The Sweetest EQ Ever

Two Plugins for Music Production and Mastering.​

The exact models of Klangfilm RZ062a and RZ062b vintage EQ modules.

Both RZ062 plug-ins deliver pleasant vintage warmth and amazing presence to your vocals, instruments and entire mixes.

The Original

The RZ062 Equalizers were originally (in the 1960s) designed in Germany for installation in mixing consoles. They were supposed to permit arbitrary modification of frequency response in sound recording and reproduction in order to eliminate undesired studio acoustics, noise, or to produce certain acoustic impression or tonal colouring. Soon they accommodated in top European studios. Now, these 6lbs 300V powered units are extremely rare. Due to their inaccessibility and unmistakable sound, their price climbs over $12.000 per pair. But thanks to our precise circuit modeling technique, these jewels can return to your projects.

Common EQ vs RZ062

Nowadays producers tend to surf through various frequencies and spend hours on trying to find the sweet spot of their mix. But the vintage gear worked differently. The RZ062 EQ‘s controls adjust precisely selected fixed parameters. They are perfectly sonically balanced to give the immediate and no compromise results. In addition, the circuitry adds wonderful colour to the entire material.

RZ062a

The RZ062a and RZ062b modules differ in the function of the central knob. The a-module middle handle rotates the entire frequency curve by around the central point (650 Hz). When the bass frequencies are raised, the trebles are simultaneously lowered.

RZ062b

The b-module is even more complicated. Its presence knob lets you choose one of four frequencies (1.4, 2, 2.8 and 4 kHz) and adjust their gain at the same time. This parameter helps your sonic material to cut through very gently and sensitively.

The Model

To create these amazing plugins we had to emulate more than 200 circuit components. That includes 3 triodes, input and output transformers. It is not just any circuit but someone did a great job focusing on the details. Each part has its own thoughtful meaning. For RZ062 we used so called white box modeling. We described the whole circuit with complex math equations based on the circuit analysis. Eventually, the overall model was fine tuned by measurements and component-values fitting algorithm. to find as the closest model to the real device as possible.

In Use

"RZ062‘s place is everywhere where extra bass, treble or presence is needed while improving the overall colour, smoothness, and tightness of the sonic material. RZ062 is incredible on vocals, bass or acoustic instruments. 

But due to the advanced controls – the independent left/right channels tweaking or mid/side operation - the main point of the RZ062 EQs is the top quality mastering purpose."

Features:

• 2 EQ Plugins in a Bundle 
• Precise Valve Circuit Models 
• Left/Right and Mid/Side Controls and transformation
• Calibration 
• Input and Output Level Control 
• Auto Output Parameter (Link) 
• Smoothest EQ Sound Available

The World’s First Matching and Component Based Studio Plug-Ins

Pro Series Plug-Ins

Over the past decade, professional effects plug-ins have been about authentic analog emulation of original hardware, with either a black-box approach or circuit analysis and emulation. This gives musicians an easy-to-use user interface and faithful reproduction of analog tone in the digital domain.

Looking forward, the question is how we can create new tools to maximize the sound quality and usability with today’s new technology, with faster processors and memory, matching analysis, advanced nonlinear processing, and a cloud-based worldwide community. What can we do better, smarter, and more efficient?

Positive Grid teamed up the world’s brightest DSP engineers and component level modeling and matching authorities, working with the world’s leading producers, world-class engineers, and mixing & mastering gurus to develop some breakthrough technologies to bring software plug-ins to the next level.

The Pro Series EQ offers 3 revolutionary component based EQ: Digital, Tube, and Passive. It combines Positive Grid’s DSP engineering and component level modeling expertise.

Matching EQ

After years of research and development with the world’s best DSP engineers, we are proud to introduce a new way of EQ matching, one that truly recreates real world outboard analog equalizers – for the first time at component level. We used analog filters to match the frequency response for each EQ module: digital, tube, and passive EQ.

The EQ match works by analyzing the signal from the input track and side chain track – you can even see the frequency response of the matching process in real time. It then analyzes the difference curve between input and side chain, and automatically adjusts the controls to match the different curves.

The Pro Series EQ match process uses analog filters to match the frequency response difference, without adding post filters to compensate the frequency response difference. The end result is a more natural sound with real world analog sound characteristics.

Tube Equalizer

Loaded with 12AX7, 12AU7 and 12AT7 preamp tubes, the tube EQ captures the essence of analog EQ found in the best professional studios in the world, giving you the ultimate solution to add color and warmth to your recordings. It comes with low, mid, and high control panels so you can get a full frequency range control in one single EQ module.

