Spring Reverberator

Shake, Rattle, and Roll

A flexible spring reverb box-of-tricks. If you're familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

AlgoReverb Module of ReSample

AlgoReverb is an algorithmic reverb with sophisticated delay line designs. The original design is to resemble a classic hardware algorithmic reverb designed around the 80s.

A great sounding reverb is arguably one of the most important factors in achieving a full and atmospheric mix, and with that in mind, the SoundSpot® team set out to create a reverb that can deliver to the demands of modern production. After many months of development, we are proud to announce the arrival of the Oracle Algoverb.

The Oracle is a one stop shop for all your creative reverb needs and can be used on any sound source to great effect. From adding a sense of depth to piano melodies to making synthesised soundscapes sound huge, the Oracle has it covered.

Features:

• Intuitive, easy to navigate user interface
• Designed to work flawlessly with touch controllers such as the Raven by Slate Media
• Stereo imaging controls for accurate placement in the stereo field
• Analogue style compressor with visual waveform feedback
• Bandpass filter to sculpt the sound and remove unwanted frequencies
• LFO effect to create movement to the amplitude of the signal
• Flanger effect to keep your reverbs interesting
• Saturation effect to add warmth or distortion to the signal
• Preset manager to save & share your own reverb designs

Reverb

As modern music can be a highly complex affair, with the layering of software instruments common place in most productions, the need for a CPU efficient reverb is increasingly important. As impulse response reverbs, otherwise known as convolution reverbs can be highly CPU intensive, we decided that developing an algorithmic reverb was the way to go, and set out to create a signal that was sonically pleasing, but lightweight and versatile.

We happily succeeded in the DSP department but felt there must be a better way to visualise the signal, so we created the Sinescope. The Sinescope reacts to the signal in a way that sound waves would if they were reflecting off a surface, with the initial wave dissipating over time. The Sinescope visualisation allows you to monitor the tail of the reverb, and make accurate mixing decisions based on other sounds in the mix.

Imaging

Having a great sounding reverb is a wonderful thing, but things can quickly become messy when the available space in the stereo field is limited, so it’s important to have the tools to place the reverb signal in the perfect place. With this in mind, we included our best selling mono/stereo maker algorithm which allows you to narrow or widen the reverb, depending on your goals. But we didn’t stop there. We realise that once you have the perfect width, you will need to pinpoint a position in the stereo field with the reverb, so we included our best selling mid/side panning algorithm as well, to help you get the precision placement you need.

Filter-Cut

No reverb would be complete without the ability to shave off areas of the signal to prevent muddying the mix, so we included the analogue style filters from our Overtone plugin to remove any unwanted frequencies without affecting the original signal. The filter section allows you to select the low and high-frequency range with slope controls from 12dB to 48dB octave and also see visual feedback from the spectrum analyser.

Saturation

Saturation is that age old technique that adds that little something extra to your sounds, and as many producers add saturation after the reverb on their signal chain, we felt it only right to include this into the Oracle. But we haven’t added just any saturation… We’ve taken the same algorithm found in our powerful Halcyon plugin along with the unique FFT graph which clearly displays the additional processed signal in the red graph. We’ve also included the attack and release parameters, so you can have hard distortion to warming and everything in between.

LFO

Adding movement to your sounds will keep listeners tuned in and engaged with your music. After this feature was so well received on our Halcyon plugin, we decided to experiment with LFO and reverb, and we’re so glad we did. The LFO function auto syncs with your DAW, as can do everything from gradually build the reverb signal over time giving a sense of tension and anticipation to your sounds, to ducking the kick drum keeping your mix tight and atmospheric. The LFO feature has 4 wave shapes which can be inverted to produce a variation to the effect, whilst the time sync ranges from 1/32 to 32 bars, so there’s a setting for all requirements. The range control allows you to choose the depth of the effect, from pumping to subtle.

Flanger

The flanger combined with the other effects in the Oracle, allows you to really make something unique. This effect can be used to add a unique touch to your sound and works especially well on percussive instruments and sound effects. You’ll find familiar controls of rate, depth, feedback and mix, along with the ability to switch between mono and stereo. Plus the visual display allows you to see what the effect is doing.

Compressor

Last but not least is the compressor settings. We knew that most producers add a compressor after their reverb insert to help make the signal more audible in a busy mix, so we added a compressor with a visual display that allows users to actually see what is happening to the waveform. 

Simply pull down the threshold bar to the desired level and adjust the ratio, attack & release to see in real-time how the sound is being altered. The grey area shows the amount of compression taking place, making it simple and accurate to dial in just the right amount of makeup gain.

Rob Papen RP-Verb 1 users can upgrade HERE.

After the original RP-VERB came out, it quickly became loved by many (famous) producers worldwide. It's dense and warm sound made it legendary and a go to reverb for many.

As usual, the Rob Papen brand always seeks new directions and for many, it won’t be a surprise to find some new creative tools inside RP-VERB 2!

Most intriguing in RP-VERB 2 – next to a great sound – is the new ‘Reverser’ section! This allows you to reverse the reverb sound in a very creative way. It can be tempo based and controlled easily…. Awesome for creating some unique fresh sounds. The Reverser is fantastic on any sound, from vocals to drums…. loops…you name it.

We have also added even more inside RP-VERB 2 for controlling and changing the sound. There is an ‘Envelope Follower, ‘Envelope’, ‘LFO’ and a ‘Mod Matrix’ to control the parameters!

Last but not least there is the ‘Distortion’ module inside RP-VERB 2 featuring several useful algorithms. You will be stunned at what an amazing influence this can have on the reverb sound and not only for drum and percussion sounds!

Various presets are included to display the amazing fresh new RP-VERB 2 sound.

Features:

General Controls:

• Dry / Wet control.
• Wet-only button.
• FX bypass button.
• ECS (external MIDI controller setup).
• ? Displays the 'User Guide'.

Preset Section:

• Presets are stored as files in clear categorised bank folders.
• 500 presets.
• 'Quick Browser', 'Recently Browsed' and 'Favourite' functions.

EQ:

• High-quality EQ based on the RP-EQ algorithm.
• Post audio routing option.
• Low shelve at 80Hz (20dB).
• High shelve at 12kHz (20dB).
• Mid sweep with Q control and frequency range 20Hz-20.5kHz (20dB).
• On/Off control.

