)
- Audio Unit
- Important Note: macOS 10.15 Catalina and macOS 11 are NOT supported.
DeFilter
EQ by Acon Digital
Images
Description
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DeFilter / Automatic Equalization Plugin
DeFilter is an efficient tool to even out tonal imbalances in a mix or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording.
Great care has been taken to provide a user interface that is straightforward to use. Frequency-dependent correction levels can be defined using custom curves so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum.
Use Cases
- Fix issues in a mix prior to mastering
- Reduce resonances caused by untreated room acoustics
- Matched equalization (automatic equalization based on a reference signal)
- Improve clarity and intelligibility of speech
- Instant fix for nasty comb filter effects
Acon Digital DeFilter is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64-bit versions are available (Windows-only) and the plugin formats VST, AAX and Audio Units (Mac only) are supported.
Video
Rating
PC Version (Windows):
- Windows 7 / 8.x / 10
- Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
- 1366 x 768 display resolution (1920 x 1080 or higher recommended)
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application compatible with VST, VST3 (32 or 64-bit) or AAX (Pro Tools 11 or higher)
Mac Version (macOS):
- OS X 10.9 or later (macOS 11 Big Sur / Intel / M1 Mac Supported)
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application compatible with AU, VST, VST3 or AAX (Pro Tools 11 or higher)
DeFilter / Automatic Equalization Plugin
DeFilter is an efficient tool to even out tonal imbalances in a mix or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording.
Great care has been taken to provide a user interface that is straightforward to use. Frequency-dependent correction levels can be defined using custom curves so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum.
Use Cases
- Fix issues in a mix prior to mastering
- Reduce resonances caused by untreated room acoustics
- Matched equalization (automatic equalization based on a reference signal)
- Improve clarity and intelligibility of speech
- Instant fix for nasty comb filter effects
Acon Digital DeFilter is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64-bit versions are available (Windows-only) and the plugin formats VST, AAX and Audio Units (Mac only) are supported.
Video
Rating
PC Version (Windows):
- Windows 7 / 8.x / 10
- Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
- 1366 x 768 display resolution (1920 x 1080 or higher recommended)
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application compatible with VST, VST3 (32 or 64-bit) or AAX (Pro Tools 11 or higher)
Mac Version (macOS):
- OS X 10.9 or later (macOS 11 Big Sur / Intel / M1 Mac Supported)
- 1 GB RAM (4 GB or more recommended)
- 1 GB free HD space
- A host application compatible with AU, VST, VST3 or AAX (Pro Tools 11 or higher)
Stereoplacer
EQ by NUGEN Audio
Images
Description
Pan Control for the 21st Century. Choose the frequencies you want to fix and move them anywhere, leaving the rest of the stereo image intact. Make improvements in any area of the sound stage without causing problems elsewhere. Stereoplacer gives you precise control you just can’t get within a traditional mix setup.
Focus in on the frequencies you want to move using the intuitive solo controls and then tweak/fix/align them in the stereo panorama without affecting any other regions - simple, quick and effective!
Stereoplacer is an advanced fine-tune parametric balancing control. You can tune each band into specific frequencies and move the frequency content around in the stereo sound stage. Just choose the position you want, and let Stereoplacer take care of preserving the balance of the original sounds.
With fully adjustable curves (bell, high and low shelving and even additional linked-harmonic overtones) you can redistribute stereo information with subtlety, or make powerful corrections – even moving hard-panned frequencies from one side to the other – without affecting the overall level balance of the material.
Applications
Mix | Sound design
- Panning sounds with low frequency content without affecting the low end
- Adjusting the position of sounds in sample loops
- Fixing poor mic. placement
- Moving specific problem frequencies away from key lead sounds as an alternative to EQ
- Dealing with harmonically complex synth sounds
- Addressing issues on FX laden tracks
- Creative and complex soundfield distribution
- A sophisticated approach to double tracking stereo distribution
- Capturing and positioning harmonically rich percussive sounds
Mastering | Post | Restoration
- Gentle linear phase adjustment of entire mixes
- Re-positioning of specific elements
- Extrapolation of poorly positioned instruments
- 'Side switching' and re-balancing
- Shifting of problem elements whilst leaving the rest of the soundfield intact
- Detailed alignment of low frequency information
Enhance Recordings
- Add stereo detail to mono recordings
- Leaves original character intact
- Highly mono compatible
- Unique stereo positioning technology
Restore and Correct Original Material
- Fix poor original recordings
- Follow visual queues
- Isolate specifics in complex composite sources
Clear Intuitive Operation
- Dynamic visual feedback
- Analogous parametric operation
- Automated harmonic capture
- Dedicated filter audition options
Rating
Available Formats
- AAX, VST, VST3, AU and AudioSuite in both 64-bit and 32-bit versions. RTAS is also available as 32-bit only.