Digital Equalizer

Provides the most clear and transparent digital EQ sound ever in a plug-in. With 5 bands plus high pass and low filter for each channel, its wide range control will give your mixes the necessary sound balance for professional use. You can also use the digital EQ module to shape your tracks tone without altering the output signal.

Passive Equalizer

With 3 band controls for each channel, the passive EQ module gives an authentic analog sounding EQ shaping for a more musical mix. You can use the available tube power amplifier emulation to add even more color to the output sound, and get that rich tone from real world tube amplifier EQ racks.

Features:

• 3 individual EQ - Digital, Tube and Passive
• Matching Technology captures any real world analog EQ nuance
• Component level modeling, virtually swap out components
• Extremely high quality audio processing architecture
• Download more EQ profiles (coming soon) 

The Trident A-Range equalizer is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range - David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...

It is sometimes said that one of the disadvantages of digital mixing and recording is that the happy accidents one could experience with analog gear just don't happen in the DAW. People saying that clearly haven't tried Softube's Trident A-Range equalizer.

Because the Trident A-Range is not only a tremendously nice sounding and highly characteristic equalizer. Its four frequency bands also have a way of integrating in sometimes rather unpredictable ways. More often than not you will find that the equalizer ends up giving you something even better than you may have expected when you made a certain setting. In this sense, the Trident A-Range is more of a musical instrument than a strictly scientific tool. We think this is one of the major reasons it has been used on so many great classic rock albums and why it's still one of the most coveted pieces of audio equipment around.

Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".

The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.

Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".

The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.

Features:

• EQ with a will of its own
• Created together with original designer Professor Malcolm Toft
• Each and every component carefully modeled
• Saturation control
• Very CPU friendly

The Summit Audio EQF-100 Full Range Passive Tube Equalizer really sets the standard for all passive equalizer designs. It is a highly versatile and sweet sounding equalizer that will solve most of the tonality issues you may experience in a mix. The EQF-100 is equally suitable for separate tracks as across subgroups or the entire stereo buss.

Flexibility and smoothness are the key features of this tube driven passive equalizer. Here's finally an equalizer you can use in your DAW to boost frequencies and not limit yourself to cutting. Four fully parametric bands of equalization plus low and high cut filters with three selectable cutoff frequencies each make the EQF-100 a go-to equalizer for any sound or instrument in your mix. A mix that no doubt will sound warmer and fatter with the help of the EQF-100 and its unique blend of tube and solid state technology. If you want more edge from your EQ, just drive the output meter into the red and you'll experience a woody and thick saturation coming from the output stage.

The kick drum is the backbone of many modern music genres, both electronic and acoustic. It’s Often times the thing you start with in a new mix, but to get it sounding just right can be a complex task.

A well mixed kick drum has a warm sounding low end, doesn’t sound too boxy and pierces through the mix in a very natural way. When designing KickBox, these are the qualities we’ve focused on, simplifying the mixing process for any modern kick drum.

The KickBox is modelled after analogue filters and separates the relevant frequency ranges in a very transparent way. KickBox can help you get your kicks sounding extremely tight in a matter of just a few clicks.

How to Use

KickBox can be used directly on both mono and stereo tracks. For most electronic kicks it is best used first or early in your mixing chain. For live recorded acoustic kicks however, it can be beneficial to use a shelving equaliser to achieve a general frequency balance before applying KickBox.

Equaliser

The EQ section of the KickBox has been stepped to target the most common areas of the frequency spectrum, allowing you to achieve precise balanced adjustments in a matter of a few clicks.

Each band has a frequency and db control and can be operated with simple click. The allows you to run through the values without looking at the plugin, so you can trust your ears and not your eyes.

The Q values allow you to zone in on the area you have selected. Value 1 represents the widest band width, with value 4 being the tightest notch.

Compressor

The compressor has been designed with a completely unique algorithm that has been designed to get your kick drums sounding punchy and clear.

The controls are the same Ratio, Threshold, Attack, Release and Make Up that are found on most compressors, so the workflow remains familiar to the user.

Limiter

Our new compressor algorithm allows users to drive their kicks like never before, with- out the fear of clipping. During testing, we achieved an RMS level of -5.8 without any distortion artefacts at all.

The limiter has no user editable controls, and will react in the best possible way to the signal being fed into it, so you can spend more time on the compression parameters, until the desired punch and thump is achieved.

Presets

Whilst the source material selected is the key to the results you can achieve, with KickBox we have created a small number of presets that can be found in the system presets dropdown.

To the right, you can see where the presets can be found within the system menu in Logic Pro X.

Alternative Applications

We designed the KickBox for kick drum processing, but as there are no rules in music, we decided to experiment with other source materials and discovered it also has many other interesting uses when used on other low end instruments like bass guitar, toms and other types of percussion. Why not experiment a little yourself.