Distortion:

• Types are Fold-over | Fuzz | Power | Saturation.
• Amount 1 control.
• Amount 2 control for sound adjustment.
• On/Off control.

Ensemble:

• 6 voice chorus.
• Amount control.
• Routing into reverb or direct + reverb.
• Volume control.
• Speed control.
• On/Off control.

Early Reflections:

• Complex Early reflection algorithm.
• Routing into reverb or direct.
• Length / damping / side-feedback / side-feedback / cross-feedback control.
• On/Off control.

Reverb:

• RPCX Algorithm reverb.
• Models: Hall Clean | Hall cave | Hall Warm | Room Cold | Room Edged | Room Storm | Vintage Type 1 | Vintage Type 2 | Space Orbit 1 | Space Orbit 2.
• Reverb Size control.
• Reverb Length control.
• Pre-delay with disorder control.
• Tempo Sync option for Pre-delay.
• Damping control.
• Low-pass and Hi-pass filters with On/Off buttons.
• Volume control.
• On/Off control.

Late reflection:

• Late reflection delay.
• Routing into reverb or direct.
• Length control.
• Tempo Sync option.
• Damping control.
• Volume control.
• On/Off control.

Reverser:

• This takes in the reverb signal and reverses it.
• Display Length control.
• Tempo Sync On/Off.
• Reverb only control (in off state everything is reversed).
• Trigger Level control.
• Trigger Offset control.
• Retrigger Time control.
• Reverse Time control.
• Attack control (reversed sound).
• Decay control (reversed sound).
• Mix control (between the reversed and normal output).
• On/Off control.

Envelope Follower:

• Special Envelope for 'Gated Reverb' effect and more.
• Tempo sync option.
• Mono input option.
• Latch mode option.
• 2 additional free destinations with amount control.
• On/Off control.

Envelope:

• To control RP-VERB 2 parameters.
• Tempo sync option.
• MIDI trigger option.
• Host trigger option.
• Trigger threshold.
• Attack, Hold and Release.
• Loop function.
• 2 destinations with amount control.
• On/Off control.

LFO:

• To control RP-VERB 2 parameters.
• Tempo Sync option.
• Speed control.
• Waveform control with phase.
• MIDI trigger option.
• Default starts at start music program.
• 3 possible destinations with amount control.
• On/Off control combined with Mod Matrix section.

Mod Matrix:

• 3 possible sources which include the Envelope Follower | Envelope | LFO | Offset | MIDI controllers.
• 3 possible destinations with amount control.
• On/Off control combined with LFO section.

Trigger:

• Selecting trigger for the Envelope or LFO.
• Source: Host (music program start) | Note | Pitch Bend | Mod Wheel | Breath Controller | Foot Pedal | Expression Pedal | MIDI Controllers 16-21 84-90.

Now NKS Compatible!

Creative Multi-Algorithm Reverb. VST, AU and AAX.

XenoVerb is a versatile reverb processor featuring both classic and creative reverb algorithms delivering a wide range of reverbs with a clean and simple interface.

A concept ‘verb, come alive

Toraverb was never meant to be an emulation, approximation or recreation. D16 did not implement any "off-the-shelf" algorithm or impulse response. Unlike a classic unit such as spring, room, hall or plate, Toraverb is a concept in its own right. Using a set of easily accessible parameters, Toraverb allows the user to create practically ANY type of algorithmic reverb. D16's goal was to create something which would sound beautiful no matter where the knobs are.

Reverb is a critical effect in a mix. A good digital reverb depends on the algorithms used and their implementation quality. Usually, reverb is used as a send effect in which many channels in a mix are routed to it. If a poorly designed plug-in or hardware unit is used, the end result is tinnier/muddier mixes, with reverb tails sounding like they’re being torn off inhumanely.

The Utmost Diffusion Quality

In Toraverb, D16 designed a diffusing network of the highest possible quality based on modified all-pass filters and implemented fine-tuned parameters, eliminating almost all unwanted flutter echo effects across diverse sound sources. That’s fancy talk for “ D16 made it smooth and easy to tweak.”

Two Parametric EQs

Toraverb has two independent, single-band, fully parametric equalizers; one for each reflection engine. With low shelf, peak and high shelf options, they become incredibly useful in shaping the colouration and character of the reverb as well as intentionally sustaining certain frequencies in your source.

Modulated Tail

Toraverb also has an additional modulation parameter, which affects the diffusing network. These are responsible for the distribution of the sound waves reflections in time. By changing the modulation, the sound of the reverb tail can be altered to give a more realistic effect of sound propagation. Modulation amount is controlled independently for early and late reflections.

Realistic Cross-Talk

To give an even better impression of physical space, D16 added an innovative spatial reflection algorithm to Toraverb. This improves spatial reflections by interjecting some reflected stereo waves between both stereo channels. This models what happens in the real world when a single, localized sound source is reflected and becomes audible to both ears, allowing for spatial localisation as well as a heightened sense of realism.

Early, Late-ish, Hall & Plate-ish

A quick, convenient blend between Early and Late reflections. Now with balance parameters, for both reflection types, working in Left / Right or Mid / Side modes allows for retro reverb panning, or mono’ing your low-frequency early reflections while widening your longer, high-mid tails!

Built-in Ducker

Essential functionality in most studio situations. Toraverb features a built-in ducker, which compresses the FX signal's amplitude proportionally to the loudness of dry/unprocessed input, thus saving an overall output signal energy. Such a tool built into the plug-in is a real time-saver for any music producer or studio engineer. No need to employ any additional side-chain compression unit into your fx chain and simplify this aspect of use to the minimum.

Good Verb Gone Bad

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favourite DAW.

MangledVerb starts with a variable pre-delay which feeds a stereo reverb into a complex distortion effect. Sonically it can range from the light friction of a bow scraping a cello string to the mayhem of a caged beast being poked with a red hot flounder.

Tweak it Live

Like all the H9 Signature Series plug-ins, MangledVerb excels in live situations. The Ribbon is an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them. The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls brings you as close as possible to the experience of tweaking real hardware.

Revolver is a high-powered convolution reverb that operates like no other, providing total impulse response control, dedicated and routable EQ, two sync-able delay lines, a reverb decay crossover network, and specialized stereo imaging for unprecedented flexibility.

Revolver provides the most compelling impulse library to date, with hundreds of sounds from rare holy grail out of production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools.

Controls for the total reverb time (in percent and RT60 values), wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available

All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.