Mac
- OSX 10.6.x, 512 MB RAM
Windows
- XP or above, 512 MB RAM
Pan Control for the 21st Century. Choose the frequencies you want to fix and move them anywhere, leaving the rest of the stereo image intact. Make improvements in any area of the sound stage without causing problems elsewhere. Stereoplacer gives you precise control you just can’t get within a traditional mix setup.
Focus in on the frequencies you want to move using the intuitive solo controls and then tweak/fix/align them in the stereo panorama without affecting any other regions - simple, quick and effective!
Stereoplacer is an advanced fine-tune parametric balancing control. You can tune each band into specific frequencies and move the frequency content around in the stereo sound stage. Just choose the position you want, and let Stereoplacer take care of preserving the balance of the original sounds.
With fully adjustable curves (bell, high and low shelving and even additional linked-harmonic overtones) you can redistribute stereo information with subtlety, or make powerful corrections – even moving hard-panned frequencies from one side to the other – without affecting the overall level balance of the material.
Applications
Mix | Sound design
- Panning sounds with low frequency content without affecting the low end
- Adjusting the position of sounds in sample loops
- Fixing poor mic. placement
- Moving specific problem frequencies away from key lead sounds as an alternative to EQ
- Dealing with harmonically complex synth sounds
- Addressing issues on FX laden tracks
- Creative and complex soundfield distribution
- A sophisticated approach to double tracking stereo distribution
- Capturing and positioning harmonically rich percussive sounds
Mastering | Post | Restoration
- Gentle linear phase adjustment of entire mixes
- Re-positioning of specific elements
- Extrapolation of poorly positioned instruments
- 'Side switching' and re-balancing
- Shifting of problem elements whilst leaving the rest of the soundfield intact
- Detailed alignment of low frequency information
Enhance Recordings
- Add stereo detail to mono recordings
- Leaves original character intact
- Highly mono compatible
- Unique stereo positioning technology
Restore and Correct Original Material
- Fix poor original recordings
- Follow visual queues
- Isolate specifics in complex composite sources
Clear Intuitive Operation
- Dynamic visual feedback
- Analogous parametric operation
- Automated harmonic capture
- Dedicated filter audition options
Rating
Available Formats
- AAX, VST, VST3, AU and AudioSuite in both 64-bit and 32-bit versions. RTAS is also available as 32-bit only.
Mac
- OSX 10.6.x, 512 MB RAM
Windows
- XP or above, 512 MB RAM
TDR Nova GE
EQ by Tokyo Dawn Labs
Images
Description
NOVA GE is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, the plugin also includes flexible dynamics processing options allowing the coverage of an impressively wide range of applications. Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect take: NOVA has an elegant musical answer.
NOVA GE includes a total of six dynamic EQ bands, each with independent dynamics processing ranging from downward compression over upward compression, upward expansion, up to downward expansion (incl. gating). Flanked by powerful highpass and lowpass filters, the processor covers a wide range of tasks:
Use-cases:
- Parametric equalization
- Dynamic equalization
- Frequency selective compression/expansion
- Multiband compression/expansion
- Wideband compression/expansion
In addition, an advanced “Smart Operation” panel offers a unique way of automating and orchestrating the plugin for spectral matching, resonance removal and much more.
A user-friendly WYSIWYG drag and drop display paired with a classic “knob” interface gives quick and smooth access to the various parameters driving NOVA’s powerful signal processing. Elaborate equal loudness functions help finding the optimal setting without getting distracted by loudness differences.
NOVA GE also features all helpers and workflow enhancements you’ve come to expect in a TDR plugin: A preset manager, undo/redo, A/B, detailed documentation, copy & paste, and much more.
