Press Rewind <<

Reverse rewinds your mixes, instruments, vocals and even effect channels with up to 4 bars of length. Playback everything reversed with this easy to use effect plugin for windows and mac. Especially in modern productions such as Hiphop, Trap and EDM reverse can be a very interesting effect for instrument patterns and arrangement purposes to spice up your productions. The mix knob allows you to blend between the dry and wet signal. Reverse comes with a easy to use interface and can be resized seamlessly to make it look great in every resolution in your daw.

Broadcasting Digital Mixer

Handle All Your Audio Needs Inside-The-Box

cMixer is a standalone software conceived for events broadcasting purposes, including online radios, talk shows, dialogue recordings, speeches, conferences, meetings, podcasting and for small live concerts.

It can handle all your audio needs inside-the-box while using your favourite plugins to process the audio. Automix, Follow and Gate modes will help you to handle multi-microphone broadcasting sessions. This way you can use a computer and a soundcard instead of a hardware mixer to manage your audio broadcasting events.

• 10 Mono Input + 3 Stereo Input Channels
• 5-Band Parametric EQ & up to 4 Plugins Per Channel
• AutoMix Engine Can Handle Multi-Microphone Sessions Automatically
• Follow Mixing Mode
• AutoGate Mode
• 2 Stereo MixBus Sends
• 2 Stereo Outputs
• External Recording Output
• Side-Chain Gain Control for Stereo Channels
• Pink Noise Generator
• WAV/AIFF Recording
• Preset Manager
• MIDI Matrix. Control cMixer Using Your MIDI Device.

Main Features:

Inputs

• 10 mono input channles + 3 stereo input channels (stereo channels can also be used in mono configuration).
• Phase invert. -20dB Pad. HPF. Input gain (+/- 15dB). 5-Band parametric EQ. 4 vst/au plugins. Panorama. Mute & Solo.
• Automixing, Follow & Gate modes available only on mono input channels.

• 3 group channels featuring 5-Band Parametric EQ & 4 vst/au pluings.

• 2 Mix Bus sends pre/post. Dedicated mixing window for each Mix Bus.

• Automixing engine handle the best possible audio performance when working with multiple microphones in real-time, by controlling the output gains automatically and reducing feedback, comb filtering from nearby microphones and any background noise. See how it works here.

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Follow Mode

• This mode allows following the main speaker within a broadcasting session automatically. When activated only the main speaker channel will be listened, the rest of the channels will be muted.  See how it works here.

• This processing mode allows activating or deactivating automatically any channel output depending the output level. This way you can get a clear audio signal from the microphones in use by removing any background noise or feedback coming from other open microphones that are not in use.  See how it works here.

Side-Chain

• A useful feature when playing some music through the stereo channels and want to lower its gain automatically each time that some one is speaking through a microphone.

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Recording

• Stereo/Mono recording. Multitrack recording mode allows recording only the selected input channels.

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Outputs

• 2 Stereo outputs. Out 2 can be also used for reference speakers and to monitor mix busses or recording.
• 2 Stereo Mix Bus Outputs
• 1 External recording output

• Control cMixer using a midi device.

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Audio IO

• The amount of audio physical inputs & outputs for your session depends on your soundcard capabilities.
• cMixer can work up to 192kHz and 24 Bits if your soundcard allows these settings (see your soundcard tech specs).

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Presets Manager

• Store and recall the whole session data.

• For better & faster user experience.

The Ultimate Batch Processing Tool

Real-Time Processing & Recording of Large Amounts of Files

Batch Pro 2 is a standalone software developed for processing a large number of files in one click.

It allows changing the file format, sampling rate, bit depth, pan, stereo/mono files, pitch shifting, frequency shifting, filter, volume and processing the files through up to 8 VST / AU plugins.

Batch Pro can save you a lot of time in the studio when you need to edit a large number of files.

Highlights

• Audio Preview - Preview audio files before and after the batch processing.
• Audio Format - Export WAV and AIFF files. Stereo & Mono.
• Sampling Rate - Export files at 44.1, 48, 88.2, 96 and 192 kHz.
• Bit Depth - Export at 8, 16, 24 or 32-bits.
• Pitch / Freq Shifting - Change pitch from -24 to +24 semitones (Apply frequency-shifting +/- 1000Hz).
• Filters - Process files through HP or LP Filters.
• Plugins - Process files through up to 8 VST / AU plugins.
• Gain Stage - Change gain from -40dB to +40dB.