Features:

• Fast and intuitive workflow.
• Analog modeled filters.
• Suited for electronic and acoustic kick drums.
• Extremely light on CPU and RAM.

Extremely Tight Drum Recordings & Percussion Loops in a Matter of a Few Clicks

Many modern music genres rely on groovy and danceable sounding drums and percussion. But because many drum and percussion loops come pre-mixed with different elements combined in a single track, it can be very difficult to make them work in a busy mix. 

We designed Percolate to help you separate and target the snare, hi-hat and percussion parts of such loops, providing you with an easy and fast workflow to create a balanced drum or percussion mix.

Percolate uses analog modelled filters that separate the relevant frequency ranges in a very transparent way, and can be used in combination with our KickBox plug-in to target the whole drum or percussion section in your mix.

Features:

• Fast and intuitive workflow
• Analog modeled filters
• Suited for electronic and acoustic drums and percussion
• Extremely light on CPU and RAM

Mix | Create | Repair

Pushing Boundaries with entropy:EQ+

The Entropy Module of frei:raum.

The new dimension of EQing simplifies the postproduction of the harmonic and inharmonic sound components of audio recordings - seamlessly and extremely fast.

The entropy:EQ+ is a plug-in that allows for both harmonic and inharmonic sound portions to be adjusted over the entire frequency range. Take this well-known feeling, for example: you’ve already run out of patience, but the snare triggers are still too muffled, while the guitar plucking sounds are way too dominant. It’s situations like this that have encouraged us to seek new ways of EQing and thus put an end to spending countless hours of studio time on postproduction. The entropy:EQ+ simplifies the editing process for the impact noise of drums, guitars and other plucking instruments, and introduces you to a whole new world of postproduction creativity.

Mix | Create | Repair

Pushing Boundaries with proximity:EQ+

The Proximity Module of frei:raum.

Meet the EQ plug-in that effortlessly edits the proximity of your audio sources. Whether it’s music or speech – the proximity:EQ+ gets you closer to premium sound.

It’s a rare occasion when you actually manage to put on tape the perfect mix you’ve had spinning around in your head. We’ve all been there: you’re entering postproduction with high hopes, only to realize that the sound of your first few seconds of recording takes you right back to your old rehearsal room in the basement. It’s to fix this problem that we developed the proximity:EQ+.

Thanks to its adjustable settings for direct sound and reverberation, this plug-in lets you retrospectively shape the room’s acoustics, any way you can imagine. This intuitive tool lets you turn fuzzy recordings into crisp statements, diplomatically put an overambitious singer in the back, or give that muffled bass the kick it needs.

TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi-parametric filter bands.

SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high-quality analogue audio gear, up to more obvious saturation.

An elaborate auto gain option automatically compensates for changes of perceived loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. “internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.

Besides the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, a frequency magnitude plot, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more. Finally, SlickEQ GE allows to exclusively process the stereo sum or stereo difference without external sum/difference encoding (see “M/S” microphony).

Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix. 

Since the explosion of software-based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide. 

At SoundSpot® they recognised that many software EQ’s are solely focused on being as transparent as possible and while transparency is certainly a virtue in some cases, they felt that the sparkle and unique character that boutique hardware adds was not being delivered in the software realm. 

With this in mind, SoundSpot set out to build a plugin with its own personal character that will truly give a hardware flavour to software mastering.​

The Interface

The Overtone interface has been designed to give the feel of an analogue EQ, which may seem slightly alien to those of you not familiar with using hardware. It may even seem a little old fashioned, but SoundSpot can tell you that sound is not the only reason that studios insist on using these units. 

When you are deprived of visual information, you are forced to trust your ears and make decisions based on what sounds good, and not what looks like the EQ curves you’ve seen on YouTube tutorials. As a result, you’ll get a better mix with less second-guessing.

Saturation

There is a theme with many software EQ’s to sound as transparent as possible, and whilst transparency is indeed a virtue, SoundSpot felt that the digital age has brought too many neutral-sounding plugins that differ based on functions and not the character of the sound. In the past, hardware EQ’s were selected for the unique character that they would bring to a mix, and so SoundSpot set out to create a software EQ with its very own flavour.

This character is achieved by adding a saturation effect only to the boosted signal, which adds pleasant harmonics, creating a sense of warmth and clarity.

SoundSpot does however appreciate there is a need for transparent equalisation, so they designed the plugin to be volume independent when at neutral settings, and volume-dependent when boosted. What this means is the unit will remain transparent for cuts and add saturation to boosts.