Video
Rating
Windows
- Win XP SP2 or above
- VST2 / VST3 (32-bit / 64-bit)
- AAX (64-bit only)
Mac
- macOS 10.9 or above
- VST2, VST3, AU, AAX (64-bit only)
NOVA GE is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, the plugin also includes flexible dynamics processing options allowing the coverage of an impressively wide range of applications. Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect take: NOVA has an elegant musical answer.
NOVA GE includes a total of six dynamic EQ bands, each with independent dynamics processing ranging from downward compression over upward compression, upward expansion, up to downward expansion (incl. gating). Flanked by powerful highpass and lowpass filters, the processor covers a wide range of tasks:
Use-cases:
- Parametric equalization
- Dynamic equalization
- Frequency selective compression/expansion
- Multiband compression/expansion
- Wideband compression/expansion
In addition, an advanced “Smart Operation” panel offers a unique way of automating and orchestrating the plugin for spectral matching, resonance removal and much more.
A user-friendly WYSIWYG drag and drop display paired with a classic “knob” interface gives quick and smooth access to the various parameters driving NOVA’s powerful signal processing. Elaborate equal loudness functions help finding the optimal setting without getting distracted by loudness differences.
NOVA GE also features all helpers and workflow enhancements you’ve come to expect in a TDR plugin: A preset manager, undo/redo, A/B, detailed documentation, copy & paste, and much more.
Video
Rating
Windows
- Win XP SP2 or above
- VST2 / VST3 (32-bit / 64-bit)
- AAX (64-bit only)
Mac
- macOS 10.9 or above
- VST2, VST3, AU, AAX (64-bit only)
SEQ-ST
EQ by NUGEN Audio
Images
Description
Powerful Sonic Sculpting
SEQ-ST delivers sculpting power beyond any other EQ. The resizable direct-draw interface makes it easy to quickly fine-tune your audio, with incredible resolution that you can’t get with a traditional parametric interface. SEQ-ST gives you complete control over your spatial environment, with access to stereo & mid/side operation.
Unparalleled Flexibility
- Linear phase spline EQ
- Curve scaling and smoothing
- Zoomable and resizable interface
- No phase smearing
- Frequency node locking
- Psychoacoustic banding
- Match EQ presets
Intuitive EQ Matching
Use SEQ-ST to capture the flavour of a piece of source audio and match it to your current work – great as a reference for mastering. Or use this match technique on individual tracks to unify different takes, microphone positions, and more.
Plus, by inverting the match EQ curve, you can achieve a minimally invasive technique for carving out space in a complex mix where traditional EQs won’t cut it.
For Music Production
Fine-tune and correct your sound with flexible, detailed envelopes difficult to achieve with a traditional parametric EQ. Plus, take advantage of independent left/right and mid/side operation, even within the same plug-in instance.
Use EQ matching to gently push your sound toward reference material or dive into new creative spheres with tempo locked effects. Ideal for both corrective mix work and gentle mastering polish.
For Post and Broadcast
Precise corrections which would be very time consuming with a traditional parametric interface are a breeze with SEQ-ST’s flexible nodes and direct draw interface.
Match 'invert' makes it quick and easy to find space for dialogue in a busy soundtrack, avoiding heavy-handed EQ or intrusive ducking.
Typical Applications
- Independent control of left/right & mid/side channels
- EQ matching
- Creating 'perfect space' for vocals or dialogue
- Mono and stereo audio production
Rating
Mac
- Mac OSX 10.9 and above
- 512 MB RAM
- 64-bit only
- Available in 64-bit AAX, VST3, AU & AudioSuite Formats
Windows
- Windows Vista and above
- 512 MB RAM
- 64-bit only
- Available in 64-bit AAX, VST3 & AudioSuite Formats
Powerful Sonic Sculpting
SEQ-ST delivers sculpting power beyond any other EQ. The resizable direct-draw interface makes it easy to quickly fine-tune your audio, with incredible resolution that you can’t get with a traditional parametric interface. SEQ-ST gives you complete control over your spatial environment, with access to stereo & mid/side operation.