Revolver is what convolution reverb was always meant to be.

Eos 2.0 was a massive update our Eos algorithmic reverb. For version 2.1 we rebuilt Eos from bare metal, increasing stability and compatibility across all platforms. The all-new user interface is fresher looking as well as more amenable to touch control. This, combined with its new preset management makes Eos 2.1 a breeze to use.

Choose!

Eos 2 consists of four high-quality reverb algorithms, custom-designed for us by ValhallaDSP with the modern production environment in mind. Three different plate simulators and the Superhall algorithm deliver a broad palette of reverb flavours.

Control!

With its entirely procedural, resizable GUI, Eos offers understated beauty and an excellent user experience that adapts to your visual needs. With version 2.1, Eos not only looks coherent across all platforms, but its slick preset manager also enables you to use and share your creations across hosts and devices. It just works.

Shape!

Eos 2’s controls put you in the driver’s seat. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. Where Eos really comes into its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs.

Filter!

Eos 2’s EQ section offers precise control over the spectral character of your reverb. The addition of crossover controls makes its algorithms more flexible than ever. From surgical adjustments to the experimental - it’s all right there at your fingertips. Want boomy bass and sizzling top-end? We’re not telling you to do that. But you can!

ADverb2 is a full update of our classic ADverb (originally named "Reverence") vintage digital plate reverb. We took the DSP code from the original, greatly expanded the maximum decay time, and created versions for all popular plugin platforms.

Electromechanical Reverb

The lush sound of plate reverb – with a modern twist.

The unmistakable plate reverb sound – warm, rich and spacious – is now at your fingertips.

Inspired by the original EMT 140 plate reverb, we captured the gorgeous sound and vibe of this studio classic and turned it into a fun and musically inspiring plug-in. And we couldn’t resist pushing the limits of reality, so we added a couple of fun twists that let you take Little Plate to spaces the original hardware only dreamed of.

Simple Control, Infinite Possibilities

Once we recreated the iconic 140 sound, we couldn’t resist going even further.

While the original reverb could only muster a modest five seconds of reverberation time, we pushed that number higher. A lot higher. With Decay Time set to infinity, Little Plate’s reverb tails never fade away.

Cut the Clutter

Keep your reverb and your mixes clean with the built-in Low Cut filter.

Sometimes the low-frequency build-up in reverbs can get a little out of control. Use the Low Cut control to tame those boomy bass frequencies.

Space Modulator

Flip the Mod switch to introduce slight modulation into the reverb tail.

These subtle and chaotic variations can result in a thicker and smoother sound, especially at long decay times on pitched instruments like keys, guitar, and voice.

Heavy Vibes

At Soundtoys, we’ve got a reputation for obsessing over legendary hardware. But when we decided to build our first reverb plug-in, we went farther than ever before. We collected five EMT 140s from around the country and gathered them in our lab.

We tuned them up. We teched them out. We went to the chiropractor (that’s one and a half tons of plate reverb). Then we took our time listening and testing, zeroing in on a sound that we think captures the classic EMT 140 vibe. Warm, rich, spacious and slightly dark, Little Plate packs the essence of plate reverb into one little plug-in that won’t break your back.

A Little Plate History

The EMT 140 uses a magnetic transducer to vibrate a massive sheet of metal, sending the result back to the engineer via a pickup that captures the resulting reverberation.

The EMT 140 was introduced in 1957 and was capable of dense and smooth reverberation unlike anything the world had heard. While it doesn’t exactly sound like a real room, it has a beauty of its own, which is why plate reverb is still such a sought-after sound even many decades later. 140s are getting hard to find though, and replacement parts even harder. Not to mention their sheer size and weight keep them out of reach of the average studio.

8-BIT / Chiptune Echo Reverb Effect

miniVerb is an 8-bit/chiptune and lofi reverb effect inspired by the sound of 80s game consoles and retro computers.

Early consoles didn’t have much power for DSP effects, so the video game composers at that time had to improvise. The most common way to add a sense of space/reverb to the sound was to sacrifice one of the internal tracks to play a delayed version of the original sound, essentially using a slapback echo to add depth.

The technique evolved and eventually, consoles started to take advantage of more power for real internal effects.

miniVerb recreates that classic digital echo/reverb sound, made famous by iconic consoles such as the NES and SNES, topping it with two flters (post/pre), vibrato, and crusher (bit crusher, downsampler, pitch shifter).

Echo Section and Tips

The Echo Section can be used to simulate the tricks used in early video game consoles to add a sense of space/reverb to the sounds.

The most common way was to sacrifice one of the internal tracks of the sound chip to play a delayed version of the original track, essentially creating a slapback echo effect.

To achieve this NES-like reverb sound, you can use a single delay line, very short time, no feedback, and width set to mono.

To simulate a 90s fake reverb/echo (like the SNES) instead, you can play with longer times and add some feedback to simulate a reverb tail.

For a more modern approach, you can switch the Echo to Double Delay Line by clicking on the blue button (in the top-left corner) and increase the width to a wider setting.

Classic Consoles

miniVerb was inspired by the sound of classic game consoles and retro computers of the 80s and 90s.

For even more 8-bit/chiptune sounds, check out our synthesizer plugin miniBit.

Reverb Time Machine

The SP2016 was the first programmable studio rack processor. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual EPROM chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski.  The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.

Six Distinct Reverbs

The SP2016 reverbs have attracted a loyal user base by using a particular blend of art and science - the end result is an effect that sounds natural and distinctive. The plug-in includes authentic emulations of Room, Stereo Room, and High-Density Plate algorithms, each available in two versions: Vintage and Modern. The Vintage algorithms are true to the original box, all the way down to the bit-depth. The Modern algorithms are brighter, more diffuse, and use a higher bit-depth.

The algorithms naturally emulate every aspect of the sound of a real physical environment – from the complex early reflections to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. It’s a powerful simulation that lends itself to parametric control.
 
Sitting in the Mix

With the unique Position control, the ability to make a reverb effect that sits perfectly in your mix is as easy as moving one slider. This powerful tool allows you to take your listeners from the back of the room all the way to the stage while retaining all of your other settings.

Early Digital Echo & Reverb with Shimmer

Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line.

When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and all-pass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable.

That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.

We extended this technique by making the Echo tap recirculating with the Diffusion section, allowing longer reverb tails. Furthermore, you can easily edit all taps to create your own room responses, resonant combs, Karplus-like tuned delay lines, Chorus, Flanging, Vibrato and much more.