SoundSpot realised that some users will want to boost without the saturation, so they designed the plugin to react based on the input signal. If you feed a lower signal into the Overtone, the saturation will not kick in. Conversely, the more you drive the input, the more dramatic the saturation giving you the best of both worlds in one unit.

Solo - Stereo & Mid/Side

The Overtone has two settings you’ll all be familiar with, Stereo and Mid/Side mode. This allows you to get the overall mix balanced first, then switch into Mid/Side to create a more open stereo image. Combine this with the solo buttons allowing you to independently process the mid or side without hearing the other, and you’ve got some seriously accurate equalisation possibilities.

Notched Frequencies

When SoundSpot set out creating the Overtone, they wanted to mimic the notched frequency ranges found within boutique hardware mastering equalisers. These frequencies have been tried and tested to be both versatile and deliver fantastic results. 

Whilst SoundSpot used these frequencies as a starting point, they felt the ranges could be improved and after extensive research, SoundSpot found a frequency range with very specific crossover points that were more harmonically pleasing and had a greater musical feel than the hardware counterpart. 

Intelligent Channel Linking

Many EQ’s will make a direct copy from left to right when the channel link button is pressed. When linking is set up in this way, it provides a very rigid user experience, with users often finding they lose the settings they wanted to keep. Our intelligent linking system makes linked editing much more flexible and intuitive for the user, by allowing you to individually select control on either side of the plugin, which is then mirrored on the opposite side.

MTurboEQ is a unique vintage-style equalizer inspired by most of the well-known classic hardware. It's not one of them, it's all of them! For quick and easy equalization with pristine results.

Equalization reinvented for easier and faster workflow

MTurboEQ speeds up the workflow tremendously by providing access to so many classic equalizers in a single click. But it doesn't stop there. The controls in each hardware were very different, and very weird in many cases, so one had to take a lot of time learning to work with such a clumsy interface. All models in MTurboEQ have pretty much the same user interface and features. There is always a low-shelf and a high-shelf, the most essential filters. Then there are usually 4 peak filters, even if the original had just one, and they always work the same way. And of course there are the classic goodies such as high-pass and low-pass filters (which are used on pretty much all tracks these days, but not many vintage equalizers actually had them), saturation to get some of the analogue feel, dry/wet for easy control of the amount of equalization, automatic gain compensation to avoid loudness trickery, mid/side/surround and more...

Stepped vs. Continous

Some people just like lots of versatility, others prefer having limited options. MTurboEQ provides both options. In Stepped mode almost everything has limited values - predefined frequencies for each filter, gain increasing by single decibels etc. It is much faster to make a decision this way, especially since bigger differences are easier to compare by ear. And when (if) you are ready, you can just switch to Continous mode for fine-tuning. MTurboEQ then lets you access all of the frequencies etc., even if the original hardware (and all emulations) didn't have that. Courtesy of the digital world.

We did the hard work, you equalize!

There is no doubt, that you could do 99.9999% of the sound of any analog equalizer using a versatile parametric equalizer, such as MAutoDynamicEq. It's just frequencies and curves after all, there's no hidden magic. But the analogue equalizers have one big advantage - the design. They provide access only to what you will likely use, configured in such a way, that it all just sounds good from the beginning. We analyzed these designs, copied what we considered useful, trashed the rest (such as noise, hum, pointless overall gain changes...) and now we serve you a finished equalizer, which you can just plug in, turn a few knobs and you are done. It's fast and the results are great, that's all, no magic.

Helper Equalizer 2 is also available in the Helper Series 2 Bundle.

Helper Equalizer 2 is a unique and versatile equalizer plug-in that contains special features with excellent workflow and a simple-to-use user interface. Unlike any other equalizer plug-in, you’ll get to play with 5 different EQ shapes to shape your sound better.

You have only 3 knobs to play with in this plug-in but do not be fooled by its simplicity. With the frequency knob, you can determine which frequency to be affected by the equalizer itself. With the gain knob, the volume of the sound can be increased or decreased to bring out the muddiness or to give some air to the sound. With the quality knob, you can adjust the filter slope to effectively equalize your sound. Although the gain knob and quality knob are not available in certain filter modules, they are still vital to proper audio equalizing.

You can also choose to effect different types of audio signal from the audio source – Stereo, Mid, Side, Left & Right. Imagine what all this unique feature offers you.

With the input and output gain control, proper gain staging can be done before and after the saturation process.

Timeless Equalizers Revitalized

Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.

Now combined into a single plug-in, which not only improves the workflow but allows for a revitalized approach to the sonics using Softube's latest digital signal processing technology, the Tube-Tech Equalizers Mk II are a huge step forward for an already phenomenal pair of processors.