Synced Band Splitter

Create multiband effects with any plugin

Gaffel is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effects out of any other plugin installed.

Frequency parameters are globally synchronized between different instances of the plug-in if they’re set to the same group, which makes it really convenient to work with in any DAW.

Anatomy

1. Three crossover frequencies - Frequencies will be synchronised among all instances of the plugin that belongs to the selected group. Hold down option key while dragging for finetuning.

2. Four frequency bands - Click to toggle a specific band on/off.

3. Eight different groups - Frequencies will only sync within the selected group

The Virtual Cable For Your Virtual Studio

Blue Cat's Connector is an audio & MIDI streaming plug-in that can be used to transmit audio and MIDI signals in real time between several computers or applications, or create your own routings within a single application, with minimal latency.

Have you ever dreamt to overcome the limitations of your favorite DAW and draw virtual audio and MIDI cables between any places that accept plug-ins?

Have you ever been frustrated not to be able to create feedback loops with plug-ins?

What about connecting multiple applications together, on different computers?

The wait is over! Blue Cat's Connector lets you do all of this, and more! It can stream audio and MIDI data in real time, between any locations that accepts plug-ins: one or several applications, on one or several machines connected to a network.

With precise buffering control, you can achieve the lowest possible latencies: down to 0 samples, when used in a single application.

Its built-in resampling and drift compensation algorithms let you create seamless connections between locations with different sample rates and unsynchronized master clocks: it just works!

Essential Dithering at a Fantastic Price

LINone is your easy to use, lower cost entry into a world of better delivery.  LINone gives you the essentials;  precision, 1st order noise shaped dithering for 16 or 24-bit delivery using LINpro’s superior, modern engine.

LINone provides basic, high precision dithering at a price anyone can afford.  Plus, LINone’s dither is more accurate and better sounding than the dither built into several popular DAWs.  Compare LINone’s exacting action with your DAWs inbuilt dither. We think you’ll be surprised.

DIFIX

A lot of sound cards claim to have a Hi-Z instrument input. But in reality, the input impedance is not high enough to make your pick-ups work properly. And that has a displeasing effect on your instrument‘s signal. If you use one of the kind you definitely need DIFIX to make your directly recorded guitar or bass sound right.

Key Features

What it Does

Soundcard's instrument input is not the same as a proper DI-box. When plugging your guitar or bass directly in it your recording may lose brilliance and sound really dull. DIFIX uses a multi-band dynamic processor to level the sound and adds a little bit of analogue saturation as if you used a real DI-box.

Not Only for Home Studios

Mostly, you will need DIFIX when recording in a home studio with a cheap sound card. But even with hundred-dollar hardware DIs, you may still need a little fix. The question is not IF but HOW MUCH.

First Step Fix

The first step wrong, all track bad. DIFIX should be inserted as the first plugin on the guitar track. After you fix the input imperfection use all your favourite guitar effects and amp simulations.

Easy Operation

All the science is inside this easy looking plugin and so controlling it is no science at all. Simply choose if you are recording guitar or bass and decide how much should DIFIX improve your input signal.

Guitarists, Prepare for More

DIFIX is United Plugins' first electric guitar/bass dedicated effect. But it is definitely not the last. Expect something bigger to use in combination with DIFIX...

Save your Old Records

To play it fair, DIFIX can fix a lot. It can save and help to remix your old records. But if you are serious with direct recording buy a propper DI-box and use DIFIX in a combination with it.

Hassle-free Software Protection

No iLok, no dongle nor internet access is required for activation. United Plugin's software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

Realistic 3D yet Flexible GUI

The photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size - make it smaller to save the valuable screen space, or enlarge it to make it easier to use.

15-Days Unlimited Trial Version for FREE

All the descriptions are nothing comparing to putting your hands on the plugin yourself. No saving limits. No noises. No boundaries. Engage the plugin in your project for real and fully exploit its powers for two weeks.

64-bit Adio Quality at ANY Sampling Rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart Bypass

The intelligent way United Plugins manage bypassing ensures that you don't get any click or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.

Intelligent Sleep on Silence

This plugin intelligently detects whether it makes sense to perform processing at all. And if not, it temporarily turns on sleep mode. In such a state, it requires virtually no CPU at all saves the computing sources for other processes.