From v1.1 we introduced new features like Shimmer, internal Sample Rate reduction (useful to get a vintage digital sound) and Stereo Width (Ping Pong delay).

From v1.3 we introduced a Swell feature that will smooth the transients of the incoming signal, with its attack time automatically matching the delay time. This new feature works great for ambient guitars, intense endless pads and much more.

From v1.5 we introduced Pre-Delay, Modulation Boost and a 3 Band Feedback Equalizer on the new Echo editor page.

Changelog v1.7 (February 2020)

• NEW: HQ Mode
• NEW: Newsfeed
• NEW: VST3 plugin format
• FIX: Mac OSX Catalina support
• BREAKING CHANGE: Dropped 32bit support

Verberate 2 with the Revolutionary Vivid Hall Algorithm

When it comes to reverb, it’s all about the sound quality. Verberate is an algorithmic reverb plug-in that simulates real acoustical surroundings with exceptional realism. The first Verberate version already raised the bar. Version 2 introduces the Vivid Hall algorithm that adds time variance to avoid the stiffness that plagues convolution based reverbs while preserving the natural high-density reverb tails of Verberate 1.

Real acoustical surroundings will have slight variations due to air currents, moving performers or movements in the audience. While these variations may seem subtle, the effect towards the end of the reverb tail is significant, since the sound is reflected a large number of times before the reverb tail fades out. The new Vivid Hall algorithm models these random variations without artifacts like chorus effects or pitch changes, and is therefore capable of simulating reverberation of real halls with a higher degree of realism.

The decay editor makes it possible to sculpt the reverb tails by setting up frequency-dependent reverb times. There is also a powerful output equalizer integrated.

Another new feature is the ability to better simulate mechanical plate reverbs. High frequencies travel faster in metal plates than low frequencies, and this effect is called frequency dispersion. Verberate 2 now has a Dispersion parameter which allows for highly realistic plate reverb simulations when combined with the decay editor to simulate the longer high-frequency decay of plate reverbs. A new Swirl parameter makes it possible to simulate the feedback modulation effect found in many vintage digital reverb units.

The 15 early reflection patterns offered are algorithmic, calculated in real-time and applied using convolution. A dense and resonance-free late reverb tail follows the early reflections, resulting in extremely convincing room simulations with impressive depth combined with the flexibility algorithmic reverbs are known for.

A large catalogue of beautiful factory presets is delivered with Verberate 2 and a clear and to-the-point graphical user interface simplifies the search for a specific reverb quality.

Highlights

• Highly realistic simulation of real acoustical spaces and mechanical plates
• The new time-variant Vivid Hall algorithm goes beyond convolution
• Powerful decay editor allows frequency dependent reverb times
• Versatile integrated output equalizer

Classic Stereo Reverbs for Music

PhoenixVerb brings clear, lifelike dimensions to your mixes. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music.

Clean, Natural Spatial Reflections

The go-to reverb plug-in for top producers everywhere, PhoenixVerb is designed to generate authentic reflections and bring realistic depth to any music production. Instantly place your performers in a pristine studio setting, a resonant echo chamber, or any other sonic environment you can dream up.

Clear, Natural Reverb Algorithm

PhoenixVerb’s neutral spatial reflections fit any music production. Create a reflective hall for your piano, a large, resonant chamber for your vocals, a tasteful plate for your percussion.

Powerful and Precise Control

A sophisticated and powerful user interface perfectly complements the high-quality reverb algorithm itself. With just the right balance of control and intuitiveness, you’ll have no trouble dialling in the exact tone your tracks demand.

Extensive Sonic Versatility

With over 900 spaces to choose from—including room, plate, hall, chamber, and more—you’ll never find yourself at a loss for articulate spatial effects, no matter how tight the deadline for your project may be.

Key Features

• Realistic stereo reverb algorithm
• Dimension- and frequency-shaping controls for each stage of the reverb signal
• Global high- and low-pass filters
• Independent output controls for attack, early reflections, and tail
• Clear, informative frequency display and responsive UI
• Over 900 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Classic Character Reverbs for Music

R2 introduces a lush, colourful stereo reverb algorithm to Exponential Audio’s familiar design. Use the chorus and gate effects to colour and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.

Rich, character-filled reflections bring a unique colour to your music

Your music production deserves a reverb tone as unique as the music itself. R2 employs a reverb algorithm designed to colour and compliment stereo music productions, making the reflections themselves a musical element. With a comprehensive and precise control set, R2 has everything you need to put the final polish on your next music project, no matter the genre.

Give your reverb some character

R2’s rich, musical reverb algorithm introduces more movement to the reverb tail, producing unique, expressive reflections like chorused guitar textures, dark rooms, vibrant vocal halls, and more.

Get creative with modulation and dynamics effects

Use the Chorus module in R2 to create different textural effects, or the input-driven Gate to dictate exactly where and when your reverb is most prominent.

Spatial reflections you’ve never heard before

R2’s preset bank blends classic plate, room, chamber, and hall reflections with tail modulations to create exciting, dimension expanding spatial effects.

Key Features

• Lush stereo reverb algorithm
• Easy-to-use modulation effects in Chorus module
• Use Gate to duck reverb and create space in a mix
• Dimension- and frequency-shaping controls for each stage of the reverb signal
• Global high- and low-pass filters
• Independent output controls for attack, early reflections, and tail
• Clear, informative frequency display and responsive UI
• Over 1,200 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Natural Stereo Reverbs with Powerful Control

NIMBUS elevates the signature Exponential Audio reverb engine with surgical controls and timbral effects. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music.

Make your Space your Space

NIMBUS gives you comprehensive control over the tone of your reverb while maintaining the authentic reflection clarity pioneered by PhoenixVerb. By introducing filter slope and frequency controls for the reverb signal’s attack, early reflections and tail components, as well as overdrive and compression modules for the global reverb signal, NIMBUS lets you colour the tone of your reflections with outstanding accuracy and precision.

Crisp Reverb Tone with your Own Unique Signature

Exercise complete control over your reverb timbre with six filter types for your early reflections and reverb tail. NIMBUS offers an Attack module with four reverb types, Tail control with independent delay, suppression, and recovery parameters, and Early control over the reverb algorithm pattern.