By combining the PE 1C and ME 1B equalizers, Softube have made a new beast which benefits from Softube's latest signal-processing technology. Sound engineers all over the world praise the 'Pultec' tube-driven passive equalizer PE 1C for its super huge bass and its silky shiny treble. The all-new high-res graphics look absolutely stunning on any display.

Long and Happy Partnership

As long ago as 2006, Softube formed a partnership with Tube-Tech of Lydkraft, Denmark, and began work on what would become the definitive plug-in representations of Tube-Tech’s best and most highly-prized analogue hardware units.

In 2018 Softube released the updated Mk II versions; a total ground-up remodel of the CL 1B compressor, and a single combined EQ plug-in, taking advantage of Softube's latest signal processing technology. Softube also added stunning high-resolution graphics and additional features to make the best even better.

Much More Than Function

Fat, tube-driven, passive equalizers can be so much more than functional tools. They impart character and style to any source; drums, synths, vocals, guitars, strings, brass… you name it! As such, they’ve been sought after in top-of-the-line international studios for decades, and their sound enriches the textures of thousands of classic records, in every genre you can imagine.

Quite a Few Tricks Up Its Sleeves

Try, for example, the famous 'Pultec' low-end trick. Because the filters for the low-frequency boost and attenuate functions are slightly offset in frequency (despite being controlled by the same frequency knob) it’s possible to create attractive and well-focused bumps or cuts in the low end by boosting and attenuating simultaneously. Give a kick drum more body, for example, by boosting heavily at 60 CPS and then attenuating to deal with the muddiness. The bump will remain, but you’ll have cleaned up too.

Unmatchable Together

The ME 1B was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it's a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full-featured equalizer.

Straightforward Interface

The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low-Frequency Peak, Mid Frequency Dip and the High-Frequency Peak. The only confusing thing is that the midsection never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C 'Pultec' Equalizer you'll find that these equalizers complement each other perfectly.

The Oxford SuprEsser DS offers simple and precise control of aggressive frequencies between 1kHz & 20kHz – using the combination of 3 listen modes and a clear FFT display. Hear and see where to focus the Plug-In’s filters before dialling out a problem tone with a single control. There’s a simple mode for quick fixes with an advanced mode to hand for increased functionality and fine-tuning.

Available in the kiloHearts - Equalizers Bundle

Graphic equalizers have stayed the same for a long time, but Carve EQ takes the next big step in evolution.

Carve EQ is a 31-band graphic equalizer, that runs laps around the competition. Innovative new tools, and loads of EQ profiles from famous songs makes sure you'll get your desired results in no time!

Carve EQ has a very advanced filtering system hidden under a small set of efficient and deceptively simple tools, to give you perfect control in any situation.

Perfect sound: Carve EQ won't let anyone down soundwise. Using top of the line, digitally clean filters it will give you a crisp result every time.

Workspace layout: With a recognizeable workspace layout the Carve EQs user interface makes sure you will quickly find your way to all the features.

Really fast!: All Kilohearts plugins get the job done quickly. That way you can stack them high without worrying about performance issues.

Size does matter: The Carve EQ workspace is freely resizable and you can set the UI scale to match your preference.

Snapin compatible: Carve EQ works with our excellent Snapin hosts. Check out Snap Heap for instance.

Precision all the way: The point selection tool lets you control single bands perfectly with clearly labeled axes. You can also select multiple bands at once and make exact changes where you need them.

More of a feeling: Carve EQ excells at letting you smoothly work with sections of the spectrum through the awesome "Sculpt tool" that adds a peak that you can drag around and modify easily.

Compare your work: Using others sounds or songs as a reference has never been easier. Choose from the factory profiles or create your own from any WAV file. You can also use a sidechain channel as a reference.

Match EQ: Do you like that special Taylor Swift sound, or the whole Surrender album by The Chemical Brothers? Simply steal the mastering of any audio and let Carve EQ apply it to your song in seconds.

Tired ears? When EQing you can sometimes start having problems determining if your are actually making things better or worse. Use the A/B comparison tool to make your way forward.

EQ in stereo: Are you used to working in Left/Right, or Mid/Side? Either way Carve EQ present your work in a way that is intuitively understandable at a glance.

Fatmaker

Singomakers are very proud to present their brand new plugin Fatmaker. 

Fatmaker is not just a regular equalizer, it's a multiband saturator mixed with different processing chains for each band and a powerful equalizer created for the best mixing and mastering results!

It works perfectly on Synths, Drums, Basses and Vocals! 

Fatmaker has already been championed by professional Sound Engineers and A-list Producers from all over the world. We are sure you will enjoy it too!