A cross-fade effect can be useful but a simple blending of one material into another can be a bit boring. Fortunately, there's now Transmutator which brings transition between tracks, song parts or whole songs to another level of fun and creativity.

More than a Cross-Fade

Transmutator is a cutting-edge tool that crossfades between two inputs in a multitude of exciting ways. Simply place the plugin on your track and feed a second track into its sidechain input. Then use the Mix dial to transition from A to B using various unique modes.

16 (x2) Astonishing Blend Modes

Transmutator offers many creative ways to fade between inputs including Mid/Side, Multi-band, Dynamics, Filtering, Spectral freezing/blurring, Pitch/Frequency shifting and much more. Plus, the Invert parameter changes the behaviour of each of the modes.

Sound Designer's Swiss Army Knife

Blend and fuse 2 audio signals in many creative ways, from spectral morphing to Noise/Tone merging. You will find so many innovative uses for Transmutator, that it will become a powerful tool in your plugin arsenal.

From Classic to Creative

Use the Dry/Wet slider to blend between a traditional volume crossfader to full-on sonic mangling. Find the perfect balance that naturally fits your audio.

Transition Between Track Elements

Automate the mix control in your DAW to effortlessly progress from verse to chorus or build-up to drop. Transmutator will quickly create ingenious transitions to take your music productions to the next level.

Mixing Between Songs

DJs will fall in love with Transmutator for mixing between tracks. Say goodbye to boring song transitions using basic volume mixing and say hello to your new creative crossfader.

Video-makers' Lives Improved

Create effects that follow your video transitions or blend between types of music that normally do not go together well (but you simply have to use them because they fit the picture). Blend between characters voiceovers like never before.

Hassle-free Software Protection

No iLok, no dongle nor internet access is required for activation. This software uses licence files to activate. You can freely use the purchased software on all your computers as long as you are the user.

Realistic 3D yet Flexible GUI

Photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size - make it smaller to save the valuable screen space, or enlarge it to make it easier to use.

64-bit Audio Quality at ANY Sample Rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart Bypass

The intelligent way this plugin manages bypassing ensures that you don't get any click or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.

Important Note: This product is only available as an AAX and is only compatible with newer versions of ProTools (9 and above)

Auto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 & 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of ProTools (9+/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.

ATA is inserted on each track in your mix. The actual latency of all plugin and outboard inserts is then measured using a short burst of audio, or 'ping' triggered from the ATA inserted on the master fader. ATA then calculates and sets appropriate delays for each ATA on each track or bus, bringing all tracks into alignment and providing the tightest timing possible.

Tuning with Cat-Ears

Blue Cat's Hot Tuna is a high precision chromatic tuner plug-in that can dim or mute the signal when active. The reference frequency can be adjusted to support any type of tuning. Hot Tuna is a very simple yet powerful plug-in: you can freely adjust the amount of dimming, an indispensable feature for live gigs!

The reference frequency can be changed (from 430 to 450 Hz), when non-standard tuning is required. Most of the processing is performed in the background so that the tuner does not impact the performance of the real-time audio engine of the host.

All in all, it is a very simple plug-in that will keep you safely in tune!

Legendary Grit and Crunch

Meet the RX950 Classic AD/DA Converter, Inphonik's first effect plug-in, designed to perfectly mimic the whole AD/DA conversion process of the Akai S950 in order to give your music this vintage, warm and crunchy sound with the ease & flexibility of a VST.

Key Features

• Legendary 12-bit resolution
• Perfect modelling of the S950's audio signal path
• Adjustable audio bandwidth (and thus sampling frequency)
• Original steep 6th-order low-pass Butterworth filter
• Stereo or mono operation
• Low CPU consumption
• Adjustable brilliance setting (high-frequency response)
• Graphical interface scaling options (from 1x to 2.5x)
• Parameter value keyboard typing on double-click
• NKS Support

Dead Simple Controls for a Killer Sound

• Input Gain: Makes your sound loud ’n proud with the S950’s unique grit and warm distortion. It is powerful and will help anything stand out in your mix.
• Audio Bandwidth: Controls the target sample rate and analog-to-digital conversion circuitry with an exquisite, yet remarkably subtle, aliasing effect.
• Filter: Controls the S950’s infamous steep low-pass filter. Use it on separate elements, or on any output bus or master section.
• Brilliance: Adjust the Audio Bandwidth's high-frequency response with the Brilliance knob (in Settings/Back panel).