Tempo-Sync your Pre-Delay and Reverb Delay

NIMBUS just got a lot more musical with tempo syncing! Select the rhythmic note value you want, then either tap in the beat or have it follow the tempo set in your DAW to quickly lock in your reverb timing.

Warp: Colour Gently or Mangle Dramatically

NIMBUS’s Warp effects provide exciting creative tools to add character and sophistication to your reflections. Use the Overdrive module to introduce expressive harmonics or edgy, aggressive resonances, or use the built-in Compression module to shape a more consistent and powerful reverb tone.

Key Features

• Natural stereo reverb algorithm
• Warp controls with compression and overdrive
• Pre-delay and reverb delay adjustable by tempo
• 5 additional early reflection patterns and additional plate reverb algorithm
• Dynamic tail suppression to lower reverb in louder parts of a mix
• Over 1,200 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Lush stereo reverbs with powerful control

R4 delivers the historic warmth of time-tested reverb hardware units with expanded creative control. Add personality and depth to your music with reverb designed to color your mixes without compromising clarity. For less traditional projects, use creative effects like Warp and Freeze to mangle your reflections beyond recognition and create twisted time effects to take your audience by surprise.

Vintage reverb, contemporary design

For decades, audio engineers have sworn by the warmth and color of reverb hardware units to bring life and fullness to their mixes. R4 delivers the classic reflections of vintage hardware with the control and versatility of present-day DSP technology. With a comprehensive parameter toolset and modern creative effects, R4 is a refreshing take on tried-and-true reverb tone.

Classic reverb meets modern technology

R4 uses an updated R2 algorithm to bring the sought-after character of vintage reverb hardware to your DAW, delivering retro tone coupled with modern filtering and gain controls for an update on the vintage reverb experience.

Stop time and space with Freeze

Freeze gives you the ability to easily stretch an instant of reflected sound into infinity, and can also be combined with the Warp module’s overdrive and compression to craft a dramatic sustained reverb drone or striking cinematic ramp effects.

Make your reverb a little more musical

With the ability to sync to the tempo of your session, R4’s global pre-delay, reverb delay, and dynamic tail suppression integrate seamlessly with your music to place the reverb into the groove for a balanced mix in any musical context.

Key Features

• Lush stereo reverb algorithm
• Warp controls with compression and overdrive
• Create ambient drones and texture with Freeze
• Pre-delay and reverb delay adjustable by tempo
• Chorus and Gate modules for musical effects
• 5 additional early reflection patterns and an additional hall algorithm
• Dynamic tail suppression to lower reverb in louder parts of a mix
• Over 1,200 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Clean multichannel reverbs

PhoenixVerb Surround delivers the signature transparent reflections of PhoenixVerb, now with multichannel support up to 7.1. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround’s comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.

More channels, fewer limits

Just as the stereo version of PhoenixVerb has cemented its place in the workflow of music producers everywhere, PhoenixVerb Surround has earned the same indispensability in post production workstations the world over. Multichannel support through 7.1 surround makes PhoenixVerb Surround the ideal post production tool for introducing natural, authentic reflections to bring depth and realism during ADR work or foley mixing.

Up to 7.1 surround support

Add the signature depth and clarity of PhoenixVerb to your mix in any surround post production setting up to 7.1. In addition, PhoenixVerb Surround’s 3D connectivity allows you to link multiple instances for even more complex multichannel work.

Natural, transparent reverb engine

Whether it’s ambience matching for a low-budget indie film or orchestral mixing for a high-profile post production job, the PhoenixVerb algorithm delivers authentic, realistic room reflections, perfect for any post production work.

Advanced versatility and precision

The most useful audio tools provide an appropriate balance of technical power, flexibility, and ease of use. PhoenixVerb Surround delivers on these fronts with over 900 presets and filtering, delay, and gain controls to shape your reverb perfectly for your mix.

Key Features

• Natural reverb algorithm
• Surround support up to 7.1
• Advanced control of reverb tail and early reflections
• Additional delays and gain controls to work in complex multichannel mixes
• 3D controls link multiple plug-in instances
• Over 900 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Realistic surround reverbs with advanced control

Create natural surround environments for your mixes with unrivalled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job.

Depth and clarity for complex channel configurations

Stratus’s clear and realistic reverb algorithm brings crisp, authentic dimension to any post production session in surround formats up to 7.1. Refine your tone with ease and precision using Stratus’s thorough, channel-specific timbre and timing controls to create the perfect atmosphere for your next project.

Versatile, comprehensive surround support

With support for up to 7.1 channels, Stratus is right at home in any industry-standard surround workflow. Generate clean, articulate rooms for dialogue mixing, or capitalize on the multichannel capabilities for wide, deep reflections.

Detailed gain and filter parameters

Comprehensive controls let you decide which parts of your reverb are most present. Control the tone and depth of your reverb on every level with independent EQ filters for the input, early reflections, and tail.

Channel-specific delay and level controls

By specifying placement and timing of the reflections in each channel with the Balance module, Stratus helps you craft the most compelling, realistic sound environment for your audience.

Key Features

• Natural surround reverb algorithm with support up to 7.1
• Channel-specific control over reverb delay and gain
• Advanced control of reverb tail and early reflections
• Pre-delay and reverb delay adjustable by tempo
• 3D controls link multiple plug-in instances
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Natural reverbs for surround and immersive formats

Create immersive surround environments with unrivalled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job.

Impeccable reverb tone for ever-expanding audio environments

With the growing prevalence of immersive surround formats like Atmos, Auro, and beyond, there are more sonic possibilities for visual media than ever before. Stratus 3D is the perfect reverb engine for these new production formats. Aside from producing reflections with stunning clarity for up to 24-channel surround, Stratus 3D provides you with precise parameter controls to help you shape and refine the perfect spatial tone, channel by channel.

Uncompromising surround and 3D support

With support for up to 24 channels, including Atmos and Auro 3D, Stratus 3D is right at home in any multichannel workflow. Generate clean, articulate room feel, or capitalize on the 3D height expansion capabilities for wide, cavernous reflections.

Detailed gain and filter parameters

Independent input, early reflection, and reverb tail EQ filters let you decide which parts of the reflections are most present in the mix, so you control the resulting tone of your reverb on every level.

Channel-specific delay and level controls

By specifying the placement and timing of the separate vertical and horizontal reflections in each channel with the Balance module, Stratus 3D helps you craft the most enthralling, realistic sound environment for your audience.