Live never felt so good.

The new adaptive equalizer from sonible continuously analyses audio signals and optimizes them in real-time. smart:EQ live has your back, so you can focus on the things that really count when mixing live.

• Latency-free smart:engineTM for any live situation
• Optimally balanced sound within seconds
• Additional safety net for hassle-free mixing

smart:EQ live is the award-winning smart:EQ as latency-free live plug-in. The high-precision adaptive filter of smart:EQ live analyzes audio signals, interprets them musically and compensates spectral imbalances in real-time. The plug-in leads to a more transparent sound image within seconds and enables a streamlined workflow for live sound mixing. 

Live sound engineers are all too familiar with stressful circumstances. Often there is little or no time for sound checks and proper preparation. Engineers constantly have to deal with unexpected situations and need to make substantial decisions within seconds. sonible developed smart:EQ live to take some pressure off of them and enable new workflows in live sound. The plug-in completes basic repair tasks for you and helps to produce a homogeneous, clear sound image at every venue. 

Improving the live workflow has been the main objective from the beginning: “Live technicians can now focus more on the musical experience for both artists and audiences instead of having to troubleshoot all the time”, explains sonible CEO Ralf Baumgartner, who himself has over 15 years of experience as a live sound engineer.

Hand in hand: Fully controllable AI

smart:EQ live belongs to the latest generation of AI mixing assistants. Rather than offering a one-size-fits-all solution, however, sonible provides a sophisticated and powerful EQing tool. The plug-in provides detailed but intuitive controls and allows adjusting the algorithm to the mixing task at hand. Informed by years of hands-on experience, the practice-oriented selection of parameters facilitates a targeted adaptation and control of the smart:engineTM algorithm to your purposes. Bandwidth, responsiveness and the weighting of the autonomous calculated filter curve can be precisely defined. The threshold and the limit line of the smart-band primes the algorithm for the essential signal components.

Custom-made profiles add even more flexibility by optimizing the smart algorithm for different source signals. The profiles tell the AI what kind of instrument or voice it deals with. Similar to a preset, the user can edit and save them individually.

All the world’s a stage: from intimate concerts to international broadcasting

In addition to helping to mix at concerts, smart:EQ live also brings significant advantages at corporate events and live broadcasting. The software is perfect for complementing other adaptive live technologies: it handles challenges like less-than-ideal microphone positioning or fast back-and-forth switching between different speakers without any artifacts.

On top of that, smart:EQ live can also function like a capable safety net. The adaptive filter banks are very resistant to feedback. They automatically detect and eliminate critical resonances. The smart-band intervenes long before the relevant parameters can be accessed manually by the user.

Available in the kiloHearts - Equalizers Bundle

Cut, or enhance, frequencies with surgical precision using Slice EQ. And modulate your filters for some really cool effects. Slice EQ is an advanced parametric equalizer, with great modulation potential, especially when combined with Snap Heap. Slice EQ offers you everything you need to create mathematically perfect filter combinations to get your music exactly where you want it to go.

Perfect sound: Slice EQ won't let anyone down soundwise. Using top of the line, digitally clean filters, it will give you a crisp result every time.

Workspace layout: With a recognizable workspace layout the Slice EQs user interface makes sure you will quickly find your way to all the features.

Really fast!: All Kilohearts plugins get the job done quickly. That way you can stack them high without worrying about performance issues.

Download & install: Once your purchase has gone through you will get an email with installation instructions. With our custom installer, it couldn't be easier.

Size does matter: The Slice EQ workspace is freely resizable and you can set the UI scale to match your preference. This can be very handy at times.

Snapin compatible: Slice EQ works with our excellent Snapin hosts. Check out Snap Heap for instance.

INSPIRED BY THE EQUALIZERS THAT SHAPED THE MUSIC OF THE 20TH CENTURY

The EVE-AT1 is an equalizer modelled after the classic Neve* 1081. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.

The Kuassa EVE-AT1 is an EQ inspired by the design of the legendary Neve* 1081 that is known for its clear, smooth, and very musical characteristics. We are thrilled by the sound and present this EQ as a modern tribute to one of the most influential audio tools ever created.

EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 possesses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 implements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-around utility.

The AT1 was designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. It is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.

Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head?

Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. 5 bands of the ultra-musical Type-3 EQ curve can be overlapped to bring unparalleled control and characteristic Sonnox transparency to your single sources, instrument groups and 2-bus alike.

The Dynamic EQ introduces unique features such as the option to engage the effect by onset (transient) detection – very useful when working with drums and percussion. Additionally, mid-side processing can be used to enhance a vocal without affecting side-channel balance or to open up a mix by focusing low-end energy in the centre.