In the Beginning

The Akai S950, one of the most famous samplers from the 80s, is largely praised for its legendary sound. Many consider the 12-bit grit and crunch still unmatched today. But the 12-bit resolution is not all. For over a year, Inphonik studied every bit of this studio gear masterpiece to bring back its unique character to your modern DAW with the RX950.

Stereo Bass Utility

Lowtility 2 is a low-end filter and mid/side utility plugin. It lets you cleanly cut the low frequencies from your mix, and modify the stereo width of the low end.

Width Adjustment

Lowtility 2 lets you adjust the stereo signal of your low-end to clean up bass frequencies. Choose to reduce the width, or make it mono keeping either the mid-channel or one of the left and right channels.

Low Cut

Cut the low frequencies using a choice of 4 different filters, from a gentle 12dB roll-off, to a steep 48dB slice.

Stereo Meters

Lowtility 2 features both a Goniometer and a Correlation meter, visually displaying the phase and stereo information of your signal. The meters can be switched between full band or just the low band.

Loudspeaker Management System

Control loudspeaker systems using your computer & soundcard.

DSP Manager is a 64Bit standalone software developed to manage loudspeaker systems for events such concerts, venues, conferences or any other kind of event that requires loudspeaker management or that requires routing different audio sources to different listening spaces. 

It allows managing complex loudspeakers systems (2-way & 3-way) using a computer, soundcard, midi controller and VST/AU plugins instead of a DSP hardware unit featuring crossover filters.

• 4 Stereo Inputs / 4 Stereo Outputs.
• Built-In Brickwall Limiter.
• 2-Way & 3-Way Crossover Modes.
• Matrix Mode.
• 5-Band Parametric EQ.
• Output Delay Compensation.
• Up to 4 plugins on each output.
• Recording.
• Midi.
• Preset Manager.

Thinking out of the box is part of what the Rob Papen brand ethos is, however, we do not want to lose the fact that plugins should be there for creating music. Well, here we present RP-Reverse which is an FX plugin for the creative minded artist that loves to add different sonic ingredients into their tracks!

RP-Reverse reverses the incoming audio in a creative way, the resulting audio can be tempo-synced to make it easily fit the reversed sound right into your track. With RP-Reverse it is also possible to trigger the recording of the audio (which is reversed) in various ways.

In true Rob Papen style, it’s not just about the main feature! On the reversed signal you can also add distortion, two analog modelled Filters or a Comb Filter.
On top of this, you will also find a handy LFO to modulate the reversed audio and the Filters.

Whilst using RP-Reverse in the creative process we kept in mind that you might like to fade in/out the reversed sound or use a mute button. The top section, therefore, has a separate volume dial for the reversed audio and a separate mute button to make it easy to automate these functions in your music host program.

RP-Reverse is a cool plugin to be used on your drum-loops, vocals or instruments, and for adding ‘thinking out of the box’ type FX to your tracks!

MDoubleTracker is a marvellous natural sounding artificial stereo expander. Need some wide vocals? Or some huge guitars? MDoubleTracker has been designed for just that!

Natural Big Sound, like the Real Thing

Double tracking is a simple old technique, but it's also hard to get it right and takes a very long time, after all, you need to record things multiple times, then you have the timing problems and so on. With MDoubleTracker it is as simple as inserting the effect into your DAW. It will do some magic by varying pitch and delays in both left and right channels to get you that big wide sound, with ease and perfect timing. It can be even used in surround environment.

Good Old Algorithms

MDoubleTracker is based on some pretty old techniques used for decades on some hardware modules such as Eventide H3000. These have been used by high end producers for decades. We just improved them a bit and got you some additional features, just in case you feel creative.

MeldaProduction Goodies

As always you'll find the standard MeldaProduction features: 16x upsampling, M/S, surround support as well as other channel modes, AGC, A-H presets for easy comparisons, and our easy to use integrated help system.

It Just Works!

SlowMo slows down your mixes, instruments, vocals and even effect channels by 100% in realtime. Playback everything in half-speed with this easy to use effect plugin for windows and mac. Especially in modern productions such as hiphop and trap halfspeed has become a common effect. SlowMo´s built in oversampling makes sure the halfspeed version of your audio sounds as high quality as possible. The easy to use interface can be resized seamlessly to make it look great in every resolution in your daw.

Why do I need a plugin for a tool that every daw has?