Key Features

• Natural reverb support up to 24 channels, including Atmos, Auro 3D, NHK, and more
• Channel-specific Balance controls for top and main signals in Atmos and other immersive formats
• Advanced control of reverb tail and early reflections
• Pre-delay and reverb delay adjustable by tempo
• Warp controls with compression and overdrive
• 3D controls link multiple plug-in instances
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Lush reverb for surround and immersive formats

Our lush, colourful reverb engine gets a 24-channel upgrade in Symphony 3D, bringing rich modulation and dynamics effects to any surround music or post production. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony 3D combines the creative power of R4 and R2 Surround while pushing their capabilities even further.

The ultimate tool for lush, musical multichannel reverb

Symphony 3D is Exponential Audio’s flagship reverb offering. The character reverb engine of Symphony receives 24-channel surround support, making it perfect for crafting distinct, captivating spatial effects for any multichannel music or post projects. With independent parameter modules for the Attack, Early Reflections and Tail of your reverb signal, plus channel-specific Balance controls and creative modulation and dynamics effects, no other reverb plug-in gives you this much control over your multichannel reflections.

Stretch time with Freeze

With the ability to create ambient textures and pads via the Freeze function, Symphony is not your average reverb plug-in. Freeze captures a moment of reverb in time and extends it indefinitely, making it a great tool for generating drones and textural effects.

Overdrive and Compression modules via Warp

Symphony comes with Warp tools to bring out specific resonances in your music’s reflections and maximize the overall reverb signal. When used in conjunction with Reverb Freeze, you can create nearly limitless original spatial effects for your music.

Expanded controls for creative precision

Tail Suppression and Recovery ensure that Symphony’s reflections won’t overcrowd your mix or obscure any original audio. Use the Balance module for channel-specific delay and level controls to decide when and where your audience hears the reverb in your mix.

Key Features

• Lush surround reverb algorithm
• Up to 24 channels, including Atmos, Auro 3D, NHK, and more
• Channel-specific Balance controls for top and main signals
• Advanced control of reverb tail and early reflections
• Channel-specific control over reverb delay and gain
• Freeze, chorus, and gate for musical effects
• Over 1,700 presets (rooms, plates, halls, chambers, and more)
• EuControl support

Vintage Spring Reverb + Baxandall EQ

Springs is a plugin which features a collection of vintage spring reverbs paired with an authentic Baxandall EQ emulation. Springs features emulations from 8 types of spring reverbs, ranging from a long 6-spring pipe to a tiny battery-powered single-spring unit. We have used a combination of convolution and modelling to recreate the vintage character of each reverb.

Spring reverbs were usually paired with tone stacks from guitar amplifiers. Springs features one of the most iconic and unique sounding tone stack equalizers: the Baxandall EQ. A classic Baxandall tone stack usually features just the bass and treble bands, but we have also added a Mid band (with control over the Q).

Baxandall EQ

The Baxandall EQ is a classic type of EQ, mostly found in guitar amps, and usually limited to just a single tone control or two bands (bass and treble). We have added a third band (mid with Q control) to shape the reverb sound further.

One important characteristic of the Baxandall EQ is that the bands interact with each other. This may seem like an unwanted behaviour, but it’s one of the reasons why the Baxandall EQ curves are smooth and musical.

Bandwidth

While with the Baxandall EQ you can shape the sound of the mix (dry+wet) or just the wet signal, with the Bandwidth control you can filter the input signal that goes into the spring emulation.

Some springs have a boomy low end, some are too bright and boingy. By limiting the bandwidth of the signal you can dampen these characteristics.

Experience the Revolutionary Vivid Hall Algorithm in 3D

Verberate Immersive 2 is a surround and 3D capable edition of Verberate 2 — our algorithmic reverb plug-in that simulates real acoustical spaces with exceptional realism. Verberate Immersive 2 replaces Verberate Surround and supports all common surround and immersive formats up to 7.1.6 channels. The new Vivid Hall algorithm adds time variance to avoid the stiffness that plagues convolution-based reverbs while preserving the natural high-density reverb tails of Verberate Surround 1.

Verberate Immersive 2 was developed in close cooperation with professionals in film and TV post-production. Great efforts were made to create a tool that not only delivers best-in-class audio quality but also delivers results quickly through a well thought out workflow. Verberate Immersive 2 offers complete and independent control over the panning of the dry sound, late reverberation and early reflections. The panners work in up to three dimensions and have adjustable divergence. The pan positions and divergences are visualized and adjusted in an intuitive way, thus simplifying the automation of complex movements.

The decay editor resembles a fully parametric equalizer and allows you to set frequency-dependent reverb times quickly and effortlessly. Additionally, there are integrated and fully parametric input and output equalizers, each with five bands.

A large catalogue of beautiful factory presets is delivered with Verberate Immersive 2. A search button allows you to find the desired preset quickly. A clear and to-the-point graphical user interface simplifies the search for a specific reverb quality.

Highlights

• Supports all the common surround and immersive formats up to 7.1.6 channels
• Powerful integrated panning tools
• The new time-variant Vivid Hall algorithm goes beyond convolution
• Powerful decay editor allows frequency dependent reverb times
• Input and output equalizers with up to five fully parametric bands

Reverb In A Class Of Its Own

Introducing Comet – a reverb of unparalleled lushness and versatility. Envelop yourself in breathtaking textures of sheer beauty while creating living, breathing space in real time with Comet’s unique preset morphing capabilities. Experience trails of beauty that are pristine, dramatic, and one-of-a-kind.

Dynamic, Fully Automatable Spaces

EAReverb 2 is a 100% algorithmic reverb plug-in (32/64-bit VST2, VST3, AU, AAX).

It features the “Natural” core engine of the original EAReverb but also brings a plethora of new algorithms and functionalities accessible from a totally revised user interface.

Compared to the former EAReverb which focuses on simulating natural environments, EAReverb 2 can then be considered as a more holistic answer to your reverb needs.

SIX DIFFERENT ALGORITHMS

Natural (XXS>XTREM): Formerly conceived for the original EAReverb, this algorithm provides smooth and natural results by avoiding metallic artefacts and by offering an adjustable level of subtle randomness in the late reverb.

Bright: Compared to “Natural”, using Bright is like adding carbon dioxide to source water.
Just consider high frequencies as bubbles and you will get the idea of what can be obtained from this algorithm.

Alu Box: This one provides a tamed and metallic sounding reverb as what you might expect from a spacecraft or an empty metal tank.