This highly-tweakable space-carving capabilities of the Dynamic EQ will be a welcome addition to your mixing arsenal.

Note: This product is the HD version. You can purchase the Native version HERE.

The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.

Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.

The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.

Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

Please Note: This product is the Native version. You can purchase the HD version HERE.

The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.

Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.

The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.

Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

Note: This product is the Native version. You can purchase the HD version HERE.

The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.

All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.

Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

Note: This product is the HD version. You can purchase the Native version HERE.

The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.

All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.

Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

Note: This product is the Native version. You can purchase the HD version HERE.

The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.

All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.

Note: This product is the HD version. You can purchase the Native version HERE.

The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.

All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.

MEqualizerLP mastering 8-band equalizer plugin is a surgical tool necessary for every mastering engineer. It has a crystal clear sound with minimal distortion (measured below -160dB). It doesn't smear transients or create mud, nor does it alter the imaging and depth information of the original sound. It is especially useful for enhancing or correcting difficult material like vocals, instrumental soloists and groups, orchestral recordings and complex mixes, without introducing any unwanted colouring.

Features

• 3 equalization algorithms with (approximately) the same frequency response - true bidirectional filtering algorithm, FFT algorithm and standard minimum phase equalization. Bidirectional filtering provides maximal accuracy and minimal noise ratio. As a supplement MEqualizerLinearPhase implements a standard equalization and FFT algorithm adopted in most cheap linear-phase equalizers.
• Adjustable dry/wet mix - what is impossible for common equalizers due to phase alteration is not impossible for MEqualizerLinearPhase! Using just one slider you can have complete control of the amount of performed equalization.
• Q in range 0.05 to 10 with protection against pops and crackles.
• Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
• 7 filter types for each band. - peak, low-shelf, high-shelf, low-pass, high-pass, band-pass, notch.
• Advanced editor and smooth visualization of resulting frequency response. All parameters are adjustable from the graph. No more searching in complicated band editors. Just click on a band and configure all of the parameters from filter type and gain to advanced features such as harmonics control. Everything with almost infinite precision if you need maximum control.
• Enable, Q, and Actual source level indication inside the shape graph.
• Integrated tube saturation gives the sound a great vintage analogue feel.
• Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
• Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
• MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully Automatable.

MFreeformAnalogEq is a unique equalizer, that allows you to draw any frequency response you wish and then attempts to match the response by applying analog filters using our MeldaProduction Filter Adaption technology (MFA). If the response you draw can be achieved using analog filters, then MFreeformAnalogEq will create it for you so now there's no need to worry about complicated parametric equalizer settings anymore. MFreeformAnalogEq combines an extremely quick and easy-to-use interface with the highest analog audio quality available.

Features

• Freeform equalizer with range up to -64dB..64dB editable using the MeldaProduction Envelope System (MES).
• Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
• Integrated tube saturation gives the sound a great vintage analogue feel.
• Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Adjustable up-sampling 1x-4x to minimize aliasing and get an even clearer sound.
• Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
• MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully Automatable.

MFreeformEqualizer is a FFT based linear-phase equalizer which can provide virtually any frequency response and may save you when other methods have failed. Using MFreeformEqualizer you can literally draw any frequency response you may want. You can correct problematic frequencies with surgical accuracy, play with the spectrum, or even create interesting effects.

Features

• Freeform equalizer with range up to -64dB..64dB editable using the MeldaProduction Envelope System (MES).
• Integrated powerful spectral analyzer and sonogram - despite the main judge should always be your ears, the plugin offers an outstanding spectral analyzer combined with a sonogram with truly unique features such as super-resolution (which provides higher resolution in bass frequencies) or deharmonization (for easier analysis of fundamental frequencies).
• Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
• MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• 64-bit processing and an unlimited sampling rate, recommended maximum is 384kHz.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully Automatable.

MAutoDynamicEQ is the ultimate "go-to" parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital!
Melda Production's Adjustable Slope Filter (MASF) technology gives you natural sounding, versatile filters that are free of the resonance associated with other equalizers. Each highly adjustable and dynamic band let's you fix problems easily, whether you are putting together a mix, or, tackling compression, expansion or de-essing tasks.

Melda Production's Filter Adaption (MFA) technology can actually perform your equalization for you based on an analysis of your recording, another recording or even your own 'drawn-in' spectral content!

They've included a whole host of other useful features too. Their integrated analyzer and sonogram lets you quickly see the structure of your audio material, while the high-pass and low-pass filters offer slopes from 6dB/oct up to 120dB/oct. There's also soft-saturation that adds a character normally only associated with analog consoles. And of course there is mono/stereo processing, upsampling, A/H presets and much more! The plugin even comes with 4 advanced modulators, just in case you feel like being creative..