Unparalleled Flexibility
- Linear phase spline EQ
- Curve scaling and smoothing
- Zoomable and resizable interface
- No phase smearing
- Frequency node locking
- Psychoacoustic banding
- Match EQ presets
Intuitive EQ Matching
Use SEQ-ST to capture the flavour of a piece of source audio and match it to your current work – great as a reference for mastering. Or use this match technique on individual tracks to unify different takes, microphone positions, and more.
Plus, by inverting the match EQ curve, you can achieve a minimally invasive technique for carving out space in a complex mix where traditional EQs won’t cut it.
For Music Production
Fine-tune and correct your sound with flexible, detailed envelopes difficult to achieve with a traditional parametric EQ. Plus, take advantage of independent left/right and mid/side operation, even within the same plug-in instance.
Use EQ matching to gently push your sound toward reference material or dive into new creative spheres with tempo locked effects. Ideal for both corrective mix work and gentle mastering polish.
For Post and Broadcast
Precise corrections which would be very time consuming with a traditional parametric interface are a breeze with SEQ-ST’s flexible nodes and direct draw interface.
Match 'invert' makes it quick and easy to find space for dialogue in a busy soundtrack, avoiding heavy-handed EQ or intrusive ducking.
Typical Applications
- Independent control of left/right & mid/side channels
- EQ matching
- Creating 'perfect space' for vocals or dialogue
- Mono and stereo audio production
Rating
Mac
- Mac OSX 10.9 and above
- 512 MB RAM
- 64-bit only
- Available in 64-bit AAX, VST3, AU & AudioSuite Formats
Windows
- Windows Vista and above
- 512 MB RAM
- 64-bit only
- Available in 64-bit AAX, VST3 & AudioSuite Formats
EVE MP5 50's Equalizer
EQ by Kuassa
Images
Description
Inspired by the Legendary for the Modern Age
- Inspired by the Pultec* MEQ-5 and EQP-1A combined into a single, compact plugin
- A unique saturation feature with intelligent level compensation. Perfect for adding grit to basslines, making vocals stand out in the mix, or instant mojo for anything. Also works great for mastering!
- Authentic frequency response. Experience the Pultec* specific tricks with a modern twist
EVE-MP5 Supports various audio plugins: VST, VST3, Audio Units, AAX, which are compatible with all kind of Digital Audio Workstation softwares such as Logic Pro, Ableton Live, Reaper, Nuendo, Cubase, Cakewalk, FL Studio, Propellerhead Reason, Avid Pro Tools, and many more.
Introducing the newest addition to the Extensive Vintage Equalizer family from Kuassa: EVE-MP5.
Kuassa EVE-MP5 is a reproduction of two of the most sought-after classic hardware equalizers, the Pultec* MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. We drew inspiration from them and combined both EQs into a compact, single plug-in with a color coded, straightforward interface intended for fast workflows and maximum usability.
Known for their signature frequency curves, the EVE-MP5 will bring massive lows, smooth mids and shiny highs to any tracks you put them into. Utilize the famous low-end trick of boosting and attenuating the low frequencies simultaneously for a rock solid bottom-end. The MP5 is also loaded with a power amp saturation unit in the signal path. Turn it on for a hotter signal and dial the input to give a mild edge to your tracks, or push more for an overdriven sound. The “Auto” switch in the input section is useful for maintaining constant gain levels while cranking the saturation via the input knob.
Video
Rating
:
- Windows XP, Vista, 7, or Later (64-bit only)
- Mac OS 10.5 or later (64-bit only)
- VST, VST3, Audio Units or AAX compatible Host Software
- Now compatible with macOS Catalina & Big Sur
Please note that this product is a plugin, a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software
Inspired by the Legendary for the Modern Age
- Inspired by the Pultec* MEQ-5 and EQP-1A combined into a single, compact plugin
- A unique saturation feature with intelligent level compensation. Perfect for adding grit to basslines, making vocals stand out in the mix, or instant mojo for anything. Also works great for mastering!
- Authentic frequency response. Experience the Pultec* specific tricks with a modern twist
EVE-MP5 Supports various audio plugins: VST, VST3, Audio Units, AAX, which are compatible with all kind of Digital Audio Workstation softwares such as Logic Pro, Ableton Live, Reaper, Nuendo, Cubase, Cakewalk, FL Studio, Propellerhead Reason, Avid Pro Tools, and many more.