Auditorium: Auditorium is the most extended version of the original EAReverb core algorithm. It offers a wide range of possibilities from natural to artificial results. It features “bright” and (perceived) “distance” parameters.

Plate: A mono to stereo algorithm featuring bright and modulated characteristics of some classic high quality reverb units.

Reverse: A synchronisable reverse algorithm that provides the “whoosh” effect some are in quest of.

THREE OPERATION MODES

PRO Mode: gives access to all parameters and modules.

SE Mode: a limited but easy and fast alternative interface to the PRO mode.

POS Mode: provides specific tools that will help you to dynamically set the location of incoming sounds in the space simulated by EAReverb 2.

ADVANCED MODULES

EARLY REFLECTION EDITOR

MULTI-BAND MODULE

Pre Mode

Post Mode

GATE MODULE

Level

Transients

PRESET MANAGERS

Upgrades

• Upgrade from EAReverb 1 to EAReverb 2: HERE 
• Upgrade from EAReverb SE to EAReverb 2: HERE

MConvolutionMB is a zero-latency convolution plugin that's ideal for processing recorded, or generated impulse responses (IRs). It is simply perfect for simulating halls, rooms, boxes, microphones, and even other plugins! It also contains filter generators and an integrated reverb.

Features

• File manager with automatic stitching - integrated file manager explores the internal IR library or the global file system letting you choose from your own impulse response libraries. The plugin loads WAV, FLAC and MP3 files, recognizes even multichannel waves and combines multiple files together for multichannel usage with several topologies such as true-stereo. Length of the impulse responses is only limited by your computing power.
• Integrated reverbation and filter generator - besides loading IRs, the plugin can generate some. This covers a few types of reverbs with several adjustable parameters and a filter generator usable for some technical operations.
• 2 impulse response per band with modulation - each band can have 2 IR generators of any type, file, reverb or filter, and using a simple slider you can control ratio between these two to create extremely realistic dynamic reverbs. By attaching the slider to one of the modulators you can easily make this process completely automatic yet extremely versatile. 
• 1-6 fully configurable independent bands built on 3 perfectly transparent crossover algorithms (analog, linear-phase and hybrid) with fully adjustable limits and input gains. Includes peak meters for all bands and the master.
• 4 global modulators - in each instance you can have up to 4 fully-featured modulators that can modulate any set of parameters including other modulators! In this way you can make the sound move in time, be less static and more interesting. Each modulator works as LFO, follower, midi/audio triggered ADSR envelopes, a pitch detector or even a combination.
• Up to 8 channels surround processing - our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
• Automatic synchronization to host tempo - every oscillator and modulator in the plugin can automatically synchronize to the host providing as natural a sound as possible while not offending other tracks.
• MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• 64-bit processing and an unlimited sampling rate, recommended maximum is 384kHz.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!

MReverbMB extends the possibilities well beyond that of standard quality reverbs by allowing you to process up to six distinct bands simultaneously. This reverb plugin can provide everything from extremely realistic halls to unbelievable effects. Engage your distinct originality with our reverb.

Features

• Dual user interface - the plugin is not only extremely versatile, but also quick and easy-to-use thanks to 2 graphical user interfaces. First there is a simple default one with several predefined modes, but just a few controls, which lets you start quickly and easily without any knowledge. All you need to do is choose what you want and use a few knobs. And the plugins also has an advanced mode, which provides all the extreme features the plugin offers.
• Spatial positioning system - using a simple view you can easily drag the sound source and MReverbMB will set all required parameters to make it sound like it is in the specified room and position.
• Fully adjustable 3-band equalizer you can use to control the sound of the reverberation signal, hence the room sound. Each band can be configured to 7 different filter types, has harmonic control and much more.
• Fully algorithmic and true stereo reverb - it does not need separate plate, hall, and room algorithms. Instead it has a huge set of intuitive parameters that allow you to easily emulate any given reverb characteristic. Anything from small rooms to extremely large halls with almost infinite reverb tails...
• 1-6 fully configurable independent bands built on 3 perfectly transparent crossover algorithms (analog, linear-phase and hybrid) with fully adjustable limits and input gains. Includes peak meters for all bands and the master.
• Continuously adjustable oscillator shape - every oscillator in our plugins is defined by a mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), step-sequencer and several methods for algorithmic postprocessing. It is the most advanced approach for defining oscillator shapes.
• 4 global modulators - in each instance you can have up to 4 fully-featured modulators that can modulate any set of parameters including other modulators! In this way you can make the sound move in time, be less static and more interesting. Each modulator works as LFO, follower, midi/audio triggered ADSR envelopes, a pitch detector or even a combination.
• Integrated tube saturation gives the sound a great vintage analog feel.
• Full randomization - using a single button you can generate completely new settings. By clicking the button you can walk through the billions of possible settings and find the best one for you! And if that's too much, you can just hold ctrl and MReverbMB will only slightly modify existing settings.
• Extremely advanced and easy-to-use user interface - our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI's.
• Automatic synchronization to host tempo - every oscillator and modulator in the plugin can automatically synchronize to the host providing as natural a sound as possible while not offending other tracks.
• MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully automatable.

The Classic Sound of a Spring Tank

Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond. Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! The added tube-amp-style tremolo can be routed before or after the spring resulting in an unrivalled ability to craft your own unique reverb sound. Alter the intensity by changing the tremolo depth and adjust the tremolo rate in Hz, or note value when tempo-synced to your project.

Want more control of your tone? Spring has controls to independently manipulate the damping frequency for both the Low and High end. Get even more ring from your spring by adjusting the amount of metallic Resonance present in the High Damping frequency. Guitarists love the revered surfer vibe but all creative musicians will find that Spring makes any synthesizer, drum, or vocal stand out in a mix.

Hyperspace is an algorithmic reverb allowing the user to create algorithms made up of various processors. Vintage, Classic, Retro, Modern, Sci-Fi and Cosmic modes let you combine various algorithms with endless possibilities.

Key Features

Custom Build Your Algorithms

Hyperspace allows you to easily create your own algorithms in a fast intuitive way. From vintage plates or classic hardware to super realistic spaces or out of this world ethereal textures. United Plugins used machine learning to qualify over 20 million sets of values and selected only the best. All you have to do is simply use the pads to get a great sounding reverb that is unique to you.