MAutoDynamicEQ is extremely versatile, useful for everything from mixing to mastering!
You can make your recordings sound professional. You can ensure all of your recordings on your new album sound similar. You can let MAutoDynamicEq fit a track into a mix using spectral separation feature. You can draw your desired frequency response. In any case MAutoDynamicEq will find the best settings and configure the parametric equalizer bands for you.

The Ultimate SSL EQ for your DAW

X-EQ 2 is the ultimate SSL EQ toolkit for audio professionals. Built upon SSL’s proprietary anti-cramping algorithms, X-EQ 2 simply sounds stunning. With 17 different classic and modern EQ type/curve options, X-EQ 2 is a formidable and powerful contender to be your new ‘go-to’ EQ plug-in.

X-EQ 2 is a highly configurable 24-band EQ plug-in, featuring unique anti-cramping algorithms for an unparalleled open and transparent sound. It’s the ultimate EQ toolkit, with 17 different EQ types and filter shapes. Each band is switchable between bell, shelf, low pass or high pass filter types, with both classic and customisable shapes available for each band. It features brand new spatial processing options, band soloing, and the classic X-EQ 'Parallel' mode for recreating the characteristic sound of old parallel passive EQ circuits.

Important Note: This product is only compatible with Windows operating systems.

The Pro EQ is a high end analogue processor designed for the most demanding producers and mastering engineers. Modelled on gorgeous EQ's from the likes of SSL and Neve the Pro EQ is now used in a large number of high end studios

Features:

• Analogue Modelled EQ Processor
• LF/LMF/HMF/HF
• High and Low Pass Filters
• 29 Presets for all kinds of instruments and scenarios
• Professional GUI Design
• Very low CPU usage

Blue Cat's MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks.

Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the "stereoness" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility.

The plug-in can also operate as a multiband VST Host: you can process each band independently with your favourite VST plug-ins! Up to four plug-ins can be loaded on each band, pre or post-fader. Latency compensation presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation.

The plug-in also proposes unique linking and grouping options thanks to our multi-instance technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks.

And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what's exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response.

Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat's MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential. 

Typical applications: Multiband levels correction, multiband VST hosting, spectral enhancement, multiband stereo widening, multiband stereo placement, frequency isolation, EQ, spectrum inspection, mastering, spectrum-based side chain effects, apply audio effects to a selected frequency range, VST plug-in bridge.

Features

• Multiband mixing console: adjust the levels, panning and "stereoness" of each band separately.
• Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.
• 30 built-in effects for multiband processing: EQ, filters, pitch & frequency shifter, delays, reverb, modulation effects, compressor, gate, bit crusher, wave shaper and more.
• External side chain support for sub-plug-ins on each band.
• Parameters Mapping: map sub-plug-ins parameters to automate them or use a control surface.
• Flexible Audio routing: connect sub-plug-ins i/o to any audio channel for multi-mono effects or creative side chain.
• Pre and post-fader VST/VST3/AU plug-in inserts, with full latency compensation.
• Up to 7 bands, with crossover filters from 12 to 192 dB/Oct for optimal separation.
• Multiple instances linking: group bands within a single instance or between multiple instances of the plug-in. Modify the spectrum on multiple tracks with a single slider.
• Bypass, mute, solo on every band.
• Mono switch on master for mono compatibility check.
• Dual Mode: independent left and right or mid and side channels control.
• Complete visual feedback with real-time response curves, spectrogram, and levels display for each band.
• Sidechaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.
• No additional latency.​

Blue Cat Audio Standards:

• Available as: Mac-AAX, Mac-AU, Mac-VST, Mac-VST3, Win-AAX, Win-VST, Win-VST3, Win x64-AAX, Win x64-VST, Win x64-VST3.
• Native DSP code for optimal performance.
• Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
• No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
• Customizable user interface with transparency management and zoom.
• Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
• Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
• Undo/Redo.
• Fully-featured integrated presets manager.
• Copy/paste the state of the plug-in between instances using the system clipboard.
• Any sample rate supported.

A great sounding EQ is essential to any mix. Which EQ to use can vary depending on artistic requirement, but quality and flexibility are both critical at all times. What if there was one Plug-In with four distinct EQ types – from surgical to musical – with a track record of being used to mix the biggest hits, films, and live shows?

Enter our flagship Oxford EQ, a Plug-In that traces its heritage to the original EQ section on the acclaimed Sony OXF-R3 digital console. Hallmark sonic transparency meets a simple and interactive interface – resulting in quick, confident and great sounding mix decisions.