Introducing the newest addition to the Extensive Vintage Equalizer family from Kuassa: EVE-MP5.
Kuassa EVE-MP5 is a reproduction of two of the most sought-after classic hardware equalizers, the Pultec* MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. We drew inspiration from them and combined both EQs into a compact, single plug-in with a color coded, straightforward interface intended for fast workflows and maximum usability.
Known for their signature frequency curves, the EVE-MP5 will bring massive lows, smooth mids and shiny highs to any tracks you put them into. Utilize the famous low-end trick of boosting and attenuating the low frequencies simultaneously for a rock solid bottom-end. The MP5 is also loaded with a power amp saturation unit in the signal path. Turn it on for a hotter signal and dial the input to give a mild edge to your tracks, or push more for an overdriven sound. The “Auto” switch in the input section is useful for maintaining constant gain levels while cranking the saturation via the input knob.
Video
Rating
- Windows XP, Vista, 7, or Later (64-bit only)
- Mac OS 10.5 or later (64-bit only)
- VST, VST3, Audio Units or AAX compatible Host Software
- Now compatible with macOS Catalina & Big Sur
Please note that this product is a plugin, a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software
EVE-AT Bundle
EQ by Kuassa
Images
Description
INSPIRED BY THE EQUALIZERS THAT SHAPES THE MUSIC OF THE 20TH CENTURY
The EVE-AT bundle is a compadre of equalizers modelled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 implements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Features
- Approximately +/-18dB (Narrow Q), and +/-12 dB (Broad Q)
- Selectable broad/narrow Q bandwidth
- Selectable shelf/peak filter mode
- HP & LP, -18 dB/octave
- A/B compare button, A/B copy button
- Output trim, Phase Reverse Button
Video
Rating
- Windows Vista, 7, or later (32 / 64-bit)
- Mac OS 10.6 or later (64-bit)
- VST, VST3, Audio Units or AAX compatible Host Software
Please note that this product is a plugin, a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software
INSPIRED BY THE EQUALIZERS THAT SHAPES THE MUSIC OF THE 20TH CENTURY
The EVE-AT bundle is a compadre of equalizers modelled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 implements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Features
- Approximately +/-18dB (Narrow Q), and +/-12 dB (Broad Q)
- Selectable broad/narrow Q bandwidth
- Selectable shelf/peak filter mode
- HP & LP, -18 dB/octave
- A/B compare button, A/B copy button
- Output trim, Phase Reverse Button
Video
Rating
- Windows Vista, 7, or later (32 / 64-bit)
- Mac OS 10.6 or later (64-bit)
- VST, VST3, Audio Units or AAX compatible Host Software
Please note that this product is a plugin, a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software
T-Bone
EQ by Boz Digital Labs
Images
Description
T-Bone uses custom filters that do not have any of the wonky side effects to your high end that most digital filters have. No matter what sample rate you are using, T-Bone will give you a smooth natural curve right up to Nyquist frequency.
T-Bone is a slant EQ at heart, with a few extra features that just make it that much more useful.
What is a Slant EQ?
A slant EQ is a filter that simultaneously boosts one end of the frequency spectrum while attenuating the other end. As it turns out this is an amazingly useful tool for brightening or darkening your tracks very quickly. Another reason this is super handy is that it allows you to change the tone of your track without changing the overall level. With traditional EQ plugins, as you boost certain frequencies, the overall sound gets louder. The problem with this is that our brains have the screwy little feature where louder music tends to sound better (even if it actually sounds worse. Make sense?). A slant EQ works around that special feature in our brain so that you aren’t deceived by the changing level and you can know instantly if your are improving or worsening your sound.
Extra Features
While a slant EQ is a very handy filter to have, we have added a few features that make it even easier to dial in the sound you need. We included a high pass filter with resonance control (think Bark of Dog) and low pass filter with resonance (henceforth to be known as Meow of Cat). We also came up with this super hand feature called Boom and Harsh Control. Sometimes adding extreme amounts of slant EQ can have some nasty side effects. If slanted too far to the left, you can end up with a lot of low end build up. Slant too far to the right and you can get too much harsh high end. The Boom and Harsh Control lets you add massive amounts of slant without getting harsh or boomy. It’s really an essential part of what makes this plugin so easy to use. We also added mid/side mode and an analog mode that adds subtle distortion and compression to your sound. Enable that for some grit, or disable for super clean tone shaping.