The Perfect Fit

Too often reverb can wash out your sounds and push them back in the mix losing focus and clarity. Hyperspace gives you 4 extremely useful mixing tools that manipulate your reverb to fit perfectly in your mix. Including spectral noise separation, ducking, transient recovery and more these unique processors give you complete control over the shape of your reverb.

Intelligent Randomization

The dice symbols are smart randomizers that dial-in useful settings to give you great sounding reverbs in just one click. With 3 levels of randomness, you can use them to subtly change the character of your existing sound or unleash chaos to surprise and inspire you.

Intuitive Interface

Hyperspace gives you an amazing amount of control of your reverb, with a simple to use interface. The super clean background disappears letting your eyes focus on the controls that matter, with colour coded zones to help you quickly find your way around the plugin. The GUI is also resizable and HDPI compatible, so it will fit perfectly on any screen.

Smart Control

The parameters in Hyperspace offer extreme value ranges to give you the most flexibility possible while having the useful values tuned to the centre of the controls allowing you to find that sweet spot quickly. Separate controls for Wet & Dry give you maximum control over the balance of reverb, with a link option to give you the typical mix behaviour found in most other plugins. Time-based parameters can be synced to the host tempo to get pre-delay and decay grooving with the beat.

Over 300 Presets

Browse through a wide range of presets designed by pro sound designers and producers. Use them as a starting point, inspiration or convenience without slowing down your creative flow. Any way you choose to use them, they truly showcase the sonic beauty of Hyperspace. You can also use the super-fast copy & paste preset function to share your creations with other Hyperspace users online.

Hassle-Free Software Protection

No iLok, no dongle or internet access is required for activation. This software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

15-Days Unlimited Trial Version for Free

All the descriptions are nothing compared to putting your hands on the plugin yourself. No saving limits. No noises. No boundaries. Engage the plugin in your project and fully exploit its powers for two weeks.

64-bit Audio Quality at ANY Sampling Rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart Bypass

The intelligent way this plugin manages bypassing ensures that you don't get any clicks or harmful noises when automating the parameter.

Important Note: This product is only compatible with Windows operating systems.

Airwalker is a beautiful sounding analogue modelled reverb effect plugin. Sometimes with audio plugins less is most definately more, you dont want to get bogged down with endless amounts of controls and spend all of your time experimenting and not actually creating the sounds you need. Our Airwalker Analogue Modelled Reverb addresses this issue by only having the essential controls at your fingertips.

Airwalker is a high quality reverb plugin with a fantastic analogue sound. This sound can be shaped further using the EQ module which was added in version 2 of the plugin.

Airwalker really shines due to its ease, and the speed in which fantastic sounds can be created. If you are looking for a high quality 'work horse' reverb give Airwalker a try.

Features:

• Analogue modelled reverb module
• Controls for Room, Damping, Width, Drive, Mix
• Full 3 band EQ module with High and Low Pass Filters
• Presets designed by Jason White and TJO (Terry Oxby from Boomtic Records)
• Professional GUI Design
• Very low CPU usage

Waves, Clouds, Sun, Lights, Ambiance, Space, Epic.

Efektor RV3604 Reverb comes with 5 different types of versatile reverbs, found on guitar pedals used on the greatest recordings of the century. RV3604 uses simpler controls so you can create roomy ambience, surfboard crashing waves, far-reaching space, sun-over-the-clouds moments and holy-lights-from-the-sky epicness.

Reverb is the most commonly used effect on every source of every recording. It can be found anywhere from small practice amps to big touring amps. It can also be found on stompbox pedal effects to large studio rack units. Its usage can be somewhat tricky, but reverb is often the fine border between a professional's recording and a beginner’s work. Reverb is a powerful tool to add depth, distance and also to build emotion for the listener. It gives ambience, creates space, and produces a sense of three dimensional to the original sound. 

Taken the algorithms from the sounds of natural spaces to artificially created electrical and mechanical devices, Kuassa Efektor RV3604 Reverb provides five types of Reverb to enhance your recordings:

• Room: Tight and fat roomy sound.
• Hall: Big and wide concert space.
• Plate: Simulated vibrating metal plate. Grainy and unique because the low frequency propagates slower than the high freq.
• Spring: Simulating mechanical springs commonly found on guitar amps.
• Shimmer: Haunting and atmospheric reverb, created by pitch-shifting the reverb tails.

• It does not use any IR files. Early reflections are built "on-the-fly".
• However, switching from a preset to another will immediately put your music or sounds in a place that sounds as expected.

EAReverb SE provides a natural sounding, earthy reverb effect.

• It is able to simulate the subtle reflections of a very small room as well as very large spaces.
• It is suitable for music and sound design.
• EAReverb SE has been designed and "fine tuned by ear" to sound the most possible natural.

What is the difference between EAReverb and EAReverb SE?

EAReverb SE features the same algorithms as EAReverb but provides far less controls and misses the “bounce” capability and the pre-delay host sync option of its big sister. It is aimed at musicians who just want to apply a great sounding reverb the easy way, without having to deal with a lot of parameters. That said, even advanced users (and EAReverb users who can get a free license of the SE version) may enjoy the ease-of-use of this “Starter Edition” in some situations. EAReverb SE is also a very affordable way to start with an intuitive high-quality reverb. And should you wonder whether you need the strengths and flexibility of EAReverb (original) or not, the fair upgrade path should make your initial choice as easy as the “Quick MBS” knob.

Features

• Ultra-natural sounding reverb unit
• 100% algorithmic
• True stereo
• Very easy to use
• Affordable
• Fair upgrade path to EAReverb.
• Free for registered users of EAReverb.

Quality Algorithmic Reverb Plugin

AR1 is an algorithmic reverb plugin designed to sound great on all types of instruments. AR1 sounds amazing on Pianos, Bells, Guitars, and Vocals, but also on more synthetic sounds like Synthesizer leads. Initial Audio have tweaked and tested for thousands of hours to get this sounding just right for any sound source you care to throw at it.

A Reverb plugin is used to make instruments sound like they are being played in a real place (Hall, Stadium etc), an algorithmic (ie realtime) reverb has to recreate this very convincingly or it will just sound “wrong” or fake. AR1 Reverb gives you the ability to create a space of your liking with very simple to use controls. Initial Audio want this to be your go-to plugin for quality reverberation. AR1 sounds great and is easy to use with a high definition interface that is pleasing to work with. Be sure to try the demo and see for yourself.