Yes, this plugin is a pan knob in plugin format. But the truth is, the way traditional pan knobs work kind of sucks for headphone listeners, and according to polls, about 87% of people listen to their music on headphones. Have you ever listened to a mix that had one instrument panned hard to one side? It sounds ok on monitors, but sounds awful on headphones. That’s because traditional panning don’t take headphone listeners into consideration.

Have you ever heard a mix where you have two distinct guitar tones panned to opposite sides, but one dominates the low end and makes the entire mix feel lopsided? That’s because traditional panning treats all frequencies equally, even though our ears don’t.

Pan Knob overcomes this by having a smarter panning algorithm. One that keeps your low frequencies unpanned so that it sounds natural in headphones. It doesn’t do any room simulation, so it isn’t going to mess up your mono mixdown.

Convenient options

Aside from just sounding better, it has a few options to make it more convenient to use. It has a quick “Pan Swap” that will give you the opposite panning position with the click of a button. It has quick one button settings for the most used pan positions. You can choose which pan law is used, and choose between Balance and Pan for your stereo tracks.

Beyond 100%

Sometimes you need to pan a little wider than 100% to either side. Pan Knob lets you go to 120%, to give extra width when you need it.

More Panning Opportunities

When panning with Pan Knob, a whole new world of panning is opened up to you as a mixer. Because it sounds natural wherever you pan your tracks, you aren’t limited by the traditional panning rules that have become standard. You can pan any tracks wherever you want while keeping it sounding good and natural.

Now with VST3 Hosting

Twelve single-process modules

Instantly enhance the functionality of your plug-ins and DAW with twelve different signal modification units. Explore new creative possibilities and quickly add missing features. Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio.

Expand your system

SigMod contains many useful, creative functions which are otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.

• Master & channel strip features
• Signal monitoring & routing options
• Mid/side conversion
• Output level protection
• Frequency banded splits
• 1000's of possibilities...

Use stereo plug-ins in mid/side mode

Add mid/side functionality to classic stereo compressor and EQ emulations, or get creative with mid/side delays, distortion and many other effects by inserting the mid/side encoder/decoder either side of any left/right plug-in instance.

Protect speakers, ears & sanity

Insert the Protect unit across your output bus and this safety module will automatically cut in to prevent bursts of noise or feedback howls due to system errors, saving both your nerves and your speakers. Manual or auto reset options give you the level of protection you need - a real gift when working with headphones!

Tap and crossover

Want to try some parallel processing? Drop in the Tap module and you are good to go. Use the Crossover module to split the highs from the lows to apply different effects to different frequency ranges - great for avoiding muddying up the low frequencies or getting creative with automation and sweep effects.

Host any VST3 plug-in anywhere within your signal chain

Enhance the functionality of your plug-ins and enable multiple new applications. A dual mono option allows for independent processing of two parallel channels, turbo-charging your existing plug-in collection with new creative possibility.

For your DAW

Several of SigMod's modules offer easy access to functionality which is either missing from certain DAWs, or at least complicated to access natively. Solo/mute or trim the left and right sides of a stereo signal independently, or easily flip the stereo image in one click. Quickly detect and correct DC offset to retain valuable headroom.

How does your mix sound in mono? Think about how many listeners will be using a phone or a DAB radio with one speaker - the Mono module switches your signal from stereo to mono in one click. You can also check the phase relationship between your left and right channels with the Phase module.

Your imagination is the limit

With SigMod's creative signal routing - particularly the Mid/side, Tap and Crossover modules - the possibilities are virtually endless, not to mention easy and tweakable.

Ever wondered how your go-to tape emulator would sound in mid/side mode?

Splitting your vocals into 6 different frequency bands and sending each of them to a different compressor?

How about 600 to 800Hz through your favourite guitar amp sim, and the side channels above 13kHz sent to a giant hall reverb? Unusual, but very easy.

"Record it All"

Capture a live event without risking missing a part.

An awesome live show but no time for a slow DAW preparation? Do you risk missing an important part of the event?

Record it all. Simply. Quickly. RecAll.

ParamLink Module of ReSample

ParamLink plugin helps you make parameter connections between two tracks and saves your automation drawing. For example, you can set the volume or cutoff in one ParamLink plugin to follow the change of another ParamLink plugin (or follow reversely).

Air.Play

Radio lets you stream and sample from a diverse list of internet radio stations, both inside and outside of your DAW. Use Radio as a plugin within your DAW when you are feeling creative, and use it as a standalone application when you simply want to listen to the radio.