Clean filters Without the CPU Hit
During the development of this plugin, we created some incredibly smooth filters that don’t have any of the crazy side effects on your high frequencies (technically known as wonk). Our wonkless filters not only give you a smooth frequency response all the way up to Nyquist frequency, but they do this without adding that CPU hit that oversampled filters take.
Video
Rating
Available Formats
- Windows (32/64): VST2, VST3, RTAS, AAX Native
- Mac (32/64): AU, VST2, VST3, RTAS, AAX Native
T-Bone uses custom filters that do not have any of the wonky side effects to your high end that most digital filters have. No matter what sample rate you are using, T-Bone will give you a smooth natural curve right up to Nyquist frequency.
T-Bone is a slant EQ at heart, with a few extra features that just make it that much more useful.
What is a Slant EQ?
A slant EQ is a filter that simultaneously boosts one end of the frequency spectrum while attenuating the other end. As it turns out this is an amazingly useful tool for brightening or darkening your tracks very quickly. Another reason this is super handy is that it allows you to change the tone of your track without changing the overall level. With traditional EQ plugins, as you boost certain frequencies, the overall sound gets louder. The problem with this is that our brains have the screwy little feature where louder music tends to sound better (even if it actually sounds worse. Make sense?). A slant EQ works around that special feature in our brain so that you aren’t deceived by the changing level and you can know instantly if your are improving or worsening your sound.
Extra Features
While a slant EQ is a very handy filter to have, we have added a few features that make it even easier to dial in the sound you need. We included a high pass filter with resonance control (think Bark of Dog) and low pass filter with resonance (henceforth to be known as Meow of Cat). We also came up with this super hand feature called Boom and Harsh Control. Sometimes adding extreme amounts of slant EQ can have some nasty side effects. If slanted too far to the left, you can end up with a lot of low end build up. Slant too far to the right and you can get too much harsh high end. The Boom and Harsh Control lets you add massive amounts of slant without getting harsh or boomy. It’s really an essential part of what makes this plugin so easy to use. We also added mid/side mode and an analog mode that adds subtle distortion and compression to your sound. Enable that for some grit, or disable for super clean tone shaping.
Clean filters Without the CPU Hit
During the development of this plugin, we created some incredibly smooth filters that don’t have any of the crazy side effects on your high frequencies (technically known as wonk). Our wonkless filters not only give you a smooth frequency response all the way up to Nyquist frequency, but they do this without adding that CPU hit that oversampled filters take.
Video
Rating
Available Formats
- Windows (32/64): VST2, VST3, RTAS, AAX Native
- Mac (32/64): AU, VST2, VST3, RTAS, AAX Native
TDR SlickEQ M
EQ by Tokyo Dawn Labs
Images
Description
TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Specifically developed for the audio mastering engineer, no compromises have been made to deliver exceptional musical flexibility and audio fidelity.
Behind an intuitive user interface hides as a staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. Six powerful parametric filter bands give precise access overtone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.
All filters except HP and LP operate in a parallel EQ configuration. The EQ bands, in particular, include an elaborate nonlinearity inspired by the musically beneficial side effects found in inductor filter technology. An effective auto gain mechanism automatically compensates for changes of perceived loudness while operating the EQ and last but not least, semi-intelligent signal analysis options allow matching the input signal’s spectrum against a pink noise reference or automatically setting the HP and LP filters according to the signal’s audible bandwidth.
As with SlickEQ Standard and SlickEQ – Gentleman’s Edition, a multi-rate processing scheme (a.k.a. “internal resampling”) combined with elaborate signal processing techniques ensure the highest signal integrity is maintained throughout the processing.
Video
Rating
Windows
- Win XP SP2 or above
- VST (32-bit / 64-bit)
- AAX (64-bit only)
Mac
- macOS 10.9 or above
- VST, AU, AAX (64-bit only)
Important note: the Mac version of this software is 64-bit only and will not function on 32-bit systems.
TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Specifically developed for the audio mastering engineer, no compromises have been made to deliver exceptional musical flexibility and audio fidelity.
Behind an intuitive user interface hides as a staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. Six powerful parametric filter bands give precise access overtone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.
All filters except HP and LP operate in a parallel EQ configuration. The EQ bands, in particular, include an elaborate nonlinearity inspired by the musically beneficial side effects found in inductor filter technology. An effective auto gain mechanism automatically compensates for changes of perceived loudness while operating the EQ and last but not least, semi-intelligent signal analysis options allow matching the input signal’s spectrum against a pink noise reference or automatically setting the HP and LP filters according to the signal’s audible bandwidth.
As with SlickEQ Standard and SlickEQ – Gentleman’s Edition, a multi-rate processing scheme (a.k.a. “internal resampling”) combined with elaborate signal processing techniques ensure the highest signal integrity is maintained throughout the processing.
Video
Rating
Windows
- Win XP SP2 or above
- VST (32-bit / 64-bit)
- AAX (64-bit only)
Mac
- macOS 10.9 or above
- VST, AU, AAX (64-bit only)
Important note: the Mac version of this software is 64-bit only and will not function on 32-bit systems.
The Hoser XT
EQ by Boz Digital Labs
Images
Description
When you buy Hoser XT, you get its little brother, The Hoser, for free
The second in the series of David Bendeth signature plugins. Modeled off of a Ward-Beck Systems M462B hardware EQ unit, The Hoser makes a great channel channel EQ to give that cohesive feel to your mixes.
The Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.
When you buy Hoser XT, you get its little brother, The Hoser, for free.
Analog Sound – CPU Friendly
When we built The Hoser, we had two objectives:
- It must sound just like the hardware
- You should be able to use this plugin on every track without worrying about your CPU overheating.
After much trial and error, we finally accomplished this. The plugin stays true to the analog sound, allowing you to add extreme amounts of gain without adding the harshness of digital EQ. It does all this while using small amounts of processing power, to preserve your CPU for other plugins. It’s really the best of both worlds.
3 Channel Modes
While we were using the hardware, we couldn’t help but wish that we could use it in a mid/side configuration. It was just begging for it. So what was stopping us from making the plugin work in mid/side mode? Nothing, that’s what.
You can also process your left and right channels separately, which is a great way to add some stereo width to a mono track, or match the tone of a stereo source.
The Hoser vs The Hoser XT
When you buy The Hoser XT, The Hoser also comes with your download, but what is the difference?
The Hoxer XT
- Separate Mid/Side and stereo control, as well as standard stereo/mono mode
- Comes with The Hoser
The Hoser
- More compact design
- stereo/mono mode only
Video
Rating
Available Formats:
- Windows (32/64): VST2, VST3, RTAS, AAX Native
- Mac (32/64): AU, VST2, VST3, RTAS, AAX Native
When you buy Hoser XT, you get its little brother, The Hoser, for free
The second in the series of David Bendeth signature plugins. Modeled off of a Ward-Beck Systems M462B hardware EQ unit, The Hoser makes a great channel channel EQ to give that cohesive feel to your mixes.
The Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.
When you buy Hoser XT, you get its little brother, The Hoser, for free.
Analog Sound – CPU Friendly
When we built The Hoser, we had two objectives:
- It must sound just like the hardware
- You should be able to use this plugin on every track without worrying about your CPU overheating.
After much trial and error, we finally accomplished this. The plugin stays true to the analog sound, allowing you to add extreme amounts of gain without adding the harshness of digital EQ. It does all this while using small amounts of processing power, to preserve your CPU for other plugins. It’s really the best of both worlds.
3 Channel Modes
While we were using the hardware, we couldn’t help but wish that we could use it in a mid/side configuration. It was just begging for it. So what was stopping us from making the plugin work in mid/side mode? Nothing, that’s what.
You can also process your left and right channels separately, which is a great way to add some stereo width to a mono track, or match the tone of a stereo source.
The Hoser vs The Hoser XT
When you buy The Hoser XT, The Hoser also comes with your download, but what is the difference?
The Hoxer XT
- Separate Mid/Side and stereo control, as well as standard stereo/mono mode
- Comes with The Hoser
The Hoser
- More compact design
- stereo/mono mode only
Video
Rating
Available Formats:
- Windows (32/64): VST2, VST3, RTAS, AAX Native
- Mac (32/64): AU, VST2, VST3, RTAS, AAX Native