Once you launch Radio, you can select from a carefully curated list of online stations. The station presets are diverse and include a balance of comedy, sci-fi, police scanners, ambient, spoken word, paranormal and many more, so it’s easy to find something unexpected!

Simple to Use

Radio records the last 30 seconds of any streamed material. Once you hear something you like, select it, save it and drag it into your DAW. Finding new samples to inspire your music has never been done like this before!

The onboard FX section lends Radio the authentic air of real consumer equipment, with 24 processors to make your feed sound like it’s coming through a genuine tube radio speaker, car stereo, phone or another device.

Radio stations focus on diversity, which will keep you coming back for new inspirational material.

Blue Cat's Plug'n Script is an audio and MIDI scripting plug-in that can be programmed to build custom effects or virtual instruments, without quitting your favorite DAW software.

With this plug-in, you can write your own plug-in with very little knowledge about programming. If you do not care about programming, Blue Cat's Plug'n Script can also be used as a regular multi effects processor with existing scripts or to get someone else write this very particular utility you have been searching for years and cannot find anywhere.

If you are an experienced programmer, you will find in Plug'n Script a powerful development environment for audio plug-ins: prototype algorithms quickly, generate a state of the art graphical user interface (GUI) without a single line of code, and export a VST plug-in, right from within your favorite DAW! Creating a plug-in has never been so fast!

This plug-in has been in our lab for several years and has been used to prototype lots of our existing plug-ins. It supports both scripts distributed as source code and pre-compiled binary scripts.

For source scripts, it uses the high performance AngelScript scripting engine, originally developed for video games, with a JIT compiler that helps compiling scripts into machine code for optimal performance. Starting with version 2, the plug-in also supports native (compiled) code and can load binary scripts built from C or C++ (or any language that can export C functions, such as Delphi, Fortran, .Net...), using the same interface as the angelscript version.

The syntax of the AngelScript language is close to Java, C#, C++ or JavaScript, making it very easy to learn. It is also convenient to reuse your scripts into native code, or integrate code snippets found on the web into your script. Also, switching between angelscript and binary versions of the same script is very easy, requiring very few changes.

The plug-in includes dozens of audio and MIDI processing scripts as well as several virtual instruments and utilities to enhance your workflow. They can be used as is, or as examples to get started to write your own scripts. User scripts can be shared in the scripts repository, which also includes the factory scripts and native projects for reference.

Main Features

• Audio and MIDI scripting plug-in.
• Build your own Audio and MIDI effects or virtual instruments.
• Export your effect or instrument as an independent VST plug-in.
• Simple scripting syntax, using either the AngelScript language (similar to C++, Java or javascript) or C/C++ for native code.
• Native binary scripts support (compiled C, C++ or Delphi, Fortran...).
• Fully customizable user interface that adapts to scripts automatically. Build your own using Blue Cat's KUIML language.
• Up to 48 input parameters and 32 outputs, with full MIDI and automation control.
• Use your favorite Integrated Development Environment (IDE) for editing.
• Integrated JIT (Just In Time) compiler for optimal performance (scripts are not interpreted but compiled).
• Includes 56 scripts with source code and 136 presets for sound synthesis, MIDI FX, audio FX (comp, gate, tremolo echo, filters, looper...), waveform generation, file playback/recording and more.
• Side chain input and auxiliary outputs support.
• Surround support (up to 8 audio channels).

Blue Cat Audio Standards:

• Available as: Mac-AAX, Mac-AU, Mac-RTAS, Mac-VST, Mac-VST3, Win-AAX, Win-DX, Win-RTAS, Win-VST, Win-VST3, Win x64-AAX, Win x64-DX, Win x64-VST, Win x64-VST3.
• Native DSP code for optimal performance.
• Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
• No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
• Customizable user interface with transparency management and zoom.
• Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
• Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
• Undo/Redo.
• Full featured integrated presets manager.
• Copy/paste the state of the plug-in between instances using the system clipboard.
• Any sample rate supported.

Mongoose lets you solidify your low end by collapsing your bass frequencies to mono. Out of the box, you will get a tighter, more focused low end. The clear, simple layout makes it so it couldn’t be easier to dial in the exact sound you need.

Here’s the deal: Having a nice wide stereo spread is great. It helps your mix sound more spacious and less cluttered. Instruments seem to fight less and everything just sounds more clear. But our brain reacts differently to a wide stereo spread in high frequencies than it does in low frequencies. Large stereo spread in high frequencies = good. Large stereo spread in low frequencies = not so good.

The problem exists because of the way our ears and brains are used to hearing sounds naturally. With low frequencies, we can’t really detect where a sound is coming from. It’s the high frequencies that lets us know where a sound is coming from.

This can lead to some major issues when mixing on monitors. You might have some low frequencies that are coming out of only one speaker, and you won’t be able to tell. Put on headphones, and it becomes immediately obvious that there is a problem. You can feel your head instinctively turn as your brain tries to figure out why the low end sounds so unnatural.

This is where Mongoose comes in. It takes all those wide low frequencies and puts them right in the middle where they belong. The result is a low end that translates better to headphones and 2.1 systems, and just provides a tighter, more natural sound overall.

This plugin really couldn’t be any easier to use than it is. Just set your crossover frequency, and everything below that is summed to mono. You can also fine tune how wide the stereo image is by adjusting the width knobs. This is the kind of plugin that should automatically be on every master bus.

We spend our professional lives making mixes sound as good as they can – and then hand them on for encoding and distribution. Later we often wish we could have made some improvements. 

What if there was a way to audition and compare up to five audio codecs in real-time? Enter the Fraunhofer Pro-Codec Plug-In. 

Its intuitive display helps you quickly focus on key issues such as codec effect on frequencies, audible artefacts and codec-induced overloads. Optimize your mix for specific formats, such as AAC or MP3, before encoding it using the Plug-In or the separate Manager application for background batch processing.

Blue Cat's Remote Control is a plug-in that allows you to control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface.

Is the user interface of your favourite plug-in is not satisfying? Your favourite hardware device is too complicated to control? Your project contains hundreds of plug-ins and you would like to control them all from a single user interface? Do you need to undo/redo all of your modifications? Would you like to instantly recall all settings of your favourite MIDI devices from your DAW projects? If so, then this product was designed for you!

With Blue Cat's Remote Control, you can choose any type of control (switches, faders, joysticks, knobs) or meter, assign a MIDI channel and CC number to each control, customize its response curve. You can also choose a built-in skin that suits your needs for every instance of the plug-in, or create your own (see the Skins section): this is the best way to create your own user interface to control your entire Digital Audio Workstation (DAW) and external hardware the way you have chosen. Since the Remote Control can also be controlled via MIDI, you can also use it to remap and transform MIDI messages, from one MIDI CC to another, with different response curves or MIDI channels.

Typical applications: MIDI remote control, MIDI CC mapping, MIDI CC values monitoring, transform automation to MIDI and MIDI to automation, custom user interface.

Time and Pitch Manipulation for Pro Tools

élastiqueAAX is zplane’s time and pitch manipulation plugin for Pro Tools. It uses the élastiquePro V3 time-stretching and pitch shifting engine which is integrated in numerous DAWs and satisfies millions of users around the world.  This ensures the highest, program independent time-stretching/pitch-shifting quality.

The plugin interface has been designed to allow quick and intuitive interaction with all parameters for maximum control. élastiqueAAX is an offline Audio Suite plugin, therefore allowing to apply time-stretching and pitch-shifting much faster than real-time.

MAutoStereoFix is a magical tool, that fixes problems in stereo recordings even if you didn't even know there are any! It has been designed for stereo microphone recordings such as overheads and rooms, but can be used on master tracks as well.

Extremely easy to use

MAutoStereoFix analyzes your audio material and automatically matches the volume, time, spectrum and phase of the right channel to the left channel. And if you like it can even match the volume envelope. Just put it on your track and let it do the magic. It's quick and simple and often the results will surprise you, as you would't even know there is a problem until it fixed it!

Stereo checking made easy

No computer can judge the stereo field better than your ears. With MAutoStereoFix you can easily put on your best headphones and listen to individual channels, swap left and right, check the mid... and create a perfect centered stereo field everyone will envy you.

AKAI VIP 3.1

AKAI’s award-winning VIP is the first and only music software that enables you to control your entire VST instrument and FX library directly from any keyboard. Switch patches from all your VST's in one place, instantly access pre-mapped plugin parameters for hands-on knob tweaking, customise pre-set loading from multiple VST's using set lists, and much more.

VIP extends the capabilities beyond what any DAW offers by empowering you to quickly create and play “multis.” A multi allows you to combine up to 8 patches from 1 or more plugins, with the ability to layer, mix and pan these patches all at once.

VIP software users can also create set lists that provide on-demand access to your customised instruments for stage performance and studio work. By simply pressing a single button on any Keyboard, you can adapt to song changes as the live performance progresses without ever reaching for your computer. That's what you want!

VIP also brings you an intelligent patch browser that works across all your VST instruments to let you quickly find sounds based on instrument type, timbre, style or articulation, or simply explore patches you never knew you had!

You'll also love VIP's facilities for browsing, key zone splitting, layering of up to 8 instruments per VIP instance, expansive custom mapping capabilities, and support for any VSTi plugin. You can run as many instances of the Virtual Instrument Player as your computer allows.

VIP is ideal for live performance and a Standalone App with a built-in Digital Mixer.  It also runs as a VSTi, AU, or AAX plugin, allowing you access to VSTi's in virtually any DAW, such as Pro Tools, Logic Pro X and Ableton Live.

Need Content?  

VIP 3 Plus is also available, including a prebuilt Multi Library featuring popular songs, a 16GB download of over 10,000 sounds from industry-leading developers at AIR Music Technology and TOOLROOM RECORDS. This comprehensive collection of Instrument and FX plugins provides you with an instant palette of contemporary, sought-after sounds for both live performance and studio production at a $1000 value.

Key Features:

• Plays virtually every VST-compatible plugin and effects unit.
• Standalone virtual instrument and effects player for your computer
• Organises user’s plugin collection with intuitive browsing by plugin, artist collection, instrument type, timbre and more.
• Includes an Effects Browser allowing users to browse effects by type and audition across multiple plugins with a single click.
• Access, edit and mix up to 8 virtual instruments at one time in a Multi.
• Expanded Multi mixer includes insert effects, send effects, bus tracks and a master output channel strip for total routing control.
• Effects Stacks combine multiple effects into re-usable patches, accessible in the patch list for easy selection and auditioning.
• New | VIPMS - The VIP Native Plugin Map Standard allows 3rd party virtual instrument and effect developers to produce their own plugin maps for enhanced VIP integration and opening their plugins to the superior workflow offered by VIP – Will support the entire EastWest Creative cloud at launch.
• New | MIDI Learn functionality seamlessly maps the controls of any VIP-compatible keyboard (knobs, encoders, faders, buttons) to VIP’s parameters with an ever-growing library of MIDI controller mappings for AKAI and M-Audio controller keyboards included.
• New | Pad Chord Progressions - Play factory or user-defined chord progressions using a VIP-enabled keyboard controller’s pads.
• New | Key Control Modes: Play scales, harmonised chords or chord progressions from a VIP keyboard or MIDI keyboard.

Ever get a new DAW you really .. really … liked, only to realize that you can’t get to some of your favourite plugins because it won’t host them? Stagecraft is talking to you …

• Logic Pro (loads AudioUnits but not VSTs)
• Pro Tools (loads only its own format – AAX)
• Bitwig (loads VST but not AU)
• Garageband (loads AU but not VST)
• Ableton Live (loads VST AU and VST3)

Well, now you can load any 64-bit VST / VST3 / AU plugin in any host. We’ve created an easy to use wrapper plugin that will let you open your favourite plugins anywhere.

The LaunchCraft plugin extends the native functionality of the Novation Launchpad MK2 and Launchpad Pro. When using the Launchpad in Notes mode, instead of being locked into a single note layout, this plugin allows you to choose from a variety of scales and modes, trigger samples from pads similar to a drum machine, and synthesizes sounds using any synth or other VST/AU instrument.

Note Quantization

The LaunchCraft plugin can quantize the pads to a large variety of scales and modes, allowing for easy and intuitive melodic exploration.

Session Mode

In session mode, you can trigger samples much like you would with a drum machine, or the session view of ableton or other DAWs.

Instrument Support

Features:

• Extends the functionality of the launchpad in DAWs without sacrificing
• Maintains existing DAW integrations
• Allows for a variety of sales / modes / layouts on the Launchpad
• Support aftertouch / channel pressure
• MIDI is sent out, allowing you to route the quantized MIDI stream to any DAW native synths
• Can host VST/AU instruments
• Effects Chaining
• One button Record / stack / delete on sampler grid
• LaunchCraft can host any AU/VST/VST3 software formats, even though it is a plugin itself